Now we must put our heads together and think of the outfit necessary for
our explorations. It is not a small undertaking to explore the great
equatorial African forest, and a great many things are required.
It troubles me when I think of our outfit, for I dislike luggage, and I
have learned that the less luggage a man has with him the better off he
is; the fewer wants he has the better off he is; the fewer people he has
round him the more independent he finds himself; and the more he can
help himself the freer and the happier he is. But when he has to buy the
right of way in Africa, he cannot travel with little luggage, for he is
obliged to get a lot of things and goods, not only to give to the Kings
who send him forward, but also for the men who are to be his followers
and carry his goods and outfit. He has to give presents to his hunters,
who face dangers and sometimes death with him.
An explorer has also to take care of his followers, and to have a
fellow-feeling for them when they are ill, so he must take quantities of
medicine for his people and for himself.
If he expects to have some big hunting and to kill birds, he must have
lots of powder and small shot and bullets. He must have shot-guns and
rifles. If he wants to stuff the animals and birds he kills, he must
have the instruments and other things necessary for the purpose.
If the explorer wants to astonish the natives and fill them with wonder,
he must take with him articles that will surely help him to attain that
purpose. The explorer should also have a careful personal outfit, so
that he may not be in want of clothing or shoes before he can return.
So, dear young folks, we have to think a good deal about what we need,
and be very busy before we sail from New York for our destination, the
west coast of Africa, and we are to land somewhere on the Gulf of Guinea
by the equator. We must first buy our goods; money in gold and silver
coins is of no value among the savage Africans. A rod of gold or copper
or brass is the same in their eyes, except that they would prefer the
brass rod to one of silver. The gold or the brass rod would be of the
same value. Friend Paul would have been a poor spirit in a short time if
he had had nothing to give to the natives, and nothing to pay them with
when they carried his loads. In fact, nobody would have carried his
loads; no King would have sent him to another King, and in the course of
time they would have become tired of giving him food for nothing. What
made me a great spirit in their eyes was what I gave them, the strange
things I carried with me.
_Goods to buy._--We must have a lot of beads of different sizes and
colors. They must be opaque--that is, not transparent--if not, the
natives will not take them at any price. The beads are the most
important item of the outfit. In many tribes the natives only wear
strings of beads round their waists, and, if they are rich, also copper
or brass rings, round their necks, or several round their wrists or
ankles. White beads are very much prized by the cannibal tribes, among
whom I have been; they string them in their hair and beards. One must
have black beads--these are prized very much by non-cannibal
tribes--also red, blue, yellow, green, and brown beads. Large beads of
the size of our marbles, and even larger, are very much valued by some
tribes. All these beads are manufactured in Venice, Italy, and nowhere
else.
After the stock of beads, the most important item is that of copper or
brass. You must have a good stock of brass and copper rods about the
thickness of your little finger and 2-1/2 feet long--these are used
round the neck, ankles, and wrists; brass kettle; large shallow copper
dishes about 2-1/2 feet in diameter--with these they make hollow rings
for the neck, wrists, or ankles; a little quantity of cheap cotton goods
with gaudy patterns; a few gaudy coats with sleeves of different colors
to the body of the coat--the natives like bright colors; a few cotton
umbrellas of very bright colors--these and the coats are for chiefs, who
also like opera-hats. No one but people of royal blood in some tribes
can wear high hats, and often a hat is the only thing Kings or Princes
wear.
Red woollen caps; fire-steel and flints together for the natives to
start a fire with; files; knives; fish-hooks; and a good many small
looking-glasses; a few flint guns--the kind known as Tower guns, made
especially for the natives of the Guinea coast; and coarse powder for
chiefs ruling over tribes where the use of firearms is known; a few
bright second-hand yellow and plush waistcoats with large brass buttons
of the size of dollars are also very much appreciated by the people of
royal blood; a few colored shirts. Trousers are of no use. I had to
throw away those I bought for the natives; no one would wear them. Beads
are the most useful to pay the porters with. Of course the explorer
could travel with fewer articles, but the stock I have described is one
that gives him great prestige.
_Medicine._--These are medicines that are essential. The most important
of all is quinine. When not a physician, it is not necessary to take
with you an apothecary shop. I took calomel, morphine, laudanum,
rhubarb, castor-oil, Epsom salts, Fowler's solution of arsenic, ammonia,
a couple of bottles of brandy to be mixed with laudanum, some lancets,
and pincers. Fever and dysentery are the two diseases to be most dreaded
by the white man, especially the fever. Many white men who go to Africa
die of fever. I always used to take big doses of quinine--ten, twenty,
thirty, forty grains at a time, and repeated those doses two or three
times during the day.
_Ammunition._--Let us attend to the ammunition. First we must get some
good rifles that are strong and not complicated in their mechanism, for
the big forest is a bad country for rust; some shot-guns, and also
revolvers and hunting-knives. We must take, if we wish to make a large
collection of birds to take home, hundreds of pounds of the smallest
kind of shot for small birds, and then hundreds of pounds of large-size
shot for larger birds; a great many cartridges, and large numbers of
bullets for the rifles, and buck-shot; steel-pointed bullets and
explosive bullets. Powder for ammunition must always be plentiful. My
ammunition alone amounted to over ten thousand pounds.
_For preserving the skin of animals and birds._--Fifty pounds of
arsenical soap; arsenic, one hundred pounds; scalpels, a dozen; pincers;
big knives, half a dozen; camphor.
I had a peculiar way of preserving my butterflies.
_Things to astonish the natives._--Musical boxes; powerful magnets;
round plain Waterbury clocks; lots of matches; electric battery. Hardly
anything I had astonished the natives more than my musical boxes. When I
used to put these playing in the midst of the street, they thought many
spirits were talking to me. They marvelled when they saw the magnet
holding in the air their knives or spears. My round plain Waterbury
clocks, which only cost me a dollar apiece, were of great service to me.
I used to hang them outside of my huts, and the tick-tack used to
frighten the natives, and they did not dare to come round my huts at
night, for they thought the noise inside the clock was made by guardian
spirits. The matches were objects of great curiosity to them, and a
present of a box of matches to a King, or even a few matches, was highly
prized by him. The electric battery used to bring terror into their
hearts after they had received a shock.
_Provisions._--A little stock of rice, for it takes time to get
accustomed to the food of the country, which is chiefly of plantain and
manioc. I had some flour, for I intended to make my own bread on the
coast. I had coffee--coffee and quinine I never was in want of. I had
two little filtered coffee-pots. The forest was so full of malaria that
very seldom I woke without a headache in the morning, and the first
thing I did was to make a cup of coffee; after drinking it my headache
went away. Do not forget to take salt with you, for salt becomes
priceless in the interior, and to be without salt is a great privation.
A thorough explorer who goes in wild and unknown regions must find his
way by astronomical observation, so that he may be able to present a
reliable map on his return. This part of the outfit alone is quite an
item and somewhat expensive, for not only must you have instruments to
find out your longitude and latitude, but you must have others to give
you the height of the country, the temperature in the sun and in the
shade. You must have a number of watches; these are absolutely necessary
in order to know your longitude. Never mind if they do not go very well;
but you must time the space of time by minutes and seconds between the
observations.
_Scientific instruments._--Five watches; one I wore at home, and four
were specially made for observation. They were large, and of silver, and
made especially for me. The hands were very black, and so were the hands
marking the seconds, so that the minutes and seconds could be distinctly
seen. If my watches had stopped, I should not have been able to find my
longitude--that is, to know how far east or west I was. Four sextants;
one for taking altitudes of the stars and planets, in connection with a
lunar (a lunar is to find the distance between the moon and one of the
eleven lunar stars), to an artificial horizon--that is, an improved iron
trough which I filled with quicksilver kept in an iron bottle, to
imitate the sea; on this the stars were reflected, and with the aid of
my sextant I could see when they were on the meridian. Three
thermometers for knowing the height of the country by boiling water; two
thermometers to know the heat of the sun, marked to 230°; three other
thermometers, graduated for Fahrenheit and Centigrade. (I wish we might
give up the Fahrenheit, for it has no scientific basis.) Three aneroids
to know approximately the height of the country while on the march, to
avoid making observations by boiling water, which takes so much longer
time; two telescopes; four compasses; universal sun-dial; two magnifiers
or reading-glasses, to find out quickly the degrees, minutes, and
seconds marked on the sextants; one extra bottle of mercury, containing
seven pounds, for artificial horizon; rain-gauge, to find out the amount
of rain falling in the country; scale; two protectors, circular, with
compass rectifier; paper, slates and slate-pencils; nautical almanacs
for four consecutive years; memorandum-books for keeping journals.
