[Cover Illustration]
_The_ CHASTE
DIANA
_by_ E. BARRINGTON
_Author of_
“THE DIVINE LADY”
“GLORIOUS APOLLO”
etc.
[Illustration]
GROSSET & DUNLAP, _Publishers_
_by arrangement with_
DODD, MEAD _and_ COMPANY
Copyright, 1923,
By DODD, MEAD AND COMPANY, Inc.
Published, April, 1923
Second printing, April, 1923
Third printing, January, 1925
Fourth printing, January, 1925
Fifth printing, July, 1925
Sixth printing, October, 1925
PRINTED IN U. S. A.
PREFACE
“The Chaste Diana.”
This romance of “The Beggar’s Opera” introduces many real persons but
all imaginatively treated. Lord Baltimore, “The American Prince,” as he
was called at the time in society, has come down to us with a reputation
for heartlessness of which I have made the most, and it would be
difficult for any novelist to exaggerate the whims of the famous and
beautiful Duchess of Queensberry—or Queensbury, as I have preferred to
spell her title, that being her own and (generally speaking) the
contemporary method. The Duke of Bolton’s marriage I have antedated. My
picture of the Royalties is fully sanctioned by history. As to the
charming figure of Lavinia Fenton, it offers a wide field to the
imagination, and will doubtless from time to time be filled in according
to the man that draws it and the mind that conceives it, for there are
few records. But what is known of her story is compatible with the
picture I present.
E. Barrington,
Canada.
THE CHASTE DIANA
THE CHASTE DIANA
CHAPTER I
IT was the winter season of the year 1727 and the great Mr. Rich,
patentee and manager of the playhouse in Portugal Street, Lincoln’s Inn
Fields; was seated in his own parlour where he received the budding
players of both sexes and made and marred careers like a very Fate. To
Portugal Street come trembling beauties whose voices die in their
throats as that piercing eye falls on them appraising every feature with
no thought but how many guineas are like to be made on the strength of
it. To Portugal Street, Lincoln’s Inn Fields, come also the anxious
dramatists from Grub Street, some with a cheap swagger that Mr. Rich
quells on the instant, some with lank cheeks and threadbare cuffs and an
entreaty for a hearing which is apt to provoke the great man’s ire and
contempt as he sits to receive his courtiers in a velvet coat and
breeches, sober enough, but with a good bit of lace at the throat, and a
wig handsomely curled about his shoulders. For whatever may be the
standing of player-folk, and God knows it is none too high, Mr. Rich is
minded that their manager shall win respect. What! hath not Mrs.
Oldfield been received at Court in spite of blots on the scutcheon in
the shape of two gentlemen—Mr. Mainwaring and his successor General
Churchill, setting aside certain passages with Captain Farquhar, the gay
dramatist, which might or might not be censurable? Yet, notwithstanding,
the lady went where she would, and the Princess of Wales (willing to
oblige this charming person) informing her that she had heard she was
the wife of General Churchill, Mrs. Oldfield did but sweep the prettiest
curtsey and reply, “So it is said, please your Royal Highness, but we
have not owned it yet.”
An example of coolness, thinks Mr. Rich, for all who would exalt the
profession to follow. So there he sits, a gobbling turkey-cock of a man
when crossed, kindly when humoured, his eyes very shrewd and keen
between their layers of flesh. A choleric, genial, short-nosed man,
himself the unrivalled Harlequin and a player after a fashion, he falls
a little on the side of rudeness to inferiors lest he slip into that of
servility to superiors, an uneasy matter but always to be kept in view.
On this evening he had done his day’s work and routed not a few
miserable pretenders to parts in the new raree-show shortly to be
produced to the public. He had two companions—fine, careless easy
gentlemen both, and almost as much at home behind the scenes as himself.
The one, lounging in an armed-chair was a young man of almost effeminate
beauty. Disguise him in paint, powder and hoop, and you had a charming
Lady Easy, with the absolute manner of bon ton, and should The Careless
Husband be needed to play up to her Ladyship, as in the comedy of that
name, the other young man dangling a pair of handsome legs from Mr.
Rich’s table was your very fit! None better! and in real life as
careless a husband as any that ever trod the boards, perhaps not
altogether by his own choice.
