The north side of the church abuts on the great cloister, dating in its

greater part from the thirteenth century. The windows on the south side

are round-headed, those on the other three sides pointed, with good

traceries. Through a round-headed arch we enter the chapter-house,

divided into three aisles by four pillars, so slender as in no way to

interrupt the view of the whole. The groining springs so gracefully from

the capitals that the pillars themselves have the appearance of shooting

up and bending like the branches of a tree. Then there is the library

which once contained 10,145 volumes, including 385 valuable codices, and

250 MSS. in various styles of handwriting--forming a complete museum of

calligraphy. This library is a noble chamber divided by four columns.

Its walls were once hung with the portraits of the Kings of Aragon and

their great nobles. Reminiscent of the brave days of old is the charming

façade of the palace built by good King Martin and intended by him to

be a retreat in his old age. He died before its completion and the work

was abandoned.

You may still traverse miles of cloister and hall at Poblet strewn with

broken tablets, overgrown with shrubs and climbing plants. One of the

most beautiful of the galleries is the Novices’ Dormitory, roofed in

with timber; then there are the locutorium, the only spot where

conversation was permitted between the recluses; the infirmary and the

beautiful cloister of San Fernando, built in 1415 by order of the first

king of that name, the little chapel of the saint, founded by the Count

of Barcelona, and the royal apartments, built in 1375.

SANTA CREUS

Santa Creus is the sister foundation of Poblet from which it is distant

about five leagues. It was also founded by Ramon Berenguer IV. and

belonged to the Cistercian Order. Not so large as Poblet, this abbey of

the Holy Crosses is equally severe and chaste, and of the two, is

distinguished more by its artistic harmony. The church is one of the

most finished works of the age and style. Its front is discovered

immediately on entering the monastery, raised on a terrace above the

long and spacious court round which are grouped the conventual

buildings. The battlements above the façade are a recent and incongruous

addition. The west porch is finely moulded and chiselled, and with the

rich foliage of the capitals creates a good impression. Another door,

symmetrical and elegant, leads into a cloister on the south side of the

church and was at one time flanked by the statues of Don Jaime II. and

his wife Blanca. The wall on this side bears an inscription to Bernard

Ranc, which is assumed to be the name of the architect. The church was

begun in the year 1174, and opened to public worship in 1211. It

preserves its altar, on which the light falls through a rose-window in

the apse. The principal objects of interest in the interior are the

noble tomb of Don Pedro the Great (who defeated the French and bound

Sicily to the throne of Aragon) and of Jaime II., who conquered Sardinia

and harried the Moors of Granada. King Pedro’s tomb consists of a great

porphyry urn supported by lions, which is believed to have been taken

from the infidels; and on this rests the stone coffin carved with

figures in high relief under pinnacled canopies. The tomb is covered by

a beautiful stone baldachin, with three traceried circles on each side

upheld by slender columns with elaborately carved capitals. The tomb of

Don Jaime is on the same plan, but is further adorned by the effigies of

the king and queen in the Cistercian habit, placed here, it seems

likely, long after the completion of the rest of the work. The tomb was

designed by Bertran Riquer, the architect of the royal palace of

Barcelona.

The church communicates with a spacious cloister with four sides of

seven bays, built at the beginning of the fourteenth century by order of

Queen Blanca. The traceries of the windows remaining here and there are

late Gothic, and contrast oddly with the severe lines and rude capitals

of the shafts. As at Poblet, in a corner of the cloister is a hexagonal

chamber said to have been a lavatory. A great number of persons of

distinction seem to have been buried in this cloister, in attendance,

one might say, upon their lords within the church. Among these was the

knight Queralt, who may been seen in effigy in a suit of fine mail, with

surcoat and greaves and girt with two-handed sword. Some of the figures

of divine persons to be seen over the tombs were evidently carved by

late fourteenth-century sculptors.

Here, as at Poblet, the Kings of Aragon had their habitations in life as

in death, and the courts of the ruined palaces of Don Pedro and Don

Jaime still bear some traces of the glory and culture of the greatest

maritime power of the Mediterranean of a bygone age.

VALLBONA

Vallbona, the third great royal abbey of Cataluña, is situated in the

province of Lerida, but on the borders of Tarragona, in a singularly

wild and remote district. Like Poblet, it is named after a hermit who in

the year 1157 founded here and at Colobres, monasteries for both sexes.

