CHAPTER L.

THE SHEKIANI AND MPONGWÉ.

LOCALITY OF THE SHEKIANI -- MODE OF GOVERNMENT -- SKILL IN HUNTING

-- SHEKIANI ARCHITECTURE -- MEDICAL TREATMENT -- NATIVE SORCERERS

-- FATE OF THE WIZARD -- A VICTIM TO SUPERSTITION -- TREATMENT OF

THE POSSESSED -- LOCALITY OF THE MPONGWÉ -- NATIVE FASHIONS --

MPONGWÉ MOURNING -- SKILL IN LANGUAGES -- THE SUCCESSFUL TRADER AND

HIS RELATIONS -- DEATH OF THE MONARCH AND ELECTION OF A NEW KING

-- A MPONGWÉ CORONATION -- OLD KING GLASS AND HIS CHARACTER -- HIS

SICKNESS, DEATH, BURIAL, AND SUCCESSOR.

Scattered over a considerable track of country between the Muni and

Gaboon rivers, on the western coast of Africa, are numerous villages of

the Shekiani or Chekiani tribe. The Shekiani are divided into numerous

sub-tribes, which speak a common language, but call themselves by

various names, such as the Mbondemo, the Mbousha, the Mbicho, &c. Each

of these lesser tribes is again subdivided into clans or families, each

of which has its own head.

The mode of government is very simple, and indeed scarcely deserves

the name; for although the chiefs of the different tribes are often

called kings, their titles are but empty honors, and their authority

is but partially recognized even by the headmen of the clans. The

kings, indeed, are scarcely distinguishable from their so called

subjects, their houses being the same, and their mode of living but

little superior. Still, they are respected as advisers; and, in cases

of difficulty, a few words from one of these kings will often settle a

dispute which threatens to be dangerous.

Owing to their proximity to the coast, the Shekiani are great traders,

and, in consequence of their contact with the white man, present a

most curious mixture of savageness and civilization, the latter being

modified in various droll ways. Take, for example, the Shekiani mode

of managing fire-arms. When they go to hunt the elephant for the sake

of its tusks, they always arm themselves with trade guns, for which

they pay seven shillings and sixpence. The quality of these weapons

may be easily imagined, and it is really wonderful how the Birmingham

manufacturer contrives to furnish for so small a sum a gun that

deserves the name.

Of course it is made to suit native ideas, and consequently it is

very large and very heavy, a negro contemptuously rejecting a small

and light gun which might be worth thirty or forty pounds. Then the

mainspring of the lock is of prodigious strength, and the hammer and

pan of proportionate size. Inferior, of course, as is the material,

the weapon is really a wonderful article; and, if properly handled,

is capable of doing good service. But a negro never handles anything

carefully. When he cocks his musket, he wrenches back the hammer with a

jerk that would break a delicate lock; when he wants to carry home the

game that he has killed, he hangs it to the muzzle of the piece, and so

slings it over his shoulder, and, as he travels, he allows it to bang

against the trees, without the least care for the straightness of the

barrel.

But it is in loading the weapon that he most distinguishes himself.

First he pours down the barrel a quantity of powder at random, and rams

upon it a tuft of dry grass. Upon the grass come some bullets or bits

of iron, and then more grass. Then come more powder, grass, and iron

as before; and not until then does the negro flatter himself that he

has loaded his musket. That a gun should burst after such a method of

loading is not surprising, and indeed it is a wonder that it can be

fired at all without flying to pieces. But the negro insists on having

a big gun, with plenty of powder and shot, and he cares nothing for a

weapon unless it goes off with a report like a small cannon, and has a

recoil that almost dislocates the shoulder.

The Shekiani are of moderate size, not very dark-colored, and in

character are apt to be quarrelsome, passionate, revengeful, and

utterly careless of inflicting death or pain. Owing to their unsettled

habits, they are but poor agriculturists, leaving all the culture of

the ground to the women. Their mode of making a plantation is very

simple. When they have fixed upon a suitable spot, they begin to clear

it after a very primitive fashion. The men ascend the trees to some

ten or twelve feet of height, just where the stem narrows, supporting

themselves by a flexible vine branch twisted hoop-fashion round the

tree and their waist. They then chop away at the timber, and slip

nimbly to the ground just as the upper part of the tree is falling. The

trunks and branches are then gathered together until the dry season

is just over, when the whole mass is lighted, and on the ground thus

cleared of trees and brushwood the women plant their manioc, plantains,

and maize.

