“It’s my wife! Here, I’m going out. If it’s the Evil One himself I am

going out!”

He had thrown open the door and rushed out into the passage. At the end

of it, at the foot of the stairs, Mrs. Deacon was lying senseless,

struck down by the sight which she had seen. But there was nothing else.

With eyes of horror we looked about us, but all was perfectly quiet and

still. I approached the black square of the studio door, expecting with

every slow step that some atrocious shape would hurl itself out of it.

But nothing came, and all was silent inside the room. Peeping and

peering, our hearts in our mouths, we came to the very threshold, and

stared into the darkness. There was still no sound, but in one direction

there was also no darkness. A luminous, glowing cloud, with an

incandescent centre, hovered in the corner of the room. Slowly it dimmed

and faded, growing thinner and fainter, until at last the same dense,

velvety blackness filled the whole studio. And with the last flickering

gleam of that baleful light the Frenchman broke into a shout of joy.

“What a fun!” he cried. “No one is hurt, and only the door broken, and

the ladies frightened. But, my friends, we have done what has never been

done before.”

“And as far as I can help,” said Harvey Deacon, “it will certainly never

be done again.”

And that was what befell on the 14th of April last at No. 17 Badderly

Gardens. I began by saying that it would seem too grotesque to dogmatise

as to what it was which actually did occur; but I give my impressions,

_our_ impressions (since they are corroborated by Harvey Deacon and John

Moir), for what they are worth. You may, if it pleases you, imagine

that we were the victims of an elaborate and extraordinary hoax. Or you

may think with us that we underwent a very real and a very terrible

experience. Or perhaps you may know more than we do of such occult

matters, and can inform us of some similar occurrence. In this latter

case a letter to William Markham, 146M, the Albany, would help to throw

a light upon that which is very dark to us.

VII

THE RING OF THOTH

Mr. John Vansittart Smith, F.R.S., of 147-A Gower Street, was a man

whose energy of purpose and clearness of thought might have placed him

in the very first rank of scientific observers. He was the victim,

however, of a universal ambition which prompted him to aim at

distinction in many subjects rather than pre-eminence in one. In his

early days he had shown an aptitude for zoology and for botany which

caused his friends to look upon him as a second Darwin, but when a

professorship was almost within his reach he had suddenly discontinued

his studies and turned his whole attention to chemistry. Here his

researches upon the spectra of the metals had won him his fellowship in

the Royal Society; but again he played the coquette with his subject,

and after a year’s absence from the laboratory he joined the Oriental

Society, and delivered a paper on the Hieroglyphic and Demotic

inscriptions of El Kab, thus giving a crowning example both of the

versatility and of the inconstancy of his talents.

The most fickle of wooers, however, is apt to be caught at last, and so

it was with John Vansittart Smith. The more he burrowed his way into

Egyptology the more impressed he became by the vast field which it

opened to the inquirer, and by the extreme importance of a subject which

promised to throw a light upon the first germs of human civilisation

and the origin of the greater part of our arts and sciences. So struck

was Mr. Smith that he straightway married an Egyptological young lady

who had written upon the sixth dynasty, and having thus secured a sound

base of operations he set himself to collect materials for a work which

should unite the research of Lepsius and the ingenuity of Champollion.

The preparation of this _magnum opus_ entailed many hurried visits to

the magnificent Egyptian collections of the Louvre, upon the last of

which, no longer ago than the middle of last October, he became involved

in a most strange and noteworthy adventure.

The trains had been slow and the Channel had been rough, so that the

student arrived in Paris in a somewhat befogged and feverish condition.

On reaching the Hôtel de France, in the Rue Laffitte, he had thrown

himself upon a sofa for a couple of hours, but finding that he was

unable to sleep, he determined, in spite of his fatigue, to make his way

to the Louvre, settle the point which he had come to decide, and take

the evening train back to Dieppe. Having come to this conclusion, he

donned his greatcoat, for it was a raw rainy day, and made his way

across the Boulevard des Italiens and down the Avenue de l’Opéra. Once

in the Louvre he was on familiar ground, and he speedily made his way to

the collection of papyri which it was his intention to consult.