Twenty years later, both houses were formed into a single community of

Cistercian nuns, under the headship of Doña Oria de Ramiro. The pious

Anglesola of Vallbona is buried before the high altar in the company of

James the Conqueror. The church is gloomy, silent and severe. It is

entered through a Romanesque porch in the north transept, the west front

presenting an unbroken wall. Vallbona has also a noble cloister, with a

fine gallery in the Pointed style; on the north and the remaining

galleries in the Romanesque. In Piferrer’s time, pictures and monuments

relieved the excessive severity of the royal nunnery of Aragon, but now

there reigns a desolation and poverty which might have affrighted even

the hermit founder.

MONTSERRAT

Montserrat, easily accessible from Barcelona, is one of the four or five

renowned shrines of Christendom. The legend of its institution is one of

the quaintest and at the same time silliest in the annals of hagiology.

In the time, it seems, of Count Wilfred, the Henry of Barcelona, there

dwelt on the mountain a hermit named Guarin whose sanctity was famed

even to the ends of the earth. Church bells rang of their own accord

when he passed, and the forces of nature were at his beck and call. This

being so, when Richildis, the Count’s daughter (she was beautiful, of

course), became possessed of a devil, Guarin was at once called in to

turn him out. Such a task was a mere matter of an Ave and an invocation

on the part of the holy man; but the devil thus incontinently expelled

from the person of Richildis appears to have passed into the body of the

hermit. He conceived an unlawful passion for the maiden, who remained

with him after her cure, to learn the arts of sanctity. He succumbed to

temptation and consummated his crime by murdering the girl, cutting off

her head and burying her in his cave.

Stricken with remorse immediately after, the erstwhile holy man hurried

to Rome and confessed his crime. The Pope ordered him to return to

Montserrat on his hands and knees and never to resume an erect posture

till his pardon should be miraculously announced.

So faithfully did Guarin carry out the penance imposed that he crawled

for seven years about the mountain that he had once illumined with his

sanctity, living on grubs and roots and becoming to all intents and

purposes a wild animal. One day Count Wilfred, while out hunting,

noticed this strange beast and had him taken to his stables at

Barcelona. There Guarin abode some months, saying never a word but

pleasing his captors by his docility. One day he was led into the castle

to amuse the Count and his Court. But before he could perform any

tricks, the infant son of the Count, a baby but three months old, cried

out, “Arise Guarin, for God has pardoned you.” Whereupon the strange

beast rose up on his hind legs, praising God, and confessing his

enormous crimes.

In these days men were very much alive, and thrilled to the passions of

love and hate. But, touched by the miracle, the Count forgave the

murderer of his daughter, and set out with him for Montserrat to

disinter the body buried seven years before. But lo, when the fair form

was revealed, it throbbed with life, and a red line only showed where

her head had been severed from her neck.

Richildis was so grateful for her restoration to life that she

determined to devote the rest of it to the service of God. The Count

founded a monastery for both sexes, of which his daughter was abbess and

Guarin became a humble lay-brother.

A mere fairy tale, yet it is full of what was best in the mediæval

spirit--the conviction that no misfortune was irreparable, no crime

unredeemable, no sinner unreclaimable, that for all men and all things

there was indeed mercy and plentiful redemption.

Upon the invasion of the Arabs in 976 the nuns abandoned their convent,

but the monastery remained and was recognised as a regular community

about the time of Fernando and Isabel.

It is not, of course, to pray before the shrine of Guarin that pilgrims

climb the ragged sides of the saw-edged mountain. Long before the hermit

immortalised his name by his crime and his repentance, a miraculous

image of the Virgin, said to have been carved by St. Luke, and brought

to Spain by St. Peter, had been hidden, to save it from the infidels, in

one of the caverns. Nearly two hundred years after, its whereabouts was

revealed to some shepherds by lights and mysterious melodies. These

manifestations were repeated every Saturday--that being the day of the

week specially consecrated to the Virgin by the Church. The Bishop came

over to investigate the phenomenon, and on entering the cave whence the

sounds proceeded, they found the heavy image carved by St. Luke. So

heavy was it that it resisted all efforts to remove it; so there it

remained till the end of the sixteenth century, when it was found

possible to enshrine it in the present church.

