Betty linked her arm in the captain's. "Come along, Charlie."

Charles fumbled around. He was scared.

Then Betty looked over her shoulder and smiled. It was a completely new

smile. He had never seen it before. It made him tremble with

apprehension.

"You know," she said softly, "I think it'll sort of be fun being

uninhibited."

Charles knocked over a glass, and his chair, and he paused only to drink

some more water.

"So," he shouted, "do I!"

"I suspected you might," said the captain.

* * * * *

Together they went out on the porch and sat down in a swing; and, for a

few moments, in silence, they watched Sugar Plum's two moons sailing

through the strange, perfumed sky. The larger was celadon green; the

smaller, off-white, was glowing, gleaming.

Finally, "Cousin Aurelia?" called Betty.

"Betty, are you out in the dark with that man?"

"Charles and I both are. But he isn't a pirate any more and he's really

quite nice. Besides, he's going to sing to you."

"You tell him to go away--far away. I've barricaded the window and I

have my sharp scissors. I warn you, if he makes one false move--"

"This is where I came in," remarked Charles.

The captain settled back, tuned his guitar, and started to sing in a

warm bass-baritone, with Herman whistling a tenor obbligato through his

nose. Betty and Charles thought the effect was charming, even if Herman

did tend to go a bit flat on the high notes.

[Illustration]

First, the captain sang _Down by the Old Mill Stream_ and _Sweet

Genevieve_. Then he tried a number of sentimental arias from the more

respectable operas, and _The Lost Chord_, and several other old

favorites.

Occasionally, Cousin Aurelia sniffed loudly, but she said nothing until

his serenade came to an end.

"Betty!" she called. "Can you hear me?"

"Do I have to?"

"Tell that person out there that it has done him no good to make those

ungodly noises. My fingers have been in my ears all the time."

"You must've been really a sight," giggled Betty.

"Betty! You--you sound different, somehow."

"Oh, I am! So is Charles. We're both uninhibited now."

There was one cry of horror from Cousin Aurelia and then silence.

Betty turned to the captain. He looked downcast, and Herman did, too.

"We'll just have to try something else, something clever," she told the

captain. "Cousin Aurelia seems dead set against you. It's because of

your being a pirate, I guess."

* * * * *

Charles and Betty spent the next couple of days avoiding any mention of

the captain's former profession and helping him think up new ways to

uninhibit Cousin Aurelia. He tried singing again, this time with an

augmented chorus of Herman's relations. When that also failed, he cooked

her a fine mushroom omelette. Then he caught her a young animal with

lavender ears to keep as a pet and he spent a whole evening reading

_Sonnets from the Portuguese_ aloud at her window.

She responded with sniffs and with occasional scraping noises of

furniture being moved to reinforce her defenses. Finally, to Betty's

distress, she pushed out a note announcing that henceforth she would

have nothing to do with the Buttons--and that no one could tell her that

poems like those were _Victorian_.

Before the third day was half over, the Captain was moping around,

Charles was peevish, and Betty had started to worry and fret.

So, in the late afternoon, they went on a picnic. Followed by Herman,

and by the four-armed dining room robot carrying two wicker hampers,

they walked around the lake to a broad grassy knoll where the strange

square trees grew in a circle, and prisms of quartz leaned from the

ground like Druids turned into stone. While they ate, the night advanced

softly, its moons weaving crystalline shadows of celadon, rose, and old

ivory.

[Illustration]

Betty waited until the last hint of daylight had vanished. Then, "It's

lovely," she whispered. "Poor Cousin Aurelia, it'd all be so simple if

she'd only come out, but--oh, I'm afraid that it's hopeless!"

"Hopeless?" Charles snorted. "It's easy. We'll break into her room, me

and Burgee, and hold her while you pour some of Sugar Plum's water down

her gullet. She'll be fixed up before she finds out what hit her."

"We mustn't do that," the captain said stiffly. "We can't employ

violence."

"Look who's talking!" Charles was amused. "An old pirate like you.

Robbing ships, making passengers walk the plank into space, shooting

people with ray guns, and--"

"Shh!" Betty warned. "Charles, that isn't polite. You know he's

sensitive about--"

The captain seemed to be strangling. "And I thought it was _snobbery_!"

Then he exploded with laughter. He lay back on the grass and he howled.

The Buttons stared in amazement, and some creatures came out of the

trees to see what the uproar was all about.

The captain sat up. "What century is this?" he asked.

"The Twenty-second, of course," answered Betty. "But--but why?"