Permit me to present the first—fair, blue-eyed, and slender, a pretty
man indeed, though with not too many inches to spare. Prodigious fine in
velvet and embroidery, yet steel and fire under the graceful mask of
languor. ’Tis the American Prince as they call him about town—my Lord
Baltimore, a potentate after a fashion, since he holds by due succession
the patent of Maryland in the New World, paying yearly as fee two Indian
arrows at Windsor Castle every Easter Tuesday, and the more substantial
rent of a fifth part of the gold and silver ore therein found. A very
great gentleman with his American principality, and the most fascinating
bachelor in London, an arrant rake and favourite in all the boudoirs.
Scarce a fine lady but aspired to be the American Princess.—But this
tale will show his Lordship as he was and more words are not now needed.
The more masculine looking beau—a handsome grave brown man, is his
Grace the Duke of Bolton, unwilling husband to my Lord Carberry’s
daughter and heiress, a lady as homely and sour as a withered
crab-apple, and indeed ’tis more than rumoured that the ill-matcht pair
parted after the wedding feast and a few ceremonies to mislead the
public. It follows that his Grace is a mighty patron of the playhouse,
whether at Lincoln’s Inn Fields or in the Haymarket, and there is scarce
a man in town whose judgment Mr. Rich would more willingly accept of the
promise of a new tragedy or comedy Queen. Indeed he seeks that judgment
at this moment.
And so my story begins.
“You will observe, your Grace,” said Mr. Rich, with an anxious brow,
“that I stake not only my reputation but a vast deal of money on this
venture. Stap my vitals, if I know whether I do well!”
“’Tis certain, Rich, you’ve done so ill of late,” says the American
Prince, yawning over his gold snuff-box—“that you can scarce do worse.
The farces you have gave us of late were more funereal than a dirge,
witness ‘The Capricious Lovers’ that only Mrs. Mincemode saved from
damnation the first night, and when you followed with ‘The Female
Fortune Teller’ and capped it all with ‘Money the Mistress’—Lord save
us, man, you left not a leg to stand on to your warmest friends.”
“’Tis very true,” interrupted his Grace of Bolton, “and were it not that
Drury Lane was as dull as a Friends’ ranting house and so no rival, you
had sunk altogether. But tell us, Richie, what like is this new stuff
you have in hand? Has it ever a laugh in it or is it all snuffle?”
Mr. Rich, wincing somewhat at the “Richie,” pulled out a roll from his
scrutoire and laid his hand upon it.
“Why, your Grace and your Lordship, there’s the point. I would to God I
knew. ’Tis a case of triumph or calamity—no halfway house, for ’tis so
damned unlike anything yet seen, that I can’t for my life tell whether
I’m a fool or a wise man to have to do with it.”
“The author?” enquired my Lord Baltimore, scarce raising his eyelashes,
long and golden as a girl’s.
“Why the author is Gay, my Lord, and ’tis writ under the influence of
spite and disdain, a sharp enough pair of spurs to knock out what mettle
is in a man.”
“Aha! I know the inmost of that business,” his American Highness laughed
musically. “I’ll tell you the story, Rich. ’Tis worth a laugh. ’Twas his
seeking preferment at Court and getting only the office of nurse-tender,
bear-leader, call it what you will! to the youngest royal children, that
put him out of love with the nobility and gentry. What hath he done for
vengeance?”
“Why, my Lord, ’tis hard to describe. He hath writ a very droll—what
shall I call it?—a farce, no!—a comedy? Yes, but ’tis more of a kind
of an opera, so full of songs, only that the hero is a highwayman, and
the ladies—why, the less said about the ladies and their honesty the
better. Newgate wenches at best. ’Tis at least very original.”
The Duke sat bolt upright.
“Original? Why that was Swift’s notion,” he cried, “Why, Richie, you
must remember that Dr. Swift said the town was sick of Amorets and
Bellarmines and all those brocaded perfumed cattle, and that if a
manager had luck and courage and would stage a Newgate pastoral, the
world and all that therein it would be a rabble at his heels applauding
and pouring gold into his fists. Didn’t he say that, and didn’t I hear
it with my own ears? And d’ye mean to tell me Gay has cribbed the
notion?”
“Not a doubt of it, your Grace. But the fellow—stap my vitals if I can
help laughing at the rogue! hath done it so arch—so comical—I don’t
know what I would say!—that I dare swear Swift himself will forgive
him, and then rather that it would ill become his gown to set some of
the jests on the stage, though he is not too retiring in his writings.”
Lord Baltimore raised his fine-drawn eyebrows:
“Smutty, then, Rich?”
“Well, as to that,— So-so, and yet not too much, so, your Lordship. You
are aware that the public demands a certain license and His Majesty
rebuked his players for what he termed emasculating a comedy not so long
since. ’Tis very hard to steer between Scylla and Charybdis, my Lord.
