CHAPTER VII

That Tanganyika was destined to be alike villain and setting of the

drama which followed, first sight of the lake gave Norah no warning.

The lovers had waited on the farm for Dick's supplies to come till

Norah would stay no longer. Leaving a letter for Archie, and

replenishing Dick's stores from the reserves on the farm, that the

Congo expedition had already diminished, they started on the three

weeks' ulendo through the bush, Dick on a bicycle, Norah in her

machila.1[1]

[1] A hammock slung on one pole or two and carried between two or

four natives, relieved at intervals.

Lying uncomfortably on her back, she saw little of the country she

was carried through. Her landscape was limited by ranks of trees on

either side. Overhead she could stare at the African sky already

banked with rain-clouds. Or she could lie on her side and watch the

sandy path for hurrying streams of pre-occupied ants or for

occasional spoor, the only manifestation of the shy life of the

forest. Sometimes her eye would be caught by a bundle of scarlet

flowered mistletoe, the alpine outline of a great ant heap, a tree

curiously deformed, or the melancholy traces of an almost obliterated

garden; till oppressed by the nearness and insignificance of these

sights, she would shut her eyes and imagine the evening with Dick,

when the camp fire would gild from below the interlacing boughs.

But now the ulendo was nearly done. For an hour the road had sloped

precipitously from plateau level lakewards 3000 feet below. The tip

and tilt of the machila was vertiginous. Broad leafed, dark trees

obscured the sky: rampant undergrowth and luxurious herbage hid the

ground. A native laboured up towards them; he was old and one-eyed.

Her carriers called to him for news of the steamer, but he only

stared. They were strangers in a strange land. The air felt warmer

and clammier. Languid flies settled heavily on Norah's face and

hands. She expected momentarily to see the lake below her feet, but

the dark trees shut her in.

The machila-bearers stopped singing the mournful 'Mai illova,' 'Deep

in the Ground,' that was their favourite carrying song, and started a

brisk marching tune into which the name 'Tanganyika' came again and

again. The swing of the hammock was barely tolerable. She caught

the word 'malala' in the song--the sleeping sickness, for whose sake

men shun the lake. They met a second native blind in one eye--was

all this mutilation man's work or the lake's? A single mulombwa tree

with bare boughs and canary yellow flowers stood out by the roadside,

thirty feet high and as straight as a spear.

Suddenly the steeply tilted machila stopped with a jerk and shot her

on to her feet.

Had that travel-stained hammock been Elijah's fiery chariot it could

not have translated her more suddenly into a new universe. From the

close forest that had so long confined her body and her mind, she was

caught up into a blue firmament, a world of misty blue glass over

which distant shadows played. As she gazed the blue mirror resolved

into sky, mountains, water. Under heaven, the hills; under the

hills, the lake with its horizon flung far above her head, above the

tree tops.

This vision of a new world seemed to hint at the new life she was

entering. A life of beauty and--inevitably--romance, free from the

sordidness of daily struggle, cleared of the orts of a disastrous

past. The child understood life as little as she understood the

lake. Her inherited instinct was to play for the highest stakes and

risk all, without weighing the cost, on a single throw. But this

sudden revelation of beauty almost frightened her into taking

thought. That such loveliness existed seemed a spur to its pursuit.

Was she treading a path that led to it? Almost against her will she

strained her eyes into the future.

Since the night that Dick's lantern had crossed the flats for the

second time, she had kept her mind strapped to the present moment,

fiercely contented in her passion for Dick, refusing regret, denying

foresight.

Archie, whose memory her mind, like a tongue with a sensitive tooth,

shunned but could not avoid, had failed her; Dick had come to the

rescue. Dick was her slave; Archie was the slave of the farm. She

loved Dick ... she was almost sure. She was surer she did not love

Archie.

What would come of it all? The preliminaries she faced with

contempt. Scandalous tongues, slights to be met, the ostrich-like

antics of the Law, details in the Press (for she realised she would

be good copy and might even run to posters). She would pass through

this indifferently for what lay beyond.... If anything lay beyond.

Romance had fooled her before. Was Life Repetition and Cycle? 'The

thing that has been, is that which shall be: and that which is done

is that which shall be done; and there is no new thing under the sun.'

She knew Dick's mind no better than the day he had come to the farm,

than the day he had entered her ward seven years ago. She did not

seem to penetrate the brilliant skin and glorious plumage. What lay

behind? ... But surely Dick loved her, and why haggle over the

endurance or value of that love? Why chill the warmth of the present

by brooding over a future as fathomless as the lake, whose bottom had

never been plumbed?

