THE SQUIRE'S LAST RIDE

TALES OF NORTHUMBRIA

BY THE SAME AUTHOR

BORDERLAND STUDIES

THE MARK O' THE DEIL

THE WHITE-FACED PRIEST

TALES OF

NORTHUMBRIA

BY

HOWARD PEASE

METHUEN & CO.

36 ESSEX STREET, W.C.

LONDON

1899

TO

EARL GREY

EVER KEENLY INTERESTED IN WHATEVER

CONCERNS HIS NATIVE COUNTY

THESE SKETCHES OF NORTHUMBRIAN CHARACTER

ARE DEDICATED BY THE AUTHOR

CONTENTS

PAGE

NORTHUMBERLAND 1

'A LONG MAIN' 7

THE SQUIRE'S LAST RIDE 29

À L'OUTRANCE 41

'T'OWD SQUIRE' 59

AN 'AMMYTOOR' DETECTIVE 79

'IN MEMORIOV'M' 109

'THE HECKLER' UPON WOMENFOLK 121

THE 'CALEB JAY' 133

GEORDIE ARMSTRONG 'THE JESU-YTE' 147

'GEORDIE RIDE-THE-STANG' 165

YANKEE BILL AND QUAKER JOHN 187

THE PROTÉGÉ 209

THE SPANISH DOUBLOON 243

The tales that go to make up this small volume have already appeared

in print: the first part of the Introduction, 'A Long Main,' 'In

Memoriov'm,' in the _National Observer_; 'The Protégé,' in the

_Queen_; 'Quaker John and Yankee Bill,' 'T'Owd Squire,' 'An Ammytoor

Detective,' in the _Newcastle Courant_; 'À l'Outrance,' in the

_Newcastle Weekly Chronicle_; and the remaining six in the _Newcastle

Daily Leader_. I desire to tender my thanks herewith to the various

editors concerned.

TALES OF NORTHUMBRIA

NORTHUMBERLAND

It is generally admitted that your Northumbrian pre-eminently

possesses the quality which the pious but worldly Scotchman was used

to pray for, namely, 'a guid conceit o' hissel'.'

It is the more unfortunate, therefore, that of late years a

considerable landslip should have taken place in the ground whereon

his reputation rested.

The local poet no longer hymns the 'Champions o' Tyneside,' for

Chambers and Renforth and other heroes have long since departed,

leaving 'no issue.'

Advancing civilization, again, has, it is to be feared, made havoc of

the proud insularity of the Northumbrian squirearchy. No longer are

they content, like the Osbaldistones of yore, to devote themselves to

cellar and stable, to stay at home, contemptuous of London and its

politics, of travel and of new ideas. 'Markham's Farriery' and the

'Guide to Heraldry' have lost their pristine charm, and the

Northumbrian is, as a consequence, foregoing his ancient

characteristics merely to become provincial.

'Geordie Pitman' alone makes a stand against all modern innovation.

Firm in his pele tower of ancient superiority, he is still convinced

of the superiority of all things Northumbrian.

'Champions' may have died out elsewhere, and patriotism be decayed in

the higher social ranks, but in the pit-village there still lingers an

admirable quantity of the old self-love.

In each separate village you may find some half-dozen self-styled

'champions' who will match themselves against 'any man in the world'

for £10 or £15 a side at their own particular hobby or pastime.

Defeat has little effect upon a 'champion': like Antæus, he picks

himself up the stronger for a fall, and having advertised himself in

the papers as 'not being satisfied' with his beating, challenges

another attempt forthwith.

* * * * *

Now this self-satisfaction--though somewhat decayed of late--is

probably one of the oldest strains in the Northumbrian character,

having been developed, doubtless, in the first instance, under stress

of constant raid and foray, and but little affected thereafter--owing

to the remoteness of the county both from the universities and from

London--by the higher standards of softer and more civilized centres.

After this, the next most predominant trait is a love of sport, for

which the climate, together with the physical conformation of the

county, may be held responsible; for the open aspect of the plain, the

crown of bare western hills, the wind-swept moorland and the sea,

suggest a life of hard endurance and fatigue, the strenuous toil of

the hunter, the keen excitements of the chase.

Still, as of old, the wide and spreading grasslands try horse and

rider with a tempting challenge, as of one who cries, 'Come, who will

tire first?' The music of the hounds sweeps down the brae:

'Yoi--yoi--yoi!' quivers the cry from the streaming pack. Onward the

rider gallops, the plover perchance rising at his horse's heels, the

long note of the curlew sounding in his ears, the breath of the west

wind racing in his nostrils; he may see on this side the purple bar of

Cheviot, on the other the blue, flat line of the sea, and

therewith--if ever in his life--may taste of the primeval joy of

living--of the joy of the early hunter who lived with his horse as

with a comrade, drew from the sea the 'sacred fish,' from the moorland

the 'winged fowl,' and knew not discontent.

The beauty of the southern counties is not to be met with here.

The south is the well-dowered matron, the north a bare-headed

gipsy-lass, freckled with sun and wind, who 'fends' for her living

with strategies of hand and head.

Still, in the northern blood, the heritage of the 'raid' and the

'foray' abides, and still, as of old, are the children of the

Borderland nursed by the keen wind of the moorland and the sea. 'Hard

and heather-bred' ran the ancient North-Tyne slogan; 'hard and

heather-bred--yet--yet--yet.'

'A LONG MAIN'

'So you're a county family?' I echoed, and, though it may have been

impolite, I could not forbear a smile, for never had I seen County

Family so well disguised before.

'Ay,' replied Geordie Crozier, 'I is,' and forthwith proceeded to

search in the pocket of his pit-knickerbockers for his 'cutty.' He had

just come up to 'bank' from the 'fore-shift,' and was leaning on a

waggon on the pit-heap, about to have a smoke before going home for a

'wesh,' dinner, and bed. 'The last ov us,' he continued, having lit

his pipe, 'that had Crozier Hall was grandfeythor--Jake Crozier, of

Crozier Hall, was his name an' address, an'--an'--I's his relics.'

