BEAUTY

We develop through expression. I find these paragraphs among many of

the Little Girl's for which there is no place here:

* * * * *

... Everything in pouring out one's dreams and thoughts, one's

very soul into words! It is relief, fulfilment; it completes

all thoughts and dreams; it gives them strength. They are

only half-powers if left unexpressed. In the moments of great

outpouring, order forms--the inner order that is lasting and

divine, the order that every man must have running rhythmically

through him, before his great task can be given him by the Master.

If man lives in truth, he lives in order. There is no truth without

order--no order without truth. They are one at the top. There are

no mistakes in all the Holy Universe.

* * * * *

We speak much of the Master. As every artist becomes significant, I

think he is more and more conscious, deep within, of the presence of

one whose word is absolute. The great artist isolates himself from

criticism--that is, he may listen to the observations of a child or the

youngest critic and find values, yet his life is passed in doing things

others cannot do, and for which there are no criteria. He loses the

sense of all laws at the last, in the great ebullition of his soul--to

get its records down. He is not ignited with expression as formerly,

because he _is_ expression. His establishment in flesh is for that, and

no other reason. His Master nears. I think of Tolstoi so intimately and

Carlyle in these things.... We are close, in our best moments, to the

Shop Itself. Kipling touched this mystic arrangement in his inimitable

_L'envoi_, "When earth's last picture is painted----"

More and more life teaches us the treachery of matter, as it teaches

us how to love. One by one the things we turn to, vanish, leaving us

rent and crying out. Thus we learn to turn to the Unseen. We long at

last for our particular archetype who embodies potentially the ideal

of parent and teacher and beloved. The last tearing torrential love

of the flesh is for the mate, the first of our more purely spiritual

aspirations for the Master.... The good days of apprenticeship give us

the basic ideal of him--the pure workmanship, the love of truth, need

for utter comprehension with few words--the love of one another, yet

the absolute essential so hard to learn, to cling to nothing in the

realm of change--all these are incentives to the quest of the Master.

More and more we succeed in turning our love to what we still call the

Unseen from old habit. The very love that you turn to the Master builds

the path by which he comes to you. He can only appear in your own

thought-form....

It comes to us so often that we make our own heavens. So many forget

that we require beauty as well as goodness and truth. Not sages alone,

not saints alone--but artists, workmen and players in beauty, as

well as in love and wisdom. The Master will come to you in your own

thought-form; your heaven will fill your own conception. Saints of the

elder bigotries will have angels with feathers and peasant feet. Those

who have clung so hard to their bodies, must galvanise them again with

rheumatism and senility and mortgage-ridden minds.

I tell them here to be careful what they dream--to take all the loves,

the safe things, love of child and mother and mate, love of comrades,

the passion for dying for another ... to take Nature's perfect

things,--the grains, the fruits, bees, stars, devas, poems--majesty

of mountain, strength of the field, holy breath of sea--the highest

moments of song and thought and meetings ... to take all that is

consummate for the thought-form--to build the coming of the Master

in that--light from the Unseen--to build for eternity.... The Master

can only show you that much of Himself as your own highest picture

contains.... This is the practice of his presence, so liberating to the

minds of dreamers and workmen and mothers.

* * * * *

Steve has done some thinking on the quest of beauty in relation to the

young lovers of the New Race. The rest of the chapter is his writing:

Beauty is the lustre shining from within, because of the sheer

intensity of being. It is proof of spiritual battles won, a gift

earned by ages of renunciation, martyrdom, and self-sacrifice. It

is manifest balance, order and serenity gained from isolation and

self-conquest. The glow seen about the heads of saints is really

there. It is a splendour not of earth, the same ray from which

beauty is drawn.

A certain tragic joy and a terrible serenity, that is mistaken for

melancholy, often goes with beauty. It is the result of turning

back voluntarily for work in the world, renouncing possible bliss

for the service of humanity. Chief among the spiritual victories

mentioned, is this turning back, facing the stream of evolution

again, and all its cold metal, for new work. So its light is a

light from behind--a reflection to the world of the wonders ahead.

Beauty is an indication of the weave of one's higher life,

of developed discrimination, material proof of the perfecting

ordination of the life, will and emotions. All that is beautiful

is good, all that is good must be beautiful. Ugliness is false and

fleeting, a confession of sickness and turmoil within. There can

absolutely be no great love without a sheer worship of beauty, not

for itself, not from the æsthetic standpoint--no temperamental

moth-man ethics--but the calm mastery of its inner meaning, which

is mastery of life itself.

