ACT III.

FIRST SCENE

[A Brahman temple with a statue of Durga; before the idol an altar. In

the background a landscape with farms and a sheep-fold.]

_Enter from the right GENERAL SIHA (GS.) with a CAPTAIN (C)

and some soldiers._

_GS._ Pitch the tents on the slope of yonder hill where that farmhouse

stands.

_C._ It shall be done, my general.

_GS._ What crowd is gathered there with flags and flowers?

_C._ It is the farmer's family led by the village priest, and

neighbors flock around to swell their number.

_GS._ The priest handles a big knife that flashes in the sun. I see

his hands are stained with gore. They seem to celebrate a feast in

honor of a god.

_C._ The villagers inform me that the occasion of it is sad. One of

the farmer's children died of late, and others being sick the father

invokes the goddess Kali to preserve the rest of his family. They are

arrayed for a procession and having offered a young sheep at the altar

of the homestead they have started out. See how the crowd are wending

their way hither to the temple.

_GENERAL SIHA looks around and contemplates the scenery, then

turns to the CAPTAIN._

_GS._ Now pitch the tents before the sun goes down.

_In the meantime, the BUDDHA enters with two disciples. They

sit down under a tree. The Captain bows to them reverently

and leaves the stage._

_GS._ Greetings to you, holy monks.

_B._ Peace be with thee, and may thy sword ne'er reek with blood.

_GS._ I draw the sword for my king, for my country and for the

restoration of order where enemies or rebels have disturbed it.

_B._ Thou lookst courageous and thy very words

Possess a ring of simple honesty.

_GS._ I serve a mighty king who means to do the right. He prefers to

establish his rule by treaty and spares an enemy who sues for peace.

_B._ Thou speakst of Bimbisara, King of Magadha?

_GS._ Indeed I speak of the great Bimbisara, and he is born to sway

the world. My sympathy and my allegiance go with him. I am Siha, his

general.

_B._ Thy name is known throughout the Indian lands.

_GS._ When I chose my profession I prayed to the gods that they would

never let it be my lot to fight for any unjust cause.

_B._ Let this thy prayer be a sacred vow

Which thou wilt keep inviolate. Our fate,

Or say the gods, create conditions; but thou

Thyself must act. Thou art responsible,

Thou shapest thine own life, and not the gods.

_GS._ Thy words please me! What is thy doctrine, venerable monk?

_B._ I teach the middle way between extremes.

Neither mortifications of the body

Nor self-indulgence should be practised.

We must make up our minds and walk

On the eightfold noble path of righteousness.

_GS._ Who art thou, wondrous monk? Thy doctrine is so plain, and so

convincing that I grant thou speakest truth. The people ought to know

thee and accept thy creed. Who art thou?

_B._ Born of the Sakya race, they call me Sakyamuni.

_GS._ Blessed be this day on which I meet the greatest man of our age.

I heard of thee from the Nirgranthas, thine own enemies, the rival

sect of thy new order, and they say that thou deniest the soul, thou

teachest extinction, thou leadest man to non-existence, and that

Nirvana is with thee an empty naught--annihilation.--Is that true?

_B._ I teach extinction, noble general,

Of hatred, greed, and lust, but I insist

On doing what is right and just and good;

On doing resolutely what we do,

On searching for the truth, on setting up

Its lamp and following its holy light.

Nirvana is attained when passions are

Extinct and when the heart is blessed with peace.

_GS._ Thou art more than a mortal, holy man. Auspicious

is this day on which I've met thee. The people call

thee Buddha, perhaps rightly so! A feeling of deep

reverence comes over me and the truth dawns on

me. Truly thou art the teacher of the world. If

thy doctrine impressed the people a new era would

begin, an era in which mankind would be wiser and

nobler, happier and better.

[Barbaric music is heard behind the stage, the drum being prominent.]

_Voices behind the stage:_ Maha Kali! Kali Ma!

_GS._ Behold how wretched are these people in their ignorance.

_B._ They must be taught and they will learn the truth.

[The procession enters. A small band of musicians comes with primitive

instruments, among them drums. They are followed first by dancers,

then by a priest (_Pr._) flourishing in his bloody hand a large knife.

By his side walks a shepherd carrying a lamb. Behind them the farmer's

(_F._) family and other people]

_GS._ What horrible sounds! And the crowd behave like madmen.

_Pr._ Maha Kali!

_Crowd._ Kali Ma!