She left the chattering group of carriers to rejoice at the sight of

their journey's end and sat down under the mulombwa tree to wait for

Dick, who had found the path too steep and rough for his bicycle.

What Dick was feeling I can only guess. I had met him at the

beginning of his shooting trip, or 'voyage of exploration,' as he

preferred to see it, dining with the District Commissioner at

rail-head. But that was before he fell into the meshes of Norah's

beauty.

She, of course, told me what he said, and did, and looked like, but a

woman's evidence for or against her lover isn't worth much.

Love-making is largely bluff. To get yourself taken, you must

appear, if not a fine fellow, at least an interesting one. (It's

true she'll probably love you for some absurdity you've forgotten to

cover up, but that's not your fault.) Then, especially if love's

illicit, men and women begin with different rules. As different as

big game and bird shooting.

Your big game shot and your woman do the trick by stalking. They

locate the victim, crawl up, taking cover behind each blade of grass,

aim long and carefully with one eye shut. Your bird shot fires with

both eyes open, by instinct rather than aim, before or behind him at

birds which beaters, or circumstances, drive. Then he waits for the

next covey. Some men even like pigeon shooting.

Dick, I suspect, started with the ideas of the bird shot. Since he

left the railway, he had hardly seen a white woman, and he still

carried the newcomer's prejudice against black. He would be in a

susceptible mood, when he came on Norah that morning in the forest.

If Joseph had been a month or two alone in the bush, and if

Potiphar's wife had been in the same street with Norah, Holy Writ

would have been altered. And, as the Americans say, Dick's second

name wasn't Joseph. Nor for that matter was Norah's surname

Potiphar. But circumstances, the uncongenial life, the errant

husband's absence were all beating for Dick. His wits, quick where

women were concerned, divined this and whispered that this loveliness

was not unapproachable. And in the matter of rushing in, Dick was

never on the side of the angels.

It was this idea that so swelled Dick's foot that he could not move

it from the farm. Constant intercourse with Norah was not calculated

to heal wound in foot or heart and hourly he fell deeper under her

spell: under the spell, too, of his own manly eloquence. His visit

the evening before Norah summoned Archie and called in vain, was

undertaken, I should say, by an impetuous lover, who hoped that his

mistress's interest was not severely platonic. His repulse added

body to his passion since it is the nature of men only to prize the

possession that is refused them.

Norah's absence, during her days of waiting for Archie, was of the

nature that makes the heart grow fonder. He saw her continually

across the river; in imagination he felt her lips on his, her body in

his arms.

Tantalised by memory and proximity, goaded by the lust of the

unobtainable, his passion had mastered all inhibitory instinct. The

flood of his imagination rose and swept majestically over the weir of

the Divorce Courts and breasted even the subsequent dam of Holy

Matrimony. When I met him at rail-head, I got the impression that

Dick was not the sort who would find it unpleasant, for example, to

be cited as co-respondent with the daughter of a peer. So when in

the end Norah consented to go away with him, the granting of the boon

he craved could have caused him comparatively few qualms. He felt,

however, more anxiety than Norah, who had flung her cap with a brave

gesture, and it was with relief that he hailed the lake.

'The road lies open,' he cried to Norah. 'The highway to

civilisation.'

'It's more like the gateway of Heaven,' she said, blinded by the

beauty before her.

'It will be,' he answered.

As side by side they descended the path which turned from rock to

sand, the view flattened and the horizon sank. The closely grouped

thatch of a native village showed through the trees. Of white men

and their works no sign. Throughout their flight, by avoiding the

occasional Bomas and rarer farms, they had escaped the awkwardness of

European encounter. Dick commented on their luck.

'Anyhow, down here, it's too hot to care,' said Norah. She felt

already the atmosphere of lake level--a matter not only of heightened

temperature and humidity but of changed values. 'High thermometer

and low morals,' was the way she put it. She felt her remaining

scruples dissolve in that mild air. Ideas of duty and discipline

were left on the austere highlands, where scattered men scratch a

precarious existence out of a thin soil. At lake level, life was no

longer an epic of struggle with victory or defeat as stakes, but a

drowsy eclogue ended by easy oblivion. The few thousand feet from

the plateau to the lake seemed to bridge all degrees from Dumfries to

Naples, from Calvin to Priapus.

The palm trees threw black shadows on the silver roofs. On the

soundless air came the laughter of copper-coloured babies playing in

and out of the lapping water. Crocodiles and water snakes people

Tanganyika, but in their play the children were as unconscious of

danger as Norah and Dick of the fate that bore down on them from the

lake."

The Crater · 第 7 / 11 章