I glanced at the 'relics' afresh--six foot two if he was an inch, and

broad in proportion, a magnificent pair of arms--he was champion hewer

at the colliery--with legs to match, though slightly bowed through the

constant stooping underground. Under the mask of coal-dust his eyes

gleamed like pearls, and a thrusting lower lip, backed by a square

jaw, gave evidence of determination and the faculty of enjoyment. A

short, well-trimmed beard put the finishing touch to 'the Squire,' for

so his friends styled him, half in jest.

'Well, and how was it lost?' said I. 'Was "cellar and stable," the

good old Northumbrian motto, his epitaph? Or did your grandfather take

an even quicker road to the bailiffs?'

'Grandfeythor was like us, I b'lieve; he was a fine spender but an ill

saver, an' he had a h---- ov a time till the mortgages gave oot, for

he was a tarr'ble tasteful man--lasses, greyhounds, an' horses,

racin', drinkin', cockin', an' card-playin' were aal hobbies ov his at

one time or another, but what was warse than aal this put togither was

that he never wud be beat. Everything he had must be the best, an' the

fact that anythin' belonged to him was quite enough to prove to him it

was the best o' the sort i' the county. Well, for a while as a young

man things went well wi' him. He win the Plate[1] two years runnin',

an' many was the cock-fight an' coursin' match he pulled off wiv his

cocks an' his hounds; but there was a chap came oot o' Aadcastle who

was one too many for him at the finish. This chap had made a vast o'

brass i' the toon at ship-buildin' or such like, an' bein' wishful to

set hisself up as a big pot, had hired a big place next grandfeythor's

i' the country. Well, grandfeythor couldn't abide him, for, bein' a

red-hot Tory, he didn't believe i' one man bein' as good as another at

aal, an' when, as happened shortlies, his neighbour's son came

sweetheartin' his daughter, he says, "No Crozier lass ever yet married

a shopkeeper's son, an' they never shall as long as I'm above

ground--orffice boys mun marry wi' orffice gals," says he.

'Well, the lad's feythor was tarr'ble vext at this, an' he swears

he'll have his revenge on the Squire--an' it wasn't long before he got

his opportunity.

'He'd set hissel' up as a sportin' man, ye ken, when he come to the

country, an' wes tarr'ble keen o' shootin' wiv a gun, an' occasionally

he meets grandfeythor at a shootin' party, an' always takes the

opportunity to differ from him i' a polite sort o' way on every topic

under the sun.

'Well, after their dinners one day, grandfeythor, bein' fairly full up

wi' beer, ye ken, begins sneering at all toon's folk settin' up as

sportsmen. "It stan's to reason," says he, "if a man's forbears have

never handled a gun, nor shot nowt mevvies[2] but a hoody crow or a

seagull on a holiday, that the bairns canna shoot either, for it's

bred an' born in a man--it's part o' his birthright, like a fam'ly

jool," says he; "a heditary gift, the same as a proper knowledge o'

horseflesh, fightin' cocks, greyhounds an' aal; money won't buy it,

an' it's no use argifyin' aboot it, for it's a fact, and the will o'

Providence," says he.

'Noo, when grandfeythor got on aboot Providence, most folks, I

b'lieve, used to say nowt, but Smithson--that was the chap's name--he

gies a sort o' tee-hee at this oot loud, which would be the same as if

you or me were to say, "It's just d----d nonsense."

'Well, there was a tarr'ble tow-row at this, grandfeythor as red as a

bubbly-jock an' swearin' like a drunken fishwife, and Smithson as

polite as a counter-jumper wiv his "pardon me's" and "pray be seated,

sirs"--aal to no effect.

'At the finish, when matters were quieted doon a bit, Smithson offers

to back hissel' at a shootin' match wi' grandfeythor for £1,000 a

side, an' also at a cockin' match--"a long main" it was to be--twenty

battles at £100 the "battle" and £1,000 the "main."

'Well, aal the comp'ny thought it was just a bit swagger on the part

o' Smithson, an' that when the time came he'd just cry off an' pay

forfeit, for the match was to take place in three weeks' time, and

never a cock had Smithson in his place ava, whereas grandfeythor, he

had a rare breed, the best i' the county--mixed Rothbury an'

Felton--an' the old Felton breed was the one the King o' England win

his brass ower formerly.

'The time comes, an' the comp'ny is aal assembled i' the cock-pit at

Bridgeton, grandfeythor, full o' beans an' bounce, backin' hissel'

like a prize-fighter, takin' snuff an' handin' roon' the box to his

friends, an' sayin' noo an' again, "Where's that dam' fellow

Smithson?"

'Well, the clock on the old tower was just on the stroke of ten, when

in saunters Smithson, cool as a ha'penny ice, an' behind him, in green

and gold liv'ries, come ten flunkies each wi' two big bags behind his

shoulder, an' in each bag a tarr'ble fine fightin' cock.

'Where he'd gathered them nobody knew save old Ned Stevison--an

ancient old cock-fighter o' Bridgeton, who loved cocks more than many

a man his missus. "The Moonlight Breed" he called them, but they had a

strain of the famous old Lord Derby's breed i' them, and were blood

uns to the bone.

'Some half dozen were Stevison's own, but the remainder 'twas said he

had stolen from awa doon Sooth for Smithson, an' anyways "Captain

Moonlight" was his nickname ever afterwards.

'Well, they weighs aal the cocks; from six to six and a half pounds

their weight was to be, an' the fight commences.

'Bob Stevison fought Smithson's cocks for him, an' grandfeythor fought

his own, kneelin' doon on the cock-pit floor wiv his coat off so as to

handle them the better.

'The first two or three battles grandfeythor wins easy, Stevison using

his warst cocks at the first, d'ye see, oot o' craft mevvies to get

longer odds i' the bettin', so that at one time grandfeythor was five

battles to two to the good; a bit later it was eight all, an' the

excitement was immense, bets flyin' aboot like snowflakes at

Christmas.

