“That reptile!” Slim looked around. “He was here about the time the mob

decided to rub yuh out, but he ain’t been in since.”

Slim moved away to a group around a faro game.

“You stick around here, Sleepy,” said Hashknife. “I’m goin’ down to see

how Roche is comin’ along.”

“Oh, yeah?” Sleepy was a trifle sarcastic. “Well, just remember the

little birdies, Hashknife.”

Hashknife grinned and elbowed his way through the mob. The doctor’s

house was on the outskirts of the town, tucked away in a clump of

stunted cottonwoods. As he went through the gate and started up the

narrow walk, the door opened and the Countess came out. She was

dressed in black, with the exception of a filmy white scarf.

She recognized Hashknife in the light from a window.

“Good evening, Mr. Hartley,” she said softly.

“Howdy, ma’am.”

“You were going to see the doctor?”

“No-o-o, I reckon I was comin’ to see you.”

“To see me? How flattering! Really, I never expected to have you coming

to see me.”

“Why not?”

“Well, for one thing, you seem too sensible.”

“I’m much obliged,” laughed Hashknife. “I wish Sleepy could hear yuh say

that. Sleepy thinks I’m the big he-fool of ’em all.”

“No,” she said slowly, “you are not a fool, Mr. Man.”

“But I’m liable to be--most any time, ma’am.”

They moved down closer to the gate in the heavy shadows of the

cottonwoods, where they leaned against the fence. From there they could

hear the Cheyenne orchestra, the music softened by distance. Somewhere

a half-drunk cowboy was trying to sing.

“Why did you wish to see me?” asked the Countess.

“To tell yuh a few things, ma’am. You’ll prob’ly tell me that it ain’t

none of my business. Mebbe it ain’t. The fact is, I can’t mind my own

business. You know what happened tonight, don’tcha?”

“The arrest of Cliff Parker--yes.”

“I work for his dad. He’s a fine old man. Cliff’s got a sister that’s

awful nice and sweet, ma’am. She’s as game as they make ’em. And then

there’s a little lady who came here to marry Cliff. She’s out there at

the Maverick ranch, cryin’ her eyes out.

“She don’t know that Cliff is suspected of being a criminal, but she

does know that Cliff got stuck on a girl here in town, and she thinks

he don’t care for her no more.”

The Countess was silent for a while. Then she put her hand on

Hashknife’s arm.

“Oh, I’m sorry about that,” she said softly. “Awful sorry.”

“And there’s Milly--the sister. Yuh see, her and Vincent Roche was kinda

engaged, I reckon. She found out that Vincent Roche was kinda takin’ a

lot of interest in some girl in town, too.”

“Vincent Roche.” The Countess spoke softly. “Oh, I’m sorry, Mr. Man. I

didn’t know, don’t you see?”

“Yeah, I see. But bein’ sorry don’t help ’em out. I’m not blamin’ you.

Good gosh, it’s all in yore business. But I thought I’d kinda let yuh

know about it, ma’am.”

“Do you blame them--Cliff Parker and Vincent Roche?” There was a hint of

laughter in her voice. Hashknife shifted uneasily.

“Well, I s’pose not,” he faltered. “I dunno just what to say, in a case

like this. They’re human, ma’am.”

“And being human, they fall from grace and into love with a dance-hall

jade.”

“Somethin’ like that, I s’pose. Still, you didn’t keep ’em trailin’ yuh

forever.” Hashknife laughed softly. “You kinda look ’em over, don’tcha?

I was just wonderin’ if yo’re lookin’ for a certain kind of a person,

and discardin’ them that don’t measure up to what yuh want.”

“Perhaps.” She laughed softly. “Who knows? I may have designs on you.”

“No-o-o, I don’t reckon yuh have, ma’am. I ain’t worth investigatin’.

The fact of the matter is, yuh can look right at me and tell what I am.”

“Perhaps I have.”

“Well, that’s good. Yuh saw a homely, long-legged puncher, who don’t

amount to anythin’, and decided to let him alone. I looked at you

and seen a new type of dance-hall girl. But honest Injun, ma’am, yuh

hadn’t ought to waste yore voice in a place like the Cheyenne. Yo’re

young, pretty, and you’ve sure got one dinger of a voice.”

