A FATAL REMEMBRANCE.

I was subaltern of the cantonment main-guard at Bangalore one day in the

month of June, 182-. Tattoo had just beaten; and I was sitting in the

guard-room with my friend Frederick Gahagan, the senior Lieutenant in the

regiment to which I belonged, and manager of the amateur theatre of the

station.

Gahagan was a rattling, care-for-nothing Irishman, whose chief

characteristic was a strong propensity for theatricals and practical

jokes, but withal a generous, warm-hearted fellow, and as gallant a

soldier as ever buckled sword-belt. In his capacity of manager, he was at

present in a state of considerable perplexity, the occasion whereof was

this.

There chanced then to be on a visit at Bangalore a particular ally of

Fred's, who was leading tragedian of the Chowringhee theatre in Calcutta;

and it was in contemplation to get up Macbeth, in order that the aforesaid

star might exhibit in his crack part as the hero of that great tragedy.

Fred was to play Macduff; and the "blood-boltered Banquo" was consigned to

my charge. The other parts were tolerably well cast, with the exception of

that of Lady Macbeth, which indeed was not cast at all, seeing that no

representative could be found for it. It must be stated that, as we had no

actresses amongst us, all our female characters, as in the times of the

primitive drama, were necessarily performed by gentlemen. Now in general

it was not difficult to command a supply of smooth-faced young ensigns to

personate the heroines, waiting-maids, and old women, of the comedies and

farces to which our performances had been hitherto restricted. But Lady

Macbeth was a very different sort of person to Caroline Dormer and Mrs.

Hardcastle; and our _ladies_ accordingly, one and all, struck work,

refusing point blank to have anything to say to her.

The unfortunate manager, who had set his heart upon getting up the piece,

was at his wits' end, and had bent his footsteps towards the main guard,

to advise with me as to what should be done in this untoward emergency. I

endeavoured to console him as well as I could, and suggested, that if the

worst came to the worst, the part might be read. But, lugubriously shaking

his caput, Fred declared that would never do; so, after discussing

half-a-dozen Trichinopoly cheroots, with a proportionate quantum of brandy

_pani_, he departed for his quarters. "disgusted," as he said, "with the

ingratitude of mankind," whilst I set forth to go my grand rounds.

Next morning, having been relieved from guard, I had returned home, and

was taking my ease in my camp chair, luxuriously whiffing away at my

after-breakfast cheroot, when who should step gingerly into the room but

Manager Fred Gahagan. The clouds of the previous evening had entirely

disappeared from his ingenuous countenance, which was puckered up in the

most insinuating manner, with what I was wont to call his 'borrowing

smile;' for Fred was oftentimes afflicted with impecuniosity--a complaint

common enough amongst us subs;--and when the fit was on him, in the spirit

of true friendship, he generally contrived to disburthen me of the few

remaining rupees that constituted the balance of my last month's pay.

Fred brought himself to an anchor upon a bullock trunk, and, after my boy

had handed him a cheroot, and he had disgorged a few puffs of smoke, thus

delivered himself--

"This is a capital weed, Wilmot. I don't know how it is, but you always

manage to have the best tobacco in the cantonment."

"Hem," said I, drily. "Glad you like it."

"I say, Peter, my dear fellow," quoth he, "Fitzgerald, Grimes, and I, have

just been talking over what we were discussing last night, about Lady

Macbeth you know."

"Yes," said I, somewhat relieved to find the conversation was not taking

the turn I dreaded.

"Well, sir," continued Fred, plunging at once "in medias res,"and speaking

very fast, "and we have come to the conclusion that you are the only

person to relieve us from all difficulty on the subject; Fitzgerald will

take your part of Banquo; and you shall have Lady Macbeth, a character for

which every one agrees you are admirably fitted."

"I play Lady Macbeth!" cried I, "with my scrubbing-brush of a beard, and

whiskers like a prickly-pear hedge; why, you mast be all mad to think of

such a thing."

"My dear friend," remarked Gahagan mildly, "you know I have always said

that you had the Kemble eye and nose, and I'm sure you won't hesitate

about cutting off your whiskers when so much depends upon it; they'll soon

grow again you know, Peter; as for your dark chin that don't matter a

rush, as Lady Macbeth is a dark woman."

The reader will agree with me in thinking that friendship can sometimes be

as blind as love, when I say with respect to my "Kemble eye and nose,"

that the former has been from childhood affected with a decided tendency

to strabismus, and the latter bears a considerably stronger resemblance to

a pump-handle than it does to the classic profile of John Kemble or any of

his family.

"Lieutenant Gahagan," said I, solemnly, "do you remember how, some six

years ago at Hydrabad, when yet beardless and whiskerless, the only hair

upon my face being eyebrows and eyelashes, at your instigation and

'suadente diabolo,' I attempted to perform Lydia Languish in 'The Rivals?'

and hast thou yet forgotten, O son of an unsainted father, how my

grenadier stride, the fixed tea-pot position of my arms, to say nothing of

the numerous other solecisms in the code of female manners which I

perpetrated on that occasion, made me a laughing-stock and a by-word for

many a long day afterwards! All this, I say, must be fresh in your

recollection, and yet you have the audacity to ask me to expose myself

again in a similar manner."

"Pooh, pooh!" laughed Gahagan, "you were only a boy then, now you have

more experience in these matters; besides, Lydia Languish was a part quite

unworthy of your powers; Lady Macbeth is a horse of another colour."

"Why, man, with what face could I aver that

'I have given suck, and know

How tender 'tis to love the babe that milks me.'