Their villages are built on one model. The houses are about twelve or

fifteen feet in length by eight or ten wide, and are set end to end in

a double row, so as to form a long street. The houses have no windows,

and only one door, which opens into the street. At night the open ends

of the street are barricaded, and it will be seen that each village

thus becomes a fortress almost impregnable to the assaults of native

warriors. In order to add to the strength of their position, they make

their villages on the crests of hills, and contrive, if possible,

to build them in the midst of thorn brakes, so that, if they were

attacked, the enemy would be exposed to their missiles while engaged

in forcing their way through the thorns. When such a natural defence

cannot be obtained, they content themselves with blocking up the

approaches with cut thorn branches.

The houses are made of the so called bamboo poles, which are stuck in

the ground, and lashed to each other with vine ropes. The interior

is divided at least into two apartments, one of which is the eating

and the other the sleeping chamber. Each Shekiani wife has a separate

apartment, with its own door, so that the number of wives may be known

by the number of doors opening out of the sitting-room. Although their

houses are made with some care, the Shekiani are continually deserting

their villages on some absurd pretext, usually of a superstitious

character, and, during their travels toward another site, they make

temporary encampments in the woods, their rude huts being composed of

four sticks planted in the ground, tied together at the top, and then

covered with leaves.

It has been mentioned that the Shekiani are careless about inflicting

torture. One day M. du Chaillu was staying with one of the so-called

Shekiani “kings,” named Njambai; he heard terrible shrieks, and was

coolly told that the king was only punishing one of his wives. He ran

to the spot, and there found a woman tied by her waist to a stout

stake, and her feet to smaller stakes. Cords were tied round her neck,

waist, wrists, and ankles, and were being slowly twisted with sticks,

cutting into the flesh, and inflicting the most horrible torture. The

king was rather sulky at being interrupted in his amusement, but, when

his guest threatened instant departure unless the woman were released,

he made a present of the victim to her intercessor. The cords had been

so tightly knotted and twisted that they could not be untied, and, when

they were cut, were found to have been forced deeply into the flesh.

The same traveller gives an account of the cruel manner in which the

Shekiani treated an unfortunate man who had been accused of witchcraft.

He was an old man belonging to the Mbousha sub-tribe, and was supposed

to have bewitched a man who had lately died.

“I heard one day, by accident, that a man had been apprehended on a

charge of causing the death of one of the chief men of the village. I

went to Dayoko, and asked him about it. He said yes, the man was to be

killed; that he was a notorious wizard, and had done much harm. So I

begged to see this terrible being. I was taken to a rough hut, within

which sat an old, old man, with wool white as snow, wrinkled face,

bowed form, and shrunken limbs. His hands were tied behind him, and his

feet were placed in a rude kind of stocks. This was the great wizard.

Several lazy negroes stood guard over him, and from time to time

insulted him with opprobrious epithets and blows, to which the poor old

wretch submitted in silence. He was evidently in his dotage.

“I asked him if he had no friends, no relations, no son, or daughter,

or wife to take care of him. He said sadly, ‘No one.’

“Now here was the secret of his persecution. They were tired of taking

care of the helpless old man, who had lived too long, and a charge of

witchcraft by the gree-gree man was a convenient pretext for putting

him out of the way. I saw at once that it would be vain to strive to

save him. I went, however, to Dayoko, and argued the case with him.

I tried to explain the absurdity of charging a harmless old man with

supernatural powers; told him that God did not permit witches to exist;

and finally made an offer to buy the old wretch, offering to give

some pounds of tobacco, one or two coats, and some looking glasses for

him--goods which would have bought me an able-bodied slave.

“Dayoko replied that for his part he would be glad to save him, but

that the people must decide; that they were much excited against him;

but that he would, to please me, try to save his life. During all the

night following I heard singing all over the town, and a great uproar.

Evidently they were preparing themselves for the murder. Even these

savages cannot kill in cold blood, but work themselves into a frenzy of

excitement first, and then rush off to do the bloody deed.

“Early in the morning the people gathered together, with the fetish

man--the infernal rascal who was at the bottom of the murder--in their

midst. His bloodshot eyes glared in savage excitement as he went around

from man to man, getting the votes to decide whether the old man should

die. In his hands he held a bundle of herbs, with which he sprinkled

three times those to whom he spoke. Meantime a man was stationed on

the top of a high tree, whence he shouted from time to time in a loud

voice, ‘_Jocoo! Jocoo!_’ at the same time shaking the tree violently.

‘_Jocoo_’ is _devil_ among the Mbousha, and the business of this man

was to drive away the evil spirit, and to give notice to the fetish man

of his approach.