Skeleton maps, ruled in squares. Note-books.
_Clothing._--This item is a very important part of the outfit of the
explorer. I was more afraid to be without shoes than anything else, for
if the worst came I could have made garments with the skins of goats,
gazelles, or antelopes. Clothing of wool is of no value whatever in the
jungle. After a few hours nothing but shreds would be left. Twill goods
which are strong are the best. These should be of dark blue, which
become lighter in color as they are washed. No coats, but a certain kind
of blouse, as here represented, of very strong material, just as strong
as the trousers, with many pockets, etc. The shirts must be of gray
flannel, just like our common shirts. This avoids underwear. Panama hat
with high crown, in which you can put green leaves or wet towels when
going in the sun. I learned how to make soap by boiling ashes, then
using the water that had been boiled, and mixing with palm-oil or some
other oil, and boiling these two together. In many tribes I had to do my
own washing, for the natives, who rubbed their bodies with clay and oil
or powder of colored wood, did not know what dirt was. Oh, how I used to
hate washing-day! One must have an outfit of needles of different sizes.
These I kept in quicksilver salve, otherwise they become useless in a
few days on account of the rust. No neck-ties. One hundred pairs of lace
boots, these coming above the ankles, with no high heels, and soles not
too thick, so that they may bend when jumping from the root of one tree
to another. The nails were of copper, for, as I have said before, iron
gets rusty so quickly in the great forest; forty-eight pairs of strong
twilled trousers; forty-eight flannel shirts; ten dozen pairs socks.
Such is the outfit friend Paul had with him.
[Illustration]
PHOTOGRAPHING A FLASH LIGHTNING.
Having your camera all ready, the apparatus pointing out of the open
window of your room, which room must be the uppermost one in your house,
how are you going to manage so as to catch a picture of the lightning?
Theoretically, the photographing of a star does not seem so difficult;
practically, however, innumerable precautions are necessary.
Astronomical photography has got the matter down very fine. Your camera
follows automatically the movement of the stars, but it is a mechanism
which requires great delicacy in perfecting, and which costs several
thousands of dollars.
The great astronomer does not do a great deal of active star-hunting. He
may not sit down exactly in an arm-chair, but he makes himself fairly
comfortable at his work. That scientific person, however, with a hobby
for photographing meteors must be active. He has to be on the full jump.
He knows that at a fixed time of the year and in a particular part of
the heavens there are to be found a stream of meteors. There is,
however, little certainty about his catching a first-class one. The
field of the camera not being large, he cannot sweep the whole heavens.
So it often happens that though he may have secured an assorted lot of
meteors, the one particular and brilliant shooting star which he has
seen with his eyes has escaped his camera. Meteors do not pose. That is
not in their nature.
If the meteor is eccentric, what about the flash of lightning? You may
have any number of storms during a summer, but they are not always
accompanied with visible electrical phenomena. There may be plenty of
lightning, however, but not in your horizon. But say there is a
first-class storm, and with lightning. You have read the meteorological
data for the day, and can in a measure anticipate this storm. If you are
weatherwise, you know your local conditions, where is north, south,
east, and west, and if experienced, you ought to be fairly certain as to
the possible direction the storm should come from. Anyhow, you are
prepared and have everything ready. Even should the lightning come, as
far as taking its picture goes you may be disappointed. The storm may
move so rapidly that all the electrical phenomena occur directly
overhead or back of you. There may be what seems to you but a feeble
discharge of electricity, but it is its distance from you which makes
you think so. Then the flash is so far away that the light of it is
insufficient, and so a poor, dull, uncertain picture is the resultant.
It is quite a feat to take a first-class flash of lightning, and with
reluctance I am forced to conclude that there is much luck about it. But
if chance enters for nine-tenths in the photography of lightning, there
is the one single tenth which is constantly in your favor--that is, if
you are adaptive, watchful, and always ready. You may look for lightning
a whole summer and never catch a fine flash, through no fault of your
own; and the very next summer, at a first essay, you may secure a
magnificent print.
On the 13th of July of this year, at 9 P.M., I was watching a heavy
storm in Brooklyn, New York; and my attention was directed to one great
blinding flash of lightning, which, starting almost at the zenith,
blazed across the sky and came to earth in some region unknown. I never
saw a more vivid flash. It ought to have particularly riveted my
attention, but it did not, and for this reason: It had just so happened
that I had become interested in what are side flashes, or what are
called "supplementary" ones. Now the question has been mooted as to what
is the character of what seems to our vision to be second flashes--that
is, apparent flights of electrical fluid coincident with the first or
strongest one, and some scientific men think that as often as not we see
the reflection of the important flash mirrored by the clouds in many
different directions.
Intent on that side issue, though appreciative of the main discharge, my
attention was called to two lines of lesser brilliancy which appeared to
the right. "If," I said, "somebody had only photographed it all, how
glad I should be!"
Imagine my pleasure when next day Julius Roger, Jun., an amateur
photographer living next door to me, casually asked me "whether I had
noticed the lightning of the night before"? My reply was "that I had
noted it"; but I did not mention what I thought was a special feature of
the electrical display.
"Here is one flash I took," said the young gentleman, and he showed me
the photograph, an exact copy of which illustrates this article. On
examining it, the first thing I did was to look for the particular side
show, and there it was.
"Did you notice these?" I asked, pointing to the two cross lines.
"Not," said the young gentleman, "when I took the picture. I went for
the main flash. When the picture was developed, then they came out, and
they surprised me." I asked the photographer how the print was produced.
This is his exact reply:
"It was about nine. I noticed the storm, and that the lightning appeared
in the same westerly direction. There were quite a number of flashes
coming in succession from the same quarter of the heavens. I pointed my
camera to that position, leaving it exposed. When that particular flash
made its appearance it impressed itself on the sensitive plate. Then I
quickly closed the camera and developed the plate. The picture was taken
on a Crown Cramer plate, which I believe to be particularly sensitive."
"You have certainly been on the watch for such a picture for a long
time," I said.
My photographer's--who is a singularly modest young gentleman--reply
was, "Maybe he had."
Looking at the print it will be seen how the effect of the brilliancy of
the flash is heightened because of the intervention of a steeple, and
there is even a luminous spot in the window of the steeple, where the
lightning shines through it. The two side flashes are perfectly shown to
the right. The exact time having been noted, I found out that this
particular flash of lightning demolished a house in New Jersey, the
distance of which from Brooklyn was, as the crow flies, nineteen miles.
BARNET PHILLIPS.
[Illustration: INTERSCHOLASTIC SPORT]
[_The series of four papers on the Science of Football, by Mr.
W. H. Lewis of the Harvard Football Team of 1893, begun in this
Department in the issue of September 8, is continued this week, and
will be concluded in the next number of_ HARPER'S ROUND TABLE.]
Offensive team-play in the game of football means every man in every
play every time.
[Illustration: FIG. 1.]
First, in logical order, is the start-off, or opening play. The eleven
should line up on the 55-yard line--the centre of the field. The rules
allow three men to start before the ball, but not more than five yards
back. The three fastest men should be selected for the flying start,
preferably the two ends and a half-back. The ends should be out in the
wings of the line, and the half-back near the centre; one of the
remaining backs--full-back if he be not the kicker--should stand at
about the 40-yard line to look out for a return. The other players
should be lined up on either side in equal numbers, and at intervals far
enough apart to sweep the field. (See Fig. 1.) The ball should be kicked
as far down the field as possible without kicking into touch or kicking
over the goal-line. The object is to gain as much distance as possible
by the kick.