'Then Stevison oots wiv a beauty--a perfect picture it was ov a

fighter; eyes like a furnace at night, liftin' his legs like a Derby

winner, wings an' tail clipped short--aal glossy wi' health an'

shinin' like mahogany.

'Stevison runs him up an' doon the floor to heat his blood, an' tweaks

a feather doon from his rump--that was a clever trick he had, to

madden his cock just before the start--an' holds him ready for the

battle.

'Then grandfeythor, he oots wiv his champion cock--"Stingo," he called

him--an old favouryte ov his, a gran' bird too, six years old, an' a

little past his prime mevvies, though he'd never lost a battle in his

life.

'As soon as they sees each other "Stingo" gies a bit triumphant crow,

an' leans forward from his master's hand to try an' nip hold o' the

other wiv his beak. The other says nowt, just looks at him wi' fiery

eyes red hot wi' murder, an' as soon as ever his feet touch the

sawdust bends low, then springs straight for Stingo, drivin' wiv his

spur o' shinin' steel right for his heart.

'Just i' the nick o' time Stingo leaps i' the air to meet him; there's

a "click, click," "click, click," as o' daggers crossin', an' pantin'

from the shock, doon sinks either bird to the ground.

'Stevison's mouth was tremblin' like a bairn's as he took his

favouryte up, for there was blood on his lower breast feathers, but

Stingo wasn't touched ava, an' grandfeythor, puffed oot wi' pride,

claps a bit mair o' the fam'ly property on to his champion.

'It was a bit lesson for the other cock; he was just as determined as

ever, but a bit quieter like; round an' round Stingo he goes like a

prize-fighter, clickin' in noo an' again as he thought he saw his

openin', an' when they grappled tegither wi' their beaks, though his

comb was almost torn in two, he hammered for Stingo's eye as a

blacksmith hammers on his anvil.

'After about fifteen minutes neither cock could stand straight; at a

distance you'd have said they was both as drunk as my lord; both were

drippin' blood; Stingo had lost an' eye, an' neither o' t'other's were

much use to him, bein' bunged up wi' bruised flesh. They staggered

aboot here an' there; knocked up against each other in a blind-man's

"beg-pardin" sort o' way. Every noo and again the Moonlight cock would

pull himself together, hop feebly into the air, an' strike wiv his

spurs, but as often as not the air was all he hit, for, his eyesight

bein' aal askew, he couldn't aim straight, an' doon he would flop on

his tail end, coughin' an' choakin' wi' blood--powerless, yet mad to

gan on fightin'.

'At the finish he gets Stingo pinned up against the cockpit bars, an',

thinkin' he has him noo, gies a feeble craw, lifts hissel' into the

air, an' claps for his heart wiv his spurs.

'There was a bit clash in the held-breath stillness of the place, then

a tiny moan, an', by Gox! there was Moonlight lyin' flat on his back

on the sawdust wiv one leg broke in two an' danglin' wiv its spur like

a watch-chain on his breast.

'Such a hullaballoo as there was, grandfeythor yellin' like an Injun!

"Pick up yo'r bird," he cries, "he's a dead un!" for there was Stingo

a-top o' Moonlight peckin' at what was left ov his head-piece like a

blackbird at a snail.

'Stevison never moved, but his gills went flutterin' like those ov a

dyin' fish; he couldn't speak, but I b'lieve he was prayin' for his

favouryte.

'A minute passed, then Moonlight comes to; he beats wiv his wings,

struggles, crawls an inch or two, manages to shake off Stingo, then

hoistin' hissel' up once again wiv his one leg an' wings slashes wiv

his spur, and by the damn'dest luck lands it in Stingo's eye.

'Doon in a motionless heap they falls, an' when they're separated

Stingo's dead as a leg o' mutton.

'The rest o' the comp'ny yells and shouts; some says Moonlight's a

dead un, too, an' it's a drawn battle, an' grandfeythor, he swears his

bird can still fight, while Stevison, unable to find his voice, picks

up Moonlight, an' finally claps a great kiss on to the middle ov his

back, an' when he sets him doon again wiv a drop brandy in his mouth

he sets up a feeble craw of defiance, plainly axin', "Who the deevil

says I's a dead un?"

'After that it was all up wi' grandfeythor; the stuffin' seemed

knocked oot o' him an' his cocks by the loss ov his favouryte, an' in

the next battle another of his best birds had his heart squashed oot,

like a ripe gooseberry, at the vary first encounter.

'It was a black day that for grandfeythor, but, as I was sayin' at the

start, he never gies in, an' he comforts hissel' wi' thinkin' he'd

make matters square up an' a bit to spare by the shootin' match which

was to follow in a fortnight's time.

'Smithson had agreed to shoot off the match at Crozier Hall, for

grandfeythor had aboot the best shootin' in the county at the time,

an' there was one place famous for the grand shots ye got overhead

between two woods planted on either side of a dene, ye ken.

'There was stubbles an' beanfields usuallies beyond, an' the

pheasants, when driven off, used to fly right across the haugh below

over into the woods beyond--mevvies aboot two hundred yards awa'.

'Well, the great day comes. A fine, sunshiny October day it was, wiv a

bit o' wind from the west--the way the birds was to fly, ye ken, an' a

tarr'ble big comp'ny was assembled to see grandfeythor gie "the

furrinor" his gruel.

'Grandfeythor was i' tremendous spirits that mornin', an' as full o'

gob as a torkey-cock; nothin' could hold him; the world was a toy to

him--like the geography chap[3] i' the bairns' books, ye ken--he felt

sae tarr'ble strong an' healthy. "Eyeball clear as a bairn's," says

he, "hand steady as a rock, digestion a marvel," an' he pats hissel'

on the stomach as pleased as Punch.

'They tosses as to who shoots first, an' the coin comes doon for

grandfeythor, an' mighty delighted he was to be the first to shoot.