“At last the sad vote was taken. It was declared that the old man

was a most malignant wizard; that he had already killed a number of

people; that he was minded to kill many more; and that he must die.

No one would tell me how he was to be killed, and they proposed to

defer the execution till my departure, which I was, to tell the truth,

rather glad of. The whole scene had considerably agitated me, and I

was willing to be spared the end. Tired, and sick at heart, I lay down

on my bed about noon to rest, and compose my spirits a little. After a

while, I saw a man pass my window almost like a flash, and after him

a horde of silent but infuriated men. They ran toward the river. In a

little while, I heard a couple of sharp, piercing cries, as of a man in

great agony, and then all was still as death.

“I got up, guessing the rascals had killed the poor old man, and,

turning my steps toward the river, was met by a crowd returning, every

man armed with axe, knife, cutlass, or spear, and these weapons, and

their own hands and arms and bodies, all sprinkled with the blood of

their victim. In their frenzy they had tied the poor wizard to a log

near the river bank, and then deliberately hacked him into many pieces.

See the illustration on the 526th page. They finished by splitting

open his skull, and scattering the brains in the water. Then they

returned; and, to see their behavior, it would have seemed as though

the country had just been delivered from a great curse. By night the

men--whose faces for two days had filled me with loathing and horror,

so bloodthirsty and malignant were they--were again as mild as lambs,

and as cheerful as though they had never heard of a witch tragedy.”

Once, when shooting in the forest, Du Chaillu came upon a sight which

filled him with horror. It was the body of a young woman, with good and

pleasant features, tied to a tree and left there. The whole body and

limbs were covered with gashes, into which the torturers had rubbed red

pepper, thus killing the poor creature with sheer agony.

Among other degrading superstitions, the Shekiani believe that men and

women can be changed into certain animals. One man, for example, was

said to have been suddenly transformed into a large gorilla as he was

walking in the village. The enchanted animal haunted the neighborhood

ever afterward, and did great mischief, killing the men, and carrying

off the women into the forest. The people often hunted it, but never

could manage to catch it. This story is a very popular one, and is

found in all parts of the country wherever the gorilla lives.

The Shekiani have another odd belief regarding the transformation

of human beings into animals. Seven days after a child is born, the

girls of the neighborhood assemble in the house, and keep up singing

and dancing all night. They fancy that on the seventh day the woman

who waited on the mother would be possessed of an evil spirit, which

would change her into an owl, and cause her to suck the blood of the

child. Bad spirits, however, cannot endure the sight or sound of human

merriment, and so the girls obligingly get up a dance, and baffle the

spirit at the same time that they gratify themselves. As in a large

village a good many children are born, the girls contrive to insure

plenty of dances in the course of the year.

Sometimes an evil spirit takes possession of a man, and is so strong

that it cannot be driven away by the usual singing and dancing, the

struggles between the exorcisers and the demon being so fierce as to

cause the possessed man to fall on the ground, to foam at the mouth,

and to writhe about in such powerful convulsions that no one can hold

him. In fact, all the symptoms are those which the more prosaic white

man attributes to epilepsy.

Such a case offers a good opportunity to the medicine man, who comes to

the relief of the patient, attended by his assistant. A hut is built in

the middle of the street, and inhabited by the doctor and patient. For

a week or ten days high festival is held, and night and day the dance

and song are kept up within the hut, not unaccompanied with strong

drink. Every one thinks it a point of honor to aid in the demolition

of the witch, and, accordingly, every one who can eat gorges himself

until he can eat no more; every one who has a drum brings it and beats

it, and those who have no musical instruments can at all events shout

and sing until they are hoarse. Sometimes the natural result of such a

proceeding occurs, the unfortunate patient being fairly driven out of

his senses by the ceaseless and deafening uproar, and darting into the

forest a confirmed maniac.

THE MPONGWÉ.

Upon the Gaboon River is a well-known negro tribe called Mpongwé.

Perhaps on account of their continual admixture with traders, they

approach nearer to civilization than those tribes which have been

described, and are peculiarly refined in their manners, appearance,

and language. They are very fond of dress, and the women in particular

are remarkable for their attention to the toilet. They wear but little

clothing, their dark, velvet-like skin requiring scarcely any covering,

and being admirably suited for setting off the ornaments with which

they plentifully bedeck themselves.

