Chapter 1

Produced by Alan Light and David Widger

LIFE AND LETTERS OF ROBERT BROWNING

by Mrs. Sutherland Orr

Second Edition

Preface

Such letters of Mr. Browning's as appear, whole or in part, in the

present volume have been in most cases given to me by the persons to

whom they were addressed, or copied by Miss Browning from the originals

under her care; but I owe to the daughter of the Rev. W. J. Fox--Mrs.

Bridell Fox--those written to her father and to Miss Flower; the two

interesting extracts from her father's correspondence with herself and

Mr. Browning's note to Mr. Robertson.

For my general material I have been largely indebted to Miss Browning.

Her memory was the only existing record of her brother's boyhood and

youth. It has been to me an unfailing as well as always accessible

authority for that subsequent period of his life which I could only know

in disconnected facts or his own fragmentary reminiscences. It is less

true, indeed, to say that she has greatly helped me in writing this

short biography than that without her help it could never have been

undertaken.

I thank my friends Mrs. R. Courtenay Bell and Miss Hickey for their

invaluable assistance in preparing the book for, and carrying it through

the press; and I acknowledge with real gratitude the advantages derived

by it from Mr. Dykes Campbell's large literary experience in his very

careful final revision of the proofs.

A. Orr. April 22, 1891.

Contents

Chapter 1 Origin of the Browning Family--Robert Browning's

Grandfather--His position and Character--His first and second

Marriage--Unkindness towards his eldest Son, Robert Browning's

Father--Alleged Infusion of West Indian Blood through Robert Browning's

Grandmother--Existing Evidence against it--The Grandmother's Portrait.

Chapter 2 Robert Browning's Father--His Position in Life--Comparison

between him and his Son--Tenderness towards his Son--Outline of his

Habits and Character--His Death--Significant Newspaper Paragraph--Letter

of Mr. Locker--Lampson--Robert Browning's Mother--Her Character and

Antecedents--Their Influence upon her Son--Nervous Delicacy imparted to

both her Children--Its special Evidences in her Son.

Chapter 3 1812-1826 Birth of Robert Browning--His Childhood

and Schooldays--Restless Temperament--Brilliant Mental

Endowments--Incidental Peculiarities--Strong Religious

Feeling--Passionate Attachment to his Mother; Grief at first

Separation--Fondness for Animals--Experiences of School Life--Extensive

Reading--Early Attempts in Verse--Letter from his Father concerning

them--Spurious Poems in Circulation--'Incondita'--Mr. Fox--Miss Flower.

Chapter 4 1826-1833 First Impressions of Keats and Shelley--Prolonged

Influence of Shelley--Details of Home Education--Its Effects--Youthful

Restlessness--Counteracting Love of Home--Early Friendships: Alfred

Domett, Joseph Arnould, the Silverthornes--Choice of Poetry as a

Profession--Alternative Suggestions; mistaken Rumours concerning

them--Interest in Art--Love of good Theatrical Performances--Talent for

Acting--Final Preparation for Literary Life.

Chapter 5 1833-1835 'Pauline'--Letters to Mr. Fox--Publication of the

Poem; chief Biographical and Literary Characteristics--Mr. Fox's Review

in the 'Monthly Repository'; other Notices--Russian Journey--Desired

diplomatic Appointment--Minor Poems; first Sonnet; their Mode of

Appearance--'The Trifler'--M. de Ripert-Monclar--'Paracelsus'--Letters

to Mr. Fox concerning it; its Publication--Incidental Origin of

'Paracelsus'; its inspiring Motive; its Relation to 'Pauline'--Mr. Fox's

Review of it in the 'Monthly Repository'--Article in the 'Examiner' by

John Forster.

Chapter 6 1835-1838 Removal to Hatcham; some Particulars--Renewed

Intercourse with the second Family of Robert Browning's

Grandfather--Reuben Browning--William Shergold Browning--Visitors

at Hatcham--Thomas Carlyle--Social Life--New Friends and

Acquaintance--Introduction to Macready--New Year's Eve at Elm

Place--Introduction to John Forster--Miss Fanny Haworth--Miss

Martineau--Serjeant Talfourd--The 'Ion' Supper--'Strafford'--Relations

with Macready--Performance of 'Strafford'--Letters concerning it

from Mr. Browning and Miss Flower--Personal Glimpses of Robert

Browning--Rival Forms of Dramatic Inspiration--Relation of 'Strafford'

to 'Sordello'--Mr. Robertson and the 'Westminster Review'.

