But Jane faced about at once. "Well, then, he paints--"

She dragged him toward the centre-table, grasped his wrist, and forced

him to make several dabs and passes at the fatal newspaper, which still

lay there with a bland impassivity between drop-light and book-rack.

"That's how we dash off our little sketches," she declared.

"Goodness, Jane!" cried Alice, "you've almost upset the whole inkstand!"

"And what else is there?" cried Jane, whose mood was mounting higher. She

clamped her hand on her disordered bang. "Why, of course! He

fences!--aha!"

To this address Truesdale allowed himself to respond. He had no wish to

obtrude his musical and artistic doings upon his father until a more

definite _modus vivendi_ had been brought about; but he could no longer

lend himself passively to being made an absurdity by the over-enthusiasm

of his sister. Fencing, now, was a manly art of which his father might

not disapprove.

"On guard!" he cried. With his right hand he snatched up a paper-cutter

from the table, curled up his left arm behind him, threw one of his long

legs out in front and landed it with a _flump_! on the floor five feet

ahead of his initial stand-point.

"Hurray!" cried Jane, shrilly. "What other girls do you know who've got a

brother like this?" She snatched up a brass-edged ruler that had lain

alongside the paper-cutter. Mrs. Rhodes started back; Alice's husband,

who had come in to lead the homeward march to Riverside Park, paused

astonished on the threshold.

"On guard!" echoed Jane in turn. With a _flump!_ of her own she threw

herself into an imitation of the angular crouch that her brother had

assumed. "Go it!" she called, and began to hack at the paper-cutter with

her ruler.

Save for the clash of weapons there was a complete silence. Suddenly

Truesdale reversed his position. Jane did the same, bringing a sudden and

unaccustomed weight upon her other foot. Her knee cracked loudly.

Everybody heard it. Rosy snickered.

Jane crossed the room and sat down in a shady corner. In that ten seconds

she felt ten years older.

"Where's pa?" she asked her mother in a sour tone, after Alice and her

aunt had left the house. "I do hope"--crossly--"that the next time you

let any of those wretched old women take anything away you'll have them

pay for it in advance."

"I guess your father isn't bothering much about a bedstead and a few old

chairs," retorted her mother. "If you want to know what he's thinking

about, it's that Belden again."

"Belden?"

"Yes. He has decided finally to let your father put on those two extra

stories, and what do you think he wants in exchange? He wants to make the

firm over into a stock company. He's fixing a place for that boy of

his--that's what."

"Well, haven't we got a boy, too?" retorted Jane, severely. She went out,

and gave the door a loud slam behind her.

But David Marshall, back again in the bay-window, was thinking neither of

the sinuosities of Mother Van Horn, nor of the aggressions of his junior

partner, nor even of the just-concluding courses of the annual

game-dinner. His thoughts had slipped back into the early times; he and

Sue Lathrop (the Mrs. Granger Bates of to-day) were sitting together in

the old, long-vanished Metropolitan Hall listening to the "Nightingale

Serenaders," and the year was 'fifty-seven.

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