The warmest admirers of John Vansittart Smith could hardly claim for him

that he was a handsome man. His high-beaked nose and prominent chin had

something of the same acute and incisive character which distinguished

his intellect. He held his head in a birdlike fashion, and birdlike,

too, was the pecking motion with which, in conversation, he threw out

his objections and retorts. As he stood, with the high collar of his

greatcoat raised to his ears, he might have seen from the reflection in

the glass-case before him that his appearance was a singular one. Yet it

came upon him as a sudden jar when an English voice behind him exclaimed

in very audible tones, “What a queer-looking mortal!”

The student had a large amount of petty vanity in his composition which

manifested itself by an ostentatious and overdone disregard of all

personal considerations. He straightened his lips and looked rigidly at

the roll of papyrus, while his heart filled with bitterness against the

whole race of travelling Britons.

“Yes,” said another voice, “he really is an extraordinary fellow.”

“Do you know,” said the first speaker, “one could almost believe that by

the continual contemplation of mummies the chap has become half a mummy

himself?”

“He has certainly an Egyptian cast of countenance,” said the other.

John Vansittart Smith spun round upon his heel with the intention of

shaming his countrymen by a corrosive remark or two. To his surprise and

relief, the two young fellows who had been conversing had their

shoulders turned towards him, and were gazing at one of the Louvre

attendants who was polishing some brass-work at the other side of the

room.

“Carter will be waiting for us at the Palais Royal,” said one tourist to

the other, glancing at his watch, and they clattered away, leaving the

student to his labours.

“I wonder what these chatterers call an Egyptian cast of countenance,”

thought John Vansittart Smith, and he moved his position slightly in

order to catch a glimpse of the man’s face. He started as his eyes fell

upon it. It was indeed the very face with which his studies had made him

familiar. The regular statuesque features, broad brow, well-rounded

chin, and dusky complexion were the exact counterpart of the innumerable

statues, mummy-cases, and pictures which adorned the walls of the

apartment. The thing was beyond all coincidence. The man must be an

Egyptian. The national angularity of the shoulders and narrowness of the

hips were alone sufficient to identify him.

John Vansittart Smith shuffled towards the attendant with some intention

of addressing him. He was not light of touch in conversation, and found

it difficult to strike the happy mean between the brusqueness of the

superior and the geniality of the equal. As he came nearer, the man

presented his side face to him, but kept his gaze still bent upon his

work. Vansittart Smith, fixing his eyes upon the fellow’s skin, was

conscious of a sudden impression that there was something inhuman and

preternatural about its appearance. Over the temple and cheek-bone it

was as glazed and as shiny as varnished parchment. There was no

suggestion of pores. One could not fancy a drop of moisture upon that

arid surface. From brow to chin, however, it was cross-hatched by a

million delicate wrinkles, which shot and interlaced as though Nature in

some Maori mood had tried how wild and intricate a pattern she could

devise.

“Où est la collection de Memphis?” asked the student with the awkward

air of a man who is devising a question merely for the purpose of

opening a conversation.

“C’est là,” replied the man brusquely, nodding his head at the other

side of the room.

“Vous êtes un Egyptien, n’est-ce pas?” asked the Englishman.

The attendant looked up and turned his strange dark eyes upon his

questioner. They were vitreous, with a misty dry shininess, such as

Smith had never seen in a human head before. As he gazed into them he

saw some strong emotion gather in their depths, which rose and deepened

until it broke into a look of something akin both to horror and to

hatred.

“Non, monsieur; je suis français.” The man turned abruptly and bent low

over his polishing. The student gazed at him for a moment in

astonishment, and then turning to a chair in a retired corner behind one

of the doors he proceeded to make notes of his researches among the

papyri. His thoughts, however, refused to return into their natural

groove. They would run upon the enigmatical attendant with the

sphinx-like face and the parchment skin.

“Where have I seen such eyes?” said Vansittart Smith to himself. “There

is something saurian about them, something reptilian. There’s the

membrana nictitans of the snakes,” he mused, bethinking himself of his

zoological studies. “It gives a shiny effect. But there was something

more here. There was a sense of power, of wisdom--so I read them--and of

weariness, utter weariness, and ineffable despair. It may be all

imagination, but I never had so strong an impression. By Jove, I must

have another look at them!” He rose and paced round the Egyptian rooms,

but the man who had excited his curiosity had disappeared.