The only way to retain possession of the ball after the start-off, is to
kick it so that it will roll slowly enough to allow the rushers to
follow it closely, and with force enough to carry it only the required
distance. This was done by accident in one great match, and was thought
a very good play.
The direct attack is a style of offence generally known as "straight"
football, "common," "ordinary," or "barn-yard" football. The object of
this style is to take a given point by force instead of by stratagem. To
illustrate the principle, take a few ordinary plays.
[Illustration: FIG. 2.]
Full-back through right guard and centre is shown in Fig. 2: 1 showing
the formation before the play starts; 2 showing where the play hits the
line; 3 showing the runner through the line, everybody into the play.
The centre and right guard will have to block longer than the other
players, but should get into the push as quickly as possible. The play
starts on right guard and centre, and goes there; there is no feint made
in any other direction. The right half may be sent through right guard
and tackle in the same way, the quarter-back, left half, and full-back
behind him, or the left half may be sent through the other side in a
similar manner. These are commonly called dive-plays. In them the backs
should stand from three and one-half to four yards back. The success of
the plays depends upon the runners reaching the line with all steam
possible at the moment it opens, and in the whole eleven getting behind
and pushing, as there will always be something to push against.
[Illustration: FIG. 3.]
Circling the end is shown in Fig. 3. This may be done as in either Part
2 or 3 of that diagram.
In either case the backs should unconsciously stand back a foot or two
farther than for dive-plays. The interference should be headed far
enough out to draw out the opposing rush-line. The end should help block
the opposing tackle. If the opposing end is a very good one, two men
should be assigned to him, as in 3, Fig. 3; if not, one, as in 2, Fig.
3. The interference should keep the opposing eleven on the inside as far
as possible.
The indirect attack is commonly called trick-play. Trick is hardly the
word to use, however, because it has a suggestion of unfairness about
it. The word "strategic" perhaps best characterizes this class of play.
The growth of this style has been marvellous in the last few seasons.
The tendency at present seems pretty strong in the opposite direction,
towards straight football. One of the oldest tricks is the familiar
criss-cross between the two half-backs. There is a very good criss-cross
between tackle and end. The end should be near the side line, say over
on the right. Let the left tackle run twice, and on the second run give
it to the end, who has the long field, and if he is speedy he should
make a good run. There are also plays in which the ball is concealed, as
in the famous play used by Stagg's team, in which the opponents were
drawn out towards the flank, and a runner was sent through the centre.
Kicking is the easiest method of gaining ground, although it gives the
ball to the opponents; but it is better to allow the opposing team to
have the ball on its 25-yard line than to have it yourself on your own
25-yard line. It is almost impossible, when the teams are anywhere near
equally matched, to rush the ball from goal to goal without
relinquishing it. One team starting from its own 25-yard line may rush
the ball to the centre of the field, or to its opponents' 40-yard line.
There it is more than likely to lose it. The defensive team is getting
stronger all the time, and the offensive one weaker. An eleven should
have a scheme for a kicking game determined by the relative strength of
its rushing and kicking. How much kicking can be done depends on the
direction of the wind more than upon anything else.
Do not wait until the third down to kick. Your opponent expects you to
kick, because you must. Good judgment should be exercised in the placing
of the kicks. A team should not kick from right under its own
goal-posts, because of danger of the ball's striking an upright or the
cross-bar. Change the territory by running a play out on the end, then
kick.
_Signals._--A signal is a sign of some kind given to indicate to the
player the play to be used, and the time of its execution. Signals
should be as simple as possible, so as to be easily understood by the
side using them. The signals, once decided upon, should be thoroughly
learned by constant drill, drill, drill! It is important that every man
should know them thoroughly. They ought to be second nature to him. They
should be perfectly clear to him the moment they are given, so that
there is no conscious effort of the memory at all. Without them there
can be no concert of action, and team-play is absolutely impossible.
[Illustration: FIG. 4.]
In the first place, there must be a vocal signal, as it is almost
impossible for the whole eleven to catch a visible signal. A very simple
code is to number the holes in the rush-line from left to right, or
_vice versa_, and then disguise the hole number by some simple
combination of figures. (Number the holes as shown in Fig. 4.) Let the
hole where the play is to be made be the second digit of the second
number. If the signal were "12, 61, 83," then 61 would denote the hole
or indicate a play around the left end; the numbers 23, 24, etc., would
indicate a play between left guard and centre. There are six possible
variations from this simple code.
There may also be a system with an index number--as 43, for instance.
Let the hole number be the second digit of the first number after the
index; the numbers "81, 43, 36," call for a play between right guard and
tackle, 6 being the number of that hole. The plays may be numbered, and
the figure indicating the play may be disguised. Or plays may be
lettered, as is often done. All formations should be numbered or
lettered in some way.
If the play called for does not indicate which back is to carry the
ball, the quarter-back should have a silent visible signal of some kind.
Usually the quarter uses finger signals, putting the hand behind his leg
where it cannot be seen by the opponents. One finger may indicate the
left half; two fingers, the right half; and three fingers, the
full-back, or middle man. Pulling up trousers or stockings, or
scratching the head, may also indicate what man is to take the ball.
The signal should be called once only. The second calling is not
necessary at all; besides, it slows up the game. Men feel that they have
plenty of time after the first call, and loaf to their places. They are
not particular about catching the first signal, since it must be given
again.
The signal should be called by the quarter-back, as the play must be
started by him, and he is in a better position to see the best
opportunity for the next play, and he can be easily heard from either
flank of the line. If the captain should change a play, he should not
call the signal himself, but tell his quarter the play he wants.
The signal should be called loudly enough to be heard by every man in
the midst of the din of battle. The quarter should put as much
earnestness and enthusiasm as possible in the calling of the signals.
Snap them out, and let the merry war go on!
Where sequences are played without vocal signal, the quarter should have
some sign for his back, although it is not absolutely necessary.
Sequences should be short. The time to play them is at the opening of
the game. They cannot be played continuously, as the contingencies of
the game cannot easily be foreseen.
_Generalship._--The generalship of the game devolves upon the captain.
There must be one head on the field, and only one. A game may be largely
planned before going upon the field. At the time the game is being
mapped out is the occasion for consultation with coaches and players.
Before the game it may be decided what is to be done under given
conditions of wind and weather, or what is to be done if the team gets
the ball at start-off or not. By studying an opponent's preceding games,
it is sometimes possible to determine somewhat in advance the kind of
game that is likely to succeed against that particular team. The
strength and weakness of the team must be considered also.
First, consider the matter of generalship without reference to the
opposing team. There are two ways of advancing the ball--one by kicking,
the other by rushing. The rushing game is divided into straight football
and strategic. There are practically three schools of football: the
simple straight football, the strategic, and the kicking. The right use
of these different methods of advancing the ball, the proper proportion
of each kind of plays, is the great problem of good generalship. Simple
straight football should form the basis of the offensive game. This is
more easily executed, and is less exhausting upon body and mind. A trick
requires the doing of so many things by each individual at a given time
that there is produced a great mental strain. Men begin to worry and
wonder whether the trick will succeed. And if a fine trick fails they
despair of the success of anything else, and so lose spirit. At any
rate, they have lost that force and energy necessary to play good, hard,
straight football. The trick should be merely an incident of the game.
Its proper function is simply to add a little uncertainty, and to keep
the other side guessing. It is a mistake to think that the only
scientific game is the strategic one. The science of the straight game
does not lie in the formation, but solely in the execution.
The bulk of rushing games should be straight football. Three or four
tricks, or half a dozen at most, are a sufficient number. The whole
repertoire of plays should be not less than twenty nor more than thirty.