Their heads are elaborately dressed, the woolly hair being frizzed

out over a kind of cushion, and saturated with palm oil to make it

hold together. Artificial hair is also added when the original stock

is deficient, and is neatly applied in the form of rosettes over the

ears. A perfumed bark is scraped and applied to the hair, and the whole

edifice is finished off with a large pin of ivory, bone, or ebony.

When their husbands die, the widows are obliged to sacrifice this

cherished adornment and go about with shaven heads, a custom which

applies also to the other sex in time of mourning. In this country

mourning is implied by the addition of certain articles to the ordinary

clothing, but, among the Mpongwé, the case is exactly reversed. When a

woman is in mourning she shaves her head and wears as few and as bad

clothes as possible; and when a man is in mourning, he not only shaves

his head, but abandons all costume until the customary period is over.

The women wear upon their ankles huge brass rings made of stair rods,

and many of them are so laden with these ornaments that their naturally

graceful walk degenerates into a waddle; and if by chance they should

fall into the water, they are drowned by the weight of their brass

anklets.

The Mpongwés are a clever race, having a wonderful aptitude for

languages and swindling. Some of the men can speak several native

dialects, and are well versed in English, French, Spanish, and

Portuguese, using their accomplishments for the purpose of cheating

both of the parties for whom they interpret. They are very clever at an

argument, especially of that kind which is popularly known as “special

pleading,” and will prove that black is white, not to say blue or red,

with astonishing coolness and ingenuity.

Clever, however, as they are, they are liable to be cheated in their

town by their own people--if indeed those can be said to be cheated who

deliberately walk into the trap that is set for them. They will come

down to the coast, impose upon some unwary trader with their fluent

and plausible tongues, talk him into advancing goods on credit, and

then slink off to their villages, delighted with their own ingenuity.

As soon, however, as they reach their homes, the plunderers become

the plundered. Indeed, as Mr. W. Reade well remarks, “There are many

excellent business men who in private life are weak, vain, extravagant,

and who seem to leave their brains behind them. Such are the Mpongwés,

a tribe of commercial travellers, men who prey upon ignorance in the

bush, and are devoured by flattery in the town.”

As soon as the successful trader returns to his village, he is beset

by all his friends and relations, who see in him a mine of wealth, of

which they all have a share. They sing his praises, they get up dances

in his honor, they extol his generosity, eating and drinking all the

while at his expense, and never leaving him until the last plantain has

been eaten and the last drop of rum drunk. He has not strength of mind

to resist the flattery which is heaped upon him, and considers himself

bound to reward his eulogists by presents. Consequently, at the end of

a week or two he is as poor as when he started on his expedition, and

is obliged to go off and earn more money, of which he will be robbed in

a similar manner when he returns.

These feasts are not very enticing to the European palate, for the

Mpongwé have no idea of roasting, but boil all their food in earthen

vessels. They have little scruple about the different articles of diet,

but will eat the flesh of almost any animal, bird, or reptile that they

can kill.

Among the Mpongwé, the government is much the same as that of the other

tribes in Western Equatorial Africa. The different sub-tribes or clans

of the Mpongwé are ruled by their headmen, the principal chief of a

district being dignified with the title of king. Dignity has, as we all

know, its drawbacks as well as its privileges, and among the Mpongwé

it has its pains as well as its pleasures. When once a man is fairly

made king, he may do much as he likes, and is scarcely ever crossed in

anything that he may desire. But the process of coronation was anything

but agreeable, and utterly unlike the gorgeous ceremony with which

civilized men are so familiar.

[Illustration: (1.) FATE OF THE WIZARD. (See page 523.)]

[Illustration: (2.) CORONATION. (See page 527.)]

The new king is secretly chosen in solemn conclave, and no one, not

even the king elect, knows on whom the lot has fallen. On the seventh

day after the funeral of the deceased sovereign, the name of the new

king is proclaimed, and all the people make a furious rush at him.

They shout and yell at him; they load him with all the terms of abuse

in which their language is so prolific; and they insult him in the

grossest manner.

One man will run up to him and shout, “You are not my king yet!”

accompanying the words with a sound box on the ear. Another flings a

handful of mud in his face, accompanied by the same words, another gets

behind him and administers a severe kick, and a third slaps his face.

For some time the poor man is hustled and beaten by them until his life

seems to be worthless, while all around is a crowd of disappointed

subjects, who have not been able to get at their future monarch, and

who are obliged to content themselves by pelting him with sticks and

stones over the heads of their more fortunate comrades, and abusing

him, and his parents, and his brothers, sisters, and all his relatives

for several generations. This part of the ceremony of coronation is

illustrated on the previous page.