The student sat down again in his quiet corner, and continued to work at

his notes. He had gained the information which he required from the

papyri, and it only remained to write it down while it was still fresh

in his memory. For a time his pencil travelled rapidly over the paper,

but soon the lines became less level, the words more blurred, and

finally the pencil tinkled down upon the floor, and the head of the

student dropped heavily forward upon his chest. Tired out by his

journey, he slept so soundly in his lonely post behind the door that

neither the clanking civil guard, nor the footsteps of sightseers, nor

even the loud hoarse bell which gives the signal for closing, were

sufficient to arouse him.

Twilight deepened into darkness, the bustle from the Rue de Rivoli waxed

and then waned, distant Notre Dame clanged out the hour of midnight, and

still the dark and lonely figure sat silently in the shadow. It was not

until close upon one in the morning that, with a sudden gasp and an

intaking of the breath, Vansittart Smith returned to consciousness. For

a moment it flashed upon him that he had dropped asleep in his

study-chair at home. The moon was shining fitfully through the

unshuttered window, however, and as his eye ran along the lines of

mummies and the endless array of polished cases, he remembered clearly

where he was and how he came there. The student was not a nervous man.

He possessed that love of a novel situation which is peculiar to his

race. Stretching out his cramped limbs, he looked at his watch, and

burst into a chuckle as he observed the hour. The episode would make an

admirable anecdote to be introduced into his next paper as a relief to

the graver and heavier speculations. He was a little cold, but wide

awake and much refreshed. It was no wonder that the guardians had

overlooked him, for the door threw its heavy black shadow right across

him.

The complete silence was impressive. Neither outside nor inside was

there a creak or a murmur. He was alone with the dead men of a dead

civilisation. What though the outer city reeked of the garish nineteenth

century! In all this chamber there was scarce an article, from the

shrivelled ear of wheat to the pigment-box of the painter, which had not

held its own against four thousand years. Here was the flotsam and

jetsam washed up by the great ocean of time from that far-off empire.

From stately Thebes, from lordly Luxor, from the great temples of

Heliopolis, from a hundred rifled tombs, these relics had been brought.

The student glanced round at the long silent figures who flickered

vaguely up through the gloom, at the busy toilers who were now so

restful, and he fell into a reverent and thoughtful mood. An unwonted

sense of his own youth and insignificance came over him. Leaning back in

his chair, he gazed dreamily down the long vista of rooms, all silvery

with the moonshine, which extend through the whole wing of the

widespread building. His eyes fell upon the yellow glare of a distant

lamp.

John Vansittart Smith sat up on his chair with his nerves all on edge.

The light was advancing slowly towards him, pausing from time to time,

and then coming jerkily onwards. The bearer moved noiselessly. In the

utter silence there was no suspicion of the pat of a footfall. An idea

of robbers entered the Englishman’s head. He snuggled up further into

the corner. The light was two rooms off. Now it was in the next chamber,

and still there was no sound. With something approaching to a thrill of

fear the student observed a face, floating in the air as it were, behind

the flare of the lamp. The figure was wrapped in shadow, but the light

fell full upon the strange eager face. There was no mistaking the

metallic glistening eyes and the cadaverous skin. It was the attendant

with whom he had conversed.

Vansittart Smith’s first impulse was to come forward and address him. A

few words of explanation would set the matter clear, and lead doubtless

to his being conducted to some side door from which he might make his

way to his hotel. As the man entered the chamber, however, there was

something so stealthy in his movements, and so furtive in his

expression, that the Englishman altered his intention. This was clearly

no ordinary official walking the rounds. The fellow wore felt-soled

slippers, stepped with a rising chest, and glanced quickly from left to

right, while his hurried gasping breathing thrilled the flame of his

lamp. Vansittart Smith crouched silently back into the corner and

watched him keenly, convinced that his errand was one of secret and

probably sinister import.