But I think there’s enough to please his Majesty and the public without
disgusting the prudes.”
“Have you the words handy?” demanded his Grace, “I’m not of those that
believes smut takes the _pas_ of wit. I know not how it is but there’s
something in these brutalities sickens my stomach especially when a
pretty woman’s called upon to speak them.”
“We don’t find they rebel, my Lord Duke. In fact I’ve known one or two
ask a little more pepper and mustard to season her part.”
“Poor devils, they rant for their living—what can you expect?” says his
Dukeship with easy contempt.
“Not altogether—as I think your Grace knows as well as most,” says Mr.
Rich with a somewhat gross twinkle in his eye, then hastened on as the
Duke stiffened a little. “Be that as it may, we can’t do without ’em,
and God knows I’d sooner manage fifty men than one haughty slut like
Mrs. Oldfield or Mrs. Cibber. But I think there to be little question
that if my cast is what I desire, this venture of Gay’s may take the
town. Can either of your Lordships oblige me with a seductive Polly?”
“Pretty Polly!” mocked the American Prince, “Why I know a brace of
pretty Pollys, Rich,—but they don’t warble, no more than their
namesakes. I take it your Polly must be tuneful?”
“Lord, Yes! your Lordship. She must have a voice like a thrush and the
face of an innocent angel new strayed from Eden, and the heart of a
little devil (“That should not be hard to find!” interpolated his
Grace), and the abandonment of ‘The Country Wife,’ and the archness of
Millamant, and the demureness of a cat after cream, and——”
“And in short the paragon doesn’t exist.” Lord Baltimore was yawning
again, and flicking imaginary dust off his smoke coloured velvet. “Can’t
you dispense with her, Richie?”
“Why, I have sent a hue and cry through the provinces, and even through
the purlieus of Drury Lane and St. Giles’s.”
“Faugh!” says his Lordship, “Well, I was ever obliging, Richie, and if I
hear tell of a Venus with the appearance of Dian and the voice of
Polyhymnia you shan’t lack for information. Are you for Lady Lansdowne’s
drum, Bolton? There’s a fair widow there— Ah, Richie,—if beauty and
rank and every elegant accomplishment would take the boards, you might
find your heroine yet.”
Rich grinned:
“They take ’em at second-hand, your Lordship, running after our handsome
players. But if you will deprive me of your company will you look in
tomorrow about this time to know if I have trapped my quarry? If not, we
must hang up the play for a better season.”
“What does Gay call his stuff?” asked the Duke, leisurely descending
from the table.
“Why, ‘The Beggar’s Opera,’ your Grace. The name’s original too, if it
do but take. There’s much in a title. If I can better it, I will.”
“You can’t better it,” says his Grace. “’Tis saucy, provocative, and
runs off the tongue. What would you have more? What’s the heroine’s
mellifluous name? Lindamira? Amoret?”
“Why no, your Grace—Polly Peachum. It hath a common or village sound to
my ear. I doubt it takes!”
“You’re an old fool, Richie,” said the Duke. “Its commonness is its
recommendation. Don’t all the fine world _s’encanailler_ nowadays? There
are as vulgar trollops at Court as any——”
“In St. Giles’s,” finished the American Prince. “True, O King,—and now,
Richie, have our chairs called, and may the gods be good to thee and
give such a Polly Peachum to thy embrace as ever the world hath seen. O
the sweet name! I protest it tastes of peaches hot in the sun. I can see
her lips like two cherries—her eyes blue as summer seas, her voice like
the gurgling and purling of a brook, her arms round and smooth as Parian
marble. O Richie—Richie, you old devil, what images have you raised! If
you find her not, I’ll go search her myself.”
“Your Lordship hath but to sit still and whistle,” cries Rich, “to have
all the pretty charmers come running to you like a flock of hens!
There’s a scene somewhat like it in Gay’s opera, where Macheath the
highwayman—who needs not even to whistle, has them running all about
him, and each with a baby on her arm.”
“That’s comical!” says the Duke laughing, “and does pretty Polly pipe
her eye to see it?”
“Not she! your Grace! A delicate—or indelicate regret is all the stage
directions admit of. She’s a fine pliable girl and after a little tiff
with Lucy Lockit comes to heel like a spaniel.”
He began humming in a rich throaty voice—
“Lucy Locket lost her pocket,
Kitty Fisher found it.”
“Kitty Fisher!” Both gentlemen burst out laughing.
