I get full of my subject as I write and a kind of rage comes over me as I

think of the wrongs the roof has suffered. It is the only part of the

house that has not kept pace with the times. To say that you have a good

roof is taken as meaning that your roof is tight, that it keeps out the

water, that it excels in those qualities in which it excelled equally

three thousand years ago. What you ought to mean is that you have a roof

that is flat and has things on it that make it livable, where you can

walk, disport yourself, or sleep; a house-top view of your neighbors'

affairs; an airy pleasance with a full sweep of stars; a place to listen

of nights to the drone of the city; a place of observation, and if you are

so inclined, of meditation.

Everything but the roof has been improved. The basement has been coddled

with electric lights until a coal hole is no longer an abode of mystery.

Even the garret, that used to be but a dusty suburb of the house and

lumber room for early Victorian furniture, has been plastered and strewn

with servants' bedrooms.

There _was_ a garret once: somewhat misty now after these twenty years. It

was not daubed to respectability with paint, nor was it furnished forth as

bedrooms; but it was rough-timbered, and resounded with drops when the

dark clouds passed above. On bright days a cheerful light lay along the

floor and dust motes danced in its luminous shaft. And always there was

cobwebbed stillness. But on dark days, when the roof pattered and the

branches of trees scratched the shingles and when windows rattled, a

deeper obscurity crept out of the corners. Yet was there little fear in

the place. This was the front garret where the theatre was, with the

practicable curtain. But when the darker mood was on us, there was the

back garret. It was six steps lower and over it the roof crouched as if to

hide its secrets. The very men that built it must have been lowering,

bearded fellows; for they put into it many corners and niches and black

holes. The wood, too, from which it was fashioned must have been gnarled

and knotted and the nails rusty and crooked. One window cast a narrow

light down the middle of this room, but at both sides was immeasurable

night. When you had stooped in from the sunlight and had accustomed your

eyes to the dimness, you found yourself in an uncertain anchorage of old

furniture, abandoned but offering dusty covert for boys with the light of

brigands in their eyes. A pirates' den lay safe behind the chimney,

protected by a bristling thicket of chairs and table legs, to be

approached only on hands and knees after divers rappings. And back there

in the dark were strange boxes--strange boxes, stout and securely nailed.

But the garret has gone.

Whither have the pirates fled? Maybe some rumor of the great change

reached them in their fastnesses; and then in the light of early dawn, in

single file they climbed the ladder, up through the scuttle. And

straddling the ridgepole with daggers between their teeth, alas, they

became dizzy and toppled down the steep shingles to the gutter, to be

whirled away in the torrent of an April shower. Ah me! Had only the roof

been flat! Then it would have been for them a reservation where they might

have lived on and waited for the sound of children's feet to come again.

Then when those feet had come and the old life had returned, then from

aloft you would hear the old cry of Ship-ahoy, and you would know that at

last your house had again slipped its moorings and was off to Madagascar

or the Straits.

Where shall we adventure, to-day that we're afloat,

Wary of the weather and steering by a star?

Shall it be to Africa, asteering of the boat,

To Providence, or Babylon, or off to Malabar?

So a roof must be more than a cover. The roof of a boat, its deck, is

arranged for occupation and is its best part. Consider the omnibus! Even

it has seats on top, the best seats in fine weather. When Martin

Chuzzlewit went up to London it was on the _top_ of the coach he sat.

Pickwick betook himself, gaiters, small-clothes, and all, to the roof.

Even the immaculate Rollo scorned the inside seats. He sat on top, you may

remember, and sucked oranges to ward off malaria, he and that prince of

roisterers, Uncle George. De Quincey is the authority on mail coaches and

for the roof seats he is all fire and enthusiasm. It happened once, to

continue with De Quincey, that a state coach was presented by His Majesty

George the Third of England, as a gift to the Chinese Emperor. This kind

of vehicle being unknown in Peking, "it became necessary to call a cabinet

council on the grand state question, 'Where was the Emperor to sit?' The

hammer cloth happened to be unusually gorgeous; and partly on that

consideration, but partly also because the box offered the most elevated

seat, was nearest the moon, and undeniably went foremost, it was resolved

by acclamation that the box was the Imperial throne, and for the scoundrel

who drove, he could sit where he could find a perch."

Consider that the summer day has ended and that you are tired with its

rush and heat. Up you must climb to your house-roof. On the rim of the sky

is the blurred light from the steel furnaces at the city's edge and,

paneling this, stands a line of poplars stirring and sounding in the night

wind.

Alone upon the house-top to the North

I turn and watch the lightnings in the sky.

Is it fanciful to think that into the mind comes a little of the beauty of

the older world when roofs were flat and men meditated under the stars and

saw visions in the night?

Once upon a time I crossed the city of Nuremberg after dark; the market

cleared of all traces of its morning sale, the "Schöner Brunnen" at its

edge, the narrow defile leading to the citadel, the climb at the top. And

then I came to an open parade above the town--"except the Schlosskirche

Weathercock no biped stands so high." The night had swept away all details

of buildings. Nuremberg lay below like a dark etching, the centuries

folded and creased in its obscurities. Then from some gaunt tower came a

peal of bells, the hour maybe, and then an answering peal. "Thus stands

the night," they said; "thus stand the stars." I was in the presence of

Time and its black wings were brushing past me. What star was in the

ascendant, I knew not. And yet in me I felt a throb that came by blind,

circuitous ways from some far-off Chaldean temple, seven-storied in the

night. In me was the blood of the star-gazer, my emotions recalling the

rejected beliefs, the signs and wonders of the heavens. The waves of old

thought had but lately receded from the world; and I, but a chink and

hollow on the beach, had caught my drop of the ebbing ocean.

Journeys to Bagdad · 第 5 / 5 段