That would certainly draw tears from the audience, but they would be tears

of laughter, not sympathy, I warrant you. No, no, good master Fred, it

won't do, I tell you; and in the words of Lady Macbeth herself, I say--

'What beast was't, then,

That made you break this enterprise to me?'

And now oblige me by walking your body off, for I have got my yesterday's

guard report to fill up and send in, in default of which I shall be sure

to catch an 'official' from the Brigade-Major."

But Fred not only did not walk his body off, but harping on the same

string, pertinaciously continued to ply me with alternate arguments and

intreaties, until at last fairly wearied out, and more, I believe, with

the hope of getting rid of the "importunate chink" of the fellow's

discourse, than anything else, in an evil moment I consented! hear it not,

shade of Mrs. Siddons! to denude myself of the bushy honours of my cheeks,

and tread the boards of the Bangalore stage as the wife of that atrocious

usurper "King Cawdor Glamis!"

Fred marched himself away, elated at having carried his point; and I,

after sundry dubious misgivings anent the rash promise I had made, ended

by casting all compunctious visitings to the winds, and doughtily

resolved, as I was in for the business, to "screw my courage to the

sticking-place,' and go through with it as boldly as I might.

By dint of continually studying my rôle, my dislike to it gradually

diminished, nay, at length was converted into positive enthusiasm. I

became convinced that I should make a decided hit, and cover my temples

with unfading laurel. I rehearsed at all times, seasons, and places, until

I was a perfect nuisance to everybody, and my acquaintance, I am sure, to

a man, wished both me and her bloodthirsty ladyship, deeper than plummet

ever sounded, at the bottom of the sea. Even the brute creation did not

escape the annoyance. One morning my English pointer "Spot" ran yelping

out of the room, panic-stricken by the vehement manner with which I

exclaimed, "Out damned _spot_, out, I say!" and with the full conviction,

which the animal probably entertained to the day of his death, that the

said anathema had personal reference to himself.

The evening big with my fate at last arrived. The house was crammed,

expectation on tiptoe, and the play commenced. The first four acts went

off swimmingly, my performance especially was applauded to the echo, and

there only wanted the celebrated sleeping scene, in which I flattered

myself to be particularly strong, to complete my triumph. Triumph, did I

say!

I must here explain, for the benefit of those who have never rounded the

Cape, that the extreme heat of an Indian climate is so favourable to the

growth of hair as to put those wights who are afflicted with dark

_chevelures_, which was my case, to the inconvenient necessity of

chin-scraping twice on the game day, when they wish to appear particularly

spruce of an evening. Now I intended to have shaved before the play began,

but in the hurry of dressing had forgotten all about it; and upon

inspecting my visage in a glass, after I had donned Lady Macbeth's

night-gear, the lower part of it appeared so swart in contrast with the

white dress, that I found it would be absolutely necessary to pass a razor

over it before going on with my part.

The night was excessively warm, even for India; and as the place allotted

to us for dressing was very small and confined, the bright thought struck

me that I should have more air and room on the stage, whither I

accordingly directed my servant to follow me with the shaving apparatus.

I ensconced myself behind the drop-scene, which was down, and was in the

act of commencing the tonsorial operation, when, _horresco referens_, the

prompter's bell rang sharply, whether by accident or design I was never

able to ascertain, but have grievous suspicions that Fred Gahagan knew

something about it--up flew the drop-scene like a shot, and discovered the

following _tableau vivant_ to the astounded audience:--

Myself Lady Macbeth, with legs nearly a yard asunder--face and throat

outstretched, and covered with a plentiful white lather--right arm

brandishing aloft one of Paget's best razors, and left thumb and

forefinger grasping my nose. In front of me stood my faithful Hindoo

valet, Verasawmy by name, with a soap-box in one hand, while his other

held up to his master's gaze a small looking-glass, over the top of which

his black face, surmounted by a red turban, was peering at me with grave

and earnest attention.

A wondering pause of a few seconds prevailed, and then one loud, rending,

and continuous peal of laughter and screams shook the universal house.

As if smitten with sudden catalepsy, I was without power to move a single

muscle of my body, and for the space of two minutes remained in a stupor

in the same attitude--immovable, rooted, frozen to the spot where I stood.

At length recovering at once my senses and power of motion, I bounded like

a maniac from the stage, pursued by the convulsive roars of the

spectators, and upsetting in my retreat the unlucky Verasawmy, who rolled

down to the footlights, doubled up, and in a paroxysm of terror and

dismay.

Lieutenant Frederick Gahagan had good reason to bless his stars that in

that moment of frenzy I did not encounter him, the detestable origin of

the abomination that had just been heaped upon my head. I am no two-legged

creature if I should not have sacrificed him on the spot with my razor,

and so merited the gratitude of his regimental juniors by giving them a

step.

I have never since, either in public or private life, appeared in

petticoats again.

* * * * *

SONGS FOR THE SENTIMENTAL.--No. 14.

Oft have I fondly heard thee pour

Love's incense in mine ear!

Oft bade thy lips repeat once more

The words I deemed sincere!

But--though the truth this heart may break--

I know thee false "_and no mistake!_"

My fancy pictured to my heart

Thy boasted passion, pure;

Dreamed thy affection, void of art,

For ever would endure.

Alas! in vain my woe I smother!

I find thee very much "more t'other!"

'Twas sweet to hear you sing of _love_,

But, when you talk of _gold_,

Your sordid, base design you prove,

And--for it _must_ be told--

Since from my soul the truth you drag--

"You let the cat out of the bag!"

* * * * *

Punch, or the London Charivari, Volume 1, December 18, 1841 · 第 9 / 58 题