“’Tis topical then, Rich!” says Lord Baltimore. “Why I guarantee it
success, if so. Didn’t Aristophanes bring down the house, or was it the
Acropolis at Athens, by laughing at all the wits and holding up the
mirror to the pretty Aspasia? They’ll run in their thousands to look
into a mirror whoever holds it, were it their father the devil.”
Rich was all smirks and bows as they cloaked themselves to depart. He
knew, none better, the value of the countenance of two such men—the
very pink of fashion. Fashion is a capricious jade. Her aureole may or
may not enhalo the head of rank. There were peers whom apart from their
purses Mr. Rich might well afford to neglect, but not these two. What
Lord Baltimore said the ladies would swear to, and were his Grace of
Bolton to favour the production with his approval the play was made.
Yes, even with the gallery, for so liberal were both these gentlemen in
scattering their gold that there was not a chairman or footman or a
gentleman’s gentleman in London town but had a lavish word for both, and
doubt not that a gentleman’s gentleman also hath as much influence in
certain circles as their Lordships in St. James’s. The manager himself
escorted them to the door and stood there bowing obsequiously until they
turned the corner. You might think there was not a care on his
periwigged brow, so honeyed were his smiles. But ’twas very visible as
he turned back to his parlour. The world had not used him well of late,
nor could he forgive it unless ’twould send him a paragon for his Polly.
He swore a little under his breath as he sat down again, running over in
his mind the women available and their failings. ’Twas infinitely
distressing, for in spite of his doubts to the two gentlemen he had
little in his own thoughts but that here was a prize. ’Tis very seldom a
manager himself is tickled by a jest or moved by a situation, yet sure
enough Gay had performed this miracle with Rich. But the woman—curse
her!—the woman! He sat down heavily—the corners of his full mouth
drooping into the turkey-wattles of a lace cravat.
’Twas then a knock came to the door, and entered to him Mrs. Scawen, the
lady whose office it was to keep his parlour sweet and clean, and
announce and dismiss claimants to his attention.
“Not now, Mrs. Scawen,—not now! I’ll not see another incompetent this
night if I die for it. Lock the door and fetch me a pot of porter and
oysters and send the fool to the devil.”
“But your Honour—your Worship!” cries Mrs. Scawen holding the door and
intruding only half her stout person within it. “It isn’t a fool, as I
hope to be saved! It’s a woman!”
“A woman and no fool!” says Mr. Rich, pulling out papers from his
scrutoire, and indifferent enough, “Well, you should be a judge, Scawen,
after all the fools you have seen come in at this door. None the less,
send her to the devil. She won’t have far to go.”
Mrs. Scawen advanced herself a step further and looked round the corner
of the door.
“Why, your Honour, ’tis true I should know a fool by now and I give your
worship leave to call me one if I don’t. But this one is all
obligingness and hath so pretty a way with her, and lips like cherries
and a voice like a thrush or blackbird—”
His American Highness’s description, you see, exact! Mr. Rich looked up.
“What did she give you to say this, you old harridan?”
Mrs. Scawen turned out her pocket—
“’Tis as bare as charity, your Honour, but for my huswife and the nutmeg
for my mulled ale. No, ’tis the truth. Lips like cherries, and a voice
like a thrush, and hair——”
“What like was her hair?” cries Mr. Rich “Cobwebs of gold— O, stow this
rant, old woman, and get you gone and dismiss her. I’ll not see her.
I’ll not see Helen’s self this night. Go, get the oysters.”
Mrs. Scawen curtseyed.
“They’re here, your Honour. Don’t I know your blessed habits by now? I
don’t know who Mrs. Helen might be, but I know well that this young
person is as pretty as her ladyship and to spare. She’ll draw all the
gentlemen at the tail of her petticoat—no question but she will. ’Tis
worth your Honour’s while to have a look.”
“’Tis worth my while to do and suffer anything to stop your tongue,
Scawen. So have her in, and if she falls an inch short of your
perfections I’ll dock you half a guinea next pay-day.”
The door closed swiftly, and there was a moment’s peace during which Mr.
Rich helped himself to snuff and surveyed his silk hose with some
satisfaction. He had no expectations about the coming applicant, but
’twas worth while to keep old Scawen in tune—she was a conveniency at
all times and no end to her obliging compliance where he was concerned.
Female voices, one very low, were heard coming along the grimy little
passage. The door opened and Mrs. Scawen flattened herself against the
wall to give passage to a cloaked figure.
“Mrs. Diana Beswick,” she said, and took up her own post behind her
master.