A few plays well executed are better than a load of stuff indifferently
learned. It may not be best in all cases to have the kicking game the
dominating feature of the offence. That will depend largely upon whether
the team is best at rushing or kicking. A judicious admixture of both is
the desideratum. If a team has the wind in its favor, it should take
advantage of it and kick often. If it has the wind against it, it will
be forced to rush more or less. When a team is down in its own
territory, if it is going to rush, the play should be one that is likely
to make considerable ground if it succeeds, and an open play of some
kind should be the one used.
In bringing the ball in from touch it is not wise to always use the
"long field." The "short field" often yields good ground.
The plays should be varied enough to keep the opposing line in its
normal position. If one point be continuously attacked, that point will
be strengthened. If the middle of the line be attacked, the middle will
close up. If the flank or end be attacked, this line will be opened
because of a movement towards the end in order to better protect it. The
line should be continually opened and shut so as not to allow the
opponents to concentrate at any given point.
The speed in playing is another feature in generalship. It is not the
number of plays per minute that counts, but the speed in execution.
Hasten, but do not hurry, is the rule here as everywhere else.
Enthusiasm and not excitement is what is wanted. Too rapid a succession
of plays results in a jumble merely, and a sort of feverish excitement
instead of deadly execution. Still, it must not be understood that a
calm, deliberate, sort of a game is the one to be played. When the
opposing team is on the run, there should be no let up in the fire. As
the advancing party gets nearer the goal, the harder, faster, and more
aggressive should be the game. No time should be given the other side to
pull itself together, but it should be driven back and over the
goal-line; then it is time to rest. If the opposing side is weak on the
ends or at a particular end, it is good generalship to take advantage of
that weakness. The same thing is true of tackle or centre. This is to be
considered, however, that opponents will always endeavor to re-enforce
or strengthen a known weakness. The result is that nominally the weakest
point may be the strongest. It is well to try the whole line
occasionally. The strong man may be caught off his guard. While plays or
downs should not be wasted against stone wall, the brutal policy of
attacking one point at all time until it gives way should not be
indulged in even on the ground of generalship. A team ought to make the
best use of its own strong points. If a particular back is good at
carrying the ball, give him enough to do, but do not kill him. If there
is a back particularly good at kicking, kick, and kick frequently. If a
tackle or guard is good at making holes or immensely superior to the man
opposed to him, send the plays through that point.
* * * * *
The ninth season of the Cook County High-School Football League opens
this year with the promise of a larger membership than ever before, none
of the nine teams which were members of the League last year having
dropped out, and with the possibility of five new teams coming in. This
Association was organized in 1888, and the only schools which were
originally members now left in the Association are Hyde Park, Lake View,
and Englewood. They are the strongest schools of the section, and one of
them has each year carried off the championship. Lake View got the
pennant in 1888, 1890, 1892, and 1893; Hyde Park in 1889 and last year;
Englewood in 1891 and 1894.
The Hyde Park team seems to be stronger than any of the others this
year, and should repeat the success of last fall. Seven members of last
year's eleven are back in school, and a large number of candidates are
training for the open places. West Division has bright prospects
likewise. They had a strong eleven last year, and also have seven of the
old men back, and about thirty candidates trying for places.
The men in training for the Englewood High-School team are a heavy set,
and should develop into a strong eleven. Lake View High-School ought to
appear somewhere near the top at the end of the season; in Wiezerowski,
captain of the team, they have the best end that has ever played in the
League. The Manual-Training School players are laboring with the
difficulty of an unsportsmanlike faculty, and will probably be unable to
develop a good eleven. Evanston High is also unfortunate in having but
three of last year's men back again, but with good coaching they ought
to be able to do something by the end of the season. Oak Park H.-S. is
about as badly off, having but two players of last year's team in
school, and few men capable of filling the vacancies. Oak Park's eleven
last year made the State record of scoring the greatest number of points
in any one game; it defeated English High, 80-0.
LEO LYON, SAN FRANCISCO.--See HARPER'S ROUND TABLE for August 13
and 20, 1895.
K. W. WRIGHT, NEW YORK.--_Defender_'s measurements are given as
follows: Length, 124 ft.; water-line, 89 ft.; breadth, 23 ft.;
draught, 19 ft. The lead in her keel weighs 80 tons. You will find
an article on the building of _Defender_ in HARPER'S ROUND TABLE
for September 17, 1895.
"TRACK ATHLETICS IN DETAIL."--ILLUSTRATED.--8VO, CLOTH, ORNAMENTAL,
$1.25.
THE GRADUATE.
[Illustration: THE CAMERA CLUB]
Any question in regard to photograph matters will be willingly
answered by the Editor of this column, and we should be glad to
hear from any of our club who can make helpful suggestions.
Owing to the number of questions, we devote the entire Department to
answers this week.
SIR KNIGHT LUTHER PFLUEGER sends a description of a way in which
one of his friends made lantern-slides. He bought some glass strips
of a size to fit his lantern [Lantern-slide covers could be
used.--Ed.] and some transfer-pictures which are used by
school-boys to embellish their books. He gave the strips of glass a
thin coat of mucilage, and allowed it to dry. He then applied the
paper, which had been wet in such a way that the paper was
thoroughly soaked, but the face of the picture was dry. (The
pictures could be wet by thoroughly saturating a piece of
blotting-paper with water, and laying the pictures on it, face up.)
He then pressed the pictures on to the glass, took hold of one
corner of the paper, and pulled it off, leaving, if successful, the
thin film of the picture on the glass. This part of the operation
requires carefulness. This method enabled him to make cheap and
pleasing slides. Thanks for the description; some of our amateurs
will be glad to try it.
SIR KNIGHT CHARLES M. TODD says he is thinking of buying a small
camera, and wishes to know what apparatus he would need for
developing, etc.; which are the best, films or dry-plates, and if
they are manipulated in the same way; if blue prints are
permanent; what prints can be made the cheapest; and the name of
some good work on photography. Sir Charles adds that the first
thing he looks for in the ROUND TABLE is the Camera Club
Department. The outfit required for developing and finishing
pictures is: one red light; one developing-tray, 4 by 5; one
fixing-tray, 4 by 5; one toning-tray, 5 by 8; one printing-frame;
one ferrotype-plate for drying prints; one 4 oz. glass graduate.
See No. 781 for directions how to make a lantern, and also hints
on reducing expenses. Dry-plates are easier for the beginner to
manage than the films, but fine negatives are made with either.
The same treatment is given both, with the exception of drying.
The films, after washing, are soaked for five minutes in a
solution made of 1/2 oz. of glycerine and 16 oz. of water. This
prevents the film from curling. Blue prints are permanent; they
are also the cheapest. Wilson's _Photographics_ is a good work on
photography.
SIR KNIGHT B. P. ATKINSON asks how photographs should be prepared
for prize contests; if pictures can be copied with an 8 by 10
camera and a single lens; when an article on posing will be
published; if exposure meters are reliable; what is the cause of
negatives having a spotted appearance when ice is used; how
pin-holes in negatives can be remedied; what kinds of lenses are
best for landscapes. Platinotype prints make the most artistic
photographs, and should be mounted on plate-sunk cards. These
cards are made specially for platinotypes; full directions for use
come with the platinotype-paper. Pictures may be copied with an 8
by 10 camera, but the single lens would be hardly suitable for
fine copying. A rectilinear wide-angle lens is a good lens for
copying. Suggestions for posing will be given in the early number
of the ROUND TABLE. Exposure meters are not always reliable. The
spotted appearance of the negative is probably caused by using the
water at too low a temperature. The temperature should never be
below 50° to insure good work. Pin-holes may be covered by
painting them over with retouching fluid, and, when dry, taking a
fine camel's-hair brush dipped in lampblack (moist water-color),
and touching the spot very lightly with the lip of the brush,
taking care that it does not lap over on to the film. A little
practice will enable one to fill up pin-holes or light spots so
that they will not be noticed in the print. For landscape-work a
single achromatic lens will give sharp definition and good
contrasts. For general landscape-work a medium-angle, rectilinear
lens will be found satisfactory. The angle of view of the lens
should be from 45° to 60°.
