She caught herself. "To escape my uncle, then?"

"Why that, in Heaven's name?"

"You have offended him."

"Dear me! How?"

"By what you said at the house the other night. About the costumes, you

know."

"Nonsense. How could that have reached him?"

"Those things do get around. Do you know what he's going to do? He's

going to cut your comb. My aunt--she cried like anything."

To Truesdale the girl's tone seemed preposterously confidential. "You

were in the wrong," she seemed to imply; "but I am on your side for all

that."

"Ouf!" said Truesdale; "this comes of trenching on Biblical ground. I'll

never quote scripture again."

Truesdale had gone to the Belden house in pursuance of the invitation

extended at his mother's own tea-table. Eliza Marshall had made a faint

effort to dissuade him; despite Mrs. Belden's presence at her own

function, his going seemed, in one way or another, too much like an

excursion into the enemy's country. But the occasion was a fancy-dress

ball, and Truesdale declared himself much too curious to remain away. "I

must go," he said, and at once took steps to equip himself for this

voyage of discovery.

He wore the dress of a Spanish grandee of the early seventeenth

century--he recalled the Spaniards as famous explorers. He was in black

throughout, save for the white lace of his wide collar and cuffs, and for

the dark purple lining of his mantle. If the Beldens, for their part, had

costumed themselves half so discreetly, he would never have fallen from

their good graces. But Statira Belden (keeping her own given name in

view) had based her costume upon one of the old French tapestries--the

Family of Darius at the Feet of Alexander; you may see the original, a

Veronese, in the National Gallery. She had counterfeited the distressed

queen by flowing robes and pearls strung through her yellow hair. She had

revivified and heightened the faded ideal of the oldtime artist, and

incidentally she had extinguished every other woman in the room.

But the difficulty would still have been avoided had not Belden himself

so far lapsed from discretion as to put himself forward in the guise of

Shylock. It mended matters little that he had abandoned the costume

within half an hour after donning it. Thus it was that Truesdale saw him

for the first time in four or five years; the young man had completely

disdained, thus far, to visit the store. With eyes freshened by long

absence, and wits sharpened by contact with the world, he saw his

father's partner in a dress which seemed to throw into greater prominence

every lineament of his face and every trait of his character. The young

man instantly doubted, mistrusted him. His Hebraic garments suggested

another character held in still lower esteem. Truesdale, at a certain

stage of the entertainment, observed his host and hostess in momentary

conjunction on the threshold of the drawing-room; it was then that he

uttered his little jest, whimsically careless of accuracy and loftily

indifferent to outlying ears.

"Ananias and Statira," he said, and his words travelled through the house

like escaping gas.

"They're awfully offended," said Gladys, continuing her confidential

tone. "You can't come there any more--I don't believe. I'm so glad to

have seen you here--who knows where I shall ever see you again? Why

wouldn't you talk to me any, that first time? Why were you so long in

asking me to dance to-night?"

She seemed to be pushing the claim of proprietorship first advanced at

the Belden ball.

"Well, I hope I've talked enough since."

"But where shall we talk together next time? I don't believe you can come

to the house," she repeated.

She seemed to be drawing attention romantically to obstacles in the

way--in their way--and to be calling on him to remove them.

"Perhaps they won't let me see you again. Perhaps they're offended by my

having danced with you here." She was adding to the barricade, but he was

bold and resourceful enough to level it.

"Ouf!" thought Truesdale. "Girls--they're alike, every one of 'em, after

all!"

With the Procession · 第 17 / 32 题