Q.

_Many Old English words are indifferently spelt with_ qu, ch, _and_ c;

_such as_ quire, choir; quoif, coif, _&c._

=Quadra=, R. Generally, any square or rectangular object; such as a

table, plinth, or abacus.

=Quadragesima=, Chr. Lent is so called, because it has _forty_ days.

=Quadrans=, R. (a fourth part). A small bronze coin worth the quarter of

an _as_, or about a farthing.

=Quadrant.= An instrument for measuring celestial altitudes; superseded

by the CIRCLE. (See SEXTANT.) (Consult _Lalande_, _Astronomie_, § 2311,

&c., 3me edition).

=Quadrantal=, R. A square vessel used as a measure, the solid contents

of which were exactly equal to an amphora. A standard model was kept in

the temple of Jupiter Capitolinus.

=Quadrelle=, O. E. A mace, with four lateral projections, ornamental

like the leaves of a flower. (See _Planché_, _Cycl. of Costume_, Plate

xii. 16.)

=Quadrellus=, Med. Lat. A quarrel for a cross-bow.

=Quadriforis=, R. A door folding into four leaves.

=Quadriga=, R. Generally =Quadrigæ= (Greek τετραορία or τέθριππος). A

chariot in which four horses were yoked abreast. The two strongest

horses were harnessed under the yoke in the centre; the others were

fastened on each side by means of ropes. (See CURRUS.)

=Quadrigatus=, R. A silver denarius, so called from its having a

quadriga on the reverse.

=Quadrilateral.= Four-sided.

=Quadriliteral.= Consisting of four letters.

=Quadrille=, Med. (It. _squadriglia_, dimin. of _squadra_—our

“squadron”—a small party of troops drawn up in a square). Small parties

of richly-caparisoned horsemen, who rode at tournaments and public

festivals. The modern dance so called was introduced in 1808.

=Quadriremis=, R. A galley with four banks of rowers.

=Quadrisomus=, Chr. A sarcophagus with compartments for four bodies. One

discovered in the Vatican cemetery at Rome contained the bodies of the

first four popes called Leo. (Cf. BISOMUS.)

=Quadrivalves=, Arch. (See QUADRIFORIS.)

=Quadrivium= (lit. of four ways). The four minor arts of arithmetic,

music, geometry, and astronomy. (See TRIVIUM.)

=Quadrivium=, R. A place where four roads meet.

=Quadrumane.= Having four prehensile hands or feet, like monkeys.

=Quadruplatores=, R. Public informers, who were rewarded with a _fourth

part_ of the criminal’s property on obtaining a conviction.

=Quæstiones Perpetuæ=, R. Permanent tribunals established at Rome to

take cognizance of criminal cases.

=Quæstorium=, R. In a Roman camp, the _quæstor’s_ tent; this was in some

cases near the porta decumana, or the rear of the camp; in others, on

one side of the PRÆTORIUM (q.v.).

=Quaich=, =Queish=, or =Quegh=, Scotch. An old-fashioned drinking-cup or

bowl, with two handles. (English MASER [?].)

=Quality-binding=, Scotch. A kind of worsted tape used in the borders of

carpets.

=Qualus=, R. (Gr. KALATHOS, q.v.). A wicker-work basket.

=Quandary=, O. E. (from Fr. _qu’en dirai-je_?). Doubt and perplexity.

=Quannet.= A tool for working in horn and tortoise-shell.

=Quarnellus=, Med., in fortification. (See CRENEL.)

=Quarrel= (Fr. _carreau_), Arch. A lozenge-shaped brick, stone, or pane

of glass; a glazier’s diamond.

=Quarrel=, O. E. An arrow for the cross-bow with a four-square head.

=Quarter-deck=, on a ship of war. The deck abaft the mainmast,

appropriated to the commissioned officers. These were originally of

great height, corresponding with the lofty forecastle for soldiers, and

helped to make the ships top-heavy and unmanageable. A commission on

ship-building in 1618 says,—

“They must bee somewhat snugg built, without double gallarys, and too

lofty upper workes, which overcharge many shipps, and make them coeme

faire, but not worke well at sea.”

=Quarter-gallery= of a ship. A balcony round the stem.

=Quarter-round=, Arch. The ovolo moulding (q.v.).

=Quarter-tones= (Gr. _diesis_), in Music, were the subject of much

discussion among the ancient Greeks, but they were used on the lyre for

an occasional “grace-note.” Aristoxenos says “no voice could sing three

of them in succession, neither can the singer sing _less_ than the

quarter-tone correctly, nor the hearer judge of it.” (Consult

_Chappell’s Hist. of Music_.)