Most of those who have seen the image are not favourably impressed, so

it is worth while to quote another opinion than the present writer’s. “I

cannot conceive [writes Mr. Herbert Vivian] that any one who has been

privileged to behold it can deny the imposing majesty of its expression.

It inspires awe rather than the sympathy and compassion which we are

accustomed to associate with Our Blessed Lady. Indeed, those who change

its vestments on holy days, say that it fills them with fear, that they

do not dare to look it in the face. In the Virgin’s right hand is a

globe, from which springs a fleur-de-lis. The crowns worn by her and the

infant Christ are of prodigious valve, being of pure gold and containing

no fewer than 3500 precious stones, many of them of exceeding size and

purity. Like everything else at Montserrat, they are of modern origin,

all the old valuables having been carried off by French troopers in

1811. In front of the image are two little staircases of walnut-wood by

which those who wish to kiss its hand may ascend and descend.”

As buildings, the church and monastery of Montserrat are wholly

destitute of interest. But they have their memories. Ignatius Loyola,

during the process of conversion, passed long hours at the feet of the

Virgin of Montserrat; Don John of Austria, before the altar of the

Immaculate Conception, swore to maintain the doctrine of the Virgin’s

freedom from original sin, against all and sundry, at the sword’s point,

and the victory of Lepanto was gained perhaps in fulfilment of that vow.

There is a monastic seminary on the mountain, also an extremely ancient

and aristocratic foundation. The boys have some curious customs. On the

feast of St. Nicholas, the patron of youth, they elect one of their

number Bishop, who entertains them all to dinner and heads the visits

which they pay to all the monks in turn.

But if as a shrine Montserrat has little to attract the curious, as a

mountain it is without rival for picturesque and strange grandeur. So

fantastic is the conformation that in all ages it has been regarded with

a certain superstitious awe. The caves with which it is honeycombed are

full of mystery and fascination. They extend and ramify in all

directions, constituting a veritable subterranean city. At all times

they have served as asylums to the natives of the surrounding country

when threatened by invaders. On one occasion the French discovered a

party of peasants in such a retreat and would have attacked them had not

one of the Catalans told them that a single explosion would bring all

the surrounding rocks upon their heads. Whether this was true or false

the soldiers did not care to prove, and they hastily withdrew.

There are plenty of people in Cataluña still who believe in the

wonder-working properties of the Virgin of Montserrat, and newly married

couples come up by the funicular railway to spend a night on the

mountain, in the hope of thereby assuring themselves of a numerous

family.

We may trace the footprints of St. Ignatius to Manresa, a name dear to

the Jesuit in all lands, and borne by the Manchester of Cataluña. It is

a lively, picturesque town, built on an amphitheatre of hills on the

left bank of the Cardoner. High over the factories towers the Collegiate

Church begun in 1328 and finished, probably, a hundred years later. It

is one of those wide-naved churches characteristic of the principality,

its span of nave is, in fact, greater than that of any cathedral with

aisles, except Palma. An interesting peculiarity is the flying

buttresses built partly in and partly outside the church. Over the first

roof rises an impressive bell tower. The interior is disappointing. The

side chapels are Gothic. There is some good glass in the clerestory

windows, and the organ displays one of those Saracens’ heads we so often

find in Catalan churches. In the archives are some interesting pictures

by local artists, reminding one of Byzantine work, and there also is

preserved that altar frontal which excited the fervent admiration of

Street. In a vault beneath the presbytery are treasured the relics of

St. Agnes and St. Maurice, translated here from Vienne on the Rhône in

the time of Berenguer III.

The fine old church of the Carmen commemorated a miracle reputed to have

occurred in the year 1345. The town having been laid under an interdict

by the Bishop of Vich, the innocence of the townsfolk was demonstrated

by a light which penetrated through the windows of the church, filling

it with radiance. But these mediæval traditions are obscured by the

glory of St. Ignatius, whose name the citizens delight to honour. In the

church of Santo Domingo was formerly shown a black cross which the saint

used to bear on his shoulder while he prostrated himself before the

altars in turn. The church of the Cueva--an odius _baroque_ work--is

raised over the cave wherein during ten months he underwent the dolorous

process of his spiritual regeneration. In the Jesuit College you may see

one of his fingers, his books, and the bricks that served him as a

pillow. There is not a spot nor a house in Manresa that the citizens

will not fail to point out as in some way, however slight, associated

with the immortal founder of the Society of Jesus.