This does not mean that we must love things merely because they are

beautiful, but because of the truth we know to be in them, manifest

in their beauty. Also it means that we must never accept a thing

merely because it is demonstrated, or seek truth for truth's sake.

Beauty is the one lasting criterion.

As soon as we truly see these things, we know the secret of real

love, which is beauty's expression. The lover is no longer lover

only, but love-master--all domination of the sexes then becomes a

slavery of the past. The lover is parent, mate and child in one.

Each is also the other's teacher.

At the beginning these lovers give each other complete freedom,

knowing that nothing can be maintained that is held; that joyous

freedom is its own wise bondage. The finding of the lover is never

the end of the quest as in the world. Rather, it is the beginning.

Never is there a lying back in satisfaction or inconsequence. That

would be failure for themselves as well as their children. Growth

is the goal. Growth goes on after the mating at a rate never before

approached, for each has been opened, liberated. Every relation is

evident alternately in this growth, parent and child, teacher and

pupil, master and disciple, madonna and messiah. At certain high

moments, the other appears as the Master himself; through his eyes

the mysteries of the universe are seen.

The three-ply love yearns to give, knowing that by giving all one

gains all. It yearns to protect, to mother, to love failings and

make them virtues. It loves the failings as well as the gifts,

treasuring all the little humanesses of the loved one, searching

them out zealously. Never are they foolish enough to expect

perfection at first. Every fault is told point-blank, at any cost

of pain or injury to the other. For it is the god-given privilege

of each to bring suffering to the other, because he loves that

other more than life, more than self, more than happiness, and it

is understood that their mutual goal is the priceless heritage,

perfection. Nothing short of perfection remains. For this all else,

even life, is a paltry price. There is no hiding the truth. This is

the supreme test for great loves, great friendships. Both mates are

equal. _Equality_--the word comes to mean more than worship.

This philosophy is justified by the law of sacrifice. That which

we love more than life is ours more wholly than ourselves, by

the great law. In fact, we cannot belong to ourselves; we must

work upon ourselves until we are big enough to cast body mind and

soul in the heart of another, without fear. Separateness--the

pitiful sense of self, has long been the prime illusion of the

world, the cause of all lust, wars and torments. Those who are not

great enough lovers to surrender all to their love find pain and

disparity throughout. They have yet to learn that all that belongs

to the self-willed, only half belongs, for it has not been given

its freedom.

In loves such as the New Age is bringing in, true creativeness is

touched. In worshipping both the soul of her child and that of

her mate more than her own, the mother is given for the moment

a beam from the divine shaft from the Creator. For that moment

she has over-reached herself. Just so is the new love constantly

over-reaching itself in the cause of the loved one, a divine

madness the world has not begun to dream of--to belong and to have,

to be in and through and around the loved one. Thus to over-reach

is to create. The ordinary one must become extraordinary when loved

in this god-like manner. To over-reach oneself--that is the cry

of the New!... To think or act in any way that will hurt the self

becomes impossible then, for the self is truly become the other

lover.

Blindness of passion is far from the nature of things in the new

loves. Or rather such passions have been washed and redeemed

until they are self-governing. There is all the difference

between them and the world idea of passion, as between adoration

and infatuation. Deep waters and deep characters hold to

their channels. Only shallow and frothy currents are loud and

turbulent.... Again it is the three in one. How could one hold a

mad destroying passion for one in whom the parent child and master

are equally dominant? Always the spirit of tenderness is there like

an unseen third. Thus passion has become compassion, and the earth

love is seen truly for the first time partaking of the nature of

the infinite love which holds the universe together. This is the

source of calm, of will-lessness.

The elder generation, judging all things from the standpoint of

the self will, is dumbfounded. Such iron repression among children

is beyond its imagination. The elder generation goes on living

sharkish and predatory lives, experimenting with repression after

too much getting and taking and licentiousness. It concentrates

terribly on repression, throwing up about itself temporary

breastworks, developing cruel red rays of personal will which

at best is but a defiant pugnacity. Its eyes grow red and voice

savage. For the time the gargoyles of the ancient self are locked

in the lower room, but they are not mastered. All personal will is

but a confession of inordination within. Where there is inner order

and beauty, it is not needed, becomes indeed an affront to the most

high.

The beautiful will-lessness which marks the relation of the sexes

of the New Order is the key to the freedom of the future. Tiger and

ape are transformed into white presences--the mutinous slaves of

the earth-self become cosmic servants.

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