[Illustration: Fig. 568. Royal Arms of England, _temp._ Edward III.,

quartered with the fleur-de-lys of France.]

=Quartering=, Her. Marshalling two or more coats of arms in the

different quarters of the same shield. (Fig. 568.)

=Quartet=, =Quartetto=, It. A piece of music for four performers, each

of whose parts is _obligato_, i. e. essential to the music.

=Quartile.= In Astronomy, distant from each other 90 degrees, or a

_quarter_ of a circle.

=Quasillum= (dimin. of QUALUS, q.v.) was a small basket in which the

quantity of wool was measured, which was assigned to a slave to spin in

a day’s work.

[Illustration: Fig. 569. Quatrefoil.]

=Quatrefoil.= An ornament in pointed architecture consisting of four

foils. The term is likewise applied to a rosace formed of four

divisions, which figures frequently in the upper part of pointed

windows.

=Quatrefoil= or =Primrose=, Her. A flower or figure having four foils or

conjoined leaves.

=Quattrocento=, It. (lit. _four hundred_). A term applied to the

characteristic style of the artists who practised in the 15th century;

it was hard, and peculiar in colour as well as in form and pose. It was

the intermediate of that progressive period of art, which, commencing

with Fra Angelico, Masaccio, Mantegna, Botticelli, and other celebrated

painters, between A. D. 1400 and 1500, reached excellence in the 16th

century (the _cinque-cento_) with Leonardo da Vinci and Raphael.

=Quaver.= A musical note of very short time = half a crotchet.

[Illustration: Fig. 570. Crown of Her Majesty the Queen.]

=Queen.= Crown of Her Majesty. (See Fig. 570.)

=Queen-post= (anciently _prick-post_ or _side-post_), Arch. An upright

post similar in use and position to the KING-POST, but rising, not in

the centre to the point of the gable, but midway between the wall and

the centre.

=Queen’s Boots.= The interesting fact in English archæology is not

generally known, that Her Majesty’s _boots_ are provided for by an

annual tax of two shillings (on the whole) upon the village of Ketton in

Rutlandshire “_pro ocreis reginæ_.”

=Queen’s Ware.= A cream-coloured glazed earthenware of the Wedgwood

manufacture at Burslem, 1759–70.

=Queen’s Yellow.= A colour formed from the subsulphate of mercury.

=Queintise=, O. E. A dress curiously cut or ornamented. (See COINTOISE.)

=Querpo= (for =Cuerpo=). Partly undressed.

=Querpo-hood.= A hood worn by the Puritans. (_P._)

“No face of mine shall by my friends be viewed

In Quaker’s pinner, or in _querpo_-hood.”

(_Archæologia_, vol. xxvii.)

=Queshews=, O. E. _Cuisses_; armour for the thighs.

=Queue=, Fr. A support for a lance. It was a large piece of iron screwed

to the back of the breastplate, curved downward to hold down the end of

the lance.

=Queue Fourchée=, Her. Having a double tail, or two tails.

=Quichuas.= Remarkable specimens of pottery, from this Peruvian coast

province, doubtless of remote antiquity, resemble in their freedom from

conventionality and successful imitation of natural forms all primitive

Egyptian and other sculpture. Jacquemart describes the vase of the

illustration (on page 214) as the _chef-d’œuvre_ of American ceramics;

and, from the close resemblance of the features of the figure

represented to certain groups of prisoners on the Egyptian bas-reliefs,

as well as to the ethnic type of the ancient Japanese kings, makes

important deductions with reference to the dispersion of mankind, and

the commerce of the old and new worlds in prehistoric times.

=Quicksilver=, alloyed with tinfoil, forms the reflecting surface of

looking-glasses, and is largely used in the operations of gilding and

silvering metals.

=Quilled=, Her. A term used to blazon the quills of _feathers_; thus a

blue feather having its quill golden is blazoned—a feather _az., quilled

or_. (_Boutell._)

=Quilts= for bed-coverings, in England, were formerly made of

embroidered linen with emblems of the evangelists in the four corners.

At Durham, in 1446, in the dormitory of the priory was a quilt “cum

iiij^{or} evangelistis in corneriis.” The Very Rev. Daniel Rock

(_Textile Fabrics_) suggests that this gave rise to the old nursery

rhyme:—

“Matthew, Mark, Luke, and John,

Bless the bed that I lie on.”

