Chapter IV.

HOW SOMEBODY WAS LOST IN THE PARADISE.

For an hour or two the plowing and singing went cheerily on; Bushie, the

while, shifting his perch upon the fence to keep himself on a line with

the furrow next to be run. When the plow was not in sight he amused

himself by watching the squirrels at play, or the birds at

nest-building, or the crows where they still kept their station on the

blasted limb of the oak. By this time the assembly had grown more noisy

and obstreperous than ever, till finally, all order and decorum lost,

the big talk broke up in a big row, the radicals turning tails upon each

other and flying away to the north and the south; the conservatives,

understanding each other no better, flying away to the east and the

west.

Each time, as he neared the end of his furrow, Burl cutting short his

singing the moment he spied his little master, would send forward at the

top of his stentorian lungs his wonted greeting, "I yi, you dogs!" This

was a favorite expression with him, and variously to be understood

according to circumstances. Treading the peace-path barefooted and

shirt-sleeved, he was wont to use it as a form of friendly greeting, in

the sense of "hail fellow well met," or "Good-morning, my friend," or as

a note of brotherly cheer, equivalent to "Hurrah, boys!" or "Bully for

you!" But treading the war-path, moccasin-shod and double-shirted, with

rifle on shoulder and hatchet in belt, he used the expression in an

altogether different sense. Then it became his battle-cry, his note of

defiance, his war-whoop, his trumpet-call to victory and scalps. Taken

by the Indians, who never heard it but to their cost, it was understood

as the English for "Die, die, red dogs!"

While making his turns between rounds, Burl, glancing complacently up at

his little master, would make some remark about the squirrels and the

birds who seemed to be in a "monstrous" fine humor that morning, or

about the crows who seemed to be in a "monstrous" bad humor: "De corn

now gittin' too tall an' strong for 'em to pull up--de black rogues!"

Once or twice it was a sympathetic inquiry about "our little legs," with

a comment upon the efficacy of spit for drawing out "de smartin' an'

stingin' of brier-scratches." Oftener, however, than any thing else, it

was the assurance that by the time the plowing should reach a certain

shell-bark hickory that stood near the middle of the field the

dinner-horn would be blowing, when the little man should go home

"a-ridin' ol' Cornwallis;" the little man always answering this with a

grin of glad anticipation. The turn by this time fairly made, the

plowing and singing would recommence:

"Come, come! come, corn, come!

Burl a-plowin' in de fiel',

A-singin' fur de roasin'-ear to come.

"Come, come! come, corn, come!

Burl a-plowin' in de fiel',

A-singin' fur de johnny-cake to come.

"Come, come! come, punkin, come!

Burl a-plowin' in de fiel',

A-singin' fur de punkin-pie to come."

On nearing his eighth or ninth round, Burl was on the point of shouting

forward the accustomed greeting, when he saw that his little master had

vanished from the fence. At this, however, he was not surprised,

naturally supposing that the boy having grown weary with waiting so

long, and lonesome, had returned to the fort. Now the fact was, Burl

had gone to the field that morning before Captain Kenton had called at

the station with the intelligence of having seen fresh Indian traces in

the wood but a few miles from the place. This circumstance was therefore

unknown to him, else had the faithful fellow never lost sight of his

little master until he had seen him safe back home. So, without any

suspicion of danger, he went on singing at his work as before:

"Wher' now is our Hebrew childern?

Wher' now is our Hebrew childern?

Wher' now is our Hebrew childern?

Safe in de promis' lan'.

Dey went up frum de fiery furnace,

Dey went up frum de fiery furnace,

Dey went up frum de fiery furnace,

Safe to de promis' lan'.

By an' by we'll go an' see dem,

By an' by we'll go an' see dem,

By an' by we'll go an' see dem,

Safe in de promis' lan'."

Thus questioning, answering, promising, the song, or perhaps hymn it

might be called, went on through several stanzas, telling in dolorous

cadences how our good "ol' Danel went up frum de den uf lions;" how "our

good ol' 'Ligy went up on wheels uf fire;" how "our good ol' Samson went

up wid de gates uf Gaza;" how "our good ol' Noah went up frum de mount

uf Areat;" how "our good ol' Mary went up in robes uf whiteness," etc.,

all "safe to de promis' lan'," the comforting assurance over and over

repeated that "by an' by we'll go an' see dem, safe in de promis' lan'."

Long as it was, the song was much too short for Big Black Burl, as

indeed was every song that he sung. But being a "dab" at improvising

words, as well as music, he could easily spin out his melodies to any

length he pleased. So, on getting to the end of his hymn, ignoring the

fact, he went right on _ad libitum_ until he had sent up, in some

manner, scriptural or not, or from some locality, scriptural or not,

every good old Hebrew he could think of, safe to the promised land,

winding up thus with our good old Jonah:

"Wher' now is our good ol' Jonah?

Wher' now is our good ol' Jonah?

Wher' now is our good ol' Jonah?

Safe in de promis' lan'.

He went up frum--I don't know wher' frum;

He went up frum--I don't know wher' frum;

He went up frum--I don't know wher' frum,

Safe to de promis' lan'.

By an' by we'll go an' see him;

By an' by we'll go an' see him;

By an' by we'll go an' see him,

Safe in de promis' lan'."

