CHAPTER IX

PEOPLE OF THE HILLS

How much our Italy of Rome and Naples owes to the Apennines! How

gratefully should lovers of romance and history regard that mighty

chain that runs, an inland sea of crag and peak, forest and ravine,

between shore and shore! Physically and morally, it is the backbone

of the country, the fortress of tradition, the nurse of what our

modern cant calls “plain living and high thinking.” Its hard yet

beneficent climate, with sharp delimitations of season, its passes

so obdurate to the tainting allurements of railways, its hundreds

of sturdy self-contained little towns, each with its story of its

own saints and heroes, its ancestry of tradition that laughs at the

flight of centuries—all this has bred a race of men and women of whom

modern Italy knows little, but who form the residue by which the mixed

enfeebled masses of her cities and plains will in the end be saved.

Faith is strong; morals, though often transgressed, still clear

and commanding. New fads, make-believe religions, free love and

race-suicide presented as twin benefits to humanity, the worship of

materialism—all the old crimes that come dressed up as new virtues—find

no foothold here. The “pale pink uplift” of these modern shams would be

laughed to scorn by our people of Sabina and Abruzzi and Ciocciarìa.

Their parish priests tramp round amongst them as friends and mentors.

The _parroco_ and the apothecary may be the only persons in a whole

community who can read, but the child of ten knows the commandments

of God and the Church, and the innovator who attempts to make little

of these meets with a very cold reception. The people have many faults

and many weaknesses, but they are all human ones, and, frankly, I would

rather have to do with the man who has slain a rival or a sweetheart in

a fit of jealous anger than with a railway magnate or a prophet of the

Decadent! The murderer’s record is probably a good deal cleaner than

theirs.

So my inheritance of Sabina has always been very precious to me. Many

weary years have passed since I set foot there, but the remembrance of

young days spent in those high rich solitudes comes still as a fresh

breeze across the dusty wastes of the world, and very gladly shall

I return to them before I die. I have travelled so far and seen such

strange and endless varieties of scenery that I think I have a right

to say that there are few places on earth where nature has done more to

rejoice and strengthen the body and soul of man.

From Rome the Sabines are merely a noble chain of peaks culminating

in the calm lion profile of the couchant “Lionessa,” her face to the

north, waiting through the long blue days of summer for the crown

of snow that the winter lays on her brow. The slopes and spurs that

descend towards the Campagna are smiling enough—as they should be,

turned everlastingly to the sun and the sea. One must pass beyond all

that, climb by rough and narrow paths to the great tossed heart of the

hills and stand on some peak like Guadognolo, to take in the amazing

grandeur of the Sabines. Even from lower places, Olevano, for instance,

you may look east and west and south and north, and feel as if you

were standing on an island crag in an ocean of long sapphire billows

rolling away, breaker beyond breaker, into infinity—a sea that in some

moment of surpassing pride raised its breast too near the sky and froze

to stone in that passion of ambition; and your heart, the heart of the

native-born, tells you that every hollow between the breakers holds its

rivers and lakes smothered in olives and vines and corn, its walled

town and ancient church, its old fortified farm-houses, dazzlingly

white against the sun-warmed rock of the mounting ridge—farm-houses

with broad brick loggias garlanded with festoons of scarlet and

orange, the bursting red _pepperoni_ as big as citrons, and strings of

flame-coloured maize like golden pear-heads, all drying in the sun for

the winter’s needs.

Stop at one of these houses and ask for hospitality, and you will

find out what the word really means. I have often thought of it when I

was sitting through huge official dinners where the great ones of the

earth were arranging its destinies over the champagne and truffles—with

the murder of a nation in their hearts. The commanded smile, and the

cold, watchful eyes—the men fencing with words for rapiers, and we

women watching every play of the shrouded steel and pretending to talk

amiable nothings to each other; the gasp of relief at parting, and the

consignment to everlasting perdition of the adversary, which broke from

our worried mate when the door of the brougham had been clapped to and

we could sink back on the cushions as we rolled away!

Then would return a vision of some halt in the hills at home, of the

dark, cavernous kitchen with its freshly sprinkled brick floor and

its bunches of herbs hanging from the high blackened beams overhead

shedding their dry fragrance on the air, so cool and refreshing on

entering from the burning midday sunshine outside. “Favorisca!” cries

the “Sposa”—she may be eighteen or eighty, but that is her title

from her wedding day forward—“Condescend to enter! Let the signori be

accommodated!” The rush-bottomed chairs are set out on the loggia in

the shade, the boys are sent to fetch ice-cool water from the well,

and as the bucket goes splashing down into the invisible flood and

comes up all diamonds in the sun, “Sposa” brings out four or five heavy

glasses, freshly rinsed, in the fingers of one hand and a straw-bound

_fiaschetta_ of her own wine in the other. “Vino sincero, signori

miei!” she assures you as she sets it down on the deal table already

spread with the clean cloth that smells of rosemary. Aye, a “sincere

wine,” with no “dope” in its crimson or topaz depths, and the welcome

is as sincere as the wine. She pours it out, smiling, her handsome head

and rich costume standing out picturesquely against the dark doorway

behind her, within which one of her girls is kneeling on the bricks,

washing freshly pulled lettuce for your salad in a great copper bowl,

hand-beaten and reflecting the light from every one of its red-bronze

facets. Everything in the kitchen is of beaten copper; these people

would as soon think of cooking in any other metal as of sleeping in

cotton sheets—a degradation the poorest scorns to put up with.

