XIII

That night a storm came up from the sea, and the house rattled and

shook in the clutch of a November gale. The trees that looked like

palms swayed and bent before the wind, and the many-colored leaves in

the garden fled like refugees before an attack, and covered the ground

with their quivering bodies.

We were gathered in the music-room, the cosy warmth from a fire of logs

making pleasant contrast to the snarling wind outside. The evening had

been a memorable one. The woman whose beauty was so delicate had

charmed us with her voice, her playing; charmed us without effort or

knowing how.

From a lounge, Norman's vivacity, which always had in it the quality of

sympathy, illuminated everything that happened. When she sang a little

extract of the eighteenth century, "_Bergère Légère_," it was he

who knew that it had been a favorite of Marie Antoinette's. When she

played the love theme which Puccini gives the strings in the first act

of _Madame Butterfly_, it was Norman who, by a dozen deftly chosen

words, created the atmosphere of Japan and brought before us the cruel

tenderness of Pinkerton's love for Cho Cho San. After Siegfried had

played MacDowell's conception of "Mid-ocean," Norman recalled in a

moment the genius of America's greatest composer, the genius that had

finally crossed the thin barrier to insanity. From that we talked of

the sea, while the wind howled outside, and I spoke of the many moods

of blue that colored it in a single day, and, without giving the effect

of quotation or of monologue, he brought his artistry into play with

three lines of Keats's sonnet "Blue."

Whenever any of us spoke, his sensitive rhythmic intellectuality seemed

to hover about us, acknowledging thought where it struggled to the

surface, adding some subtle touch of color when our efforts seemed too

drab. Under its influence we talked our best, we thought our best, we

were our best.

At nine o'clock Siegfried rose to go to bed, and advanced to shake

hands with me.

"Well," I said, "and do you still intend to be a conductor?"

He smiled a little self-consciously.

"There is much to learn," he said, "and--I do not want to leave my

home."

Norman lit a cigarette--his old mannerism when emotions were taut.

"Parents," he said, "and quasi-parents like us, march straight towards

loneliness. Our greatest concern is to have our children ready to leave

us as soon as they hear the call of the world, knowing that such a

moment will be the proudest and the saddest of our lives."

"Good-night," said Siegfried to me. "Goodnight, Uncle Bubbles." He

turned wistfully to Mrs. Norman, who smiled and linked her arm in his.

"Won't you come along?" she said to me. "Siegfried is very proud of his

room, and would like you to see it." It was her way of hiding her

knowledge that the little chap was frightened by the storm. So we saw

him safely in bed, and admired his books, and wished him pleasant

dreams. We had just left his room and were about to descend the stairs,

when we paused as the sound of rain beating against the house came to

our ears. We hurried about for a few moments seeing that all windows

were closed, and were going to rejoin Norman, when I stopped her.

"Mrs. Norman," I said haltingly, "it is never easy for an Englishman to

express the emotion he feels, but may I tell you how touched I am by

your devotion to your husband? Without you, his life would

be--unbearable."

She did not smile or protest, but her eyes looked straight into mine.

"To live day by day," she said slowly, her fingers playing with a

necklace that hung about her full white throat, "near a soul like

Basil's, to commune with a brain like his ... to feel the inspiration

of his nature that is so in tune with the beauty of the world, is a

happiness few women can experience. If it were not too cruel, I could

feel thankful for his wound that has given him so completely to me."

I stood by her on the creaking stairs as the rain swept in torrents

against the house, and her murmuring tones mingled with the sounds of

the storm.

"Perhaps you cannot understand," she said gently, "but loving Basil as

I do, and having him dependent on me, is a selfish happiness that only

a woman could really know."

And out of the night a truth came to me that, though it never, never

could be mine, the most precious thing in this world is a woman's

heart.

The Blower of Bubbles · 第 34 / 84 题