XVIII

He found no fault with his rooms. They were not those of a poor

student with a great future, but they were severe, masculine, and

entirely adequate. When he had taken a cold swim in his marble tank,

and exercised for half an hour in his gymnasium, the blood which his

father’s millions had shocked to his brain receded and left it clear

and logical again. But he was by no means reconciled to his lot;

he feared the stifling influences of wealth, of which he had read

in so many books. To make a great fortune in constant warfare with

all the difficulties, acquiring a painful knowledge of the value of

every dollar, was an achievement which might easily lead to greater

accomplishment still, but to fling a man on his back without warning

and pour gold over him by the ton--

He left his room abruptly and walked slowly downstairs. “What’s the

use of thinking about it? or about what was to have been?--my absurd

impossible past, which I shall put away in lavender and cherish like a

dead love. There is nothing to be done but to make the best of a bad

business, re-adapt myself--mortals are always doing that, anyhow. I

shall ask for a respite before settling down to it, however.”

When he reached the main floor he turned into the reception-room and

strolled through the several large and lofty rooms which ended in a

music-room of immense proportions. He inferred that it was the largest

in New York; and, still feeling sore and satirical, returned to a more

appreciative inspection of the other rooms. That their harmonies were

exquisite he needed no telling, and he thought the pale soft tints, as

faded and elusive as charming old memories, a pleasant contrast to his

beloved Nature. That the few pictures were as great in art as they must

be in price he also knew instinctively, and found consolation in the

reflection that his father did not belong to the class of millionaires

who furnished with a single check and leaned upon the agent and the

decorator. The rich worn oddly built furniture looked as if brooding

in cold aloofness upon an historic past, yet not wholly dissatisfied

with its present. Where there were no pictures, bits of brocade, which

looked as if a breath might waft them in search of their makers, had

been inserted with such skill that they were a part of the background

of tarnished gold. Not a chair, not a table, not a cabinet, was formed

like anything Fessenden had ever seen, and there were numberless

objects for which he had no name; but he approved of everything;

indeed, they gave him a distinct pleasure--caressed the raw edges of

his resentment, and inclined his mind more philosophically to his new

condition.

When his eye had mastered the general effect, it took note of the

exceeding repetition of one object, the photograph of a girl. There

were perhaps twenty of these large photographs in the different rooms,

framed in silver, in gold, in brilliants, in semi-precious stones, on

tables, on easels, on shelves. One massive gold frame, incrusted with

jewels, bore aloft the double eagle of the House of Hapsburg. Across

all these pictures was dashed, rather than written, the name RANATA,

followed by an inscription in German, French, English, or in another

language for which Fessenden had no name. The girl herself was taken

in full, in profile, on horseback, sitting in throne-like chairs,

leaning on balustrades, at any age from ten to eighteen, and in as many

different costumes as there were photographs. Fessenden sniffed at

the vanity of woman, but concluded that he had never seen such a seat

in the saddle, and that she certainly looked as if she knew her own

mind. Whether he admired her or not he was unable to determine. She had

an antique profile, and her eyes were as American as his own--shrewd,

alert, eager, powerful. One of the photographs was colored, and the

hair blazed, but the eyes were gray. Fessenden thought it romantic

to have a princess in the family, and examined the pictures with

much interest. The greater number had been given to her much-loved

Alexandra, but one was apparently the property of his father, and

another of a Mrs. Abbott, of whom he knew nothing. He was not the youth

to fall in love with a photograph, however, and as he walked towards

the library the Archduchess Ranata Theresia made way in his mind for

other matters which at that stage concerned him far more deeply.

Rulers of kings: A novel · 第 21 / 63 题