_Pr._ Goddess of the black countenance! Great Black Mother!

_Crowd._ Maha Kali! Kali Ma!

Maha Kali! Kali Ma!

Maha Kali! Kali Ma!

[The priest steps to the altar; the crowd kneels in a large circle. At

the priest's signal the farmer approaches the altar and kneels. His

behavior betrays superstitious timidity and great awkwardness. The

shepherd exhibits the lamb first to the priest and then to the dancers

who in fantastic dancing step advance and retreat while the music

plays. Finally the lamb is placed on the altar.]

_Pr._ Have Mercy on us! Slay the demon of disease.

Keep away Yama the horrible one, the god of Death.

_Crowd._ Kali Ma, have mercy on us!

_Pr._ Thou art Parvati, the wife of Siva. Thou hast conquered the

giant Durga, the evil one, and now thyself art called the goddess

Durga.

Thou art Mahishamardini, the slayer of Mahisha.

Thou art Kalaratri, Nightly Darkness, abyss of all mysteries.

Thou art Jagaddhatri, mother of the world.

Thou art Jagadgauri, renowned throughout the world.

Thou art Katyayina, refulgent with a thousand suns.

Thou art Singhavahini, seated on a lion thou wonest victory over

Raktavija, leader of the giants' army.

Great Mother of Life, accept our offering, the blood of this lamb.

_Crowd._ Maha Kali, accept our offering!

Kali Ma, accept our offering!

Kali Durga, great Goddess, accept our offering!

_The priest turns toward the lamb and raises his knife.

BUDDHA steps to the altar and places his hand gently upon the

priest's arm._

_B._ Hold!

_Pr._ Meddler!

_B._ Pause before thou sheddest blood.

_Pr._ How dar'st thou rudely interfere, strange monk,

With our most sacred sacrifice? This lamb

Is offered to the goddess. Thou disturbest

Our holy ritual.

_He lifts his knife against BUDDHA, but SIHA draws his sword

and knocks the knife out of the priest's hand._

_GS._ Keep peace, bold priest!

_Pr._ The vengeance of the gods will be upon you.

_B._ If there be gods they must be potent, noble,

And great and holy; and if the gods are holy,

They do not need the offering of a victim,

They do not want the life of this poor trembling lamb.

_Pr._ The gods are kind; they take the lamb in place of this poor

stricken man. We must do penance for his sins, for the sins of his

wife, for the sins of his children.

_Farmer._ I crave forgiveness for the sins for which my dear good

child has had to die.

_Pr._ His sins are great and nothing can wash them away but blood.

_B._ Herein thou errest, priest. Blood does not cleanse.

It washes not away the stain of sin;

The slaughter of a victim heaps but guilt

On guilt, and does not right a wrong. Rise,

Rise, my good friend. Take comfort!

_The farmer rises._

Be a man.

_The others rise gradually._

_F._ What shall I do, good master?

_B._ Right all the wrongs thou didst and sin no more.

_Pr._ This lamb was given to the goddess. It is mine.

_GS._ Are you the steward of the goddess' property?

_SIHA steps close to the priest who retires step by step and

finally hurries off the stage._

Come, shepherd, take the frightened lambkin up

And bear it to its mother in the fold.

[The shepherd takes up the lamb and stands ready to carry it away. The

musicians slink away. The lambbearers and the people walk off in

procession, followed by the Buddha with his disciples. General Siha

remains alone on the stage. A trumpet call at a short distance and

another one close by.]

_GS._ What does that signal mean?

_An officer accompanied by a trumpeter enters. A third

trumpet call on the stage. The officer delivers a letter._

_Officer._ A dispatch from his majesty Bimbisara to his faithful and

most noble general, Siha.

_GS._ _Breaks the seal and reads to himself._

"The Sakyas are a stubborn little nation. Their institutions are free;

their laws differ from those of the other surrounding states. These

people are a source of discontent and revolution, and are a sore in my

eye. Therefore, the Sakyas must be crushed, even if they sue for

peace. Keep the army near the border and be ready for a sudden

attack."

_With an expression of grief._

War is unavoidable and I am to be the means by which the Sakyas will

be wiped off the earth. It is my duty, for the King commands it. A

soldier should not argue, he obeys.

_Draws his sword and looks at it._

This sword is consecrated to the service of my king.

Never have I drawn it except in honest fight.