ADVERTISEMENTS.
[Illustration: ROYAL BAKING POWDER]
A cream-of-tartar baking powder. Highest of all in leavening
strength.--_Latest United States Government Food Report._
ROYAL BAKING POWDER CO., NEW YORK.
[Illustration: THOMPSON'S EYE WATER]
[Illustration: BICYCLING]
This Department is conducted in the interest of Bicyclers, and the
Editor will be pleased to answer any question on the subject. Our
maps and tours contain many valuable data kindly supplied from the
official maps and road-books of the League of American Wheelmen.
Recognizing the value of the work being done by the L.A.W., the
Editor will be pleased to furnish subscribers with membership
blanks and information so far as possible.
[Illustration: Copyright, 1896, by Harper & Brothers.]
Continuing the journey begun last week from Chicago, we start from
Joliet for the run to Ottawa. From Joliet continue along the river and
canal. It might be well to inquire the condition in which the tow-path
and the road happen to be at the time of your going over the trip, in
order that you may take the one most used by wheelmen. Sometimes the
tow-path is better, and other times the road should be taken. Here is
one of the advantages of being a member of the L.A.W., since the local
consul will gladly give you any information on this matter or any other
concerning that particular country that you may desire. Generally
speaking, it is well to keep to the tow-path, as the ride is more
picturesque along the canal.
From Joliet run in a westerly direction, turning sharp to the left at
the outskirts of the town, and continuing until the railroad and canal
are crossed, proceeding then either along the canal, or, if you take the
road, following the route marked on the map which runs between the canal
and the river. After crossing the railroad and the canal, keep to the
right instead of crossing the river, and the road to Channahon, twelve
miles away, is clear except at a point about half-way from Joliet, where
the left fork should be taken. Passing through Channahon, turn westward
to the right, and then running almost directly westward, crossing the
railroad, instead of keeping to the left, and running down by the canal.
Before crossing the C.R.I. and P. Railroad, turn southward to the canal,
and following the tow-path run into Morris, where dinner can be had. To
leave Morris ride northward across the track again, thence westward, not
far from the railroad, to Seneca, between ten and eleven miles away.
Proceed on the main road, always in the vicinity of the canal and
railroad, through Marseilles on to Ottawa. The road turns a couple of
miles before Ottawa is reached southward, crosses the canal and
railroad, and runs then into the city.
This trip is most of the way over capital road; there are few hills, and
there is a good deal of diversity of scenery. Much of the interest of
the trip is in the different points of historic interest along the way
and in the vicinity of Ottawa. The distance from Joliet is about
forty-five miles, but it can easily be done in a day by even
inexperienced riders, owing to the level country and the good condition
of the roads.
NOTE.--Map of New York city asphalted streets in No. 809. Map of
route from New York to Tarrytown in No. 810. New York to Stamford,
Connecticut, in No. 811. New York to Staten Island in No. 812. New
Jersey from Hoboken to Pine Brook in No. 813. Brooklyn in No. 814.
Brooklyn to Babylon in No. 815. Brooklyn to Northport in No. 816.
Tarrytown to Poughkeepsie in No. 817. Poughkeepsie to Hudson in No.
818. Hudson to Albany in No. 819. Tottenville to Trenton in No.
820. Trenton to Philadelphia in No. 821. Philadelphia in No. 822.
Philadelphia-Wissahickon Route in No. 823. Philadelphia to West
Chester in No. 824. Philadelphia to Atlantic City--First Stage in
No. 825; Second Stage in No. 826. Philadelphia to Vineland--First
Stage in No. 827; Second Stage in No. 828. New York to
Boston--Second Stage in No. 829; Third Stage in No. 830; Fourth
Stage in No. 831; Fifth Stage in No. 832; Sixth Stage in No. 833.
Boston to Concord in No. 834. Boston in No. 835. Boston to
Gloucester in No. 836. Boston to Newburyport in No. 837. Boston to
New Bedford in No. 838. Boston to South Framingham in No. 839.
Boston to Nahant in No. 840. Boston to Lowell in No. 841. Boston to
Nantasket Beach in No. 842. Boston Circuit Ride in No. 843.
Philadelphia to Washington--First Stage in No. 844; Second Stage in
No. 845; Third Stage in No. 846; Fourth Stage in No. 847; Fifth
Stage in No. 848. City of Washington in No. 849. City of Albany in
No. 854; Albany to Fonda in No. 855; Fonda to Utica in No. 856;
Utica to Syracuse in No. 857; Syracuse to Lyons in No. 858; Lyons
to Rochester in No. 859; Rochester to Batavia in No. 860; Batavia
to Buffalo in No. 861; Poughkeepsie to Newtown in No. 864; Newtown
to Hartford in No. 865; New Haven to Hartford in No. 866; Hartford
to Springfield in No. 867; Hartford to Canaan in No. 868; Canaan to
Pittsfield in No. 869; Hudson to Pittsfield in No. 870. City of
Chicago in No. 874. Waukesha to Oconomowoc in No. 875; Chicago to
Wheeling in No. 876; Wheeling to Lippencott's in No 877;
Lippencott's to Waukesha in No. 878; Waukesha to Milwaukee in No.
879; Chicago to Joliet in No. 881.
[Illustration: STAMPS]
This Department is conducted in the interest of stamp and coin
collectors, and the Editor will be pleased to answer any question
on these subjects so far as possible. Correspondents should address
Editor Stamp Department.
Two hundred thousand sets of the 1860 issue of the Nova Scotia stamps
have turned up, and the entire lot is said to have been sold to a
syndicate of Canadian dealers. The find is so large that prices on this
set must fall very much. The veteran dealer J. W. Scott states that
fifteen years ago he purchased several hundred sets lacking the 5c. from
a gentleman in Ottawa at about 50c. per set. The 5c. has been the
commonest of all this issue during the past decade.
The proposed philatelic club-house in New York is probably an
accomplished fact. One hundred gentlemen have subscribed $25 each to pay
rent for the first year and furnish the house, which will probably be
the meeting-place for all the metropolitan societies! All auctions are
to be held in the club-house, which is to be a general rendezvous for
all philatelists, and the centre of all philatelic matters in America.
The Geneva exhibition has been a great success. The stamps were well
shown, and the local committees made things pleasant for all visitors.
The exhibition closed with a grand dinner to which 125 gentlemen sat
down.
There were 82 Zurich 4 rappen, 82 Geneva 10 centimes, 32 Vaud 4
centimes, shown, almost all of which were in used condition. These are
the stamps worth from $100 to $200 each, but the bulk of them were in
the albums of eight or nine of the exhibitors. Pastor Lenhard took the
gold medal for the best Swiss stamps, Stanley Gibbons the gold medal for
the best collection of any one country. He exhibited his Trinidad and
St. Vincent collection, worth $25,000.
Plate No. 89 is the scarcest of all the plate numbers. Dealers offer $25
each for either the top, bottom, or side imprints of that number. It has
been ascertained that 9000 sheets of 400 each were printed, each quarter
sheet of 100 stamps bearing the plate number on two sides; thus 72,000
copies of this plate number were issued. Who has any? Of No. 116, which
is also quite scarce, over 75,000 full sheets of 400 each were printed,
probably one-half on un-watermarked paper.
A collection of 20,000 buttons, including specimens of those worn on all
the uniforms in the world, has been left by a rich Englishman named
Hamilton, who died recently in Vienna. He had also brought together 352
fans, which had each belonged to beautiful women. Another fad of English
collectors is the buttons of servants bearing their employer's coats of
arms.
The button craze is rapidly growing, and probably will reach its climax
early in November, after which time it will gradually die out. Several
collectors have over 300 different buttons in every variety of shape,
size, color, design, and motto. The buttons were sold early in the
season for $30 a thousand, but the price has come down to $7 a thousand.
Specially handsome buttons are $10 a thousand. The sidewalk peddlers
sell them at 2c. each, or three for 5c.
