In other chapters we have explained the process of dusting in
underglaze work and ground laying, but the particular feature of it to
be dealt with now is its use in altering and strengthening tints that
have been applied with wet colors. This process is very similar to that
used for underglaze work. For illustration, we will assume that you
have a decoration in green or light ivory—and that you desire a warmer
tint. In this case any warm color such as yellow-brown or yellow-red
can be dusted on the decorations that are already dry. The color may be
applied with a dry brush or piece of cotton and rubbed very gently. A
small amount will adhere to the china—and thus the desired effect will
be obtained. Any number of colors can be applied in this way and
blended well together. Heavy grounds can be strengthened by the use of
dark colors, such as browns, purples, greens and blues. While the
delicate tones are softened by the use of lighter shades.
In the painting of flowers, dusting is often used to soften or darken
them. This process, however, is not always confined to the flower
alone, but is used to blend the rose, or whatever the flower may be,
with the background. It has a very softening and pleasing effect.
In figure painting, dusting a flesh tone on the cheek will improve it
very much.
An artist will feel well repaid for time devoted to investigating the
many possibilities of this branch of painting, for crude and uneven
work can be remedied by this process.
Gold or silver must _not_ be applied after an article has been dusted
in this way. The metal is usually tacky and may retain some of the
little particles, and this would mar the brilliancy of either metal.
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[Illustration]