CHAPTER XIII

THE IDEA IS BORN

"What? What? _What_?" Helen cried, as she gazed, wide-eyed, at the check

and at Mr. Hammond's letter.

The check for twenty-five dollars there could be no mistake about; and she

scanned the moving picture man's enthusiastic letter shortly, for it was

brief. But Helen quite misunderstood the well-spring of Ruth's sudden joy.

"Oh, Ruthie Fielding!" she gasped. "What have you done now?" and she

hugged her chum delightedly. "How wonderful! _That_ was the secret between

you and that Mr. Hammond, was it?"

"Yes," admitted Ruth.

"And you've written a _real_ moving picture?"

"That is it--exactly. A _one_ reel picture," and Ruth laughed.

"And he says he will produce it at once," sighed Helen.

"So Mr. Hammond says. It's very nice of him."

"Oh, Ruth!" cried Helen, hugging her again.

"Oh, Helen!" responded Ruth, in sheer delight.

"You're famous--really famous!" said Ruth's chum, with sudden solemnity.

Ruth's clear laughter rang out spontaneously.

"Well, you are!"

"Not yet."

"But you've earned twenty-five dollars writing that play. Only think of

that! And you can give it to the dormitory fund. Is that what you are so

pleased about? Mercy, Ruth! you don't expect us all to set about writing

picture plays and selling them to Mr. Hammond?"

"No," said Ruth, more seriously. "I guess that wouldn't do."

"Then what do you mean about every girl at Briarwood helping in this way

toward the fund?" Helen asked, puzzled. "At any rate, twenty-five dollars

will help."

"But I sha'n't do that!" cried Ruth.

"Sha'n't do what?"

"I shall not give this precious twenty-five dollars to any dormitory

fund--no, indeed!" and Ruth clasped the check to her bosom. "The first

money I ever earned with my pen? I guess not! That twenty-five dollars

goes into the bank, my dear."

"Goodness! You needn't be so emphatic about it," protested Helen.

"I am going to open a special account," said Ruth, proudly. "This will be

credited to the fact that R.F. can actually make something _with her

brains_, my lady. What do you think?"

"But how is it going to help the dormitory fund, then?" demanded her chum.

"Not by adding my poor little twenty-five dollars to it. We want

hundreds--_thousands_! Don't you understand, Helen, that my check would

only be a drop in the bucket? And, anyway, I would come near to starving

before I would use this check."

"We--ell! I don't know that I blame you," sighed her friend. "I'd be as

pleased as Punch if it were mine. Just think of your writing a real moving

picture!" she repeated. "Won't the girls be surprised? And suppose it

comes to Lumberton and we can all go and see it? You _will_ be famous,

Ruth."

"I don't know about that, dear," Ruth returned happily. "There is

something about it all that you don't see yet."

"What's that?"

"This success of mine, I tell you, has given me a great, big idea."

"About what?"

"For the dormitory fund," Ruth said. "Mercy is right. Great oaks _do_ grow

from little acorns."

"Who's denying it?" demanded Helen. "Go on."

"Out of this little idea of mine which I have sold to Mr. Hammond, comes a

thought, dear," said Ruth, solemnly, "that may get us all the money we

need to rebuild the West Dormitory."

"I--don't--just--see----"

"But you will," cried Ruth. "Let me explain. If I can write a one-reel

picture play, why not a long one--a real play--a five-reel drama? I have

just the idea for it--oh, a grand idea!"

"Oh, Ruth!" murmured Helen, clasping her hands.

"I will write the play, we will all act in it, and Mr. Hammond shall

produce it. It can be shown around in every city and town from which we

girls come--our home towns, you know. Folks will want to see us Briarwood

girls acting for the movies--won't they?"

"I should say they would! Fancy our doing that?"

"We can do it. Of course we can! And we'll get a royalty from the film and

that will all go into the dormitory fund," went on the enthusiastic Ruth.

"Oh, my dear!" gasped Helen. "Would Mr. Hammond take such a play if you

wrote it?"

"Of course I don't know. If not he, then some other producer. I _know_ I

have a novel idea," asserted Ruth.

"What is it?" asked the curious Helen.

"A schoolgirl picture, just as I say. Of course, there will have to be

some _real_ actors in it; we girls couldn't be funny enough, or serious

enough, perhaps, to take the most important parts. We could act out some

real scenes of boarding school life, just the same."

