CHAPTER VIII

Seoul--The City Wall--A large image--Mount Nanzam--The

fire-signals--women's joss-house--Foreign buildings--Japanese

settlement--An anecdote--Clean or not clean?--The Pekin Pass--The

water-carrier--The man of the Gates.

[Illustration: MOUNT NANZAM]

The ground in and around Seoul is very hilly. The wall that surrounds the

capital uncoils itself, like a gigantic snake, up and down the slopes of

high bluffs, and seems a very marvellous work of patient masonry when it

is borne in mind that some of the peaks up which it winds its way are so

steep that even climbing on foot is not an easy task. The height is not

uniform, but where it is highest it reaches to over thirty feet. The

North Gate, for instance, is at a much higher level than the town down

below, and it is necessary to go up a steep road to reach it. From it, a

very good idea is obtainable of the exact situation of Seoul. Down in

the valley, a narrow one, lies the town itself, completely surrounded by

hills, and even mountains, covered with thick snow during the winter

months.

The wall, several miles long, goes over the hill ridges far above the

level of the town, except towards the west, where it descends to the

valley, and is on almost level ground, as far as the East Gate. It has a

rampart in which holes have been pierced, for the defence of the town by

archers and gunners; and, to let out the water of the streams, which

intersect the town, low arches have been cut in the wall, provided with

strong iron bars, and a solid grating through which no man can penetrate.

Outside the town, bridges of masonry have been constructed; for instance,

there is one of four arches, a short distance from the North Gate, being

the continuation of a portion of the wall protecting the river valley on

the north of Seoul. Not far from this bridge, is a monastery, and a small

temple with curled-up roof supported by columns, painted red and green.

The latter protects an enormous block of stone upon which has been carved

a large image of Buddha, the surface of which has been painted white.

When I saw it, close by the river side, with the sun shining on it, and

its image reflected in the limpid ice of the frozen river, the sight was

indeed quite a picturesque one.

Towards the south side of Seoul, and within the city wall, rises in a

cone-like fashion a high hill called Mount Nanzam. One cannot help

feeling interested about this hill, and for many reasons. In the first

place, it is most picturesque; secondly, it is a rare thing to find a

mountain rising in the centre of a town, as this one does; thirdly, from

the summit of this particular hill a constant watch is kept on the state

of affairs all over the kingdom.

The mode of accomplishing the last-mentioned object is as ingenious as it

is simple. It is shortly this. On the summit of Mount Nanzam a signal

station is placed--a miserable shed, in which the watchmen live. In front

of this, five piles of stones have been erected, upon which, by means of

the "Pon-wa," or fire-signals, messages are conveyed and transmitted from

one end of the Corean kingdom to the other. Now, it is on these five

piles of stones that the safety of the Land of the Morning Calm depends,

and it is a pretty and weird sight to watch the lights upon them, playing

after dark, in the stillness of the night. Similarly appointed stations

on the tops of all the highest peaks in Corea issue, transmit, and

answer, by means of other lights, messages from the most distant

provinces, by which means, in a very few minutes, the King in his royal

palace is kept informed of what happens hundreds of miles from his

capital. It is from the royal palace itself that fire-messages start in

the first instance, and that too is the place which lastly receives them

from other mountain tops. All along the coast line of Corea, on the

principal headlands, fire-stations have long been in use in order to give

the alarm in the capital, should marauders approach the coast or other

invasions take place.

Until quite lately, the coast villages and towns used to suffer much at

the hands of Chinese pirates, who, though well aware that they would, if

caught, most certainly find themselves in the awkward position of having

their heads cut off, nevertheless used to approach the coast by night in

swift junks, make daring raids, and pillage the villages, and even some

of the smaller towns. So suddenly were these incursions usually made that

by the time the natives had managed to get over their astonishment at the

attack of these unpleasant and greedy visitors, the acute Chinamen, with

their booty, were well out at sea again.

[Illustration: THE FIRE-SIGNAL STATION AND JOSS-HOUSE]

The great drawback to fire-signalling is, that messages can only be

clearly conveyed at night. In the day-time, when necessary,

smoke-signals are transmitted, though never with the same safety as are

the fire-signals. By burning large torches of wet straw, masses of white

smoke are produced, upon which the alarm is raised that the country is

in danger. The code of smoke signalling, however, is almost limited to

that one signal; for, on a windy or rainy day, it would be quite

impossible to distinguish whether there were one or more torches

smoking, unless, of course, they could be set very far apart, which

cannot be done on Nanzam. Prior to sending a message, a bell is rung in

the royal palace to attract the attention of the Mountain Watchmen. The

whole code, for they have a really systematic way of using their

pyrographs, is worked with five burning fires only, and more than that

number of lights are never shown, though, of course, many times there

are less. The five-lights-together signal, I believe, indicates that the

country is in imminent danger; there are other signals to meet the cases

of rebellions, recalling of magistrates from distant provinces, orders

to them to extort money from their subjects, the despatch or recall of

troops, &c. &c.