Chapter 7 1838-1841 First Italian Journey--Letters to Miss Haworth--Mr.

John Kenyon--'Sordello'--Letter to Miss Flower--'Pippa Passes'--'Bells

and Pomegranates'.

Chapter 8 1841-1844 'A Blot in the 'Scutcheon'--Letters to Mr.

Frank Hill; Lady Martin--Charles Dickens--Other Dramas and Minor

Poems--Letters to Miss Lee; Miss Haworth; Miss Flower--Second Italian

Journey; Naples--E. J. Trelawney--Stendhal.

Chapter 9 1844-1849 Introduction to Miss Barrett--Engagement--Motives

for Secrecy--Marriage--Journey to Italy--Extract of Letter from

Mr. Fox--Mrs. Browning's Letters to Miss Mitford--Life at

Pisa--Vallombrosa--Florence; Mr. Powers; Miss Boyle--Proposed British

Mission to the Vatican--Father Prout--Palazzo Guidi--Fano; Ancona--'A

Blot in the 'Scutcheon' at Sadler's Wells.

Chapter 10 1849-1852 Death of Mr. Browning's Mother--Birth of his

Son--Mrs. Browning's Letters continued--Baths of Lucca--Florence

again--Venice--Margaret Fuller Ossoli--Visit to England--Winter in

Paris--Carlyle--George Sand--Alfred de Musset.

Chapter 11 1852-1855 M. Joseph Milsand--His close Friendship with

Mr. Browning; Mrs. Browning's Impression of him--New Edition of

Mr. Browning's Poems--'Christmas Eve and Easter Day'--'Essay' on

Shelley--Summer in London--Dante Gabriel Rossetti--Florence; secluded

Life--Letters from Mr. and Mrs. Browning--'Colombe's Birthday'--Baths of

Lucca--Mrs. Browning's Letters--Winter in Rome--Mr. and Mrs. Story--Mrs.

Sartoris--Mrs. Fanny Kemble--Summer in London--Tennyson--Ruskin.

Chapter 12 1855-1858 'Men and Women'--'Karshook'--'Two in the

Campagna'--Winter in Paris; Lady Elgin--'Aurora Leigh'--Death of

Mr. Kenyon and Mr. Barrett--Penini--Mrs. Browning's Letters to Miss

Browning--The Florentine Carnival--Baths of Lucca--Spiritualism--Mr.

Kirkup; Count Ginnasi--Letter from Mr. Browning to Mr. Fox--Havre.

Chapter 13 1858-1861 Mrs. Browning's Illness--Siena--Letter from Mr.

Browning to Mr. Leighton--Mrs. Browning's Letters continued--Walter

Savage Landor--Winter in Rome--Mr. Val Prinsep--Friends in Rome: Mr. and

Mrs. Cartwright--Multiplying Social Relations--Massimo d'Azeglio--Siena

again--Illness and Death of Mrs. Browning's Sister--Mr. Browning's

Occupations--Madame du Quaire--Mrs. Browning's last Illness and Death.

Chapter 14 1861-1863 Miss Blagden--Letters from Mr. Browning to

Miss Haworth and Mr. Leighton--His Feeling in regard to Funeral

Ceremonies--Establishment in London--Plan of Life--Letter to Madame

du Quaire--Miss Arabel Barrett--Biarritz--Letters to Miss

Blagden--Conception of 'The Ring and the Book'--Biographical

Indiscretion--New Edition of his Works--Mr. and Mrs. Procter.

Chapter 15 1863-1869 Pornic--'James Lee's Wife'--Meeting at Mr. F.

Palgrave's--Letters to Miss Blagden--His own Estimate of his Work--His

Father's Illness and Death; Miss Browning--Le Croisic--Academic

Honours; Letter to the Master of Balliol--Death of Miss

Barrett--Audierne--Uniform Edition of his Works--His rising

Fame--'Dramatis Personae'--'The Ring and the Book'; Character of

Pompilia.

Chapter 16 1869-1873 Lord Dufferin; Helen's Tower--Scotland; Visit to

Lady Ashburton--Letters to Miss Blagden--St.-Aubin; The Franco-Prussian

War--'Herve Riel'--Letter to Mr. G. M. Smith--'Balaustion's Adventure';

'Prince Hohenstiel--Schwangau'--'Fifine at the Fair'--Mistaken Theories

of Mr. Browning's Work--St.-Aubin; 'Red Cotton Nightcap Country'.