“Do you like to hear me sing, Mr. Man?”

“Somethin’ like that song yuh sung the first day I seen yuh.”

“‘The Sweetest Story Ever Told’?”

“I dunno the name--but it sure was sweet. Well, I reckon I’ve taken

up enough of yore time. If yuh don’t get back to the Cheyenne you’ll

be losin’ yore job.”

“I suppose so.” Her voice was a trifle weary. “Was this all you wanted

to tell me? Just warn me to keep away from Cliff and Vincent?”

“Not warn yuh, ma’am. Lord love yuh, that’s yore business. I just wanted

to tell yuh what it means to others. If you don’t want ’em--I know who

does.”

The Countess laughed and moved through the gate.

“Then you have no interest beyond trying to help your friends?”

“Ain’t that enough interest, ma’am?”

“Yes, I think that is enough. Do you believe that Cliff shot Vincent?”

“I know danged well he didn’t.”

“Then who did?”

“Remains to be seen, as the undertaker said.”

A rider was coming toward them from the rear of the south side of town,

a shapeless blot in the dark, traveling slowly. It appeared that he was

coming to the doctor’s home, but swung north and passed them. It was

impossible to distinguish the color of the horse. The blot faded into

the night, with only the soft thud of slow moving hoofs and the creak

of saddle-leather to tell of its passing.

“Some cowpuncher goin’ home,” said Hashknife softly.

“It is wonderful here at night,” said the Countess. “The day brings

out nature at her worst. It is like turning a spotlight onto the face

of a miser. But at night, under the blue of the moonlight, or under

the yellow lamp-light, the roughness is all gone, like an out-of-focus

picture. I hate reality, but love mystery, the moonlight, blurred

figures.

“I have watched them ride into town, a blotch of ink-like, shapeless

things, which blends with more blots at the hitch-racks. Then they come

clumping along on foot toward the lighted windows, which throw long,

grotesque shadows behind them, until they suddenly take the shape of

men under the lights. Then the mystery is gone. They are only human

beings, laughing, talking, swearing in their friendly way. But I would

rather see them in the night, goblin-like hulks, with their spur-chains

rattling, saddles creaking.”

“I like it thataway,” said Hashknife softly. “I like the camp-fire

in the hills, cattle trailin’ along in the moonlight, when the world

is all silver and blue. Why, ma’am, even the bark of a coyote sounds

like a welcome to me.”

“I love it, too, Mr. Man. It seems that we love the same things, doesn’t

it?”

“Well,” said Hashknife slowly, “I wouldn’t go quite that far, ma’am. Yuh

see, I ain’t got much use for Blackie Dahl.”

For a moment the Countess was silent, and then she laughed chokingly,

almost hysterically. It was quite a while before she recovered her

composure.

“I think I will go now,” she said, trying to keep the laughter out of

her voice. “I don’t know whether you meant that or not--but it sounded

like it. Good-by, Mr. Man.”

She went swiftly back toward the street, while Hashknife leaned on the

gate and watched her disappear. He grinned to himself, as he rolled a

cigarette.

“Birdies singin’?” he muttered to himself. “No-o-o, I don’t think so.

But she’s danged nice--too nice to be singin’ songs in a honkatonk and

mixin’ with folks like Blackie Dahl.”

He turned away from the gate and started toward the house, but stopped.

Another horse and rider went pounding past, but this one was going in

the opposite direction, and going fast. The cottonwoods obscured his

view now, but as the rider swept past he was sure he caught a glimpse

of something white. It was only a flash. He was unable to distinguish

shapes, but he knew it was a horse and rider. The pounding hoofs died

away in the distance.

“Somebody in a hurry,” he reflected, as he knocked on the doctor’s door.

The doctor answered the knock. He was a little old man with partly bald

head and spectacles. Hashknife had never seen him before, and did not

waste time in introductions.

“I just wanted to find out how Roche is gettin’ along?”

“Well,” the doctor hesitated. “He’s doing better than I expected, but he

is still unconscious.”

