Julia had a pause. "Was I very rude?"

"Oh it was all right; it was only awkward for me because you didn't

know," he replied.

"I did know; that's why I came."

"How do you mean? My letter couldn't have reached you."

"I don't know anything about your letter," Julia cast about her for a

chair and then seated herself on the edge of a sofa with her eyes on the

floor.

"She sat to me yesterday; she was there all the morning; but I didn't

write to tell you. I went at her with great energy and, absurd as it may

seem to you, found myself very tired afterwards. Besides, in the evening

I went to see her act."

"Does she act?" asked Mrs. Dallow.

"She's an actress: it's her profession. Don't you remember her that day

at Peter's in Paris? She's already a celebrity; she has great talent;

she's engaged at a theatre here and is making a sensation. As I tell

you, I saw her last night."

"You needn't tell me," Julia returned, looking up at him with a face of

which the intense, the tragic sadness startled him.

He had been standing before her, but at this he instantly sat down

close, taking her passive hand. "I want to, please; otherwise it must

seem so odd to you. I knew she was coming when I wrote to you the day

before yesterday. But I didn't tell you then because I didn't know how

it would turn out, and I didn't want to exult in advance over a poor

little attempt that might come to nothing. Moreover, it was no use

speaking of the matter at all unless I told you exactly how it had come

about," Nick went on, explaining kindly and copiously. "It was the

result of a visit unexpectedly paid me by Gabriel Nash."

"That man--the man who spoke to me?" Her memory of him shuddered into

life.

"He did what he thought would please you, but I daresay it didn't. You

met him in Paris and didn't like him; so I judged best to hold my tongue

about him."

"Do _you_ like him?"

"Very much."

"Great heaven!" Julia ejaculated, almost under her breath.

"The reason I was annoyed was because, somehow, when you came in, I

suddenly had the air of having got out of those visits and shut myself

up in town to do something that I had kept from you. And I have been

very unhappy till I could explain."

"You don't explain--you can't explain," Mrs Dallow declared, turning on

her companion eyes which, in spite of her studied stillness, expressed

deep excitement. "I knew it--I knew everything; that's why I came."

"It was a sort of second-sight--what they call a brainwave," Nick

smiled.

"I felt uneasy, I felt a kind of call; it came suddenly, yesterday. It

was irresistible; nothing could have kept me this morning."

"That's very serious, but it's still more delightful. You mustn't go

away again," said Nick. "We must stick together--forever and ever."

He put his arm round her, but she detached herself as soon as she felt

its pressure. She rose quickly, moving away, while, mystified, he sat

looking up at her as she had looked a few moments before at him. "I've

thought it all over; I've been thinking of it all day," she began.

"That's why I didn't come in."

"Don't think of it too much; it isn't worth it."

"You like it more than anything else. You do--you can't deny it," she

went on.

"My dear child, what are you talking about?" Nick asked, gently...

"That's what you like--doing what you were this morning; with women

lolling, with their things off, to be painted, and people like that

man."

Nick slowly got up, hesitating. "My dear Julia, apart from the surprise

this morning, do you object to the living model?"

"Not a bit, for you."

"What's the inconvenience then, since in my studio they're only for me?"

"You love it, you revel in it; that's what you want--the only thing you

want!" Julia broke out.

"To have models, lolling undressed women, do you mean?"

"That's what I felt, what I knew," she went on--"what came over me and

haunted me yesterday so that I couldn't throw it off. It seemed to me

that if I could see it with my eyes and have the perfect proof I should

feel better, I should be quiet. And now I _am_ quiet--after a struggle

of some hours, I confess. I _have_ seen; the whole thing's before me and

I'm satisfied."

"I'm not--to me neither the whole thing nor half of it is before me.

What exactly are you talking about?" Nick demanded.

"About what you were doing this morning. That's your innermost

preference, that's your secret passion."

"A feeble scratch at something serious? Yes, it was almost serious," he

said. "But it was an accident, this morning and yesterday: I got on less

wretchedly than I intended."

"I'm sure you've immense talent," Julia returned with a dreariness that

was almost droll.

"No, no, I might have had. I've plucked it up: it's too late for it to

flower. My dear Julia, I'm perfectly incompetent and perfectly

resigned."

"Yes, you looked so this morning, when you hung over her. Oh she'll

bring back your talent!"

"She's an obliging and even an intelligent creature, and I've no doubt

she would if she could," Nick conceded. "But I've received from you all

the help any woman's destined to give me. No one can do for me again

what you've done."

"I shouldn't try it again; I acted in ignorance. Oh I've thought it all

out!" Julia declared. And then with a strange face of anguish resting on

his own: "Before it's too late--before it's too late!"

"Too late for what?"

"For you to be free--for you to be free. And for me--for me to be free

too. You hate everything I like!" she flashed out. "Don't pretend, don't

pretend!" she went on as a sound of protest broke from him.

"I thought you so awfully _wanted_ me to paint," he gasped, flushed and

staring.

"I do--I do. That's why you must be free, why we must part?"

"Why we must part--?"

"Oh I've turned it well over. I've faced the hard truth. It wouldn't do

at all!" Julia rang out.

"I like the way you talk of it--as if it were a trimming for your

dress!" Nick retorted with bitterness. "Won't it do for you to be loved

and cherished as well as any woman in England?"

She turned away from him, closing her eyes as not to see something

dangerous. "You mustn't give anything up for me. I should feel it all

the while and I should hate it. I'm not afraid of the truth, but you

are."

"The truth, dear Julia? I only want to know it," Nick insisted. "It

seems to me in fact just what I've got hold of. When two persons are

united by the tenderest affection and are sane and generous and just, no

difficulties that occur in the union their life makes for them are

insurmountable, no problems are insoluble."

