ORIGIN AND HISTORY.

Arms may belong to individuals, to families, or to countries. Badges

and emblems on shields and helms occurred in the earliest times.

In Numbers, (_chap._ i: 52,) the children of Israel are enjoined

to pitch their tents, "every man by his own camp and every man by

his own standard," with the ensigns of his father's house. The

Greek and Roman poets speak of paintings and devices on shields and

helmets. These symbols were, moreover, hereditary. Thus Xenophon

relates that the kings of the Medes bore a golden eagle on their

shields. Suetonius asserts that Domitian had a golden beard for

his coat of arms; and Tacitus says of the ancient Germans, that

they marked their shields with brilliant colors, and that certain

standards were borne before them in battle. Notwithstanding these

traces of armorial bearings in the ancient world, our heraldry is

no older than the tournaments. That armory first became common and

regulated by certain rules at these solemn festivals, is corroborated

by the following reasons. In the first place, we find no tomb or

monument with escutcheons, older than the eleventh century. The

most ancient monument of this kind is said to be the bearings of a

certain Varmond, count of Vasserburg, in the church of St. Emmeran,

at Ratisbon. The shield is _coupé_ of argent and sable; over it is a

lion, with the words "_Anno Domini_ MX." On most of the other tombs,

even of the eleventh century, no arms are found; and the use of them

seems to have first become common in the twelfth century. The first

pope who can be proved to have had a coat of arms, is Boniface VIII.,

who filled the papal see from 1294 to 1303. All the earlier papal

arms are the fanciful inventions of later flatterers. On coins, also,

no armorial ensigns are found till the thirteenth century. A second

proof of our assumed origin of coats of arms is the word _blason_,

which denotes the science of heraldry in French, English, Italian,

and Spanish. This word has most probably its origin in the German

word _blasen_, (to blow the horn;) for whenever a new knight appeared

at a tournament, the herald had to sound the trumpet, and, because

all appeared with close visors, to proclaim and explain the bearing

of the shield or coat of arms belonging to each. Because this was

performed by the herald, this knowledge was called heraldry; and

because, in doing so, he blew the trumpet, it was called _blazoning

the arms_. That this was a prevailing practice at tournaments, may

be proved from the poetry of the Troubadours of the twelfth and

thirteenth centuries. Thence it came, that those knights, whose right

to appear at tournaments had already been announced by blazoning

their arms, bore two trumpets on their crest. From the Germans, this

custom was transmitted to the French; for there is no doubt, that

tournaments were usual in Germany much earlier than in France. But

the French carried to far greater perfection the tournament, and the

blazon or heraldry connected with it, as they did the whole system

of chivalry. Since, moreover, the French language prevailed at the

court of the Norman kings in England, pure French expressions have

been preserved in British heraldry. Thus the green tincture, (color,)

in a coat of arms, is termed _vert_, (though in French _sinople_,

which originally denoted a _reddish brown_;) bright red is termed

_gueules_, probably with an allusion to the bloody revenge of wild

animals, which play so conspicuous a part in heraldry; the divided

shield is, moreover, called _coupé_; and _passant_, _regardant_,

_dormant_, _couchant_, &c., are used. German heraldry, on the

contrary, contains almost pure German expressions. In a coat of arms,

the helm is placed upon the shield, and the latter is surrounded

by the wreath. At a tournament, the mantle of the knight, with the

helm and shield, was suspended in the lists. The colors or tinctures

of the shields had their foundation in the custom of the most

ancient Germans, of giving their shields various colors--a custom

which received a tender meaning in the tournaments of the middle

ages; the knight, bound to defend the honor of dames, and devote

himself to their protection, wearing their colors on his shield.

By degrees, the partitions or sections on shields came into use;

for when, as often occurred, a knight was the champion of several

ladies, he bore several colors on his shield, which had therefore to

be divided into fields. When the martial youth of almost all Europe

left their homes, about the end of the eleventh century, inspired

with religious enthusiasm, to conquer the Holy Land, the use of arms

became still more general and necessary. In order to distinguish the

nations, armies, and families, the princes and commanders chose their

symbols, sometimes in commemoration of the exploits and events of the

campaign, or of the dignity of the commander, and sometimes from mere

fancy or passing humor.

The New England Historical & Genealogical Register, Vol. 1, No. 3, July 1847 · 第 42 / 108 题