Having got to the end of his Hebrew rope, the singer, pausing but long

enough for a "Gee up, Corny," to his slow-paced plow-horse, passed

recklessly from sacred to profane, and fell to roaring "Ol' Zip Coon,"

from which to pass in turn, by a cut as short, to "Hark! from the tombs

a doleful sound."

When the dinner-horn blew, he unhitched old Cornwallis from the plow

and, mounting him, rode leisurely home. Having tied his horse to a long

trough set on two wide red-oak stumps just outside the gate of the fort,

and throwing in a dozen ears of corn, he went on into Miss Jemima's

kitchen to get his own dinner. Drawing a puncheon-stool up to the

puncheon-table, he sat down to his noonday meal with an appetite which

had been sharp enough from his morning labors, but to which his singing

had lent an edge keen as a tomahawk. He had cut him a long, thick slice

of bacon and was in the act of conveying the first solid inch of the

savory fat to his lips when the fork thus loaded was stayed midway

between plate and open mouth by the voice of his mistress, who came to

the kitchen-door to inquire if Bushie had not come in with him. Burl

looked quickly round, saying with a tone of surprise: "Why, Miss Jemimy,

hasn't Bushie come home?"

"No; nor has he been seen in or about the fort for more than three

hours," replied the mother.

Bolting the solid inch of bacon which the while he had held poised on

his fork, he rose quickly from the table and was hurrying out of the

house when his mistress, with more alarm at heart than look or tone

betrayed, inquired of him whither he was going.

"Jus' back to de fiel' ag'in to git Bushie. Come out to de fiel' whar I

was plowin', he did; staid a good smart bit, settin' on de fence,

waitin' fur de dinner-horn to blow, when he was to ride ol' Corny home.

He's shorely laid down on de grass in de fence-corner an' went to sleep.

But I'll go an' bring him home right away."

And with this explanation Burl was off to the field again, though with

but the slightest hope of finding his little master out there asleep on

the grass in the fence-corner, as he had suggested. On reaching the spot

where he had last seen the boy he made a careful examination of the

ground, and it was not long before his keen and practiced eye discovered

in the crushed leaves and bruised weeds the traces of three Indians. The

savages had evidently crept upon the child and made him their captive

before he could cry for help, while he who would have rescued him or

perished was blithely singing at his work on the other side of the

field. For several moments Big Black Burl stood as if dumbfounded,

gazing fixedly down at the hated foot-prints in the leaves. But when he

raised his eyes and beheld the cabin where, deserted and lonely, it

stood in the midst of the waving green, another look came into his

face--one of vengeful and desperate determination right terrible to

see.

Speeding back to the fort, he found his mistress standing in her cabin

door-way waiting and watching his return. No need to be told the

afflicting tidings, she read them in his hurried gait and dismayed

countenance. She uttered not a cry, shed not a tear, but, with lips and

cheeks blanched as with the hue of death, she sunk down upon a wooden

settee that stood close behind her. And there, at the door of her

desolate house, the widowed mother sat--continued to sit through the

long, sad, weary hours of absence and suspense, waiting and watching,

her eyes turned ever toward the perilous north. Fortunately about a

dozen of the hunters belonging to the station had just come in from the

forest, who, upon learning what had happened, promptly volunteered to

set out at once in pursuit of the savages and rescue, if possible, the

unlucky Bushie, the boy being a great favorite with everybody at the

fort.

No more work in the field that day for Big Black Burl--he must now leave

the peace-path to tread the war-path. But, before setting out, he must

touch up his toilet a little, for, though careless enough of his

personal appearance as a field-hand, our colored hero took a great pride

in coming out on grand occasions like the present in a guise more

beseeming his high reputation as an Indian-fighter. So, going at once to

his own cabin, where he kept all his war and martial rigging perpetually

ready for use in a minute's notice, he dashed through the process with a

celerity quite astonishing in one who was usually so heavy and

deliberate in his motions. First, he drew on his moccasins, each of

which was roomy enough to hide a half-grown raccoon; then, over his

buckskin breeches he tied a pair of bear-skin leggins, hairy and wide;

then, he drew on over his buckskin under-shirt a bear-skin hunting-shirt

ample enough for the shoulders of Hercules, securing it at the waist

with a broad leathern belt, into which he stuck his sheathed

hunting-knife and his tomahawk, or battle-ax it might be called, it was

so ponderous. His ammunition-pouch and powder-horn--that on the

left-hand side, this on the right--he then slung over his shoulders by

two wide leathern straps, crossing each other on breast and back. Last,

he doffed his coon-skin cap and donned another of bear-skin, more

portentous still in its dimensions; and with Betsy Grumbo--his long,

black rifle; the longest, so said, in the Paradise--gleaming aslant his

shoulder, the Fighting Nigger sallied from his cabin, completely armed

and rigged for war. Giving a loud, fife-like whistle, he was instantly

joined by a huge brindled dog of grim and formidable aspect. As he

passed by the door where his mistress sat, in her mute, tearless,

motionless grief, he turned to her for a moment, cap in hand, and with

terrible sublimity said: "Miss Jemimy, you see me come back wid Bushie,

or you neber see yo' ol' nigger no mo'."

He then joined the white hunters, who by this time were ready likewise,

and led the way to the spot where he had last seen his unfortunate

little master.

Burl · 第 4 / 21 章