Chapter 17 1873-1878 London Life--Love of Music--Miss

Egerton-Smith--Periodical Nervous Exhaustion--Mers; 'Aristophanes'

Apology'--'Agamemnon'--'The Inn Album'--'Pacchiarotto and other

Poems'--Visits to Oxford and Cambridge--Letters to Mrs. Fitz-Gerald--St.

Andrews; Letter from Professor Knight--In the Savoyard

Mountains--Death of Miss Egerton-Smith--'La Saisiaz'; 'The Two Poets of

Croisic'--Selections from his Works.

Chapter 18 1878-1884 He revisits Italy; Asolo; Letters to Mrs.

Fitz-Gerald--Venice--Favourite Alpine Retreats--Mrs. Arthur

Bronson--Life in Venice--A Tragedy at Saint-Pierre--Mr.

Cholmondeley--Mr. Browning's Patriotic Feeling; Extract from Letter

to Mrs. Charles Skirrow--'Dramatic Idyls'--'Jocoseria'--'Ferishtah's

Fancies'.

Chapter 19 1881-1887 The Browning Society; Mr. Furnivall; Miss E.

H. Hickey--His Attitude towards the Society; Letter to Mrs.

Fitz-Gerald--Mr. Thaxter, Mrs. Celia Thaxter--Letter to Miss Hickey;

'Strafford'--Shakspere and Wordsworth Societies--Letters to Professor

Knight--Appreciation in Italy; Professor Nencioni--The Goldoni

Sonnet--Mr. Barrett Browning; Palazzo Manzoni--Letters to Mrs. Charles

Skirrow--Mrs. Bloomfield Moore--Llangollen; Sir Theodore and Lady

Martin--Loss of old Friends--Foreign Correspondent of the Royal

Academy--'Parleyings with certain People of Importance in their Day'.

Chapter 20 Constancy to Habit--Optimism--Belief in Providence--Political

Opinions--His Friendships--Reverence for Genius--Attitude towards

his Public--Attitude towards his Work--Habits of Work--His

Reading--Conversational Powers--Impulsiveness and Reserve--Nervous

Peculiarities--His Benevolence--His Attitude towards Women.

Chapter 21 1887-1889 Marriage of Mr. Barrett Browning--Removal to De

Vere Gardens--Symptoms of failing Strength--New Poems; New Edition

of his Works--Letters to Mr. George Bainton, Mr. Smith, and Lady

Martin--Primiero and Venice--Letters to Miss Keep--The last Year in

London--Asolo--Letters to Mrs. Fitz-Gerald, Mrs. Skirrow, and Mr. G. M.

Smith.

Chapter 22 1889 Proposed Purchase of Land at Asolo--Venice--Letter

to Mr. G. Moulton-Barrett--Lines in the 'Athenaeum'--Letter to Miss

Keep--Illness--Death--Funeral Ceremonial at Venice--Publication of

'Asolando'--Interment in Poets' Corner.

Conclusion

Index

Portrait of Robert Browning (1889) Mr. Browning's Study in De Vere

Gardens

LIFE AND LETTERS OF ROBERT BROWNING

Chapter 1

Origin of the Browning Family--Robert Browning's Grandfather--His

position and Character--His first and second Marriage--Unkindness

towards his eldest Son, Robert Browning's Father--Alleged Infusion

of West Indian Blood through Robert Browning's Grandmother--Existing

Evidence against it--The Grandmother's Portrait.

A belief was current in Mr. Browning's lifetime that he had Jewish blood

in his veins. It received outward support from certain accidents of his

life, from his known interest in the Hebrew language and literature,

from his friendship for various members of the Jewish community in

London. It might well have yielded to the fact of his never claiming the

kinship, which could not have existed without his knowledge, and which,

if he had known it, he would, by reason of these very sympathies, have

been the last person to disavow. The results of more recent and more

systematic inquiry have shown the belief to be unfounded.

Our poet sprang, on the father's side, from an obscure or, as family

tradition asserts, a decayed branch, of an Anglo-Saxon stock settled,

at an early period of our history, in the south, and probably also

south-west, of England. A line of Brownings owned the manors of

Melbury-Sampford and Melbury-Osmond, in north-west Dorsetshire; their

last representative disappeared--or was believed to do so--in the time

of Henry VII., their manors passing into the hands of the Earls of

Ilchester, who still hold them.* The name occurs after 1542 in different

parts of the country: in two cases with the affix of 'esquire', in two

also, though not in both coincidently, within twenty miles of Pentridge,

where the first distinct traces of the poet's family appear. Its cradle,

as he called it, was Woodyates, in the parish of Pentridge, on the

Wiltshire confines of Dorsetshire; and there his ancestors, of the third

and fourth generations, held, as we understand, a modest but independent

social position.