In consequence of the civil war the Postmaster-General of the U.S.
directed that on and after June 1 all mail matter coming from the
seceded States prepaid by U.S. stamps be held for postage, and sent to
the dead-letter office at Washington. In August the Postmaster-General
directed that Kentucky, Missouri, Illinois, Ohio, Maryland, and
Pennsylvania could prepay letters by stamps of the 1847, 1851, and 1857
issues until October 1, from other loyal States east of the Rocky
Mountains until October 15, and from California, Oregon, New Mexico,
Utah, and Washington until October 21, after which dates all stamps
issued prior to 1861 were valueless, but would be redeemed up to October
21. After the war was over millions of these U.S. stamps were offered to
dealers by parties who got control of the stock on hand in Southern
post-offices in 1861. They were very cheap then, but are growing dearer
every day.
R. A. FITZGERALD.--I cannot say what would be the value of the
original Ordinance of Secession of the State of Alabama. I should
think that some of the Southern historical societies would be glad
to buy it.
H. D. T.--Unperforated U.S. Revenues, 25c. Certificate worth 25c.;
40c. Inland Ex., $5; $2 Mortgage and $3 Charter, $1.50 each. Your
$2 bill is worth face only. Your other questions are too vague.
A. COHN.--The 1868 U.S. 1c. blue grilled is quite scarce, either
used or unused. If you iron soaked stamps you will probably
obliterate the grill.
A. A. SCOTT.--The most advanced collectors of U.S. Revenues prefer
to buy the unperforated stamps in pairs or blocks. This of course
costs a good deal of money, and ordinary collectors must be
content with single specimens. Such copies should have a good
margin, on all four sides. There are many faked unperforated
stamps, which are made from the ordinary perforated stamps with
wide margins.
R. CREIGHTON.--Split stamps have been used in the U.S., but, with
one possible exception, without authority of the U.S. government.
EDWARD HUBBARD, 515 Myrtle Street, El Paso, Tex., wants stamps in
exchange for Porto Rico and Mexico stamps.
A. MERRIAM.--Coins made in the Philadelphia mint have no special
mark of origin. Coins made in the Carson City mint are marked
"C.C."; the San Francisco, "S."; the Dahlonega, "D."; the New
Orleans, "O."
W. R. WHEELER.--U.S. Revenues were first used in October, 1862,
and almost every legal or commercial document (policies, leases,
conveyances, etc.) used during the next ten years bore Revenue
stamps. Also every receipt, and check, every box of matches or
bottle of medicine, every photograph, every barrel of beer,
package of tobacco, etc. In fact, very few things escaped taxation
in those days. After the war ended, one tax after another was
removed until only the tobacco and liquor taxes remained. These
pay taxes by stamps to this day.
GEORGE WERNER.--Most of the Central American States have been
using "Seebeck" stamps during the past six years. It makes very
little difference whether these stamps are used or unused. Of the
earlier issues the unused are generally the rarer.
SIDNEY MULHALL.--Always use hinges, and of the best quality. Care
must be taken in turning over leaves, or the book should be
examined beginning at the last page and going backwards. The 1885
Corea stamps were probably never used. The 1895 issue is in use at
present.
F. PULIS.--There are four varieties of the 1802 cents, and they
can be bought of dealers at 10c. to 35c. each.
M. S. TAYLOR.--I cannot assist you in the sale of your album. As a
rule albums two or three years old are valueless.
CARRIE E. BALL.--The only small cent which is scarce is the 1956
flying eagle. All the others are in common use.
PHILATUS.
It was in the dusty smoking-car on the Long Island Railroad that the
following was overheard. A number of anglers were grouped together
discussing their big catches, and at times the wind that rushed by the
car windows fairly groaned with the weight of the wonderful stories that
it carried away. An old man in the corner with a short clay stump of a
pipe stuck between his lips turned slowly around in his seat and
surveyed the group. Giving a hitch to his trousers, which nearly
dislocated the pins that held them together, he approached the boys.
"Tellin' fish stories, eh, boys? Well! well! Did ye ever hear what the
whale that swallered Jonah did?"
"No, never heard about that," said one of the anglers.
"Never heard that, eh? Well, he went around and hunted up a lot of other
whales, and then he bored them to death tellin' them how the largest man
he ever caught wriggled loose and got away."
DON'T WORRY YOURSELF
and don't worry the baby; avoid both unpleasant conditions by giving the
child pure, digestible food. Don't use solid preparations. _Infant
Health_ is a valuable pamphlet for mothers. Send your address to the New
York Condensed Milk Company, N.Y.--[_Adv._]
ADVERTISEMENTS.
Postage Stamps, &c.
[Illustration: STAMPS]
100, all dif., & fine =STAMP ALBUM=, only 10c.; 200, all dif., Hayti,
Hawaii, etc., only 50c. Agents wanted at 50 per cent. com. List FREE!
=C. A. Stegmann=, 5941 Cote Brilliant Ave., St. Louis, Mo.
STAMPS
=10= stamps and large list =FREE!=
L. DOVER & CO., 1469 Hodiamont, St. Louis, Mo.
105
Stamps, Java, Congo, hinges, album, 5c. Agts. at 50% get _free_ album,
&c. =BULLARD=, 97 Pembroke St., Boston, Mass.
112
foreign stamps: Honduras, Uruguay, Mexico, etc., 5c. H. L. ASHFIELD, 767
Prospect Ave., N. Y.
4 c.
Unused Columbian 6c.; 50 var. 6c.
P. S. Chapman, Box 151, Bridgeport, Ct.
JOSEPH GILLOTT'S
STEEL PENS
Nos. 303, 404, 170, 604 E.F., 601 E.F.
And other styles to suit all hands.
THE MOST PERFECT Of PENS.
[Illustration: THOMPSON'S EYE WATER]
EARN A BICYCLE!
[Illustration]
We wish to introduce our Teas, Spices, and Baking Powder. Sell 75 lbs.
to earn a BICYCLE; 50 lbs. for a WALTHAM GOLD WATCH AND CHAIN; 25 lbs.
for a SOLID SILVER WATCH AND CHAIN; 10 lbs. for a beautiful GOLD RING;
50 lbs. for a DECORATED DINNER SET. Express prepaid if cash is sent with
order. Send your full address on postal for Catalogue and Order Blank to
Dept. I
W. G. BAKER, Springfield, Mass.
[Illustration: PISO'S CURE FOR CONSUMPTION]
CURES WHERE ALL ELSE FAILS.
Best Cough Syrup. Tastes Good. Use in time. Sold by druggists.
Giving a Nut Social.
Autumn approaches, and evening entertainments in-doors will soon be in
order. Besides, the chestnut burs are getting large, and almost before
we are aware of it they will be opening. A nut social is a novel thing,
and it can be made as amusing, mysterious, or instructive as you wish,
with genuine nuts and metaphorical nuts--geographical, historical,
literary, or social.
Issue your invitations in a form to stimulate curiosity. You might put
"Nut-cracking," "Nut Social," or "Mixed Nuts" as a title on the outside,
with a big interrogation mark filling the centre, and the words
"Contributions requested" below, with date and place of entertainment in
the lower left-hand corner. Or better still, perhaps, paint a large nut,
or a group of small ones, with nut-crackers and picks, if you choose, in
the upper left-hand corner, and the words "To crack" in the centre,
followed by place and date as before.
Your invitations may simply ask the pleasure of Miss Bessie M.'s or Miss
Flora T.'s company. Engage several of your bright young friends to give
a little description of some nut, impersonating it as far as possible,
telling where found, its habits, manner of growth, uses, and any other
interesting facts regarding it, concealing its name, and weaving as much
mystery about it as possible. Have these descriptions only two or three
minutes long, but as bright, catchy, and witty as may be. Then, after
each nut is described, give a chance for quizzes and guesses regarding
it. Intersperse the chat with an occasional strain of familiar music,
which, in accordance with the nut cracking scheme, may be identified and
the composer guessed. Brought in at unexpected intervals, it will
require quick wits to name them readily.