A few yards from the signal station, though still on Mount Nanzam, there

is a picturesque red joss-house with a shrine in close proximity to it.

The story goes--and the women of Cho-sen find it convenient to believe

it--that a visit to this particular joss-house has the wonderful effect

of making sterile women prolific. A few strings of _cash_ and a night's

rest at the temple--preceded, if I remember rightly, by

prayers--constitute sufficient service to satisfy the family duties, and

I was certainly told that in many cases the oracle worked so well that in

due time the _chin-chins_ got rewarded with the birth of babies. I may

mention incidentally that the caretaker of the joss-house was a strong,

healthy, powerful man.

As we are now on a splendid point of vantage for a bird's-eye view of the

town we may as well take a glance over it.

Very prominent before us, after the large enclosure of the royal Palace,

are the foreign buildings, such as the Japanese Legation on a smaller

hill at the foot of Nanzam, and overlooking the large Japanese

settlement; the abode of the Chinese Minister resident, with its numerous

buildings around it; the British Consulate with its new red brick house

in course of construction; and, by the side of the last mentioned, the

_compounds_ of the American and Russian legations. Farther on, nearer the

royal Palace, the German flag may be seen surmounting the German

Consulate, which is situated in an enclosure containing several Corean

houses which have been reduced _à l' Européenne_ and made very

comfortable. Then the large house with a glass front is the one now

inhabited by the Vice-Minister for Home Affairs, but the grounds

surrounding this are very restricted. A nunnery and a few houses of

missionaries also stand prominent, mostly in the neighbourhood of the

Japanese settlement.

The Japanese settlement, into which we will now descend, is noteworthy

for the activity and commercial enterprise shown by the subjects of the

Mikado. It is remarkable, also, to notice the curious co-existence of

sense and nonsense in the Jap's adoption of foreign customs. For

instance, you see the generality of them dressed in European clothes, but

nevertheless still sticking to the ancient custom of removing their

boots on entering a house; a delightful practice, I agree, in Japan,

where the climate is mild, but not in a country like Corea, where you

have an average of sixty degrees of frost. Then again, the Japanese

houses, the outer walls of which consist of tissue paper, seem hardly

suited to such a climate as that of Corea. It is really comical to watch

them as they squat in a body round a brass brasier, shivering and blue

with cold, with thin flat faces and curved backs; reminding one very much

of the large family of quadrumans at the Zoo on a cold day. Nevertheless,

they are perfectly happy, though many die of pleurisy, consumption, and

cold in the chest.

The Japanese women dress, of course, in their national _kimonos_, and

just as it is in Japan the fashion to show a little of the chest under

the throat, so in Cho-sen the same custom is adopted; with the result

that many are carried off by bronchitis to the next world.

One cannot but admire the Japanese, however, for the cleanliness of their

houses and for the good-will--sometimes too much of it--which they

display as well in their commercial dealings as in their colonising

schemes. The custom of daily bathing in water of a boiling-point

temperature is carried on by them in Corea as in their own country,

notwithstanding which I venture to say that the Japanese are very dirty

people. This remark seems non-coherent and requires, I am afraid, some

explanation.

"How can they be dirty if they bathe every day? I call that being very

clean," I fancy I hear you reply.

So they would undoubtedly be, if they bathed in clean water; but,

unfortunately, this is just what they do not do, and, to my uncivilised

mind, bathing in filthy water seems ten times more dirty than not bathing

at all. Just imagine a small tank of water in which dozens, if not

hundreds, of people have been already boiled before you in your turn use

it, and upon which float large "eyes" of greasy matter. Well, this is

what every good Japanese is expected to immerse himself in, right up to

his nose, for at least half an hour at a time! I cannot but admire them

for their courage in doing it, but, certainly, from the point of view of

cleanliness my view is quite different; for, really and truly, I have

always failed to see where the "cleanliness" comes in. Persons belonging

to the wealthier classes have small baths of their own, in the steaming

hot liquid of which bask in turns the family itself, their friends, the

children and servants; and probably the same water is used again and

again for two or three days in succession.

I remember well how horrified I was one evening, in the Land of the

Rising Sun, when, on visiting a small village, I was, as a matter of

politeness on their part, requested to join in the bath. Being a novice

at Japanese experiences, and as their request was so pressing, I thanked

them and accepted; whereupon, I was buoyantly led to the bath. Oh what a

sight! Three skinny old women, "disgraces," I may almost call them, for

certainly they could not be classified under the designation of "graces,"

were sitting in a row with steaming water up to their necks, undergoing

the process of being boiled. What! thought I, panic-stricken--am I to

bathe with these three ... old lizards? Oh no, not I! and I made a rush

for the door, greatly to the annoyance of the people, who not only

considered me very dirty, but also very rude in not availing myself of

their polite invitation! The next morning as I took my cold bath as usual

in beautifully clean spring water, I was condemned and pitied as a

lunatic! Such are the different customs of different people.