* I am indebted for these facts, as well as for some others

referring to, or supplied by, Mr. Browning's uncles,

to some notes made for the Browning Society by Dr. Furnivall.

This fragment of history, if we may so call it, accords better with our

impression of Mr. Browning's genius than could any pedigree which more

palpably connected him with the 'knightly' and 'squirely' families whose

name he bore. It supplies the strong roots of English national life

to which we instinctively refer it. Both the vivid originality of that

genius and its healthy assimilative power stamp it as, in some sense,

the product of virgin soil; and although the varied elements which

entered into its growth were racial as well as cultural, and inherited

as well as absorbed, the evidence of its strong natural or physical

basis remains undisturbed.

Mr. Browning, for his own part, maintained a neutral attitude in the

matter. He neither claimed nor disclaimed the more remote genealogical

past which had presented itself as a certainty to some older members of

his family. He preserved the old framed coat-of-arms handed down to him

from his grandfather; and used, without misgiving as to his right to do

so, a signet-ring engraved from it, the gift of a favourite uncle, in

years gone by. But, so long as he was young, he had no reason to think

about his ancestors; and, when he was old, he had no reason to care

about them; he knew himself to be, in every possible case, the most

important fact in his family history.

Roi ne suis, ni Prince aussi,

Suis le seigneur de Conti,

he wrote, a few years back, to a friend who had incidentally questioned

him about it.

Our immediate knowledge of the family begins with Mr. Browning's

grandfather, also a Robert Browning, who obtained through Lord

Shaftesbury's influence a clerkship in the Bank of England, and entered

on it when barely twenty, in 1769. He served fifty years, and rose to

the position of Principal of the Bank Stock Office, then an important

one, and which brought him into contact with the leading financiers

of the day. He became also a lieutenant in the Honourable Artillery

Company, and took part in the defence of the Bank in the Gordon Riots

of 1789. He was an able, energetic, and worldly man: an Englishman, very

much of the provincial type; his literary tastes being limited to the

Bible and 'Tom Jones', both of which he is said to have read through

once a year. He possessed a handsome person and, probably, a vigorous

constitution, since he lived to the age of eighty-four, though

frequently tormented by gout; a circumstance which may help to account

for his not having seen much of his grandchildren, the poet and his

sister; we are indeed told that he particularly dreaded the lively boy's

vicinity to his afflicted foot. He married, in 1778, Margaret, daughter

of a Mr. Tittle by his marriage with Miss Seymour; and who was born

in the West Indies and had inherited property there. They had three

children: Robert, the poet's father; a daughter, who lived an uneventful

life and plays no part in the family history; and another son who died

an infant. The Creole mother died also when her eldest boy was only

seven years old, and passed out of his memory in all but an indistinct

impression of having seen her lying in her coffin. Five years later the

widower married a Miss Smith, who gave him a large family.

This second marriage of Mr. Browning's was a critical event in the life

of his eldest son; it gave him, to all appearance, two step-parents

instead of one. There could have been little sympathy between his father

and himself, for no two persons were ever more unlike, but there was yet

another cause for the systematic unkindness under which the lad grew

up. Mr. Browning fell, as a hard man easily does, greatly under the

influence of his second wife, and this influence was made by her

to subserve the interests of a more than natural jealousy of her

predecessor. An early instance of this was her banishing the dead lady's

portrait to a garret, on the plea that her husband did not need two

wives. The son could be no burden upon her because he had a little

income, derived from his mother's brother; but this, probably, only

heightened her ill-will towards him. When he was old enough to go to a

University, and very desirous of going--when, moreover, he offered to

do so at his own cost--she induced his father to forbid it, because,

she urged, they could not afford to send their other sons to college. An

earlier ambition of his had been to become an artist; but when he showed

his first completed picture to his father, the latter turned away and

refused to look at it. He gave himself the finishing stroke in the

parental eyes, by throwing up a lucrative employment which he had held

for a short time on his mother's West Indian property, in disgust at the

system of slave labour which was still in force there; and he paid for

this unpractical conduct as soon as he was of age, by the compulsory

reimbursement of all the expenses which his father, up to that date, had

incurred for him; and by the loss of his mother's fortune, which, at the

time of her marriage, had not been settled upon her. It was probably

in despair of doing anything better, that, soon after this, in his

twenty-second year, he also became a clerk in the Bank of England. He

married and settled in Camberwell, in 1811; his son and daughter were

born, respectively, in 1812 and 1814. He became a widower in 1849; and

when, four years later, he had completed his term of service at the

Bank, he went with his daughter to Paris, where they resided until his

death in 1866.

