Chapter XIV.

HOW BIG BLACK BURL FIGURED IN ORATORY.

Accordingly, the Fighting Nigger came forth, still bristling all over

with the trophies of victory and spoils of war--the three Indian rifles

now added to the rest. Mounting a low, wide poplar stump directly in

front of his cabin, he proceeded to give his colored brethren a

circumstantial account of all that had happened to him in the course of

his late adventure. As if the wonderful reality were not enough to

satisfy any reasonable lover of the marvelous, he must needs lug in a

deal that had not happened to him in the time, and never could have

happened at any time to anybody, excepting giant-killers,

dragon-fighters, and the like, whose exploits, though never witnessed by

mortal eye, have made such a noise in the world of fancy, fog, and

moonshine. Though he could confine himself to facts with modest brevity

when speaking of his achievements to white people--as we have already

noticed--the Fighting Nigger, it must be owned, was something of a

long-winded boaster, with a proneness to slide off into the fabulous,

when blowing his own trumpet for the entertainment of his colored

admirers, who bolted whatever monstrosity he might choose to toss into

their greedy chops. But let us be just. It was with no direct intention

of hoaxing or deceiving his hearers that he played the fabler; it was

simply a way he had of holding up a magnifying-glass, so to speak,

before their eyes, that he might help them to bring their imaginations

up to his own idea of the wonderful reality.

As the romancing went on, Grumbo, who had taken the stump likewise, sat,

with grim dignity, upon his haunches at his master's side, to lend his

countenance to the matter under consideration; presiding, as it would

seem, as chairman of the assembly. That such was the view he took of his

present position was evident from his manner; for, ever and anon, when

he saw their audience staggering under some marvel tossed too suddenly

into their gaping mouths, our chairman would fetch the stump a ratifying

rap of the tail, which said more plainly than his lips could have said

it: "A fact, gentlemen--fact. On the word of an honest dog, that, also,

strange though it may seem, is as true as all the rest my comrade has

told you. I myself was present and had a hand in the matter; therefore

ought I to know."

Now and then the speaker would be interrupted by his excitable listeners

with some exclamation of wonder, horror, incredulity, derision, pity, or

the like--which, being in Anglo-Congo or ebony lingo, must needs be

unintelligible to many of my readers. Therefore, for the enlightenment

and edification of the unlearned, have I thought it best to give a list

of the interjections and phrases in question, with the definition or

free translation of each, ignoring etymologies as smacking, just here,

of pedantry:

GLOSSARY.

GIT OUT--A cry of good-humored derision.

SHUCKS--Pshaw; nonsense; fiddle-sticks.

O HUSH--"You are too funny;" "You are too smart;" "You are a fool."

I YI--Hurrah; bravo; bully; well done: coupled with "my larky,"

equivalent to "Catch me at that if you can."

HOO-WEEP (followed by a whistle)--Expressive of unspeakable

astonishment.

OHO--A cry of exultation, translated into "Goody, goody!"

LAUS-A-MARCY--Shocking; horrible; dreadful: "My wool stands on end with

horror."

GOODNESS GRACIOUS--Used in a similar sense to the above, though in a

milder degree.

TSHT, TSHT, TSHT--An unspellable sound, produced by applying the tip of

the tongue to the palate with a quick suck at the air, repented three

times; translatable into, "What a pity, what a pity!" "O dear, O dear!"

LETTIN' ON--Making a pretense of; feigning; hoaxing.

H-YAH, H-YAH, H-YAH--Ha, ha, ha.

U-GOOH--An unspellable interjection pronounced, or rather produced, by

closing the lips and sending the sound through the nose, either forcibly

and suddenly with a quick taper, or the reverse with a quick, short

swell; or beginning gently, no bigger than a knitting-needle, and slowly

swelling to a certain degree, then suddenly flaring, like the mouth of a

dinner-horn. In short, varying according to the feeling or thought to be

expressed. Perhaps in the ebony lingo there is no word so frequently

used, and in senses so various, as U-gooh. Rendered into English, some

of the sentiments expressed thereby are the following: "Admirable!"

"Wonderful!" "O how nice!" "O how good!" "You astonish me!" "I admire

you!" "I highly commend you!" "I applaud you!" "I am listening--pray

proceed!" "What you tell me is very strange, nevertheless I believe

you!" "I have no words to express what I feel, therefore can only say,

'U-gooh!'"