Suddenly the tumult ceases, and the king elect, bruised,

mud-bespattered, bleeding, and exhausted, is led into the house of his

predecessor, where he seats himself. The whole demeanor of the people

now changes, and silent respect takes the place of frantic violence.

The headmen of the tribe rise and say, “Now we acknowledge you as our

king; we listen to you, and obey you.” The people repeat these words

after them, and then the crown and royal robes are brought. The crown

is always an old silk hat, which, by some grotesque chance, has become

the sign of royalty in Western Africa. The state robes are composed

of a red dressing-gown, unless a beadle’s coat can be procured, and,

arrayed in this splendid apparel, the new king is presented to his

subjects, and receives their homage.

A full week of congratulations and festivities follows, by the end of

which time the king is in sad need of repose, strangers from great

distances continually arriving, and all insisting on being presented

to the new king. Not until these rites are over is the king allowed to

leave the house.

M. du Chaillu was a witness of the remarkable ceremony which has just

been described, and which took place on the coronation of a successor

to the old King Glass, who, as is rather quaintly remarked, “stuck

to life with a determined tenacity, which almost bid fair to cheat

Death. He was a disagreeable old heathen, but in his last days became

very devout--after his fashion. His idol was always freshly painted

and highly decorated; his fetish was the best cared-for fetish in

Africa, and every few days some great doctor was brought down from the

interior, and paid a large fee for advising the old king. He was afraid

of witchcraft; thought that everybody wanted to put him out of the way

by bewitching him; and in this country your doctor does not try to cure

your sickness; his business is to keep off the witches.”

The oddest thing was, that all the people thought that _he_ was a

powerful wizard, and were equally afraid and tired of him. He had

been king too long for their ideas, and they certainly did wish him

fairly dead. But when he became ill, and was likely to die, the usual

etiquette was observed, every one going about as if plunged in the

deepest sorrow, although they hated him sincerely, and were so afraid

of his supernatural powers that scarcely a native dared to pass his

hut by night, and no bribe less than a jug of rum would induce any

one to enter the house. At last he died, and then every one went into

mourning, the women wailing and pouring out tears with the astonishing

lachrymal capability which distinguishes the African women, who can

shed tears copiously and laugh at the same time.

On the second day after his death old King Glass was buried, but the

exact spot of his sepulture no one knew, except a few old councillors

on whom the duty fell. By way of a monument, a piece of scarlet cloth

was suspended from a pole. Every one knew that it only marked the spot

where King Glass was _not_ buried. For six days the mourning continued,

at the end of which time occurred the coronation, and the chief Njogoni

became the new King Glass.

The mode of burial varies according to the rank of the deceased. The

body of a chief is carefully interred, and so is that of a king, the

sepulchre of the latter being, as has just been mentioned, kept a

profound secret. By the grave are placed certain implements belonging

to the dead person, a stool or a jug marking the grave of a man, and

a calabash that of a woman. The bodies of slaves are treated less

ceremoniously, being merely taken to the burying-ground, thrown down,

and left to perish, without the honors of a grave or accompanying

symbol.

Like other dwellers upon river banks, the Mpongwé are admirable

boatmen, and display great ingenuity in making canoes. The tree from

which they are made only grows inland, and sometimes, when a large

vessel is wanted, a suitable tree can only be found some eight or ten

miles from the shore. If a canoe maker can find a tree within two or

three miles from the water, he counts himself a lucky man; but, as the

trees are being continually cut up for canoe making, it is evident that

the Mpongwé are continually driven further inland.

When a Mpongwé has settled upon a tree which he thinks will make a

good canoe, he transplants all his family to the spot, and builds a

new homestead for himself, his wives, his children, and his slaves.

Sometimes he will economize his labor, and pitch his encampment

near three or four canoe trees, all of which he intends to fashion

into vessels before he returns to his village. When the trees are

felled, and cut to the proper length--sixty feet being an ordinary

measurement--they are ingeniously hollowed by means of fire, which is

carefully watched and guided until the interior is burnt away. The

outside of the tree is then trimmed into shape with the native adze,

and the canoe is ready. A clever man, with such a family, will make

several such canoes during a single dry season.

The next and most important business is to get the canoes to the water.

This is done by cutting a pathway through the wood, and laboriously

pushing the canoe on rollers. In some cases, when the canoe tree is

nearer the sea than the river, the maker takes it direct to the beach,

launches it, and then paddles it round to the river.

The uncivilized races of men in all countries of the world; vol. 1 of 2 Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics · 第 50 / 75 章