“Sposa” disappears within the kitchen and one of the girls comes out to

entertain the visitors while the dinner is cooking. She stands with one

hand on the back of a chair, the other fingering her blue-and-yellow

apron, pink with shyness, but devoured with curiosity. Every detail

of one’s dress, every bit of jewellery, is being taken in—to be

described to all the other girls of the place when they meet at church

on Sunday, but she answers one’s questions with a confident smile.

How old? Oh, “in seventeen”—that is, sixteen last birthday. Her name?

Candiduccia, at the Signora’s service! Betrothed? A pinker flush and an

indescribable little movement of the shoulders, and then down goes her

head, while “Mammà,” whose sharp ears have heard all, replies in her

deep, sonorous tones, from among the pots and pans: “A good youth, but

he is getting a bad bargain! This lazy one has not spun half her linen

yet. I had mine all spun and woven by the time I was fourteen! Here,

thou! come and fetch the plates! The illustrious ones are hungry!”

Candiduccia dives into the kitchen, and a moment later your dinner is

before you—a big, dimpled omelet, trout from the stream fried in olive

oil, and crisp salad in a big majolica bowl. “Sposa” cuts the fresh,

rough bread—first making the sign of the Cross over the loaf—and serves

you cream-cheese made from goat’s milk, instead of butter. Butter

and cow’s milk do not enter into the Sabina bill of fare—our mountain

people do not care about these things; but it is a feast for the gods,

all the same.

When the time comes to go, you give “Sposa” what you think right, and

she takes it rather unwillingly, but very gratefully, and as you ride

away she and her girls stand at the door and wave their hands and say

“La Madonna v’accompagni,” and the boys, young rascals, will race your

horses to the foot of the hill or the turn in the road, knowing well

that you will give them a few coppers for their very own as soon as you

are out of sight of “Mammà,” who, you may be sure, will never hear of

the transaction.

If one is an invited guest at some important farm-house an elaborate

feast is prepared, and there are heart-burnings if the guests do not

eat heartily of everything. I remember once going with the Cavalettis

to the _bene_ of one of their tenants, for dinner—a really mediæval

repast which staggered even my robust young appetite. It began with

the _polentata_, a curious first course which is _de rigueur_ in

Sabina when guests of honour are being entertained. The chief table

was already set out with a dozen kinds of fresh and dried fruits,

_alicetti_ (the tiny local sardines), smoked ham, and home-made

liqueurs, all intended to stimulate the appetite.

But before sitting down to that we were led to a small pine-wood table

at one side of the room and requested to take our seats around it. Then

the mistress of the house advanced with a huge cauldron of polenta,

which, to my consternation, she poured out on the freshly-scrubbed

table-top, so deftly that it exactly covered the entire surface. I

stared, wondering what was to happen next; but my companions took

no notice of me, and the Marchese, whom his peasants adored—as did

everybody else who knew him—leant back in his chair and discussed the

condition of the game in the woods with “Sor Giacomo,” while the wife,

a piece of new string in her hands, watched the polenta cool and fix

to about the consistency of cream cheese. Then, suddenly leaning over

my shoulder, she cut it swiftly across and across with the string

in symmetrical divisions nearly a foot square, one for each person,

solemnly handed us each a spoon, and, bowing gracefully, begged us to

eat!

It was a searching preparation for a hearty meal!

On another occasion we were invited to dinner at the house of a country

notable many miles away, but still connected with the Cavaletti

domains. It was early autumn, and we had an enchanting ride in the

bright, cool morning through the deep woods where the chestnut burrs

came padding down on the moss with soft thuds as we passed, and here

and there some delicate ash or birch was already flaming into orange

with the first touch of the frost. They looked like torches alight in

the forest. They are so deep and green, those woods of Sabina, rich

with oak and chestnut, elm and beech, a fairyland of moss and fern

below, a world of sun and shadow above. The flowers are very delicate

too, harebells like thin amethyst, and the dainty wild pansy that lifts

her little startled head like a Louis XV beauty who has lost her way;

and there are stars of Bethlehem, growing always apart and lonely,

five white petals with a touch of greenish-gold for a heart, swinging

in the breeze on a long, translucent stem; and wild strawberries—snowy

flower and crimson berry springing side by side among the broad

trefoil leaves; and wild garlic, a mass of spotless bloom; and magic

elder with great posies of perfumed level rime; and fern so tall that

one could lose oneself in it, seeking for the threaded turquoise

of forget-me-nots that grow beneath; and thousands more, fragile,

exquisite things blooming in the deep peace of the undergrowth, while

far overhead the strong tree-tops laugh in the wind and take all the

sun.