What our black Munchausen told the ebony wonder-mongers of his great

adventure before and after the fight was such a jumble of marvels and

horrors as were hardly fitting to appear in a sober book like ours,

pledged to confine itself to possibilities, if not to facts. Where the

narrative should have been truest, if truly told, there the narrator was

wildest, drawing freely upon his imagination to fill up the wide gaps

between the few conspicuous incidents marking its setting out and

winding up. Gap number one was made interesting with bears; gap number

two, lively with panthers; gap number three, thrilling with wolves; and

where the war-path led into the shades of night, there the woods were

alive with ghosts. We shall, therefore, make our dip into the medley

just at that point where the narrator, having brought his listeners all

agape to the hazardous edge of ambush and battle subsides into the

possible; the story now rising of itself into the wonderful, and having

no great need of exaggeration or embellishment to make it spicy.

* * * * *

"Betsy Grumbo," ses I to my gun, "you mus' put lead through two ob de

varmints on de log, ef you cain't through all four." Bang barks Betsy;

up jumps all de Injuns, two falls back dead behin' de log, two goes

runnin' down de hill a-yellin' as ef de Ol' Scratch wus arter 'em wid a

sharp stick. ["H-yah, h-yah, h-yah!" Audience.] "I yi, you dogs!" says

I, lungin' out uf de bushes. "Whoo-oop!" yells big Injun, a-jerkin' his

tommyhawk out uf de tree and flingin' it whizz at my head. I knocks it

away wid my ax an' drives on. Here comes anudder a-whizzin'. Knocks dat

off, too, still a-drivin' on at 'im. "I yi, you dogs!" Anudder tommyhawk

ready to fly. I knocks dat out de big Injun's han'. Big Injun jumps

back'ards, I jumps for'ards, my ax high up an' ready fur a cleaver. No

chance fur big Injun; ef he starts to run, it's a split in de back; ef

he jumps to one side, it's a gash in de neck. De cleaver's a-comin'

down, when here, wid a duck uf de head, comes Injun right at me, his

shoulder under my arm. Down draps de ax, a-stickin' in de groun' atwixt

his heels. Bes' thing he could a-done fur hisse'f--cunnin' as a fox.

Den, ladies an' gen'lemen, we clinches, an' away we goes a-plungin' an'

a-whirlin'; through de bushes an' through de fire, roun' an' roun' de

logs, roun' an' roun' de trees, roun' an' roun' de hill. Now I tosses

'im up tel his heels kicked de lim's uf de trees, he's so long; but

eb'ry time I thinks I's gwine to bring him down kerwollop, down he comes

wid all his feet under him, like a cat. Activest thing I eber seed--he's

so long. Den he picks me up an' shakes me, dang-a-lang-a-downy-yo, as ef

I's nothin' but a string-j'inted limber-jack. But when I at's him ag'in,

to lock legs or kick ankles, dar he's 'way off yander, a-tippin' it on

his toes, like a killdee. No gittin' a-nigh him, he's so active, he's so

long.

By an' by I happens to look 'roun'. Dar's de dead varmint in de blue

coat an' ruffled shirt up ag'in, wid his gun on de log, an' p'intin'

right at my ribs. "Ouch!" ses I, an' flings Black Thunder atwix. Black

Thunder flings me back fur de pop. Back I flings him ag'in atwix. Den

him me ag'in, me him ag'in, an' all de time de dead varmint a-follerin'

us wid his gun, waitin' to pop my flanks. So, de dead varmint kep' me

watchin' so close, an' de live varmint kep' me movin' so fas', I didn't

know what I's doin', couldn't tell whar I's gwine. Dar I was, rammed

close up in a corner atwix a tree an' a log; no gittin' out, no flingin'

big Injun atwix. Dead varmint takin' his aim--finger on trigger, ready

to pull. "Burlman Rennuls," ses I to myse'f, "you's a goner," when dar

comes Grumbo a-pitchin'--no stoppin' to smell noses. One long lunge he

makes, one long, stretchin' lunge--sich a lunge I neber seed a dog make

befo'. 'Peared as ef he'd lef' his hin' parts way back yander, to git de

quicker at de varmint's throat wid his fo'parts. Back falls Injun, wid a

kick an' a yell; off goes gun, wid a kick an' a bang, the bullet

a-whizzin' right 'twix' our noses. "Ouch!" ses I. "Ugh!" says Black

Thunder. [Audience: "I yi!" "Oho!" "U-gooh!" See Glossary. It may have

been a coincidence, but just here Grumbo fetched the stump a ratifying

rap of the tail.]