=Quinarius.= A Roman coin = half a _denarius_, or five asses.

=Quincaillerie=, Fr. A general term for all kinds of metallurgical work

in copper, brass, iron, &c.

[Illustration: Fig. 571. Quince. Device of the Sforzas.]

=Quince=, Her. The “_Pomo cotogno_,” the emblem of the town of

Cotignola, adopted by the founder of the Sforza family who was born

there. The Emperor Robert of Bavaria added a lion in 1401 as a reward of

an act of bravery, to “support the _quince_ with his left hand and

defend it with his right,” adding “guai a chi lo tocchi!” (Fig. 571.)

=Quincunx=, R. (i. e. five-twelfths of anything). (1) A Roman bronze

coin, equivalent to five-twelfths of an _as_, and weighing five ounces

(_unciæ_). (2) An arrangement of five objects in a square; one at each

corner, and one in the middle. (3) In _gardening_, said of trees planted

in oblique rows of three and two, or in a _quincunx_ (No. 2).

=Quincupedal=, R. A rod five feet in length, for taking measurements in

masonry.

=Quindecagon.= A plane figure having fifteen sides and fifteen angles.

=Quinite.= A Spanish textile of hair with silk or other thread.

=Quinquagesima=, Chr. The _fiftieth_ day before Easter; Shrove Sunday.

(_S._)

=Quinquatrus= (or —=ia=), R. Festivals of Minerva, celebrated on the

19th of March. They lasted five days; on the first no blood was shed,

but on the last four there were contests of gladiators. Another festival

called _Quinquatrus minores_, also in honour of Minerva, was celebrated

on the ides of June.

=Quinquennalia=, R. Games celebrated every four years at Rome;

instituted by Nero, A. D. 60. They consisted of music, gymnastical

contests, and horse-races.

=Quinqueremis=, R. A galley with five banks of oars.

=Quinquertium=, R. (Gr. _Pentathlon_). A gymnastic contest of Greek

origin, so called because it consisted of five exercises, viz.

_leaping_, _running_, _wrestling_, _throwing the discus_, and _throwing

the spear_. Introduced in the Olympic games in Ol. 18.

=Quintain=, O. E. A post set up to be tilted at by mounted soldiers;

sometimes a man turning on a pivot; sometimes a flat board, on a pivot,

with a heavy bag of sand at the other end, which knocked the tilter on

the back if he charged unskilfully. (See _Strutt_, _Sports and

Pastimes_, p. 89, Plates ix. and x.)

=Quintana=, R. A causeway fifty feet wide in a Roman camp.

=Quintetto=, It. A piece of music for five performers, _obligati_. (Cf.

QUARTET.)

=Quintile.= In Astronomy, distant from each other 72 degrees, or a

_fifth_ of a circle.

=Quippa=, Peruv. (lit. a knot). A fringe of knotted and particoloured

threads, used to record events in ancient Mexico.

=Quippos= or =Quippus=, Peruv. A plaited cord of strings of different

colours and lengths, used as a substitute for writing among the ancient

Peruvians.

=Quire.= O. E. for CHOIR.

=Quirinalia=, R. A festival sacred to Romulus—Quirinus—held on the 17th

of February, as the anniversary of the day on which he was supposed to

have been carried up to heaven. The festival was also called _Stultorum

feriæ_. (See FORNACALIA.)

=Quirk=, Arch. An acute channel by which the convex parts of Greek

mouldings (the ogees and ovolos) are separated from the fillet or soffit

that covers them. In Gothic architecture quirks are abundantly used

between mouldings.

=Quishwine=, =Quusson=, and =Qwissinge=. Old ways of spelling the word

“cushion.”

=Quivers.= The ancient Greeks and Etruscans, the Normans and Saxons wore

quivers (_pharetra_) on a belt slung over the shoulder. Archers of the

12th to 14th century carried their arrows stuck in their belts.

“A shefe of peacock arwes bryght and kene

_Under his belt_ he bare ful thriftely.”

(_Chaucer._)

Quivers were probably introduced into England in the 15th century.

=Quoif= or =Coif=, O. E. A close-fitting cap worn by both sexes, and by

lawyers, _temp._ Elizabeth.

=Quoin= or =Coin=. (1) Arch. The external angle of a building. (2) O. E.

A wedge.

=Quoits.= A very ancient game derived from the Roman DISCUS (q.v.).

An Illustrated Dictionary of Words used in Art and Archaeology Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations. · 第 24 / 36 题