_Lost in contemplation._

Is Sakyamuni the Buddha?--Is he truly the Buddha?

Buddhas are wise; Buddhas are omniscient; Buddhas foresee the

future.--

Is Sakyamuni truly the Buddha?--I believe he is.

And if he is the Buddha, is it right to wage a war against his

people?--What shall I do?

Oh, ye gods, teach me my duty!

Oh, ye gods, may it not be my lot to fight for an unrighteous cause!

Cursed be the sword that sheds innocent blood.

SECOND SCENE.

[Bimbisara's court at Rajagaha]

_Present: KING BIMBISARA (Bb.), VISAKHA (V), and NAGADEVA

(N)._

_V._ The Sakyas will make a hard fight, great King, and the war will

cost blood. These northern settlers are taller and stronger than other

races and possess the courage of the inhabitants of their former

frigid homes. It would be easier to take possession of their state if

I married Princess Yasodhara and gradually assumed the government

under your protection. Your mighty friendship would support me on the

throne and you could rule through me.

_Bb._ That sounds acceptable, but in the meantime, I prepare for war.

_V._ Even in war I shall be of service to you. I can lead your army

where it will not meet with resistance, and I know the names of those

who are dissatisfied. Many could be induced to join your forces; and I

can betray the very person of the raja into your hands.

_Bb._ _Nodding kindly to VISAKHA, then turning to

NAGADEVA._

Is our kingdom in readiness?

_N._ Great King, it is. General Siha stands in the field with a strong

force ready to strike. There are another fifty thousand within call to

make a sudden dash upon any of our neighbors should they dare come to

the aid of Sakya. Our treasury is well filled, and the people of

Magadha are prosperous. We could stand even a protracted war far

better than any other state in India.

_Bb._ The time seems favorable; the risk is small, and the spoil will

be great. Convene my generals in the assembly hall.

_They bow low and pass out. AMBAPALI (Ap.) enters._

_Ap._ Are they gone, my Lord, and what did you decide?

_Bb._ I propose to go to war.

_Ap._ You are rightly called "the Warlike."

_Bb._ I want to round off my kingdom and expand my power northward

until it reaches the Himalayas.

_Ap._ The gods will speed you and the blessings of the saints shall be

upon your people.

_Servant enters._

_St._ There is a holy man who wants to see your Highness. His name is

Devadatta.

_Bb._ Show him in.

_Servant exit._

_Ap._ Is he not one of the disciples of the Buddha?

_Bb._ I believe he is.

_AMBAPALI retires._

_DEVADATTA enters._

_Dd._ Hail, great King! Protector of religion and victor of many

battles!

_Bb._ What brings you to my presence? I always rejoice to see holy

men. Their coming is auspicious, and I am happy to be of service to

them.

_Dd._ Great King, I implore your assistance for the brotherhood which

I have founded. We need your royal support and the holiness of our

lives will surround you as a halo with heavenly protection.

_Bb._ Are you not a disciple of Gotama, who is called the Buddha?

_Dd._ No longer, mighty King, I was his disciple so long as I believed

in him; but he is not holy. I have abandoned him. He is not austere;

his disciples do not practise self-mortifications, and he speaks

kindly and dines with sinners. My disciples do not dress in worldly

garments; they would not accept the invitation of women; they would

not touch animal food. He who calls himself the Buddha is unworthy of

that high title; he is a pretender who has not reached the highest

goal. My rules are much more strict than his, and my brotherhood alone

is holy.

_Bb._ Holiness is a mighty thing.

_Dd._ Yea, and our vows will shield your government, your throne, your

army and your people against any misfortune.

_Bb._ I shall send my treasurer to investigate and will do what is

right.

_Dd._ Maharaja, be assured of my deepest gratitude.

_Bows low, exit._

_Ap._ [_re-enters, excited_] My royal friend, do not trust that man

[_pointing toward the door where DEVADATTA went out_]. He is false. He

may be holy, but he is treacherous. He may be virtuous; he may shun

joy and the blessings of life, he may practise all penances, he may

torture and mortify his body. But there is no true goodwill in him.

His holiness is egotistic, and his religion is hypocrisy. Support his

brotherhood with money or gifts as you see fit, but do not believe

what he says about the Buddha.

_Bb._ [_With an inquiring look_] Why?

_Ap._ I know what he meant when he scoffed at him. When the Buddha

stayed at Vesali, I invited that noblest of all monks to take his meal

with me. I am not holy; I am a worldly woman; I am not a saint; but I

have a warm heart, I feel for others and I want to do what is right.