There was no hesitation in the other’s movements. He stepped lightly and

swiftly across to one of the great cases, and, drawing a key from his

pocket, he unlocked it. From the upper shelf he pulled down a mummy,

which he bore away with him, and laid it with much care and solicitude

upon the ground. By it he placed his lamp, and then squatting down

beside it in Eastern fashion he began with long quivering fingers to

undo the cerecloths and bandages which girt it round. As the crackling

rolls of linen peeled off one after the other, a strong aromatic odour

filled the chamber, and fragments of scented wood and of spices pattered

down upon the marble floor.

It was clear to John Vansittart Smith that this mummy had never been

unswathed before. The operation interested him keenly. He thrilled all

over with curiosity, and his birdlike head protruded further and further

from behind the door. When, however, the last roll had been removed from

the four-thousand-year-old head, it was all that he could do to stifle

an outcry of amazement. First, a cascade of long, black, glossy tresses

poured over the workman’s hands and arms. A second turn of the bandage

revealed a low, white forehead, with a pair of delicately arched

eyebrows. A third uncovered a pair of bright, deeply fringed eyes, and a

straight, well-cut nose, while a fourth and last showed a sweet, full,

sensitive mouth, and a beautifully curved chin. The whole face was one

of extraordinary loveliness, save for the one blemish that in the centre

of the forehead there was a single irregular, coffee-coloured splotch.

It was a triumph of the embalmer’s art. Vansittart Smith’s eyes grew

larger and larger as he gazed upon it, and he chirruped in his throat

with satisfaction.

Its effect upon the Egyptologist was as nothing, however, compared with

that which it produced upon the strange attendant. He threw his hands up

into the air, burst into a harsh clatter of words, and then, hurling

himself down upon the ground beside the mummy, he threw his arms round

her, and kissed her repeatedly upon the lips and brow. “Ma petite!” he

groaned in French. “Ma pauvre petite!” His voice broke with emotion, and

his innumerable wrinkles quivered and writhed, but the student observed

in the lamplight that his shining eyes were still dry and tearless as

two beads of steel. For some minutes he lay, with a twitching face,

crooning and moaning over the beautiful head. Then he broke into a

sudden smile, said some words in an unknown tongue, and sprang to his

feet with the vigorous air of one who has braced himself for an effort.

In the centre of the room there was a large circular case which

contained, as the student had frequently remarked, a magnificent

collection of early Egyptian rings and precious stones. To this the

attendant strode, and, unlocking it, threw it open. On the edge at the

side he placed his lamp, and beside it a small earthenware jar which he

had drawn from his pocket. He then took a handful of rings from the

case, and with the most serious and anxious face he proceeded to smear

each in turn with some liquid substance from the earthen pot, holding

them to the light as he did so. He was clearly disappointed with the

first lot, for he threw them petulantly back into the case and drew out

some more. One of these, a massive ring with a large crystal set in it,

he seized and eagerly tested with the contents of the jar. Instantly he

uttered a cry of joy, and threw out his arms in a wild gesture which

upset the pot and sent the liquid streaming across the floor to the very

feet of the Englishman. The attendant drew a red handkerchief from his

bosom, and, mopping up the mess, he followed it into the corner, where

in a moment he found himself face to face with his observer.

“Excuse me,” said John Vansittart Smith, with all imaginable politeness;

“I have been unfortunate enough to fall asleep behind this door.”

“And you have been watching me?” the other asked in English, with a most

venomous look on his corpse-like face.

The student was a man of veracity. “I confess,” said he, “that I have

noticed your movements, and that they have aroused my curiosity and

interest in the highest degree.”

The man drew a long flamboyant-bladed knife from his bosom. “You have

had a very narrow escape,” he said; “had I seen you ten minutes ago, I

should have driven this through your heart. As it is, if you touch me or

interfere with me in any way you are a dead man.”

“I have no wish to interfere with you,” the student answered. “My

presence here is entirely accidental. All I ask is that you will have

the extreme kindness to show me out through some side door.” He spoke

with great suavity, for the man was still pressing the tip of his dagger

against the palm of his left hand, as though to assure himself of its

sharpness, while his face preserved its malignant expression.