Ah! ladies an' gen'lemen [patting his comrade-in-arms on the head], you

don't know how glad I wus to see dat dog. An' white folks say dat

Grumbo's got no humin feelin's. Git out! Den I takes a long bref, Grumbo

still a-holdin' fas' to de dead varmint. "Burlman Rennuls," says I to

myse'f, "de big Injun's too active fur you--too much like a cat fur you.

You cain't throw him down, but you kin let him throw you down; an' once

a-flat uf yo' back on de groun' you kin wollop him ober as easy as

turnin' a pancake, den chaw him up any way you please." So, I pushes him

hard--he pushes me back still harder--when down we comes, kerwollop,

chug--nigger below, Injun on top. But, in de shake uf a sheep's tail,

nigger comes up, Injun goes down. I grabs fur my knife. It's

gone--slipped out in de scuffle. Big Injun grabs fur his knife; dat's

gone, too. He jerks out his pipe an' breaks it in flinders ober my head.

"Ouch!" says I. I looks roun' fur somethin' good fur beatin' out brains,

an' dar lays my ax. I grabs it up, now ready fur a cleaver, an' no

mistake. Big Injun ain't, though; he ain't ready fur any sich a thing.

Up he comes wid a whirl, an' down I goes wid a fling, my ax a-flyin' way

out yander. But in de wriggle uf a buck's tail comes up nigger ag'in;

goes down Injun ag'in. Yes, an' a leetle mo' dan dat: nigger an' Injun

clean ober de turn uf de hill, an' now a-slidin', slidin' down whar it

wus steep as a house-ruff.

"Burlman Rennuls," ses I to myself, "whar you gwine? Dis ain't de sort

uf groun' fur you. You cain't manage de Injun here on de steep

hill-side--he's too active fur you; he's too long fur you; he's too much

like a painter fur you. Git to a lebel country, Burlman Rennuls; git to

a lebel country quick as you kin." Den I hugs him up tight in my arms,

an' locks him up tight in my legs, an' 'way down de steep hill, rollin',

rumblin', an' tumblin' we go--fus' nigger on top, den Injun'--ober an'

ober, fas'er an' fas'er. [The orator revolving his fists one round the

other with increasing rapidity.]

"Burlman Rennuls, whar you gwine?" Don't know whar, but dat we's rollin'

fas'er an' fas'er, an' dat we's startin' de rocks to rollin' too,

a-hoppin' an' pitchin' behin' us as ef dey's in fur a frolic. Now we's

all in a whirl down dar at de foot uf de hill, an' no lebel

country--nothin' but a leanin'-ober river-bank forty foot high. "Burlman

Rennuls, whar you gwine?" Don't know whar. But ober we pitches

a-whirlin' [throwing out one of the revolving fists at a tangent]--down

we draps into water full forty foot deep, kerslash; de rocks a-pitchin'

in arter us thick as hail. [Audience: "Laws-a-marcy!" "Goodness

gracious!" "Hoo-weep!" (with a whistle). After an impressive pause the

speaker, with an impressive gesture, resumed his exciting story.]

Now, ladies an' gen'lemen, you's thinkin' dat's de las' uf Burlman

Rennuls, an' dis his ghos' up here on de stump a-talkin' to you. 'T

ain't so: Burlman Rennuls pulled out; pulled out, I say. Ef he didn't he

wouldn't be up here a-tellin' you uf it. I ups an' looks roun', big

Injun ups an' looks roun'. I pulls fur big Injun, big Injun pulls for

lan'. Bes' swimmer; gits dar fus', an' ter keep me from landin' too,

'gins beatin' me back wid rocks, wid no more kunsideration fur de

feelin's uf a gen'leman dan ef I'd been a shell-backed tarapin. Whack

comes one uf de rocks on my head. "Ouch!" an' down I dives. "Burlman

Rennuls," ses I to myself, down dar in de bottom uf de riber, "whar ar'

you come to? Not whar you started to go. Dis ain't yo' lebel country.

Dis won't do. Big Injun too much fur you in water. Git out uf de water

quick as you kin. Two loaded guns up dar on top uf de hill. You scratch

out an' git de guns, an' yo' day's work's ober."

So, I ups ag'in; an' dis time under de leanin'-over bank, whar de

cane-brake wus, de roots uf de brake a-hangin' down 'mos' to de water.

Now comes de rocks ag'in, as thick as hail. Grabbin' de cane-brakes, up

I goes, han' ober han', han' ober han'. De rocks stop flyin'. I looks

behin' me to see fur why. Dar goes Black Thunder drivin' 'cross de riber

down at de riffle, makin' de water fly befo' him like a runaway hoss. O

my little marster! Up I goes, in double-quick time. Half way up I sees a

painter a-grinnin' down at me frum a tree on de bank. Didn't like his

looks, but climbed on.