“Do yuh think he’ll get well?”

“As long as he’s alive he has a chance.”

“Didja get the bullets out of him?”

“There were no bullets in him.”

“Went plumb through, eh?”

“Yes. Rather a small caliber bullet, I suppose.”

“I see. Well,” Hashknife turned away, “I’m much obliged, doctor.”

“You are welcome.”

Hashknife walked back toward the street, thinking things over. It was

evident that Vincent Roche had been shot with a rifle. The average

small caliber six-shooter, using black powder and an all-lead bullet,

would hardly pass entirely through the body of a man, except in rare

cases. And it would be too much of a coincidence for two of them to

do so in succession.

He went back to the Cheyenne and joined Sleepy, who had been losing a

few dollars on a roulette wheel. The crowd was fairly orderly. Buck

Hardy had sobered enough to hate himself for what he had done, and was

moping around, trying to square himself.

Hashknife stood in the entrance to the dance-hall for half an hour,

but did not manage to see the Countess. Sleepy knew what Hashknife was

looking for, and it amused him greatly.

“The tall feller is lookin’ for the fairy lady,” he told Slim Cole, loud

enough for Hashknife to hear.

Slim laughed.

“They all fall for her, Sleepy. She’s a heart-breaker. The last time

I seen Blackie Dahl he was eatin’ a handful of spikes. I’m tellin’

yuh she’s a hoodoo. There’s Cliff Parker in jail, Vint Roche in the

hospital, and Blackie Dahl filin’ his teeth, like a cannibal gettin’

ready to eat ’em raw.”

But Hashknife merely grinned easily and let them joke at his expense. It

was about an hour later that Hashknife saw Blackie Dahl in the gambling

room. He was playing the roulette wheel, his sombrero tilted low over

his eyes, a set grin on his lips.

And Hashknife grinned as he thought of how the Countess had laughed at

his insinuation that she loved Blackie Dahl. He was not a lovable

character. Several times he lifted his head and squinted at Sleepy who

was watching the play. He had never paid any attention to Sleepy since

the day Sleepy had shot the gun out of his hand; but Sleepy knew that

Blackie had not forgotten the incident.

Someone touched Hashknife on the arm, and he turned to see the sheriff,

who beckoned him to follow. They went outside and walked away from the

doorway.

“I’ve got somethin’ for yuh, Hartley,” said the sheriff, as he handed

something to Hashknife. Hashknife stepped back to the light from the

window and squinted at another trey of spades. It was another of the

expensive brand.

“Where did yuh find this?” queried Hashknife.

The sheriff laughed shortly and put the card in his pocket.

“The man that left that card took the fastest horse in the Thunder

country, Hartley.”

“Yore horse, Jud?”

“Yeah--my black horse. I don’t use him much. Kept him in the stable

with my other bronc and Buck’s roan. He could run a mile while our

other horses were just thinkin’ about startin’. A while ago I went

out to feed ’em. The black was gone, and stickin’ to the feed-box was

this ---- card.”

“When did yuh see the black horse last?”

“This afternoon.”

“Hm-m-m!” Hashknife was thinking of the two riders, who had passed him,

going in opposite directions. The first one had come from toward the

sheriff’s barn, which was located behind the office and jail building.

“Somebody is expectin’ to travel like ----,” said the sheriff sadly.

“That animal was worth a thousand dollars of any man’s money.”

“Mebbe the Trey of Spades is thinkin’ it’s about time to hit the grit,

Jud.”

“Well, he picked somethin’ to hit it with.”

They went back into the saloon and joined Slim at the bar. The sheriff

did not mention the stolen horse. In a few minutes Sufferin’ Stockton

came to Slim and drew him aside. After a short conversation Slim came

back to the bar.

“I was just wonderin’ what became of the Countess,” he said, as he

filled his glass. “She went down to the doctor’s home quite a while

ago. I sent Sufferin’ down there, but she left there early. She ain’t

in the house nor in her room.”

“That’s kinda funny,” remarked the sheriff.

“The doctor told Sufferin’ that a strange man came there shortly after

she went away.”

“That was me,” said Hashknife. “I talked with her. She was just startin’

back.”