Not far from Manresa is the flourishing town of Tarrassa, which occupies

the site of the old episcopal city of Egara. The primitive _arx_ or

citadel gave place in Christian times to a cathedral which was destroyed

by Al Mansûr, and the site is now occupied by the three interesting

Romanesque churches of San Miguel, Santa Maria, and San Pedro.

The oldest of these is undoubtedly San Miguel, which is distinguished

from other Catalan churches by many peculiarities. The plan is

rectangular, over the centre of the roof rises a lantern, resting on a

quadrangle of columns. The capitals of these columns are evidently part

of an older and different structure. Beneath the church is a crypt which

is believed to have been the baptistery of the old Roman cathedral.

Santa Maria was consecrated in 1112 by Raimundo Guillen, Bishop of

Barcelona, and was served by Augustine canons down to 1592. It is

contemporary with the church of San Pedro and both present an aspect of

extreme antiquity accentuated by the Roman tablets and fragments

incorporated with the structure. Close by are the ruins of a fortress

and a chapel attributed by tradition to the Templars. On the other side

of the prettily named Rio Vallparadis are to be seen the fragments of a

tower and castle.

About six miles from Manresa, on the banks of the Llobregat, is a little

monastery of San Benito de Bages, now a private residence. “All here,”

says Piferrer, “invites man to lift his eyes to God, and to banish the

frivolous recollections of this world. The building’s antiquity, the

modesty and simplicity of its plan alike contribute to still the voice

of passions and to excite more tranquil thoughts.”

The thoughts of the former occupants, however, were evidently not always

tranquil, for the little apses opening into the transepts have been

squared off, apparently for defensive reasons, and the tower looks as if

it had been constructed for the same object. The church is dark and

sombre, like a vault, and the cloister has the same funereal aspect,

only slightly relieved by the interesting carvings of courtiers and

warriors on the rude capitals.

Piferrer states that the chapel was built in the middle of the tenth

century and that it was consecrated in 972 in presence of Count Borrell

and his Court by the Bishop of Vich. In the year 1067 it was

incorporated with the Abbey of San Ponce de Tomeras near Narbonne; the

foundation received women, who were subject, like the monks, to the rule

of St. Benedict. At the end of the sixteenth century the community was

united to that of Montserrat.

CARDONA

Cardona is a picturesque walled town on the road from Manresa to

Solsona. It is crowned by a strong castle built by the Cordona family,

which traces its descent from Foulques, the ancestor of the

Plantagenets. Within the castle is the collegiate church of San Vicente,

dedicated in the eleventh century. It is a fine example of the

Romanesque. Its aisles are marked off from the nave by square pillars;

the nave is broad, the aisles narrow, without chapels. A very low

lantern rises above the crossing and the presbytery is raised by a few

steps above the level of the nave. There is not a single moulding in the

whole church, or any curve other than a semicircle. Of the sepulchres of

the mighty lords of the castle only two remain. Within this fortress

died St. Ramon Nonnat in the year 1240. The chapel dedicated to his

memory dates from 1682.

TORTOSA

Tortosa, on the banks of the Ebro, close to its mouth, is the

southernmost of the cities of Cataluña. It is an ancient place where

Roman and Visigothic coins were struck. It fell into the hands of the

Saracens in 716 and was reconquered in 1147 and consecrated in 1441.

Among the architects were the two Xulbes, whose opinion was taken on the

question of the nave at Gerona. Though disfigured by a classical façade

the church produces a good effect. Its aisles are separated from the

nave by twenty columns, which sweep round the east end in a graceful

semicircle so as to form a double apse. To the nine Gothic arches of the

chancel correspond as many apsidal chapels, whose windows overlook the

high altar. The reredos dates from 1351. There are five chapels in each

of the aisles. The windows are filled with transparent marble instead of

glass.

The Collegio Real of Tortosa is in the best Plateresque style. The

cloister is formed by three tiers of galleries, the columns and

balconies being adorned with medallions and escutcheons. The original

building belonged till the year 1528 to the Dominicans and was then

reconstructed by order of Carlos I. with a view to serving as a seminary

for Moorish converts. The College is now a barracks.

The Convent of Santa Clara, dating from the thirteenth century and

restored by order of Jaime II. of Aragon, is another precious memorial

of Tortosa’s more prosperous days.

