THE WRECK.

The scene now opens on the right bank of the Ganges. We quitted the

Bhagruttī (a branch of the sacred river) at Sooty, and have now entered

upon the main stream, at a point where it is of amazing breadth, the

view of it only terminating with the horizon: the waves roar, and roll,

and foam like those at sea; whilst a _tūfān_ (one of the heavy storms of

India) is blowing fiercely, accompanied by thunder, lightning, heavy

rain, and utter darkness. The impetuous stream, rushing with the force

of a torrent, undermines the banks of the river, and tears up forest

trees by their roots. A voyage at this time is particularly dangerous;

native vessels are swept along with amazing velocity, and when a _tūfān_

is encountered, like the one now blowing, they are frequently wrecked.

Three _dāndīs_ (native boatmen) have been swept by the violence of the

waves from the mast of their sinking vessel; they are striving to regain

their hold: the rest of the crew have sunk to rise no more. These men

are admirable swimmers; they may possibly be carried along by the

current and rescued on some turn of the river, unless from the violence

of the storm they are carried out into the middle of the stream, and

swept onwards, until, overcome by exhaustion, they sink beneath the

waves.

During some periods of the year, a voyage on the Ganges is attended with

great risk. The natives quote the Persian saying as a consolation under

misfortune, “‘What is the use of taking precautions, since what has been

ordained must happen.’ Truly saith the proverb, ‘If the diver were to

think of the jaws of the crocodile, he would never gather precious

pearls.’”

Grand moving diorama of Hindostan · 第 44 / 98 题