“Aw, she’ll show up,” assured the sheriff. “So danged many things happen

these days that we’re lookin’ for trouble.”

As they turned away from the bar, Blackie Dahl walked past them and

went outside. Hashknife sauntered over to the door, and in a minute

or two Blackie rode past the saloon, seemingly in a hurry.

Hashknife found Sleepy in the dance-hall and they sat down at a table.

“I’ve been waitin’ for the Countess to sing a song,” said Sleepy

grinning, “but she ain’t showed up yet.”

“Somebody stole the sheriff’s race horse,” said Hashknife. “They left

the trey of spades.”

“Another one?” Sleepy leaned his elbows on the table and squinted at

Hashknife. “Comin’ kinda fast, ain’t they?”

“Too fast. It looks like a getaway, Sleepy. Farley says that the black

horse can outrun anythin’ in the country. The Countess left the doctor’s

house about fifteen minutes after I left you--and she ain’t never showed

up since.”

“Thasso? This is gettin’ interestin’, Hashknife. Do yuh think she’s

connected in any way with the Trey of Spades?”

“I hate to think so. We were standin’ at the gate down at the doctor’s

house, when somebody rode past, comin’ from the general direction of

the sheriff’s stable. It was too dark to see who it was. They were sure

goin’ careful-like.

“A few minutes later another rider goes past me, travelin’ in the

opposite direction, but this one was just hittin’ the highspots. It

might have been the same rider, but whoever it was, they sure went

away spinnin’ like a spike.”

“Went past you?” queried Sleepy. “Wasn’t the Countess with yuh?”

“Not when the last one went past. She had started for here.”

Farley came into the hall and headed for their table, where he took a

seat.

“They’ve looked all around for that girl,” he said slowly. “None of the

girls have seen her.”

“What do you think about her?” asked Sleepy.

“In what way, Stevens?”

“Think she’s mixed up with the Trey of Spades?”

“Huh!” Farley scowled thoughtfully. “I never thought of her in that way.

I wonder if that horse of mine----?”

Hashknife interrupted him to speak about the two riders he had seen.

“By ----, I’ll bet that’s it!” said Farley emphatically. “She left you

in time to meet him.”

“But it was only one rider, Farley.”

“And if it was her--why do they make their getaway now? We don’t know

who the Trey of Spades is,” said Sleepy. “Their game is just as good

as ever.”

“But, if Roche dies, they’re facin’ a noose,” argued Farley.

Hashknife shook his head.

“I don’t _sabe_ it, Farley. Why did the Trey of Spades try to fasten the

crime onto Cliff Parker? Cliff and Roche rode away from town that night

together. They parted at the fork of the road.”

“And that’s where Roche was found the next mornin’.”

“Yeah, that’s true,” agreed Hashknife. “But did you notice Roche’s

saddle? It was all gummed up with blood, wasn’t it?”

“Yeah, it sure was.”

“Would a man spill that much blood before he could fall off his horse?

Roche was hit hard enough to knock him plumb out of the saddle. I tell

yuh, he was shot quite a long ways from the fork of the road, and they

packed him back there on his horse. They stole his money and left him

there, with a trey of spades stickin’ in his vest.”

“Well, that don’t mean anything to me, Hartley.”

“All right,” grinned Hashknife. “It only means to me that whoever did

that job knew that Cliff and Roche rode away together that night. And

the Trey of Spades--well, look at it thisaway, Jud: If the Trey of

Spades wanted to throw suspicion of his crimes onto somebody else, he

wouldn’t leave his trade-mark on every job.”

“Then you don’t think that the Trey of Spades shot Vincent Roche?”

“One of ’em did.”

“You mean--do you think there’s more than one?”

Hashknife smiled softly and began rolling a cigarette.

“Mebbe you’re right,” mused the sheriff. “I never thought of such a

thing before. How about that jewelry store robbery?”

Hashknife scratched a match and puffed thoughtfully.

“That’s one thing that convinces me that the Trey of Spades did not

shoot Vincent Roche. You found Cliff Parker’s hat out in that back

yard, Jud. It was danged good evidence, wasn’t it?”