"I just wondered. I'll tell you later." He controlled himself with an

effort. "But we really mustn't use force on Aurelia, even in such a good

cause. It might turn her into the wrong kind of person."

"Turn her?" Betty repeated sadly. "I'm afraid that she already is. I

don't think she'll ever come out. I'm afraid she'll do something

desperate."

"I'm worried, too," the captain admitted, "but I'm certain she is the

right kind. The wrong kind of people can't live here. Sugar Plum doesn't

like them."

Betty and Charles both looked puzzled.

"I'll try to explain. It happens within a few hours, even if they aren't

uninhibited. If they are, then it's practically instantaneous. It's a--"

He broke off and looked up at the sky with a frown. There was an angry

red glow right above them, a far-distant roar.

They leaped to their feet. The glow brightened swiftly. It seemed to be

headed straight for them. The sound filled the air.

"We have visitors!" shouted the captain.

"Wh-who?" stammered Betty. "The police?"

"They don't use braking jets any more. It's an obsolete freighter."

"Oh!" Betty put her hands to her face in terror. "It's the _Beautiful

Joe_. That man Possett--he's coming back after Cousin Aurelia!"

The red glow passed to the northward. They saw the ship's shape for a

moment, spurting flame, slowing. Then it dropped out of sight. The

ground shuddered briefly. There was quiet.

The captain grabbed Betty's arm. "They're down in the clearing. Quick!

When he dropped you, did Possett take anything with him?"

"Just a fresh supply of water."

"My God!" blurted Charles. "That means they're--"

"_Uninhibited!_" yelled the captain. "And they're the wrong kind of

people. Betty! Charles! Can you run? Hey, Steward, give them a hand!"

"Aye, aye, sir," snapped the robot, hoisting the hampers and reaching an

elbow to each of the Buttons.

"Then let's go. I hope we can make it in time to save them!"

"_Them?_" gulped Charles, as the robot started to run.

But the captain already was too far ahead to have heard him.

* * * * *

Pulled by the untiring robot, Charles and Betty made very good time, but

they couldn't catch up with the captain. They had to make several stops

to get their wind back, and they were still half a mile from the house

when they heard her.

"Help! Murder! Police! Save me!" screamed Cousin Aurelia.

"He--he's got her!" puffed Charles, as the shrieks died away. "Hurry!"

When they got to the house, it was empty. Not even Herman was there. In

the living room and the hall, there were signs of a titanic struggle.

The door of Cousin Aurelia's room hung wide open.

"Look!" Charles gave it a great goldfish stare. "She unlocked it

herself!"

"He probably told her--he was rescuing her--from the pirate," panted

Betty.

"We--we'll have to go on--" Charles felt his legs start to collapse--"to

the clearing."

The robot put two arms around him, and one around Betty.

"You will rest for three minutes," it stated, leading them to the living

room and seating them gently. "I will bring brandy."

The brandy was welcome. They drank it in gulps, and worried about Cousin

Aurelia, and the robot fanned them considerately while they did so.

Then, again, they were off. In less than ten minutes, they looked down

on the valley, on the clearing. They caught sight of the _Beautiful

Joe_. The voice of the waterfall reached them.

And so did another one. A man's voice. A deep one.

"Ow!" it yelled hoarsely. "Let me up! Ow! Let go!"

Charles moaned. "We shouldn't have waited for brandy. Now they're

killing him, too!"

With the robot behind them, they raced down the hill, splashed through

the stream, broke through a circle of giggling Sugar Plum natives and

goggle-eyed creatures.

"Don't give up!" croaked Charles. "We're coming!"

On the grass were four figures. Two were thrashing around and being sat

on. Two were doing the sitting.

The Buttons braked to a stop. Something was radically wrong. The larger

of the two thrashing figures was being sat on by Cousin Aurelia!

"Try to kidnap _me_, will you?" _Slap._ "Make me throw myself into that

pool!" _Slap._ "And swallow a gallon of water and have to drag myself

out!" _Slap-slap-slap_. "You will, will you?"

"Ow!" cried the figure. "Leg-go!"

Aurelia looked over her shoulder. She spied Charles and Betty.

"Hey!" she shouted. "Bear a hand here with Possett!"

"You don't have to hold him," called Captain Burgee, dismounting from

Loopy the mate. "He can't get away. Sugar Plum's got him."

They both rose and the two writhing figures continued to writhe.

"They're _scratching_," Charles exclaimed.