To give variety to the entertainment, noted personages, books,
characters in fiction, or works of art may be represented by the
different guests, or an art gallery may be improvised by the hostess.
The greater the variety of puzzling things, the greater will be the
interest and the more enjoyable the entertainment. Everything, as far as
possible, must be in the nature of a nut--to be cracked.
The refreshments should be of nuts, or something having nuts as an
ingredient, as nut-cakes, nut-candies, etc. Have a nut salad if you
like--a dish of nuts decorated with autumn leaves, intermingled with
slips of paper containing conundrums, enigmas, puzzling Questions, etc.,
to be guessed by the recipients; or you may have nut bonbons of this
same kind. Or, after carefully cracking English walnuts, substitute for
the meats your paper nuts, unite the two half shells with a drop or two
of mucilage, and serve with each plate of refreshments. Provide every
guest with paper and pencil to record his guesses as he makes them, and
give a prize for the greatest number of correct answers, and a
booby-prize for the least. A silver nut-cracker or a set of nut-picks
would be appropriate for the former, and a hammer for the latter. Try
it, and you will like it.
* * * * *
Kinks.
No. 33.--A COMBINATION KINK.
My first is in zinc, but not in lead;
My second in rose, but not in red;
My third is in disc, but not in tray;
My fourth is in black, but not in bay;
My fifth is in paid, but not in lynx;
My sixth in dilates, but not in blinks;
My seventh in martlet, but not in crow;
My eighth is in cut, but not in mow;
My ninth is in shrine, but not in fane;
My tenth is in walnut, but not in plane;
My eleventh in alley, but not in lane;
My whole is a nickname bestowed on the capital of Virginia.
The solution to the above cross-word enigma forms the central column
(reading downward) of the following acrostic, the initials of which are
the same throughout:
Crosswords.--1. Invigorating. 2. Thought long and anxiously. 3. A cloth
ornamented with raised work. 4. Devoted to books. 5. Dimmed as to sight.
6. A heraldic term denoting a strip surrounding the field. 7. Indian
sage--thoroughwort. 8. Relating to the _Fagus_. 9. A fourteenth-century
helmet, basin-shaped. 10. Jeers. 11. In falconry, pieces of leather used
to bind up the hawk's wing.
AB SINTHAY.
* * * * *
No. 34.--CHARADE.--A TRIPLE CHARACTER.
I sang my most melodious song,
My sweetest roundelay,
In vain, to win a wanderer's love;
Then threw my life away.
And now in distant Indian seas,
Beneath the wild waves' roar,
I sit, a prisoner in a cell,
And sing of love no more.
Afar within the realms of space,
Where planets hold their sway,
I shine to guide the wanderer's feet
Along the homeward way.
* * * * *
No. 35.--A FLEET OF SHIPS.
My fleet of ships went over the sea,
Bound for a distant shore.
One day, they all came back to me,
And marvellous freight they bore.
The first brought home a cargo of love,
The second, labor and toil;
A title the third on me bestowed;
The fourth gave claim to the soil;
The fifth my knees bent low in prayer;
The sixth gave control of men;
The seventh another put under my care;
The eighth in my hand laid a pen;
The ninth sent me far away from my home;
The tenth gave me limitless power;
The eleventh put me in charge of a court;
The twelfth made learning its dower;
Number thirteen brought me a steed;
Fourteen forth sent me to preach;
Fifteen gave charge of other men's goods;
Sixteen brought duty to teach;
Seventeen to another bound me for years;
Eighteen left no leisure from writing;
Nineteen supplied me aid in my work;
While twenty gave position for fighting.
* * * * *
No. 36.--TWO GOOD ANAGRAMS.
1. A police captain's order:
"Examine hat and roll."
A well-known American statesman.
2. "Ever turn, stout Louisa."
A famous negro patriot.
* * * * *
Answers to Kinks.
No. 30.
Central letters, right-hand hour-glass, _Apelles_; central letters,
left-hand hour-glass, _Phidias_.
1.--1. D. 2. Sen. 3. Selah. 4. Deluder. 5. Nadir. 6. Her. 7. R.
2.--1. R. 2. Sad. 3. Spire. 4. Railing. 5. Dried. 6. End. 7. G.
3.--1. Dappled. 2. Habas. 3. Bit. 4. D. 5. Die. 6. Chart. 7. Plaster.
4.--1. Rotates. 2. Paper. 3. Bed. 4. L. 5. Ale. 6. Tread. T. Glisten.
* * * * *
No. 31.
1. Apple. 2. Salt. 3. "Butter" (goat). 4. Mace. 5. "Nutmeg"
(Connecticut). 6. Flounder, 7. Quince (in _Midsummer-Night's Dream_). 8.
Pepper (K.N.--Cayenne). 9. Eggs. 10. Flower (flour).
* * * * *
No. 32.
1. Grapes, rapes, apes, pes. 2. Sago, ago, go. 3. Acorn, corn, orn. 4.
Flax, lax, ax.
* * * * *
Does Progress Lie this Way?
My father is a teacher in a missionary school here, and on Sundays
he assists in the mission services. I assist, too, playing an
American cabinet organ and helping with the singing. The other
evening a gentleman called at our house for a chat. He is a
Japanese of perhaps forty, and he spent ten years in Europe and
America. He speaks Spanish, French, English, German, and Chinese,
besides his own tongue, in the latter of which he is perfectly
versed. He has visited every city of importance in the western
world, and is therefore a judge of customs. Suddenly he said to my
father, "What an inconvenient man you are!"
Father looked up in astonishment, and inquired why.
"Why? Because you require, like all western people, so much to make
you comfortable. And out of all you have you get no more comfort
than do we Japanese from our little. No, not so much comfort by
half. For instance, you pay to live here--how much?"
"Two dollars per day," replied my father.
"Ah," said our Japanese acquaintance, "I pay seventy-five sen, or
about forty cents of your money. And I am just as happy and as
comfortable as you are. To be sure, you have tables, and chairs,
and bedsteads, and dressing-cases, wash-bowls, pitchers, mirrors,
and goodness knows what in your rooms. I have nothing of the sort.
They are too much trouble to care for. A nice cool mat and quilt
form a good enough sleeping outfit for me. And you make yourself so
much work at your meals, using all those pitchers and plates,
goblets, spoons, pepper-pots, and the rest. Then, when you eat, you
crowd yourselves into one room. I eat alone. My meals are served on
a tray by a pretty maid, who kneels before me as I eat, chatting
and making herself interesting.
"When you travel you take with you, either to tote about, or hire
some one to carry for you, a great amount of luggage. As for me,
the hotel furnishes me a dressing-gown and a night-robe, and I buy
a fresh tooth-brush each morning for a sen. No; say what you
please, you western folk are inconvenient people. You do not follow
the line of the least resistance. You make too much effort to live,
and the cost is too great in nerves, brains, flesh, blood, and
worry."
G.
KYOTO, JAPAN.
* * * * *
Questions and Answers.
Helen Disosway asks whence comes the caper of which the caper sauce is
made. It is a small bud that grows in very hot climates, especially in
the East Indies. It is gathered before the petals have unfolded. The
work of collecting these buds is very slow, hence the expensiveness of
the sauce of commerce. The seed-pod of the caper is also used. It makes
a delicious pickle. The caper plant is perennial, but dies down and
seemingly disappears in the autumn. It grows best on dry and hot stony
ground. It is sometimes used in the East to surmount rockeries, because
it lives on little soil, while its foliage is delicate and its silvery
flowers are ornamental.
Charles R. Botsford: Articles descriptive of magic have appeared in the
following recent numbers of HARPER'S ROUND TABLE: 844, 852, 862, 866,
869, and 873. The numbers may be had by applying to the publishers.
Eleanor Little, aged twelve, Marblehead, Mass., collects bicycle
buttons. Perhaps you do too. If so, you will be glad to have Miss
Eleanor's address. Earl L. Hendricks, Box 626, Savannah, Ill., collects
fossils and mineral specimens and wants correspondents. So does Edith S.