[Illustration: THE PEKIN PASS]

When visiting Seoul, it is well worth one's while to take a walk to the

Pekin Pass, a _li_ or two outside the West Gate. The pass itself, which

is cut into the rock, is situated on the road leading from Seoul to

Pekin; which, by the way, is the road by which the envoys of the Chinese

Emperor, following an ancient custom, travel overland with a view to

claiming the tribute payable by the King of Corea. As a matter of fact,

this custom of paying tribute had almost fallen into disuse, and China

had not, for some years, I believe, enforced her right of suzerainty over

the Corean peninsula, until the year 1890, when the envoys of the

Celestial Emperor once again proceeded on their wearisome and long

journey from Pekin to the capital of Cho-sen. It was here at the Pekin

Pass, then, that, according to custom, they were received with great

honour by the Coreans, and led into Seoul. It was at a large house,

surrounded by a wall, on the road side, that these envoys were usually

received and welcomed, either by the king in person or by some

representative; and it was here that they were treated with refreshments

and food, previously to being conducted in state into the capital, this

being accomplished amidst the cheers of a Corean crowd, which, like

other crowds, is always ready to cheer the last comer. At the Pekin Pass,

a "triumphal arch"--for want of a better word--could be seen. It was a

lofty structure, composed of two high columns, the lower part of these

being of masonry, and the upper of lacquered wood, which supported a

heavy roof of the orthodox Corean pattern, under which, about one-fourth

down the columns, was a portion decorated with native fretwork of a

somewhat rough type. The illustration represents this monument as it

appeared in winter time, when the ground was covered with snow, beyond it

being the square cut in the rocks, through which the road leads to

Newchuang and Pekin.

There are two types of individuals that are very interesting from a

picturesque point of view; viz., the water-coolie, and the man who

carries the huge locks and keys of the city gates.

The water-coolie is almost as much of a "personality," as the _mapu_, in

his rude independent ways. He displays much patience, and certainly

deserves admiration for the amount of work he daily does, for very little

pay. His work consists in carrying water, from morning until night, to

whoever wants it. This is a simple enough process in summer time, but in

winter matters are rather different, for now nearly all the fountains are

frozen, and the water has to be drawn from a well. The water-coolie

carries a peculiar arrangement on his shoulders, a long pole fastened

cross-wise upon his shoulder-blades, by straps going under and round the

arms; by which means he is enabled to carry two buckets of water at a

time. The arrangement, though more complicated, is not dissimilar to

that used for the same purpose, by women in Holland, or to that for

carrying milk in many parts of Switzerland. In winter time the buckets of

water become buckets of ice the moment they are drawn from the well, and

then it is really pitiable to see these poor beggars with the skin of

their hands all cracked and bleeding with the cold. They run along at a

good pace when loaded, and show great judgment in avoiding collision,

sighing as they go a loud _hess! hess! hess! hess!_ to which they keep

time with their steps. They are considered about the lowest creatures in

the kingdom, and enjoy some of the privileges of children and unmarried

men as regards clothing; for instance, they generally wear a light blue

jacket even when the country is in mourning. When on duty they never wear

hats, and often no head-bands, having, instead, blue kerchiefs wrapt

round the head. The inevitable long pipe is not forgotten, and is

carried, after the fashion of the _mapu_, stuck down the back.

[Illustration: A WATER-COOLIE]

The lock-carrier, again, is by no means the dirtiest individual in the

land of Cho-sen, at least as far as it was my good fortune to see.

Nevertheless, his clothes are invariably in a state of dilapidation, and,

though intended to be white, are usually black with grease and dirt. As

he is employed by the Government he wears the deepest mourning; his face,

and one half of his body being actually hidden under the huge hat

provided for deep mourners. He seldom possesses a pair of padded socks

and sandals, and in the coldest days walks about bare-footed with his

trousers turned up to the knees. He is visible only at sunrise and

sunset, when he goes on his round to all the city gates in order to

inspect the locks and bring or take away the keys. Slung down his back,

he carries a large leather bag, something like a tennis bag, which

contains numberless iron implements of different shapes and weights. He

appears to be friendless and despised by everybody, and I have never seen

him talk to any one. I rather pitied the poor fellow as I saw him go

night after night, with his long unwashed face and hands, along the

rampart of the wall from one gate to another. _Apropos_ of this I once

made a Corean very angry by remarking that "really the safety of the city

could not be in dirtier hands."

Corea or Cho-sen: The Land of the Morning Calm · 第 8 / 21 章