The sheriff nodded quickly.

“I could almost get a conviction on that hat.”

“And,” grinned Hashknife, “to keep Cliff Parker from stealin’ his glory,

the Trey of Spades stole the hat from you, Jud.”

“You mean to say that he stole the hat to keep Cliff from bein’

arrested?”

“Just exactly.”

“Mebbe,” Jud wasn’t exactly convinced. “I had the idea that one of you

fellers took the hat. You done yore dangdest to keep what you knew under

cover. You found Cliff there, didn’t yuh?”

“Sure we did,” Hashknife grinned widely. “If we hadn’t he’d be in the

penitentiary right now. My gosh, everythin’ was agin’ him.”

“He ought to thank yuh,” said Jud. “I was sure he pulled that job.”

“He saved the jewelry, Jud. The Trey of Spades bumped into him and

scattered the loot all over. I reckon he bent his gun over Cliff’s

head, thinkin’ Cliff was tryin’ to stop him.”

Farley nodded and got to his feet.

“I’ve got to keep movin’,” he said. “I’m gettin’ as nervous as an old

lady.”

He moved across the dance-hall, dodging the dancers, and Sleepy turned

to Hashknife.

“What about that string of pearls we found in Cliff’s pocket?”

“Oh, yeah. I forgot about them, Sleepy. Let’s go across to the store and

get some tobacco.”

They crossed the street and went into a general store. There were a

number of men in there, swapping lies. Hashknife bought some tobacco

and cigarette papers.

“You got any high-power rifle ca’tridges, with solid jackets?” he asked

the clerk.

“Nope. Nobody uses ’em here. I’ve got plenty thirty-thirties, with

soft-noses, and some thirty-forties, same bullet.”

“Do yuh know anybody around here that might have some?”

“Nope, I don’t.”

“What was that?” One of the bystanders, a long-nosed person, wanted to

be of assistance.

“High-power cartridges,” said the clerk. “Them solid pointed ones.”

“Oh! Nope, I dunno anybody what uses ’em. Ol’ Pete Duncan used to have

one of them there Mow-zers. I reckon he had some.”

“Where could I find him?” asked Hashknife.

“Well--” the long-nosed one grinned slightly--“that’s kinda hard t’

tell, stranger. Ol’ Pete went t’ New Mexico ’bout three year ago,

and died of tick-del-aroo; so it’s kinda hard for t’ give yuh his

address.”

Hashknife thanked him gravely and they went back to the Cheyenne.

“What kind of a ---- disease did old Pete Duncan die of?” asked Sleepy.

“Tic douloureux,” laughed Hashknife.

“Didn’t yuh ever hear that name before? It’s neuralgia of the face, I

think. Prob’ly he died of a sore head. A lot of the old timers used

that name for mostly every disease. It sounds like a lot, don’t it?”

“It sure does.”

A few minutes later they ran into Buck Hardy, and he drew them aside to

impart the information that the sheriff had released Cliff Parker.

“I reckon Jud knows what he’s doin’,” said Buck. “Yuh see, he never did

arrest Cliff.”

“Where’s Cliff now?” queried Hashknife.

“Gone home, I reckon. Jud was afraid somebody might take exception to

seein’ Cliff runnin’ loose; so Jud went with him to get his horse. By

golly, I came ---- near gittin’ Cliff lynched, didn’t I? That’s what

liquor does to a feller. I’m all through with that stuff, y’betcha.”

“The preacher kinda saved yuh,” laughed Hashknife.

“Dang right he did. He sure helped everybody, and I’ll betcha he has a

crowd to his church tomorrow.”

“Tomorrow?”

“Yeah. The place is all fixed up fine now. He sure worked hard to get it

fixed. The ghost of the old Chuck Luck Saloon will sure turn over in its

grave tomorrow.”

Farley came in and joined them.

“Buck told yuh, didn’t he?” he asked.

“Yeah,” smiled Hashknife. “Some of ’em will likely yelp about it, but it

was about all yuh could do. Did he go home?”

“Well, he started home. Let’s have a drink.”

They went over to the bar and made known their wants.