“If I thought----” said he. “But no, perhaps it is as well. What is your

name?”

The Englishman gave it.

“Vansittart Smith,” the other repeated. “Are you the same Vansittart

Smith who gave a paper in London upon El Kab? I saw a report of it. Your

knowledge of the subject is contemptible.”

“Sir!” cried the Egyptologist.

“Yet it is superior to that of many who make even greater pretensions.

The whole keystone of our old life in Egypt was not the inscriptions or

monuments of which you make so much, but was our hermetic philosophy and

mystic knowledge of which you say little or nothing.”

“Our old life!” repeated the scholar, wide-eyed; and then suddenly,

“Good God, look at the mummy’s face!”

The strange man turned and flashed his light upon the dead woman,

uttering a long doleful cry as he did so. The action of the air had

already undone all the art of the embalmer. The skin had fallen away,

the eyes had sunk inwards, the discoloured lips had writhed away from

the yellow teeth, and the brown mark upon the forehead alone showed that

it was indeed the same face which had shown such youth and beauty a few

short minutes before.

The man flapped his hands together in grief and horror. Then mastering

himself by a strong effort he turned his hard eyes once more upon the

Englishman.

“It does not matter,” he said, in a shaking voice. “It does not really

matter. I came here to-night with the fixed determination to do

something. It is now done. All else is as nothing. I have found my

quest. The old curse is broken. I can rejoin her. What matter about her

inanimate shell so long as her spirit is awaiting me at the other side

of the veil!”

“These are wild words,” said Vansittart Smith. He was becoming more and

more convinced that he had to do with a madman.

“Time presses, and I must go,” continued the other. “The moment is at

hand for which I have waited this weary time. But I must show you out

first. Come with me.”

Taking up the lamp, he turned from the disordered chamber, and led the

student swiftly through the long series of the Egyptian, Assyrian, and

Persian apartments. At the end of the latter he pushed open a small door

let into the wall and descended a winding stone stair. The Englishman

felt the cold fresh air of the night upon his brow. There was a door

opposite him which appeared to communicate with the street. To the right

of this another door stood ajar, throwing a spurt of yellow light across

the passage. “Come in here!” said the attendant shortly.

Vansittart Smith hesitated. He had hoped that he had come to the end of

his adventure. Yet his curiosity was strong within him. He could not

leave the matter unsolved, so he followed his strange companion into the

lighted chamber.

It was a small room, such as is devoted to a _concierge_. A wood fire

sparkled in the grate. At one side stood a truckle bed, and at the other

a coarse wooden chair, with a round table in the centre, which bore the

remains of a meal. As the visitor’s eye glanced round he could not but

remark with an ever-recurring thrill that all the small details of the

room were of the most quaint design and antique workmanship. The

candlesticks, the vases upon the chimneypiece, the fire-irons, the

ornaments upon the walls, were all such as he had been wont to associate

with the remote past. The gnarled heavy-eyed man sat himself down upon

the edge of the bed, and motioned his guest into the chair.

“There may be design in this,” he said, still speaking excellent

English. “It may be decreed that I should leave some account behind as a

warning to all rash mortals who would set their wits up against workings

of Nature. I leave it with you. Make such use as you will of it. I speak

to you now with my feet upon the threshold of the other world.

“I am, as you surmised, an Egyptian--not one of the down-trodden race of

slaves who now inhabit the Delta of the Nile, but a survivor of that

fiercer and harder people who tamed the Hebrew, drove the Ethiopian back

into the southern deserts, and built those mighty works which have been

the envy and the wonder of all after generations. It was in the reign of

Tuthmosis, sixteen hundred years before the birth of Christ, that I

first saw the light. You shrink away from me. Wait, and you will see

that I am more to be pitied than to be feared.

“My name was Sosra. My father had been the chief priest of Osiris in the

great temple of Abaris, which stood in those days upon the Bubastic

branch of the Nile. I was brought up in the temple and was trained in

all those mystic arts which are spoken of in your own Bible. I was an

apt pupil. Before I was sixteen I had learned all which the wisest

priest could teach me. From that time on I studied Nature’s secrets for

myself, and shared my knowledge with no man.

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