Dr. Furnivall has originated a theory, and maintains it as a conviction,

that Mr. Browning's grandmother was more than a Creole in the strict

sense of the term, that of a person born of white parents in the West

Indies, and that an unmistakable dash of dark blood passed from her to

her son and grandson. Such an occurrence was, on the face of it, not

impossible, and would be absolutely unimportant to my mind, and, I think

I may add, to that of Mr. Browning's sister and son. The poet and his

father were what we know them, and if negro blood had any part in their

composition, it was no worse for them, and so much the better for the

negro. But many persons among us are very averse to the idea of such

a cross; I believe its assertion, in the present case, to be entirely

mistaken; I prefer, therefore, touching on the facts alleged in favour

of it, to passing them over in a silence which might be taken to mean

indifference, but might also be interpreted into assent.

We are told that Mr. Browning was so dark in early life, that a nephew

who saw him in Paris, in 1837, mistook him for an Italian. He neither

had nor could have had a nephew; and he was not out of England at the

time specified. It is said that when Mr. Browning senior was residing on

his mother's sugar plantation at St. Kitt's, his appearance was held

to justify his being placed in church among the coloured members of the

congregation. We are assured in the strongest terms that the story has

no foundation, and this by a gentleman whose authority in all matters

concerning the Browning family Dr. Furnivall has otherwise accepted

as conclusive. If the anecdote were true it would be a singular

circumstance that Mr. Browning senior was always fond of drawing negro

heads, and thus obviously disclaimed any unpleasant association with

them.

I do not know the exact physical indications by which a dark strain is

perceived; but if they are to be sought in the colouring of eyes, hair,

and skin, they have been conspicuously absent in the two persons who in

the present case are supposed to have borne them. The poet's father had

light blue eyes and, I am assured by those who knew him best, a clear,

ruddy complexion. His appearance induced strangers passing him in the

Paris streets to remark, 'C'est un Anglais!' The absolute whiteness

of Miss Browning's skin was modified in her brother by a sallow tinge

sufficiently explained by frequent disturbance of the liver; but it

never affected the clearness of his large blue-grey eyes; and his hair,

which grew dark as he approached manhood, though it never became black,

is spoken of, by everyone who remembers him in childhood and youth,

as golden. It is no less worthy of note that the daughter of his early

friend Mr. Fox, who grew up in the little social circle to which he

belonged, never even heard of the dark cross now imputed to him; and a

lady who made his acquaintance during his twenty-fourth year, wrote a

sonnet upon him, beginning with these words:

Thy brow is calm, young Poet--pale and clear

As a moonlighted statue.

The suggestion of Italian characteristics in the Poet's face may serve,

however, to introduce a curious fact, which can have no bearing on the

main lines of his descent, but holds collateral possibilities concerning

it. His mother's name Wiedemann or Wiedeman appears in a merely

contracted form as that of one of the oldest families naturalized in

Venice. It became united by marriage with the Rezzonico; and, by a

strange coincidence, the last of these who occupied the palace now owned

by Mr. Barrett Browning was a Widman-Rezzonico. The present Contessa

Widman has lately restored her own palace, which was falling into ruin.

That portrait of the first Mrs. Browning, which gave so much umbrage

to her husband's second wife, has hung for many years in her grandson's

dining-room, and is well known to all his friends. It represents a

stately woman with an unmistakably fair skin; and if the face or hair

betrays any indication of possible dark blood, it is imperceptible to

the general observer, and must be of too slight and fugitive a nature

to enter into the discussion. A long curl touches one shoulder. One

hand rests upon a copy of Thomson's 'Seasons', which was held to be

the proper study and recreation of cultivated women in those days. The

picture was painted by Wright of Derby.

A brother of this lady was an adventurous traveller, and was said to

have penetrated farther into the interior of Africa than any other

European of his time. His violent death will be found recorded in a

singular experience of the poet's middle life.

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