She appeared for a moment to reflect upon this: it was spoken in a tone

that might have touched her. Yet at the end of the moment, lifting her

eyes, she brought out: "I hate art, as you call it. I thought I did, I

knew I did; but till this morning I didn't know how much."

"Bless your dear soul, _that_ wasn't art," Nick pleaded. "The real thing

will be a thousand miles away from us; it will never come into the

house, _soyez tranquille_. It knows where to look in and where to flee

shrieking. Why then should you worry?"

"Because I want to understand, I want to know what I'm doing. You're an

artist: you are, you are!" Julia cried, accusing him passionately.

"My poor Julia, it isn't so easy as that, nor a character one can take

on from one day to the other. There are all sorts of things; one must be

caught young and put through the mill--one must see things as they are.

There are very few professions that goes with. There would be sacrifices

I never can make."

"Well then, there are sacrifices for both of us, and I can't make them

either. I daresay it's all right for you, but for me it would be a

terrible mistake. When I think I'm doing a certain thing I mustn't do

just the opposite," she kept on as for true lucidity. "There are things

I've thought of, the things I like best; and they're not what you mean.

It would be a great deception, and it's not the way I see my life, and

it would be misery if we don't understand."

He looked at her with eyes not lighted by her words. "If we don't

understand what?"

"That we're utterly different--that you're doing it all for _me_."

"And is that an objection to me--what I do for you?" he asked.

"You do too much. You're awfully good, you're generous, you're a dear,

oh yes--a dear. But that doesn't make me believe in it. I didn't at

bottom, from the first--that's why I made you wait, why I gave you your

freedom. Oh I've suspected you," Julia continued, "I had my ideas. It's

all right for you, but it won't do for me: I'm different altogether. Why

should it always be put upon me when I hate it? What have I done? I was

drenched with it before." These last words, as they broke forth, were

attended with a quick blush; so that Nick could as quickly discern in

them the uncalculated betrayal of an old irritation, an old shame

almost--her late husband's flat, inglorious taste for pretty things, his

indifference to every chance to play a public part. This had been the

humiliation of her youth, and it was indeed a perversity of fate that a

new alliance should contain for her even an oblique demand for the same

spirit of accommodation, impose on her the secret bitterness of the same

concessions. As Nick stood there before her, struggling sincerely with

the force that he now felt to be strong in her, the intense resolution

to break with him, a force matured in a few hours, he read a riddle that

hitherto had baffled him, saw a great mystery become simple. A personal

passion for him had all but thrown her into his arms (the sort of thing

that even a vain man--and Nick was not especially vain--might hesitate

to recognise the strength of); held in check at moments, with a strain

of the cord that he could still feel vibrate, by her deep, her rare

ambition, and arrested at the last only just in time to save her

calculations. His present glimpse of the immense extent of these

calculations didn't make him think her cold or poor; there was in fact a

positive strange heat in them and they struck him rather as grand and

high. The fact that she could drop him even while she longed for

him--drop him because it was now fixed in her mind that he wouldn't

after all serve her resolve to be associated, so far as a woman could,

with great affairs; that she could postpone, and postpone to an

uncertainty, the satisfaction of an aching tenderness and plan for the

long run--this exhibition of will and courage, of the larger scheme that

possessed her, commanded his admiration on the spot. He paid the heavy

price of the man of imagination; he was capable of far excursions of the

spirit, disloyalties to habit and even to faith, he was open to rare

communications. He ached, on his side, for the moment, to convince her

that he would achieve what he wouldn't, for the vision of his future she

had tried to entertain shone before him as a bribe and a challenge. It

struck him there was nothing he couldn't work for enough with her to be

so worked with by her. Presently he said:

"You want to be sure the man you marry will be prime minister of

England. But how can you be really sure with any one?"

"I can be really sure some men won't!" Julia returned.

"The only safe thing perhaps would be to-marry Mr. Macgeorge," he

suggested.

"Possibly not even him."

"You're a prime minister yourself," Nick made answer. "To hold fast to

you as I hold, to be determined to be of your party--isn't that

political enough, since you're the incarnation of politics?"

"Ah how you hate them!" she wailed again. "I saw that when I saw you

this morning. The whole place reeked of your aversion."

"My dear child, the greatest statesmen have had their distractions. What

do you make of my hereditary talent? That's a tremendous force."

"It wouldn't carry you far." Then she terribly added, "You must be a

great artist." He tossed his head at the involuntary contempt of this,

but she went on: "It's beautiful of you to want to give up anything, and

I like you for it. I shall always like you. We shall be friends, and I

shall always take an interest--!"

But he stopped her there, made a movement which interrupted her phrase,

and she suffered him to hold her hand as if she were not afraid of him

now. "It isn't only for you," he argued gently; "you're a great deal,

but you're not everything. Innumerable vows and pledges repose upon my

head. I'm inextricably committed and dedicated. I was brought up in the

temple like an infant Samuel; my father was a high-priest and I'm a

child of the Lord. And then the life itself--when _you_ speak of it I

feel stirred to my depths; it's like a herald's trumpet. Fight _with_

me, Julia--not against me! Be on my side and we shall do everything. It

is uplifting to be a great man before the people--to be loved by them,

to be followed by them. An artist isn't--never, never. Why _should_ he

be? Don't forget how clever I am."

"Oh if it wasn't for that!" she panted, pale with the effort to resist

his tone. Then she put it to him: "Do you pretend that if I were to die

to-morrow you'd stay in the House?"

"If you were to die? God knows! But you do singularly little justice to

my incentives," he pursued. "My political career's everything to my

mother."

The Tragic Muse · 第 57 / 108 题