There wasn't much chance o' grandfeythor's bettin' as much as he

wished for, for naebody thought Smithson had a chanst, but what he

could get he gobbled up like a hungry trout--fearfu' odds they

was--six to one on himself he had to lay, an' often a bit more.

'The match was for £1,000 a side, a hundred shots each at the first

hundred pheasants within shot, an' the referee to decide any disputed

points.

'Grandfeythor takes up his stand aboot thirty yards awa' from the

wood's edge; then the referee fires a pistol, the head-beater i' the

wood above waves a white flag, an' there's a dead stillness as though

we were aal i' church prayin'.

'There was a big clump o' fir-trees standin' right oot from the thick

o' the wood's edge about fifty yards off mevvies, an' two o' the firs

stood oot high above their fellows, an' that was where the pheasants

always broke oot, whizzin' up like rockets as they came ower the top

o' them, an' it was just at that point that grandfeythor had always

nicked them clever--just as they cleared the rise of the topmost tree,

ye ken, an' started on their level flight for the opposite side. If ye

missed them i' front ye hadn't much chanst behind, for they swept awa'

like lightnin' doon the wind before ye could get turned round. Well,

aal was stillness as I said, when sudden there comes a far-away cry

through the clear air--"Cock forrard, cock forrard!" an' in another

two seconds there comes a clap o' wings from above. Bang! gans

grandfeythor's gun, as a fine cock sweeps overhead. "D----!" says he,

wiv a flush on his cheek; for aal there was to show was some

half-dozen tail feathers left twirlin', as if in mock'ry, forty yards

in the air above him.

'"Cock forrard, cock forrard!" comes the cry again, an' grandfeythor

grips a firmer stand wiv his feet, an' grasps his weapon a bit tighter

than before. Bang, bang! this time, an' the cock gies a frightful

lurch as though about to fall headlong, but steadies hissel', rises a

bit, an' wins over to the other side.

'"H----!" yells grandfeythor, trembling wi' rage, an' stamps upon the

ground. "Cock forrard, cock forrard!" again comes the beater's cry,

an' half a dozen come flightin' overhead at once.

'Bang! once again, an' grandfeythor wiv a groan flings his gun to the

ground, for he had missed altogether that time.

'"I'm fair bewitched," he cries, and aal the while the pheasants were

streamin' overhead.

'He trembled aal over, an' we thought he was gannin' to have a fit,

for his brow was damp wi' drops o' sweat, an' his eye wild an' glassy.

"Thoo damned fellow," he cries, glancing round at Smithson, an' takes

a step towards him, "thoo's cozened me somehow, thoo must have

poisoned my beer!" he yells.

'"Steady, sir, for God's sake, steady!" says the keeper in his ear,

an' offers him his gun again ready loaded for another shot, for aal

the while the pheasants came liftin' above their heads.

'Well, he takes it up again, looks at it an' feels as though he didn't

recognise it, as though it had injured him somehow, an', tremblin' aal

over, takes up a stand again. After a shot or two he kills one in

beautiful style, an' gradually getting back a bit o' confidence he

gets warmed up, an' at the finish he has seventy-five oot o' the

hundred--oot o' the last twenty never missin' one.

'And noo it was Smithson's turn.

'He makes a splendid start, wipin' up the first fifteen birds wivvoot

an error; after that again the pheasants come wilder, an' gettin'

flurried belike, he tailors them. Then he gets steadied once more, an'

at the finish has ten cartridges left an' seventy birds doon.

'A wunnerfu' chap for nerve he was, was Smithson; the mair excitement

the cooler he gets.

'A hen pheasant comes sailin' awa' to the right some sixty yards off.

'"In shot?" asked he, as though he were passin' the time o' day.

'"Shoot," cries the referee, an' ping, ping! gans two cartridges, but

he cannot stop her, she was ower far off, though she left a trail o'

feathers ahint her.

'He gets another fearfu' hard one to the left this time, an' it takes

two cartridges to settle number seventy-one--six cartridges left an'

five birds to bag.

'Wow! but the excitement was painfu', an' folks fell to bettin' i'

quick whispers, "Two to one against Smithson," an' he takes it wiv a

nod, smilin' if you please.

'The next three he gets, then he misses a longish shot, two cartridges

left an' two birds to knock doon.

'Here they come--two cocks high together overhead--be-eauties; suthin'

seems wrang wi' trigger or cartridge, an' Smithson misses first

barrel.

'"I've won!" yells grandfeythor, an' tosses his cap i' the air. Bang!

says Smithson's second barrel, an' doon comes the two cock pheasants

togither. The first had swerved, d'ye see, an' jostled up against the

second, an' Smithson cops 'em both wiv his last cartridge an' wins on

the post, seventy-six to seventy-five. Gox! but it was the nearest

touch an' go thing ever seen i' the North Country, I's warn'd, an' wi'

that last cartridge bang gans Crozier Hall.'

'Was there any trickery?' I inquired; 'had Smithson tampered with your

grandfather's cartridges, for instance?'

'No, he'd not done that; he couldn't ha' done that, but he had tricked

grandfeythor a bit, though it wasn't found out till afterwards.

'The way of it was this: Smithson was a d----d clever feller, ye ken,

an' knowin' as he did that grandfeythor had a wunnerfu' way o' pickin'

off the pheasants just as they came over the topmost trees, he had

sent two or three o' his men i' the night-time, an' had fixed up a

young fir right on to the top o' the highest tree, so that Mr.

Pheasant had to rise another six feet afore he cam' ower.

'Well, this was just enough to put grandfeythor oot ov his reckonin's,

an' when he misses the first one, as he'd never done before, he cannot

make it oot, he went clean flustered, thought he must have had a

stroke, an' swore he was bewitched, or poisoned, or such like.