He wasn't quite right. The skipper and the mate of the _Beautiful Joe_

were trying to scratch, but they didn't have enough hands. They were

groaning, and bleating, and begging for aid as they wriggled.

Cousin Aurelia gave Possett a push with her foot.

"I'm soaked to the skin," she announced. "Betty, help me off with this

dress. If I don't wring my petticoat out, I'll catch something."

"Why, Cousin Aurelia!" Charles blurted. "In front of the captain?"

"And why not?" she demanded. "I have undies on, don't I?"

The captain broke in, his voice urgent. "We've got to get these

characters back aboard in a hurry! They can't live on Sugar Plum;

they're the wrong kind of people. I started to tell you. They're

allergic to the critters, the trees, the natives--to everything here.

You, Steward!" He beckoned. "Call the crew of the _Beautiful Joe_."

The robot ran to the ship. It whistled. Immediately, four other robots

appeared.

"Bosun," said the captain to the one in the lead, "Captain Possett is

ill. He is--er--delirious. The mate, too. Carry them in. And take off

quickly for New Texas."

"Aye, aye, sir." The bosun saluted.

They lifted up Possett, who was grunting and swearing. They hoisted the

weasel-faced mate. The hatches clanged shut. Fire burst from the stern.

The ship lifted.

When there was quiet again, Cousin Aurelia looked at the captain. She

examined him carefully.

"Hm-m-m," she murmured to Betty. "Not bad. Not bad at all!"

Then, "Alexander Burgee," she declared, "every bit of this is your

fault. If I hadn't escaped from that man and jumped in the pool--well, I

don't know _what_ might've happened. The least you can do is carry me

back to your house."

* * * * *

At midnight, Charles and Betty sat in the living room. They hadn't had

time to get used to the change in Cousin Aurelia and they still looked

at her unbelievingly. She was wearing a gay housecoat of Betty's, too

tight in just the right places. She had let down her hair, tied it with

a ribbon, and she'd put on a gay smear of lipstick. She was exceedingly

merry.

"I can't imagine how I stood it," she was saying, "for so many years. I

mean, being such an old frump." She laughed brightly. "Why, I was almost

as bad as poor Charlie!"

"Well, at least I never locked myself in to get away from a pirate,"

Charles retorted.

The captain stood up with a chuckle. "Say, that reminds me." He went to

a bookcase, opened a thick volume, and gave it to Charles. "I want you

to read something here."

Charles saw that it was _Jane's Dictionary of Space Transportation_. He

looked up enquiringly.

The captain was pointing at a word.

"'_Pirate_,'" Charles read, sounding puzzled. "'Pirate, originally a

criminal who attacked and robbed ships at sea (see: Earth, planet) now

obsolete in this sense. At present, term applied to--'" Charles

hesitated--"'to persons engaged in space salvage, especially to captains

of vessels employed in such work.'"

Charles turned red. Betty flushed. Cousin Aurelia started laughing her

head off.

"Times change," the captain said soberly. "Do you want me to show you my

license?"

The Buttons were much too embarrassed to answer.

"Well, if you don't, I hope you'll excuse us. Aurelia and I would like

to sit in the swing and look at the stars for a while."

"I want to be told just how far away Boston is," she said as he helped

her to rise. She wrinkled her nose. "I'm certainly glad that here on

Sugar Plum we're safe from the wrong kind of people--all those horrible

Victorians."

The captain's arm went around her.

He winked at the Buttons.

"A few of them weren't so bad," he said gently. "A few of the real

ones."

And, as they left, he slipped the copy of _Sonnets from the Portuguese_

into his pocket.

"Well, now that we've sort of lost Cousin Aurelia," said Betty, "I wish

I could have one of these adorable animals on Sugar Plum for my very

own. As a pet, you know. It might help as a substitute for Cousin

Aurelia's company."

"And what's wrong with me for a substitute?" Charles wanted to know. "It

seems to me that you can forget Cousin Aurelia for a change and give me

a little consideration."

She looked at him appraisingly and then at her watch.

"I never thought of that," she said. "It's time for bed."

* * * * *

Later, she sat up, studied him hard for a moment, and shook her head

wistfully.

"Oh, Charles, you'd be perfect," she said, "if you only had lavender

ears."

"That shouldn't be much trouble," he answered gravely. "I'll signal a

passing spaceship, get to New Texas and have my ears tattooed. Good

enough?"

She nuzzled against his neck.

"Wonderful, darling. It would make you look so--so Bohemian!"

It was the finest compliment Charles had ever received.

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