When I heard that the Buddha stayed in the mango grove, I thought to

myself, I will go and see him. If he is truly all-wise, he will judge

my heart and he will judge me in mercy. He will know my needs and will

not refuse me. I went to the mango grove and he looked upon me with

compassion; he accepted my invitation in the presence of witnesses,

openly, fearlessly, and in kindness. There were the proud Licchavi

princes, and close to him stood the envious Devadatta. How they

scowled; how they condemned the great and kindly saint! How they

whispered, "Shame on him!" and I saw how they despised me--yet they

did not dare to speak out or to censure him publicly. Then, my

gracious King, I knew that he was truly the Lord Buddha, the Allwise.

_Bb._ My dear friend, I accept every word you say as true. I know the

goodness of your heart, I know your worth, your loving kindness, and

if you were of royal birth you would be worthy to wear a crown. The

Buddha did not demean himself when he honored you.

_Ap._ Allow me one question. Did the Buddha ever beg you to support

his brotherhood?

_Bb._ No, he did not; but I will give him all the assistance he may

need.

_Ap._ Did he ever offer you the support of his vows, or did he ever

praise the efficacy of his holiness?

_Bb._ He never did.

_Ap._ Neither does he stand in need of self-recommendation, for his

very presence is a blessing, because he spreads goodwill and

kindliness, and the people who hear him are ashamed of doing anything

unrighteous. Devadatta extends to you the promise, if you but support

his disciples, of an unconditional protection through his holiness.

The Buddha's protection is not so cheaply earned. I heard him say that

every one must protect himself by his own righteousness, and no

prayer, no sacrifice, no religious devotion, nor even penance or fasts

could protect a man from the wrongs which he does.

_Bb._ The Buddha's presence would be more auspicious than ten

Devadattas.

_Ap._ Oh, most assuredly! And what a contempt I have for the virtuous

indignation of men who, overmoral themselves, judge haughtily of

others; yet, if you look into their souls you discover that they are

heartless and self-seeking villains.

_Bb._ Your judgment is well grounded.

_Ap._ The Buddha alone possesses greatness, and the Buddha does not

seek honor, but the people adore him.

_Bb._ Rajagaha must become the center of India. I will send for the

Buddha and invite him to visit me. His sojourn here will make the

kingdom of Magadha more famous than conquests and victories.

_The servant enters._

_St._ Mighty King, the prime minister Nagadeva.

_Bb._ He is welcome. Fare thee well, sweet heart; affairs of state

call me.

_N._ Mighty King, the generals are assembled. They hail thee as their

war lord, and are anxious for laurels, for glory, for booty!

[TRUMPETS, CURTAIN.]

_THIRD INTERLUDE._

_Living pictures accompanied by appropriate music._

1. SENDING OUT THE DISCIPLES.

The Buddha called his disciples together, and having ordained them,

bade them spread the Gospel, with these words translated from the

Buddhist Canon:

"Go ye now, O disciples, and wander forth for the benefit of the many,

for the welfare of mankind, out of compassion for the world. Preach

the doctrine which is glorious in the beginning, glorious in the

middle, and glorious in the end, in the spirit as well as in the

letter. There are beings whose eyes are scarcely covered with dust,

but if the doctrine is not preached to them they cannot attain

salvation. Proclaim to them a life of holiness. They will understand

the doctrine and accept it."

The Pali expression _kalyamo dhamma_ is here translated "glorious

doctrine." The dictionary defines the first word as "excellent,

beautiful, glorious." This closely corresponds to the Christian term,

which, as derived from the Greek, reads "evangel" and in its Saxon

equivalent "gospel" or "good tidings."

2. THE RICH YOUTH.

Yasa, the son of a wealthy nobleman of Benares, came by night to the

Blessed One and exclaimed: "What misery!" But the Buddha answered,

"There is no misery for him who has entered the Path."

Yasa, richly dressed, with an expression of distress, before the

Buddha who comforts him. The scene is framed in darkness, the two

figures being lit up by a torch.

3. A CHILD'S OFFERING.

Old frescoes in the Ajanta Caves show a mother sending a gift through

her child. It looks as if they were Buddhist illustrations of Christ's

injunction, "Suffer little children to come unto me."

The Buddha: A Drama in Five Acts and Four Interludes · 第 3 / 5 章