DISQUIET DISAPPEARS

The wedding took place and Cæsar had to compromise about a lot of

things. It didn’t trouble him to confess and receive communion; he

considered those mere customs, and went to the church of the Plain to

conform to these practices with the old priest who was a friend of

Amparito’s.

On the other hand, it did bother Cæsar to have to suffer Father Martin

in his house, who allowed himself to talk and give advice; and he

was also irritated by the presence of certain persons who considered

themselves aristocrats and who came to call on him and point out to him

that it was now time to give up the rabble and the indigent and to rise

to their level.

If he had not had so much to think about as he did have, he would have

found this a good chance to show his aggressive humour; but all his

attention was fixed on Amparito.

The newly married pair spent the first days of their honeymoon at

Castro; then they went to Madrid, with the intention of going abroad,

and afterwards they went back to the town.

The old palace of the Dukes of Castro was witness to their idyll.

At the end of some time Cæsar felt tranquil, perhaps too tranquil.

“This, no doubt, is what is called being happy,” he used to say to

himself. And being happy gave him the impression of a limbo; he felt

as though his old personality was dying within him. He could no longer

recover his former way of life; all his disquietudes had vanished. He

felt that he was balanced, lacking those alternations of courage and

cowardice which had previously formed the characteristic thing in him.

It was the oasis after the desert; the calm that follows the storm.

Cæsar wondered if he had acquired new nerves. His instinct to be

arbitrary was on the downward track.

He could not easily determine what role his wife played in his inner

life. He felt the necessity of having her beside him, of talking to her;

but he did not understand whether this was mere selfishness, for the

sake of the soothing effect her presence produced, or was for the

satisfaction of his vanity in seeing how she gave all her thought to

him.

Spiritually he did not feel her either identified with him or strange to

him; her soul marched along as if parallel to his, but in other paths.

“All that men say about women is completely false,” Cæsar used to

think, “and what women say about themselves, equally so, because they

merely repeat what men say. Only when they are completely emancipated

will they succeed in understanding themselves. It is indubitable that we

have not the same leading ideas, or the same points of view. Probably we

have not a similar moral sense either. Neither is woman made for man,

nor man for woman. There is necessity between them, not harmony.”

Many times, watching Amparito, he told himself:

“There is some sort of machinery in her head that I do not understand.”

Noting his scrutinizing gaze, she would ask him:

“What are you thinking about me?”

He would explain his perplexities, and she would laugh.

Cæsar or Nothing · 第 104 / 116 题