“Give me whisky,” said Buck seriously. “When yo’re quittin’ liquor,

whisky is the best stuff to taper off on.”

Slim Cole joined them and Hashknife asked him about the Countess.

“Can’t find her,” said Slim shaking his head. “I tell yuh, I’m worried

about that girl. Somethin’ must ’a’ happened to her.”

“What could happen to her?” asked the sheriff. “Things don’t usually

happen to a dance-hall girl.”

Slim’s lips formed an angry reply, but he turned away and walked across

into the gambling room.

“Mebbe he was stuck on her, too,” whispered Buck.

“Funnier things than that have happened,” said Hashknife dryly, and

Sleepy grinned knowingly.

They drifted away from the bar and watched the play in the gambling

room, which was growing heavier all the time. Cowboys swore feelingly,

as their month’s wages were swept away in a few turns of the wheel or

the turn of a card. Some of them were fortunate enough to keep ahead of

the game, but few were able to stand prosperity and strewed their money

recklessly; talking at the top of their voices to no one in particular,

and laughing at their own witty remarks.

“Well, shall we go home?” asked Hashknife.

“Might as well,” Sleepy yawned widely. “I could use a little sleep.”

Just outside the door they found the sheriff and another man, talking

earnestly. The sheriff turned to Hashknife.

“This is Jack Woods, the depot agent, Hartley. He says that the

passenger train left Silverbend an hour and a half ago and ain’t showed

up yet. It don’t take over forty minutes for the run.”

“And the wires are dead,” added Woods. “Went dead just after the train

left Silverbend.”

“Ain’t much yuh can do, except to wait, is there?” asked Hashknife.

“Not much,” agreed the sheriff. “Let’s walk up to the depot.”

They were nearly to the depot when they heard the far-away whistle of an

engine.

“There she comes!” exclaimed Woods, increasing his pace. “We’ll soon

know what caused the delay.”

* * * * *

The headlight of the engine was in sight when they reached the platform.

The train clanked in slowly and stopped with a decided jerk. Several men

were standing in the open door of the express car, holding lanterns, and

the conductor came hurrying from the rear of the train.

“Anything wrong?” asked Woods. The conductor lifted his lantern

nervously.

“Oh, is that you, Woods? We were held up at Meteor Creek. Engineer shot.

Got to get a doctor for him right away.”

“This is the sheriff,” said Woods quickly. “We were afraid something had

happened. The line is cut between here and Silverbend.”

“I’ll go after the doctor,” offered Sleepy, who went running down the

street, while Hashknife and Farley climbed into the express car where

the engineer was stretched out on a cot groaning with a broken right

arm.

The through safe was lying on its side, door wide open, and there was a

strong odor of dynamite in the car. Passengers were unloading from the

train and walking about the platform.

“Tell me about it,” said the sheriff.

“It was a one-man job,” said the conductor, placing his lantern on the

wrecked safe. “He flagged us down with a red lantern on the far side of

the Meteor Creek bridge, and he was into the cab before the engine crew

realized what it was all about.

“He took them back and uncoupled the express car. I had swung down to

see what was the trouble, and he drove me back with a couple of shots.

Then he made the crew pull the express car over the bridge and up the

line two miles. Oh, he knew his business.

“He threatened to dynamite the door of the express car; so the messenger

let him in, and he made them all look on while he loaded the safe with

dynamite. The engineer made an attempt to stop him and got a bullet in

his arm. It took nerve, I’ll tell you.”

“How much money did he get?” asked the sheriff.

“That’s hard to tell.”

“Enough,” said the messenger shortly.

“This side of Meteor bridge, eh?” grunted the sheriff. “He probably had

his horse planted there.”

“Yore horse,” corrected Hashknife.

“Yeah, my horse, I reckon. And there ain’t a bronc in this doggone range

that could catch him. There ain’t a bit of use goin’ out there. He knew

where he was goin’ when he left that train--and we don’t.”

“Better wait until mornin’,” agreed Hashknife.

Sleepy arrived with the doctor, who had the injured man removed to the

waiting-room of the depot.

The trey of spades · 第 7 / 9 段