'It was a crool thing to do, but it wasn't exactly what ye could call

a Jew's swindle--but, damn Smithson aal the same, I says; for here's

me, Geordie Crozier, left a po'r orphin i' the warld wi' none o' his

fam'ly property to belang to him, 'cept two gifts--the yen for

drinkin' an' t'other for gamblin', an' it's damn Smithson, says I.'

FOOTNOTES:

[1] Northumberland Plate, or Pitmen's Derby.

[2] 'Mevvies' = maybe, perhaps. The true Northumbrian is in a

threefold danger of betraying his origin: phonetically, by the 'burr';

dialectically, by constant use of 'mevvies,' 'wor' (our), and 'I's

warned' (I warrant you); psychologically, by a perpetual readiness to

back himself, his dog, or any of his belongings, against any other

man's in the world, and for any amount, at a moment's notice.

[3] Atlas, presumably.

THE SQUIRE'S LAST RIDE

'Ay, that's the priest, the Catholic Priest,' said Eph Milburn, after

a white-haired, cassock-clad old gentleman, who had nodded slightly in

reply to my companion's greeting, had passed over the bridge and

departed out of hearing.

'He looks as if butter wouldn't melt in his mouth now,' continued

Milburn, a long-legged, ruddy-bearded, hawk-eyed son of the moorlands,

'and aal his time nowadays he spends in his garden over his bees or

his flowers, or thumbing his Mass-book in his library; but it wasn't

so once-a-day, not he, not when the old Squire was above ground, and

he came up by to stop wiv him.

'Ye'll have heard tell o' the old Squire an' aal his goin's on, I'll

be bound? Ay, o' course, but there's one thing nobody kens o', not

even Father Blenkinsop, and that's where the Squire's bones are lyin',

for they never found his body, ye ken.

'Squire Dally was the last o' the fam'ly that had lived in the old

Pele Tower o' Dally from generation to generation, and he was the

wildest o' a wild lot--riders an' reivers in the old times, canny hard

fox-hunters, drinkers, an' gam'lers this century. They were bound to

get through their property soon or late, an' the last Squire, Tom

Dally o' Dally, he says, "I leave my property tiv a South-countryman?

Not I, by Gad!" says he; "why, damme, but I'll cheat him yet," an' sae

he spends hissel' right an' left on any mortal thing he took a fancy

for.

'The Hall--which was an old Pele wi' two wings added, ye ken--an' a

good bit o' the property, had gone before that. The last Squire's

grandfeythor had got shot o' that, the mortgages on it bein' far ower

heavy to keep up; but there was still a fair property left, an' a nice

canny house that had once been a dower-house, an' was now a farm, an'

that was where Squire Tom lived with his fighting-cocks, an' his

hounds, an' his hawks an' aal.

'His missus had died early, ye ken, an' that had been the ruin ov him,

for she was a clivvor woman, wiv a turn o' management--just what ye

would call good hands i' the matter ov a horse; that was her faculty,

an' she was a bonny-featured woman for-bye.

'Ay, she could manage him fine.

'There was a grand scene, 'twas always said, when he brings her home

after their furrin' tower, an' one night, bein' merry wiv his bottle,

he forgets hissel', an' swears at her before company. Up she gets

swiftly, pale, but determined, an' leanin' a wee bit ower the table

she speaks straight at him. "Tom," she says, "you forget yourself; and

until you apologize to me for your rudeness I'll sit no more at table

wi' ye," an' oot she gans frae the dining-room, haughty as the Queen

in Scripture, leavin' the Squire gapin' an' speechless, never havin'

been treated that fashion before.

'There was two or three other men wiv him dinin' that night, an' on

they sat drinkin' steadily, the Squire in a towerin' temper aal the

while, noo damnin' hissel', next cursin' his neighbour, an' backin'

his horses, an' hawks, an' hissel', wi' gun an' rod, against anyone,

or the lot o' them together.

'They tried to soothe him a bit, but the mair they tried the hotter he

got, an' had the Pope hissel' been his visitor that night, Squire Tom

would have d----d him too, an' been glad o' the opportunity. After a

bit mair snarling an' sneerin', an' snappin' he sits quiet for a

while, then he glares round at his guest friends, an' he cries:

'"Ye're nowt better than a lot o' 'momenty morries,'"--meanin'

skeletons, ye ken--"the wife's worth the whole boilin' o' ye, an' I'm

d----d if I don't apologize," an' he glared round to see if anyone

would dare laugh at him for't; but no one spoke save a little fam'ly

lawyer chap, up for the night frae the toon, an' he chirrups up an' he

says, "Qui' right, qui' right," he hiccoughs, an' the Squire glares

right through him as he growls, "When I ask ye for an opinion I pay ye

for't, but if ye advise me unasked again, I'll fling ye oot at

window," he says.

'Sae oot he strides into the hall, an' cries up the stairs: "Nell, my

lass, Nell, ho-way doon, an' I'll apologize to ye, ay, d----, I will,"

an' doon she comes, an' on tiv his knees he gans, an' she holds oot

her hand, an' the Squire he kisses it like a lover.

'Well, she manages him clivvor, but in her first child-bed she was

taken ill, poor lady, an' dies vary shortly, leavin' him wiv a baby

girl.

'After that the Squire was never the same man again. He turned

reckless, for what was the use ov "a filly" to him, he says; an'

havin' no son an' heir to live an' save for, he sets hissel' to spend

aal he can an' spite his next o' kin--a barrister chap in London toon,

whom he hated for bein' no sportsman--"a priest-faced, pauper chap iv

a black gown an' wig," he called him, an' no love was lost between the

pair o' them. He was a good bit older than the Squire, an' had a

largish fam'ly, the second son bein' none other than Father

Blenkinsop--the priest that's just passed us by.

'He was the only one the Squire could take up wi' at aal, an' as a boy

he was often there for shootin', an' huntin', an' fishin', though his

father liked ill his bein' there, for fear o' his gettin' into bad

ways under the Squire's guidance, who was gettin' wilder an' wilder

wiv every year that passed. He was just a boy then, was Father

Blenkinsop, havin' left his schoolin', an' bein' aboot to gan tiv a

college to be turned into a Jesu-yte, an' nowt pleased the Squire

mair, after a long day's huntin' or hawkin', than to fill the lad up

wi' liquor an' sneer at religion, an' Mass, an' priests, an' aal.