Lewis, 1418 Eighth Avenue, Kearney, Neb., who also writes verses and
stories. She is fourteen. James Fahlberg, 520 Barbey Street, Brooklyn,
wants to join the staff of an amateur paper in Brooklyn. We are not
advised of any Brooklyn amateur paper that wishes to increase its staff,
but suggest that Sir James apply to Beverly S. King, 1625 Atlantic
Avenue.
"E. W. S." is fifteen and wants to enter the United States navy. He must
apply to the member of Congress from his district. Had he given his
address we could have told him the name and address of his member. Any
local politician can tell him. So can his postmaster. Appointments are
made only as vacancies occur at Annapolis. If you fail to hear from your
Congressman, write to the Secretary of the Navy, Washington, D. C.,
asking when a vacancy will occur in your district. Hon. Hilary A.
Herbert is the secretary's name. You will receive a prompt reply.
Applicants must pass rigid physical and mental examinations, but the
latter covers the common branches only. No, fifteen is not too old to
enter. David B. Hendricks: "University Extension" means an extension of
university teaching to men and women too old and perhaps too poor to
attend universities--that is, carrying university lectures to those who
cannot come for them. It was inaugurated by the universities of Oxford
and Cambridge, in England, but soon copied by Columbia, Pennsylvania,
and Chicago in this country. There is also an American Society for the
Extension of University Teaching that is unconnected with any
university, and sends out lecturers from Princeton, Columbia, Chicago,
and other leading universities, and even business men and principals of
high-schools. The course includes art, astronomy, biology, chemistry,
civics, forestry, travel, history, literature, mathematics, music,
philosophy, sanitation, and sociology. Lectures in courses may be had on
any or all of these subjects. There are examinations and diplomas. The
usual plan is for local societies, either existing ones or those formed
for the purpose, to select their subjects and apply to the Extension
Society for lecturers. The cost, when divided among a society, is
moderate, and many courses are given in villages as small as Moodus.
* * * * *
Making and Flying Tail-less Kites.
"E.W.D." asks, "Will you kindly tell me how to make and fly tail-less
kites?" These kites are common in Holland, and are therefore called
Holland kites. They are easily made, and there is no bother about
getting exactly the right amount of ballast for them. A good size is 4
feet for the main upright stick. For cross-stick use ash or hickory, and
have it exactly 3 feet long. Attach strings to each end and tie it at
the back, curving the cross-stick into the form of a bow. This curve
must be varied with the strength of the wind. If the wind is strong,
tighten the bow cord, and give the bow more curve. The bow is fastened
to the upright 1 foot below the upper end of the latter. Attach a
belly-band at the contact of the stick and the bow and at the bottom of
the stick. To determine the length of the belly-band let its angle just
reach the ends of the bow, at which angle the kite string is to be
attached. These measurements may be larger or smaller, but if varied at
all they must be varied alike. The proportions here given must be
maintained, or the kite will not be a success. Each side of the kite
must be of equal weight. Lift the kite by the belly-string, balancing
lower end on a finger-point. If it tips to one side, paste bits of paper
in the light side till both sides are equal. The stick, bow, and cords
must be as light as their duties will warrant. Covering may be as in any
other kite. If correctly made, kites of this pattern require no tails,
and the gentlemen who furnishes the information says that the first one
he made staied up all day the first time he flew it.
* * * * *
Mounting Bird Feathers.
Will some one tell me how to mount my bird-feather collections? I
will be very thankful for any information on the subject.
JAY F. HAMMOND, R.T.K.
HARFORD, N.Y.
We suppose these collections to be made of feathers that the birds have
no longer any use for. No Knight or Lady would take what is another's,
and the feathers are certainly the bird's so long as he has need for
them. Let us know how to artistically mount feather collections--where
said feathers are gathered after the bird has shed them. The Table will
be glad to print the morsel or morsels on the subject.
* * * * *
Cure for His Breath.
Washington had for many years a famous caterer Mr. John Chamberlin. The
other day Mr. Chamberlin died. Once a man, entering his restaurant, said
in his hearing: "How I would like a fine steak smothered in onions! I'd
have it, too, if it were not for the breath."
Chamberlin replied: "You needn't worry about onion breath. Order the
steak, find when you get your bill I'll have it so large it'll take your
breath away."
[Illustration: Ivory Soap]
There are only a few brands of manufactured articles that are kept by
_all_ grocers. Ivory Soap is one of these.
THE PROCTER & GAMBLE CO., CIN'TI.
[Illustration: THOMPSON'S EYE WATER]
HARPER'S NEW CATALOGUE,
Thoroughly revised, classified, and indexed, will be sent by mail to any
address on receipt of ten cents.
"THE MARTIAN"
A NEW SERIAL
WRITTEN AND ILLUSTRATED BY
GEORGE DU MAURIER
THE AUTHOR OF
"TRILBY" and "PETER IBBETSON"
_This novel has the wonderful charm of reminiscence and the
interest connected with the development of a mystery which made
Peter Ibbetson and Trilby world-famous. The opening chapters
present a delightful picture of school-boy life in Paris a
generation ago._
The first instalment is in
HARPER'S MAGAZINE
FOR OCTOBER
OUT TO-DAY
* * * * *
HARPER & BROTHERS, Publishers, New York
[Illustration: GOING AGAINST THE GRAIN.]
* * * * *
A gentleman owning a cotton estate had a characteristic old "mammy" who
never could be found without her pipe. One day her employer asked her if
she expected to go to heaven.
"Deed I does--'deed I does."
"But, auntie, you know you smoke a great deal, and the angels surely
will not like that."
"But Ise won't smoke up dar, sah!"
"No; still they will smell tobacco on your breath."
"'Deed dey won't, sah. Ise reckon I done leave m' bref here."
* * * * *
A SMALL BOY'S REASON.
"Hi, Freddie!" cried his father, as the boy entered the elevator to go
upstairs. "What are you going upstairs for?"
"So's I can come down again in the elevator," said Freddie.
* * * * *
NO BETTER IN SOME WAYS.
"Isn't the mountain air bracing?" said Mr. Hicks.
"Yes, pretty bracing," said Wallie. "It doesn't make my bicycle go any
better, though, pumping this mountain air into the tires, than the plain
old home air does."
* * * * *
NO LITTLE DOG THERE.
"How did you find your little dog when you got home from the country,
Polly?"
"Didn't find him."
"Why, was he lost?"
"No. He'd growed to be a big dog."
* * * * *
IN THE MOUNTAINS.
TOMMIE. "My papa's gone fly-fishing this morning."
NELLIE. "Poh! That's a queer thing to do, I think. I can sit right here
in the hotel and catch all the flies I want without going fishing for
'em."
* * * * *
"Sam, I'm proud of you," said the Mayor of the town. "It was a noble
deed to jump into the water and save a drowning man."
"Yes, sah."
"Indeed it was, Sam. There you were on a dark night peacefully pursuing
your way home, when the screams of a dying man reached your ears, and
without a moment's hesitation you rushed down to the deserted pier and
plunged into the cold water at the risk of your life, and rescued a
fellow-being. Ah, Sam, it was certainly a noble deed, and again I say
it, I'm proud of such a citizen, and the town joins me in bestowing its
hearty well-wishes on you."
"Yes, sah."
"But, Sam, what makes you so glum about it?"
"Well, jedge, it's like dis. I done jump as you say, and collar dat man,
and bring him ter shore, but wa'd you think? I owe dat man five dollars
for six months, and I spects I'll get anoder of dem bills fer it same as
before. Dat's my luck to rescue de man what Ise owes money to."
* * * * *
[Illustration: THE TRACKS THE DUCK LEAVES.]
THIS DUCKLET'S TRACKS SO MUCH RESEMBLE AUTUMN LEAVES, THAT THEY
ARE OFTEN BY THE NORTH WIND GATHERED UP AND BLOWN AWAY.