THE BALEARIC ISLANDS

The Balearic archipelago no longer deserves the name of the Forgotten

Isles bestowed upon it a dozen years ago by a French traveller. Much has

since been written about the islands in our own and other languages, and

yachtsmen often put in at what the Genoese Admiral classed with June,

July and August, as one of the four best harbours in the Mediterranean.

But the influx of tourists has not been large, and the isles run no

immediate risk of losing their marked local characteristics. The remote

past keeps a firm grip on Mallorca and Menorca; as in Egypt, you never

cease to feel dead stony eyes are staring at you across

thousand-year-long vistas. In the aisles the monuments of antiquity

belong to the very dawn of human history, appearing almost the works of

nature, even as those who reared them seem hardly to have emerged into

full manhood. At every turn, as in Sardinia, you are met by the rude

handiwork of that primitive Mediterranean race, which passed away in the

struggle between Latins, Greeks and Semites. Every one knows now that

the word Balearic is derived from a Greek word meaning _to throw_, and

that it refers to the extraordinary dexterity of the natives in the use

of the sling. This was their national weapon, their sole means of attack

and defence. In summer, as their only clothing, each man wore three

slings--one round his head, one round his loins, and one at his wrist.

To train their children in its use, the mothers, we are told, would not

let them have their bread or meat till they had brought it down from a

bough or ledge by means of the sling.

Of all their dexterity they had need when strange men with black curling

beards and dark stern faces--men that they had never seen--came sailing

into their harbours and tempted them down from their perches with a

display of bright rare stuffs and gewgaws. Poor simple white savages, it

is likely enough that they had thought themselves till then the only men

in the world. Then came the attempts of the Phœnicians to enslave and to

subdue them, and wildly the islanders fought for their freedom, knowing

as little as the creatures of the jungle do of the forces arrayed

against them. The wild birds were netted at last. In the sixth century

before Christ, the Carthaginians were masters of the archipelago, and

dragged the slingers off to serve in their armies. Mago, a Punic leader,

gave his name to Puerto Mahon. Then came a time when the natives felt

the grasp of the Semites relax. Their power had been crushed by the

Romans and the islands enjoyed a brief interval of liberty. But in the

year 123 _B.C._, the conquerors of Carthage remembered their neglected

heritage, and sent Cecilius Metellas to take possession. He founded the

cities of Palma and Pollensa, which still retain their Latin names, and

brought with him some thousands of Italian and Spanish colonists, who

soon tamed the wildness of the aborigines. Thence onward for centuries

the archipelago prospered quietly, safe beneath the outspread wings of

the Roman eagle. Upon the break-up of the empire it passed through

various hands to the Visigoths, to be wrested from them in the eighth

century by the Arabs. Under this new dominion the islands became a nest

of pirates, who ultimately founded a kingdom embracing parts of the

Spanish mainland and of Sardinia. The depredations of the Balearic Moors

excited the anger of Christendom, and Pope Pascual II. preached a

crusade against them. Constituting themselves the ministers of Europe’s

vengeance, the Pisans and Catalans inflicted a severe punishment on the

Pirates and sacked the rich city of Palma. Over a hundred years later,

in 1227, Don Jaime I. of Aragon reduced the whole group of islands in a

memorable campaign, and annexed them finally to Christendom. The

conqueror constituted his new possessions into a kingdom for his second

son and namesake, from whose grandson, Jaime II., they were taken by

Pedro IV. in the year 1347 and incorporated with the kingdom of Aragon.

But history had not yet done with the islands. The old rancour between

the peasantry and the nobles came to a head at the beginning of the

sixteenth century, in the war of the Germania or brotherhood. The

viceroy took refuge in the Citadel of Ibiza, while the nobles defended

themselves in the castle of Alcadia against the desperate attacks of the

peasantry led by Juan Colom. The arrival of a royal squadron commanded

by Don Juan de Valesco led to the extinction of the revolt. Ruled by

Carthaginians, Romans, and Moors, the islands excited the cupidity of

another race of conquerors. Seized by the English in 1708, Menorca

remained in their possession till 1781, when it was retaken by the

French and Spaniards. The failure to relieve the garrison cost Admiral

Byng his life. We again took possession of the island in 1793 to

surrender it finally to Spain at the peace of Amiens nine years later.

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