The Boeotian School

How did the continental school of epic poetry arise? There is little

definite material for an answer to this question, but the probability

is that there were at least three contributory causes. First, it is

likely that before the rise of the Ionian epos there existed in Boeotia

a purely popular and indigenous poetry of a crude form: it comprised,

we may suppose, versified proverbs and precepts relating to life in

general, agricultural maxims, weather-lore, and the like. In this sense

the Boeotian poetry may be taken to have its germ in maxims similar to

our English

“Till May be out, ne’er cast a clout,”

or

“A rainbow in the morning

Is the Shepherd’s warning.”

Secondly and thirdly we may ascribe the rise of the new epic to the

nature of the Boeotian people and, as already remarked, to a spirit of

revolt against the old epic. The Boeotians, people of the class of

which Hesiod represents himself to be the type, were essentially

unromantic; their daily needs marked the general limit of their ideals,

and, as a class, they cared little for works of fancy, for pathos, or

for fine thought as such. To a people of this nature the Homeric epos

would be inacceptable, and the post-Homeric epic, with its conventional

atmosphere, its trite and hackneyed diction, and its insincere

sentiment, would be anathema. We can imagine, therefore, that among

such folk a settler, of Aeolic origin like Hesiod, who clearly was well

acquainted with the Ionian epos, would naturally see that the only

outlet for his gifts lay in applying epic poetry to new themes

acceptable to his hearers.

Though the poems of the Boeotian school 1102 were unanimously assigned

to Hesiod down to the age of Alexandrian criticism, they were clearly

neither the work of one man nor even of one period: some, doubtless,

were fraudulently fathered on him in order to gain currency; but it is

probable that most came to be regarded as his partly because of their

general character, and partly because the names of their real authors

were lost. One fact in this attribution is remarkable—the veneration

paid to Hesiod.

Hesiod, the Homeric Hymns, and Homerica · 第 12 / 211 题