OUR BOOKING-OFFICE.

[Illustration]

"'Now I'm furnished,'" hummed the Baron. "'Now I'm furnished'--with

several books for my journey, and----" "Tickets, please," broke in the

inspector. "Just when I was comfortable," growled the Baron; "but no

matter. And now for the _Pen and Pencil Sketches_."

[Illustration: "Little Billee."]

The father of Mr. STACY MARKS predestined him for the coach-building

business. Providence, interposing, made him a painter, and the gaiety of

nations has been increased by the possession of some storks. In _Pen and

Pencil Sketches_ (CHATTO AND WINDUS) he has given the world some

reminiscences of a career justly crowned by the laurels of the Royal

Academy. The work is in two volumes, and my Baronite says would have

been more than twice as good had it been in one. The first volume is

charming, with its chat about LEIGH'S studio and the men met there; of

CHARLES KEENE and the delightful cruise off Gravesend in the _William

and Mary_; of merry days with the St. John's Wood clique; of nights at

ARTHUR LEWIS'S; and of days with FRED WALKER. When the flood of memory

runs dry, and there still remains a second volume to be produced, Mr.

MARKS grows desperate, and shovels in anything he finds handy in the

pigeon-holes of his desk. Thus the pleased reader finds reprinted

articles that appeared in the _Spectator_ thirty years ago, when Mr.

MARKS was art critic to that respectable journal. Also there is a

description of BAMPTON, which once thrilled the readers of the _Tiverton

Gazette_. This gives to the second volume something of the smell of an

apple store-room. But the first is good enough to atone for the burden

of the second. By a happy coincidence, whilst Mr. DU MAURIER in _Trilby_

has made all the world in love with _Little Billee_, he appears under

his own name in many of Mr. MARKS' pages, and is always the same

charming, simple-minded, sensitive man of genius. It is pleasant to read

how our Mr. AGNEW--"WILLIAM" the wise call him--gave the young painter

his first substantial lift. WALKER had painted a picture he called

"_Spring_," a young girl gathering primroses in a wood. Yielding to the

advice of his friends, he put on it a price the amount of which abashed

him. Mr. AGNEW saw the picture, recognised its merit, and wrote a cheque

for the full amount asked. When the young artist heard of his good

fortune he burst into tears, and gasping out "I must go and tell my

mother," rushed from the place. Of the original sketches with which the

volumes are enriched are some pen-and-ink drawings by FRED WALKER, which

reveal in a new light the painter of "_The Almshouse_." Amongst many

good stories, Mr. MARKS tells how he was addressed by a clergyman, who,

believing from his name that he was a Jew, invited him to look in at his

church and be converted. "MARCO'S" reply conclusively proved his

possession of a Christian spirit.

[Illustration: "A Late Physician."]

Since SAMUEL WARREN wrote his _Diary of a Late Physician_,--to which, as

the Baron supposes, allusion is made in p. 200 of this book, where the

narrator says, "Thus it happens that the ablest chronicler of their

(_i.e._ medical men's) experiences in our literature was a lawyer,"--no

more interesting, and occasionally sensational, stories have appeared

than those written by Mr. CONAN DOYLE, and published by METHUEN & CO. in

a single volume, under the title of _Round the Red Lamp_. One of these,

_A Straggler of '15_, has been recently developed into a one act

dramatic sketch for Mr. IRVING, who, in the part of the ancient veteran

"lagging superfluous," is reported to have achieved a remarkable

success. For pathos, _A Physiologist's Wife_ is as perfect in style as

it is original in design; to those who want to take something strong

before going to bed, the Baron can confidently recommend _The Case of

Lady Sannox_; while for those of the inferior sex whom Providence has

blessed with nerves, the Baron prescribes to be taken, the last thing at

night, with a favourite pipe and a tumbler of the reader's special

"wanity," the story of _Lot No. 249_; "lights full up," as the stage

directions say, the door locked, and the room previously searched, in

order to be quite sure that no practical joker is in hiding behind

screen, curtains, or under table, who might think it humorous to pop out

when you are deep in the story, and "give you fits."

[Illustration: "Reading _Lot No. 249_."]

In the _Yellow Book_, No. 3, let me praise Mr. DOWSON'S "Apple Blossoms

in Brittany"; a charming unfinished picture. You must guess what the

fruit may possibly be from the blossom. Also very good is HENRY

HARLAND'S "When I am a King."

Punch, or the London Charivari, Volume 107, November 3, 1894 · 第 5 / 41 题