[Here the speaker was interrupted by a voice from the audience: "Cap'n

Rennuls, see yer now; ain't you lettin' on?"]

You g' long! Who stops fur painters in a pinch like dat, or any thing

else? Ef I'd turned back den would I be here now to tell you uf it? Git

out! So, painter, or what not, up I scrabbles, ober de bank wid a tug,

an' through de brake wid a squeeze, tel dar I wus at de foot uf de hill.

O my little marster! [A woman's voice in the audience: "Tsht, tsht,

tsht! Pore little feller!" See Glossary.]

Up we goes a-scratchin'; pullin' at de bushes an' weeds an' grass ter

help us 'long, an' tearin' dem up, like flax on a rainy day. Injun has

furder ter go, but longer legs ter go wid. So he gits ter de top uf de

hill as quick as me--him nighest his gun, me nighest my ax. He's

reachin' his han' out fur de gun, my han' 's on my ax a'ready, an' at

him de ax goes whizzin', an' pops him plump on de hip, an' ober he

tumbles. I runs to pick up my ax, dis time ter give de tough varmint a

cleaver, or neber. He can't run, he can't crawl; but he kin wollop, an'

wollop he does, like a rooster wid his head cut off. In de flash uf a

gun-flint, dar he's wolloped hisse'f to de turn uf de hill. I sends my

ax wid a good-by arter him, an' gives him a gash in de arm to 'member me

by. He sends me back a grin an' a whoop, an' away big Injun goes rollin'

an' tumblin'. I grabs up a gun--his own gun it was--an' sends him a long

far'well. He sends back a yell--de o-f-f-ullest yell I eber heerd in all

my bo'n days; offul enough ter come frum a grave-yard. Out comes

spirtin' de blood, a-flyin' frum de rollin' body like water frum a

flutter-mill. Down to de foot uf de hill a-whirlin' he goes, tel ober de

bank uf de riber he pitches. An' dat's de las' I sees uf big Injun.

[Audience: "I yi!" "Oho!" "U-gooh!"]

"Burlman Rennuls," says I to myself, still p'intin' my gun at de bank,

"yo' day's work's done." But hain't hardly said it when, "Burl, Burl!"

ses Bushie; "Bow-wow," ses Grumbo; and "w-h-izz," ses a tommyhawk,

grazin' my nose an' stickin' itse'f in a tree by my side. [Here hurling

the identical tomahawk over the heads of the wincing listeners and

sinking it in a tree behind them. "Goodness gracious, Bu'lman Rennuls,

how you skeer a pusson!" exclaimed a finical female voice in the

audience. It may have been another coincidence, but just here Grumbo

fetched the stump another ratifying rap of the tail.]

I wheels about, an' dar's t'udder dead varmint up on his legs an'

a-comin' at me wid his knife, but Grumbo holdin' him back by de

coat-tail. "I yi, you dogs!" an' at him I go--grabs his knife, clinches

his throat, when down to de groun' we come--Injun, nigger, an' dog,

dog-fashion, all in a pile togedder.

["Cap'n Rennuls," said a voice in the audience, "ef de varmint wus a

dead one, how could he do all dat like a live one?"]

You g' long! Dat's none uf my lookout. Ef it wusn't as I tell you, would

de young Injun be dar in my doo' now, smokin' his pipe? Ef you won't

b'lieve me ax him; an' ef you can't take his word fur it, ax Grumbo.

[Audience: "H-yah, h-yah, h-yah!" "Shucks!" See Glossary. And here

again, too roundly and soundly for mere coincidence, Grumbo fetched the

stump a ratifying rap of the tail, that said as plainly as a dog's tail

ever said any thing: "Yea, and I'll swear to it."]

* * * * *

But we have followed our black Munchausen through the least wonderful

part of his story, as narrated by himself; and further than this, for

reasons already hinted, we dare not venture, the facts of the narrative

here beginning to grow tame again, and the narrator's fancies wide. So

we shall leave our lion to go on roaring it out into the ears of his

colored admirers to his heart's satisfaction, till he is empty and they

are full. At last, after blowing and puffing for nearly an hour in the

popular ear, the windy story, tapering off with a little facetious gas

designed for the ladies, found its way to an end, and dismissing his

audience with a majestic wave of his war-cap, Big Black Burl came down

from the rostrum.

Burl · 第 14 / 21 章