'"Chuck it, my boy, chuck it," he would say, clappin' him on the

shoulder, as he passed the bottle about. "Divv'nt put on the black

petticoat; ye're ower much ov a man for that. Ye can ride, an' ye can

shoot, an' ye can look a gal i' the face, an' ye can crack a bottle,

but if ye turn priest, ye'll neither be man nor woman, but a ---- bad

mixture o' both."

'So he would talk o' nights, pourin' oot his ribaldries an' drinkin'

doon his wine, yet never gettin' fair drunk; for he had a marvellous

stomach for liquor, had the Squire--no butt o' Malmsey wine could ever

have drooned him, I's warn'd--an' the only way he betrayed himself was

by gettin' a bit hotter i' the face an' fiercer i' his talk.

'Well, one night he vexed his young cousin beyond bearin'--what wi'

blackguardin' his father an' his mother, an' wi' one thing an'

another--an' sudden the boy leaps up--mevvies he was a little above

hissel' wi' liquor that evenin'--an' he bangs wiv his fist on the

table, an' he cries, "Look here, Cousin Tom, I'll stand it no longer,

an' to prove I'm no coward, I'll challenge ye to ride to the big Black

Stone on Glowrorum Fell an' back across the Moor this very night."

'"Done wi' ye, lad, done wi' ye!" shouts the Squire, bangin' wiv his

fist in his turn, "an' I'll tell ye what the stakes shall be. If I

win, you chuck the Jesu-yte business an' come an' live wi' me, an' if

you win, you can take your pick o' the horses i' my stable. Agreed?"

'"Ay!" shouted the boy recklessly; "done wi' ye."

'Fifteen minutes after this the two o' them starts off with a wild

hallo up the brae side, an' so across the Moor, the Squire "yoickin'"

an' "tally-hooin'" as he went.

'The Moor was mevvies aboot two miles across--an' a tarr'ble bad place

for hard gallopin', for there was a stone wall or two i' the middle

o't, bogs to the left hand, an' some old workin's--pit-shafts or the

like--to the right.

'So right across Towlerhirst Moor they galloped--hell-to-leather--the

Squire to the right an' the boy to the left.

'Tom Brewis, the old herd up at Windyneuk, happened to be passin'

along the sheep-track that leads by the Moor edge that night, an'

hearin' the sound ov a horse gallopin', an' a lively hollerin' as tho'

to a pack o' hounds, he comes across a bit to find oot what it might

be.

'It was a dampish, daggyish sort o' night, but at times there was a

drift o' moonlight, an' in one o' thae glimpses he caught a sight ov a

dark figure on horseback, aboot two hundred yards from him, tryin' to

jump a big black horse across one o' thae open shafts. "You won't,

won't you? Then d---- ye, ye ---- black de'il, ye shall!" an' clappin'

his spurs deep into his sides, an' layin' his huntin' crop aboot his

ears, he forced him some paces backward an' sent him at it again.

'It was a big black stallion he was ridin'--a fiery-tempered brute, a

proper match for the Squire--an' up he reared on end, fightin' him,

shriekin' wi' pain an' rage; but he couldn't get shot ov his rider, so

wiv a sudden bound he starts forward an' tries to clear the shaft wiv

one great leap.

'Just at that moment the moonlight faded, an' Tom Brewis couldn't tell

exactly what happened, but he saw a dark mass leapin', he heard a

rattle o' stones, then a heavy thud deep down somewhere, a sort o'

splash, an' aal was still.

'Tom stands there aal a-gliff wi' terror, half dazed, not kennin'

whether he can have seen or heard aright; then, pullin' hissel'

together, walks slowly thither to see if any trace can be seen of

horse or rider.

'But there wasn't a one--neither o' horse nor Squire--nowt but a

tramplin' o' horse's hoofs an' a white gash as o' a half horse-shoe on

a big boulder o' rock two feet below the surface t'other side. Sae Tom

gans slowly back, an' doon to the Squire's house to find if he can

hear anything ov him doon there; for he half hoped it might be a sort

o' dream after aal.

'Just as he gets to the door a figure comes up the drive leadin' to

the house, draggin' a lame horse after him, an' "Ha ye seen anything

o' the Squire?" it shouts at him. "No-o," says Tom, startled-like,

"that was just what I was comin' to ask for myself;" an' he peers

through the shadows to see who his questioner could be, an' recognises

Master Fred, the Squire's cousin, bleedin' frae a wound i' the head,

an' leadin' a horse wi' two fearfu' broken knees.

'He win his wager,' concluded my companion slowly, 'but after that

ride he was never the lad he had been before, an' perhaps it's

scarcely likely that he should be, I'm thinkin'.'

À L'OUTRANCE

We were standing on the fencing-room floor--Jake Carruthers and

I--leaning our backs against the armoury, our foils still in our

hands, slowly recovering our breath, after a rapier and dagger contest

which had lasted a good half-hour.

He was much less 'winded' than myself, for all his sixty-five years;

and as I had positively worn myself out against his iron wrist I was

delighted to gain a breathing space, and occupied the time in drawing

out from my companion some old-time memories of the fencing floor.

'Have you ever seen a duel?' I inquired. 'I don't mean a semi-drunken,

nose-chopping bout, or a garden-party affair, with coffee and

liqueurs, as in France, but a genuine "throat-cutting, blood-letting"

matter, such as Porthos or D'Artagnan would have loved?'

'No,' replied Jake reflectively, drawing the length of his foil

lovingly along the soft sleeve of his jacket; 'the time's past, I

doubt, for that sort of performance. The Divorce Court is what "my

lord" appeals to nowadays for "satisfaction," and Trimmer Joe or

Bricklayer Tom, they just "bash" the trespasser upon their family

preserves on the head, and there's an end on't.

