He had a pause. "And you, Biddy?"

"Oh I daresay. But that doesn't signify--I never shall."

Peter got up at this; the tone of it set him in motion and he took a

turn round the room. He threw off something cheap about her being too

proud; to which she replied that that was the only thing for a girl to

be to get on.

"What do you mean by getting on?"--and he stopped with his hands in his

pockets on the other side of the studio.

"I mean crying one's eyes out!" Biddy unexpectedly exclaimed; but she

drowned the effect of this pathetic paradox in a laugh of clear

irrelevance and in the quick declaration: "Of course it's about Nick

that she's really broken-hearted."

"What's the matter with Nick?" he went on with all his diplomacy.

"Oh Peter, what's the matter with Julia?" Biddy quavered softly back to

him, her eyes suddenly frank and mournful. "I daresay you know what we

all hoped, what we all supposed from what they told us. And now they

won't!" said the girl.

"Yes, Biddy, I know. I had the brightest prospect of becoming your

brother-in-law: wouldn't that have been it--or something like that? But

it's indeed visibly clouded. What's the matter with them? May I have

another cigarette?" Peter came back to the wide, cushioned bench where

he had previously lounged: this was the way they took up the subject he

wanted most to look into. "Don't they know how to love?" he speculated

as he seated himself again.

"It seems a kind of fatality!" Biddy sighed.

He said nothing for some moments, at the end of which he asked if his

companion were to be quite alone during her mother's absence. She

replied that this parent was very droll about that: would never leave

her alone and always thought something dreadful would happen to her. She

had therefore arranged that Florence Tressilian should come and stay in

Calcutta Gardens for the next few days--to look after her and see she

did no wrong. Peter inquired with fulness into Florence Tressilian's

identity: he greatly hoped that for the success of Lady Agnes's

precautions she wasn't a flighty young genius like Biddy. She was

described to him as tremendously nice and tremendously clever, but also

tremendously old and tremendously safe; with the addition that Biddy was

tremendously fond of her and that while she remained in Calcutta Gardens

they expected to enjoy themselves tremendously. She was to come that

afternoon before dinner.

"And are you to dine at home?" said Peter.

"Certainly; where else?"

"And just you two alone? Do you call that enjoying yourselves

tremendously?"

"It will do for me. No doubt I oughtn't in modesty to speak for poor

Florence."

"It isn't fair to her; you ought to invite some one to meet her."

"Do you mean you, Peter?" the girl asked, turning to him quickly and

with a look that vanished the instant he caught it.

"Try me. I'll come like a shot."

"That's kind," said Biddy, dropping her hands and now resting her eyes

on him gratefully. She remained in this position as if under a charm;

then she jerked herself back to her work with the remark: "Florence will

like that immensely."

"I'm delighted to please Florence--your description of her's so

attractive!" Sherringham laughed. And when his companion asked him if he

minded there not being a great feast, because when her mother went away

she allowed her a fixed amount for that sort of thing and, as he might

imagine, it wasn't millions--when Biddy, with the frankness of their

pleasant kinship, touched anxiously on this economic point

(illustrating, as Peter saw, the lucidity with which Lady Agnes had had

in her old age to learn to recognise the occasions when she could be

conveniently frugal) he answered that the shortest dinners were the

best, especially when one was going to the theatre. That was his case

to-night, and did Biddy think he might look to Miss Tressilian to go

with them? They'd have to dine early--he wanted not to miss a moment.

"The theatre--Miss Tressilian?" she stared, interrupted and in suspense

again.

"Would it incommode you very much to dine say at 7.15 and accept a place

in my box? The finger of Providence was in it when I took a box an hour

ago. I particularly like your being free to go--if you are free."

She began almost to rave with pleasure. "Dear Peter, how good you are!

They'll have it at any hour. Florence will be so glad."

"And has Florence seen Miss Rooth?"

"Miss Rooth?" the girl repeated, redder than before. He felt on the spot

that she had heard of the expenditure of his time and attention on that

young lady. It was as if she were conscious of how conscious he would

himself be in speaking of her, and there was a sweetness in her

allowance for him on that score. But Biddy was more confused for him

than he was for himself. He guessed in a moment how much she had thought

over what she had heard; this was indicated by her saying vaguely, "No,

no, I've not seen her." Then she knew she was answering a question he

hadn't asked her, and she went on: "We shall be too delighted. I saw

her--perhaps you remember--in your rooms in Paris. I thought her so

wonderful then! Every one's talking of her here. But we don't go to the

theatre much, you know: we don't have boxes offered us except when _you_

come. Poor Nick's too much taken up in the evening. I've wanted awfully

to see her. They say she's magnificent."

"I don't know," Peter was glad to be able honestly to answer. "I haven't

seen her."

"You haven't seen her?"

"Never, Biddy. I mean on the stage. In private often--yes," he

conscientiously added.

"Oh!" Biddy exclaimed, bending her face on Nick's bust again. She asked

him no question about the new star, and he offered her no further

information. There were things in his mind pulling him different ways,

so that for some minutes silence was the result of the conflict. At last

he said, after an hesitation caused by the possibility that she was

ignorant of the fact he had lately elicited from Julia, though it was

more probable she might have learned it from the same source:

"Am I perhaps indiscreet in alluding to the circumstance that Nick has

been painting Miss Rooth's portrait?"

"You're not indiscreet in alluding to it to me, because I know it."

"Then there's no secret nor mystery about it?"

The Tragic Muse · 第 62 / 108 题