"I should say we could!" cried Helen. "Who better? Stage one of our old

midnight sprees, and show Heavy gobbling everything in sight. That would

make 'em laugh."

"But we want more than a comedy," Ruth said seriously. "I have the germ of

an idea in my mind. I'll write Mr. Hammond about it first of all. And we

must have Miss Gray in it."

"He says here," said Helen, glancing through the moving picture man's

letter again, "that he wants you to try another. Oh! and he says that in a

few days he is coming to Lumberton with a company to take some films."

"So he does! Oh, goody!" cried Ruth. "I'll see him, then, and talk right

to him. He is an awfully rich man--so Hazel Gray told me. We'll get him

interested in the dormitory fund, anyway, and then, whether I can write a

five-reel drama well enough or not, maybe he can find somebody who will

put it into shape," Ruth added.

"Why, my dear!" exclaimed her chum, with scorn. "If you have written _one_

moving picture, of course you can another."

Which did not follow at all, Ruth was sure.

"We'll have to ask Mrs. Tellingham," said Helen, with sudden doubt. "Maybe

she will not approve."

"Oh! I hope she will," cried Ruth. "But we must put it up to the girls

themselves, first of all. They must all be in it. All must have an

interest--all must take part. Otherwise it will not accomplish the end we

are after."

"Oh, oh, oh!" cried Helen, finally waking up. "Of course! this is the very

thing you wanted, Ruthie--to give every girl something to do that is

important toward earning the money for the building of the new dormitory."

"That's it, my dear. We all must appear, and do our part. School scenes,

recreation scenes, athletic scenes in the gym; marching in our graduation

procession; initiating candidates into the S.B. sorority; Old Noah's Ark

with the infants arriving at the beginning of the year; the dance we

always have in the big hall at holiday time--just a great, big picture of

what boarding school girls do, and how they live, breathe and have their

being!"

"Oh, jolly!" gasped Helen, taking fire from her friend's enthusiasm. "Say!

the girls are going to be just about crazy over this, Ruth. You will be

the most popular girl in the school."

"I hope not!" gasped Ruth, in real panic. "I'm not doing this for any

such purpose. Don't be singing my praises all the time, Helen. The girls

will get sick and tired to death of hearing about 'wonderful me.' We all

want to do something to help Mrs. Tellingham and the school. That's all

there is to it. Now, _do_ be sensible."

They were not long in taking the girls at large into their confidence.

When it was known that Ruth Fielding had actually written one scenario for

a film, which had been accepted, paid for, and would be produced,

naturally the enthusiasm over the idea of having a reproduction of school

life at Briarwood filmed, became much greater than it might otherwise have

been. As a whole, the girls of Briarwood Hall were in a mood to work

together for the fund.

"No misunderstandings," said Jennie Stone, firmly. "We don't want to make

the sort of mistake the rural constable did when he came along by the

riverside and saw a face floating on the water. 'Come out o' that!' he

says. 'You know there ain't no bathing allowed around here.' And the face

in the water answered: 'Excuse me, officer; I'm not bathing--I'm only

drowning!'

"We've all got to pull together," the plump girl continued, very much in

earnest. "No hanging back--no squabbling over little things. If Ruth

Fielding can write a picture play we must all do our prettiest in acting

in it. Why! I'd play understudy to a baby elephant in a circus for the

sake of helping build the new dormitory."

Already Mrs. Tellingham and the doctor had been informed by the girls'

executive committee of the sums both actually raised by the girls, and

promised, toward the dormitory fund. It had warranted the good lady's

signing contracts for the removal of the wreckage of the burned building,

at least. The way would soon be cleared for beginning work on a new

structure.

Offers of money came pouring in from the parents interested in the success

of Briarwood Hall; and some of the checks already received by Mrs.

Tellingham were for substantial sums. But this proposal of Ruth's for all

the girls to help in the increase of the fund, pleased Mrs. Tellingham

more than anything else.

She read Ruth's brief sketch of the plot she had originated for the school

play, and approved it. "The Heart of a Schoolgirl" was forthwith put into

shape to show Mr. Hammond when he came to Lumberton, that event being

expected daily.

About this time the girls of Briarwood Hall were so excited and interested

over the moving picture idea that they scarcely had time for their studies

and usual work.

Ruth Fielding in Moving Pictures; Or, Helping the Dormitory Fund · 第 13 / 25 章