'The cleverest, best-fought fight I ever saw--and I believe there was

a bit something of what you're meanin' in it--was, strange to say,

twixt a man and a woman--leastways, a gentleman an' a lady. It was a

fair battle, proper fightin' on her side; for she was sworn to win,

and sair wishful to punish him, I's warn'd; and he, though he was

tarr'ble keen to win too, found it took him all his time to keep her

from letting daylight into him--an', by the way, this is the varra

tale ye used always to be askin' for, an' I'll tell it ye noo, for

ye've improved i' your fencin', I'm thinkin', since ye began. You'll

have heard tell of Squire Dennington of Dennington Hall? A great rider

he was once, and a sportsman generally--"Jockey Jack" his own private

friends called him, and his horse, "Pit Laddie"--ye'll heard of

him?--won the "Plate" some thirty years back.

'Well, his lady, Mrs. Dennington, was just the proudest woman in the

whole county of Northumberland--scarcely what ye would call "bonny,"

but just tarr'ble handsome, and the Squire, he fair worships her. He

had married her in Berlin, and there was some queer odds an' ends o'

stories about her, but he'd never have hearkened to them any more than

he would listen to anyone shoutin' to him the way to go out hunting.

'He was in the army at that time, ye ken--the Northumberland

Fusiliers, "The Old and Bold," with "Where the Fates calls ye" in

Latin for their motto--and I was his man-servant, joining the army

along of him, as my forbears had often done with his forbears

beforetime.

'The Squire had to go out to Berlin with his mother, and he gets leave

for me to accompany him, and there it was that he met with his lady

that was to be--Miss Maxwell as she was then.

'She was the handsomest woman in Berlin, 'twas said, but quite poor,

living as a companion with the wife of one of the Ambassador's party,

being a kind of cousin, and many were the stories about her.

'Gossip said that one of them grand dukes with a name a yard long had

wanted her for his mistress, but when he made his proposition he got

such an answer that he never dared speak to her again. Then it was

reported that she was engaged to the Ambassador's chief secretary,

Oxencourt his name was--Sir Henry Oxencourt as he is now--and that she

had even run away with him, but that at the last moment he turned

round and said that he couldn't afford to marry her till his father

died, so there and then she leaves him, walks the night through till

she can get a conveyance, and arrives just in time to stay the mouth

of scandal from ruining her reputation.

'Well, the Squire meets her, falls desperately into love--for he cares

nothing for gossips--and in three weeks' time she accepts him for good

and all.

'They marries at once, and travel for a year or more, and finally

settle down at Dennington Hall.

'The Squire after a bit sends for me, buys my discharge, makes me his

body-servant, and sets up the old banqueting-room as a fencing

hall--for he was always tarr'ble keen at fencing, boxing,

single-stick, and all manly sports--and it was part of my duty to give

them both a turn of fencing most mornings of the week.

'Well, one winter, after about three years of marriage, the Squire

goes off to Algeria to shoot gazelle, leaving Mrs. Dennington and his

sister behind at the Hall, and he hadn't been gone more than a week

before Sir Henry Oxencourt turns up at the Hall.

'Well, when I see him there, I was fair dismayed, for I kenned nicely

there was but one thing he could be wantin', for his repute in the

matter of women was notorious. Forbye that ancient gossip at Berlin

had always reported that he had been mad at missing his chance with

her, and had sworn he would win her back again--get her a divorce and

marry her himself at the finish.

'His father had died since then, and he was now a rich man, and as

handsome and masterful a man as ever I saw in my life.

'Well, he comes and he courts her the live-long day, quiet-like and

respectful, but never missing an opportunity, and she seems to enjoy

his company. They go out hunting together; she dares him to jump this

and he dares her to jump that, and so the play goes on, and all the

while I was fearing he was getting a fast hold upon her, for she liked

power and was tarr'ble ambitious, and Sir Henry, they said, might have

been one of the cleverest diplomatists in the world if he could but

have kept clear of women.

'It was easy to see that he was just mad keen for her, but I was not

so sure after a bit that she was so keen for him. It seemed to me she

was leading him on, and leading him on, but with what purpose I

couldn't guess.

'Well, one afternoon she comes to me and she says, off-hand like, "Sir

Henry Oxencourt would like to show me some new tricks of fence he has

learnt abroad; kindly see that the fencing-room is in order to-night,

and, by the way, I want to show him the pair of duelling rapiers, with

the silver foxes on the hilts, that Mr. Dennington is so fond of."

'Well, all afternoon I wondered what it meant; for though her manner

was cool enough, there was something curious about my mistress's

expression as she gave her orders.

'"If possible," I thinks to myself, "I'll have a peep also at Sir

Henry's tricks to-night," and as I polished up the rapiers that

afternoon I thought of the story the Squire used to tell of them. One

of them had a stain on the "foible" which would not come out for any

quantity of rubbing--it was the blood, the Squire said, of a certain

"Black Rutherford," who had made love to the then Lady Dennington when

her Knight was away fighting for King Charlie. Sir John comes back,

having heard about it, but says nothing, and asks him to dinner; they

have a game of cards after; Sir John accuses him of cheating, and

there and then in the banqueting-hall they have a set-to with their

rapiers before my lady's eyes; in five minutes Sir John disarms him,

and before the rapier touches the floor, runs him clean through the

right lung and out below the shoulder-blade.

'Well, after taking in coffee that evening, I went to the

fencing-room, and on the pretence of looking after the fire, mending

jackets, straightening masks, and so forth, stayed on there till about

ten o'clock, when in comes Mrs. Dennington, followed by Sir Henry.

'She gives a sort of start when she sees me, then she says curtly,

"You needn't stay, Carruthers," and walks past me into the middle of

the room.

'Well, I felt bound to see that fencing, whatever it might be, and the

only way I could manage it was to go round and up to the old

musicians' gallery at the southern end. If I could open the door

without attracting notice, I might then lie down at full length and

see pretty well what was going on below.

'It took me the best part of five minutes to open the door and squeeze

through, and when I had crawled to the ledge and looked over, the two

combatants were just about to begin.

'"Put the letters on the mantelpiece," I could hear her say with a

curiously strung tone to her voice, and Sir Henry bowed in a mocking

sort of way. Then he says slowly, after having walked to the

chimney-piece and placed a packet on the shelf: "But it is not quite

fair, of course, for you cannot see your stakes, whereas I--I have

mine before my eyes at the end of my blade--the most beautiful stakes

in Europe," and he bowed again to Madame with an air of gallantry and

passion and arrogance all in one.

'For reply the mistress only gave a quick nod with her head, nervous,

impatient, like a racehorse that must be away.

'I daren't do more than peep over now and again, for the lights were

bright below, and I was afraid of being caught; but I could see that

she was in a state of great excitement, while he was cool in

comparison with her, and wore a proud, triumphing sort of air, as of

one who knows full well he has the victory in his grasp.

'They walk to the centre of the hall and take their stands. They "take

length," and then salute--she, swiftly, nervously, he in a foreign,

bravado sort of fashion.

'"First blood," says Sir Henry, "and the stakes are won," saluting

once again in a vainglorious way he had.

'"Yes, but not for a scratch," replies my lady swiftly. Then they

cross rapiers, and the play begins.

'My sangs! but it wasn't a play at all, it was a reg'ler battle, a

fair duello, and it was all Sir Henry could do to hold his own. They

had engaged in "quatre," and no sooner had blades touched than she

disengages and feints in "tierce"; then, with an amazing swiftness,

she disengages again, and lunges full at him in "sixte"; carelessly he

parries with "sixte," and in a flash she disengages again, "beats" his

blade downwards, and, for all but a biscuit, has him disarmed. He

loses hold of his weapon, his fingers slipping from the quillons, but

catches it in mid-air before it drops, leaps back a yard, parrying

another lunge clever with his left hand as he does so.

'"'Tis a dirty Italian trick ye have learnt! they haven't improved ye

abroad!" my lady sneers at him.

'Now, had she been but one flash of an eye quicker with her lunge

after the "beat," she'd have had him in "quatre" nicely, but she

hadn't thought she could disarm him so easy, and she just missed her

chance. Sir Henry, though, had had his lesson; he drops his careless,

tempting manner, such as a professor tries a beginner with, and fights

cooler and more careful, chucking his bravado airs, for it's dead in

earnest she is, and no mere stage-play for the gallery.

'On she comes again like a tigress, evidently trying to "rush" him,

and back and back she presses him till the pair o' them's right under

the gallery where I was lying. I had my head right through the bars by

that time, I was so keen to see the fight, and it was only by stuffing

my handkerchief into my mouth that I could stop myself from shouting

advice and encouragement to her, she fought so desperate keen and with

such a wild-cat pluck.

'It wasn't exactly scientific, her fencing, it was too rash and

all-for-victory straight away, but it was grand to see her flashing

her rapier in and out, flickering like a serpent's tongue, and all the

while her graceful limbs moved softly, swiftly, like a panther's,

beneath her silken evening dress.

'Once Sir Henry's foot slipped, and in she comes like a knife, and he

only escapes by adopting another Italian trick--that of dropping with

the left hand to the floor. She still presses him harder than ever,

and I could hear her breathing hotly, "heck, heck," like an angered

hawk. Then swift he "binds" with her, but he does it over-viciously

and pays for it, for she's agile as a cat, and freeing herself with a

leap backward, suddenly with a lightning-like "cut-over" touches him

on the sword arm, and though he wouldn't acknowledge it, I knew she'd

pricked him, and I could tell that it had roused him to anger in his

turn. "You she-devil!" I heard him hiss between his teeth, and now he

turned to the offensive himself.

'He was at a disadvantage, though, for he didn't want to hurt her

badly, being a woman, so he tries to disarm her, and give her some

slight wound on the sword arm, or high in "quatre" or "tierce."

'That was no good, as I could have told him nicely, for she had the

strongest and supplest wrist of any woman ever I saw, and forbye that,

disarming can only be done by taking your opponent unawares, and she

kenned nicely what he was after.

'Then sudden he gies it up, seeing the uselessness o't, and tries a

brute strength game, waits his chance till he can lift up her blade,

and then thrusts sideways so as to pink her high in the shoulder, but

she twists aside and it only just touches her through the sleeve.

"First blood!" he shouts triumphantly, "the stakes are mine," with a

low bow and a sweep o' the sword arm. "Phit!" she cries passionately;

"it's only a scratch," and she comes again at him with a bound.

'Then he loses his temper a bit, I think, for his own sword arm was

bleeding, as I knew well, for I saw a drop or two of blood on the

floor and his hand was crimson forbye. So he comes to meet her,

quickly driving her back in turn, plying his rapier this way and that

fiercely, just missing her by a hair's breadth to frighten her, till

he could have her at his mercy, and then he tries a "cut-over" in

"tierce," swift as a meteor, pressing his "fort" strongly against her

"foible," and would have been home sure as fate had not his foot

slipped on a drop of blood on the floor. Up flies his rapier idly--she

with a sudden flip tosses it higher still, and with a leap, by Gox!

she ran him through in "seconde"--just above his right hip.

'"Hurroo!" shouts I, through my handkerchief and all. "Clever,

clever!" for it was splendidly done--scientific, exact, just

perfection.

'There Sir Henry lay in a swoon upon the floor, for no doubt the pain

and the shock together would be immense, while my mistress, she just

takes one look at him, then wipes her rapier swift upon her

handkerchief, takes up Sir Henry's also, and places them against the

rack in the armoury, takes down two foils, throws one on the floor,

breaks the other in two and flings the pieces down beside its fellow.

Then swift as ever she goes to the mantelpiece, takes up the bundle of

letters and chucks them into the fire.

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