I remember how sorry I was when we left the woods behind that day

and reached a tiny walled town with, of course, a church, a piazza, a

fountain, and one big house standing aggressively square to the street,

a typical Italian house with as many windows as could possibly be put

into it, all green-shuttered, and most of them balconied. That was all

I saw, for as we drew rein at the entrance we were surrounded by the

whole family, all grown-up men and women, who lifted us girls down from

our saddles, took possession of all our belongings, and all but carried

us up to a big, cool room on the first floor, with many expressions of

sympathy for our supposed fatigue after the long ride. I believe they

thought us rather daring for venturing ourselves on the shaggy mountain

ponies at all, for few Italian women in the country ever mount anything

more frisky than a tried and sober donkey.

Having settled us on the _canapé_—a very large sofa covered with green

and scarlet checks—and provided us with rosolio and cakes to keep us

good, all the ladies disappeared together. The men were buzzing around

the Marchese, who, like the lover of horses he was, insisted on seeing

the animals housed and fed; then a kind of electric thrill ran through

the house, the Signora and her daughters came to fetch us from the

salone, and everybody moved towards the dining-room. I was a little

surprised to see so few seats at the table, which was covered with

every kind of dainty and very prettily arranged; but the matter was

explained, when it became evident that the ladies of the family were to

wait upon us and their own men in approved feudal fashion.

I say “ladies” advisedly, for these were people as far removed from the

peasant class as they considered themselves from that of the Marchese.

They had never worn the costume of the contadine; they belonged to

the great respectable middle class from which most of the professions

are supplied; both men and women spoke without a trace of dialect, and

their manners were perfect—but then, thank Heaven, Italy is the natural

home of good manners! I shall never forget the gentle, unobtrusive

sweetness of those women as they moved about in perfect silence,

in their black Sunday frocks and little bits of ancient jewellery,

attending to all our wants so carefully and deftly, but refusing to

take any part in the conversation. That was not what was expected of

them!

The long, elaborate feast had gone from _ante-pasto_ and vermouth

right through to the sweets; my girl friend and I looked at each other

questioningly. We were growing fidgety and wondered who was to give the

signal to rise, since we were the only women at the table—when, to our

dismay and despair, the whole meal began all over again! Course after

course, in regular sequence, we had to sit it through and pretend to

taste the new varieties of fish, flesh, and fowl which came in a steady

stream from the kitchen. It was like some crazy dream!

I think we had sat at that table nearly four hours before we were

invited to take our coffee in the salone. The sun was sinking then,

and, to our intense relief, the Marchese announced that we must be

moving or we should not reach home that night. The farewells were

elaborate, and our gratitude for all the trouble the dear people

had taken was very real; they packed a whole hamper of ancient Roman

dainties for us to take along lest we should faint by the way; but

our joy when we got into the open air with our faces towards home was

inexpressible. As we entered the woods—less alluring in the dusk than

in the fresh morning hours—a shadowy fourth joined our party, a smiling

little man on a very small donkey. In two minutes the Marchese had

made friends with him, and called out to us in English, “Girls, think

up some compliments! This is the man who cooked the dinner! They sent

twenty miles for him—and he wants to know if you liked it!”

A woman noted for the charm and variety of her entertainments once said

to me, “I do try to give respectable parties, but somehow they always

turn into school feasts!” I am afraid the same kind of thing happens

to me in regard to serious subjects. With the best intentions in the

world I start to tell the story of some great person who has kindled my

admiration—and in the middle of the tale the sun strikes on my page—a

child laughs across the street—or some old refrain comes lilting to my

ears, and farewell to the historic train of thought! My hero or Saint

recedes into the shadows and relinquishes the canvas to a thousand

amiable little sprites of memory who hold it till they have frisked

through the very last step of their dance!

I do not know why, on this sunny July morning, there should rise before

me a picture of a dark old house in the steep street of a Sabina town,

where we drew rein after a long day’s ride to ask for rooms. The night

was falling, there was no inn in the place, and somebody had told us

that perhaps the people here would take us in. Our party was that with

which I left Castle Gandolfo some chapters ago—my stepfather, Marion,

and the Hon. and Rev. G—— C——, who had already several times saved

my life by stopping my runaway steed, a wall-eyed old crock given

to me because he looked so reassuringly tame. He was quiet enough at

that moment; we were both stiff and tired; and I slid to the ground

resolved not to go a step farther, whatever the people of the house

should say. The padrona came down and looked us over critically. Yes,

she could take in the gentlemen if they would all sleep in one room,

but it was impossible to receive the signorina—there was really nowhere

to put her! I replied by walking into the house and sitting down on

the first chair I could find, and defying her to turn me out. She

stood and looked at me, considering. “Well,” she said at last, “there

_is_ a room—it belongs to my little boy—perhaps he will not come home

to-night. Yes, you may sleep there, Poverina! I see you are tired out.”

She led me down a long, twisting passage and threw open a door,

holding the brass _lucerna_ high to light me in. I saw a bed and a

chair, and what I took to be a highly variegated wall-paper. “It will

do beautifully,” I said. “Tell the gentlemen that I don’t want any

supper—I am going straight to bed!”

“Buon riposo, bella mia!” (“A good rest, my beautiful”) she replied,

and shutting the door tramped away till her footsteps were lost in the

distance. Then I looked round. “What a funny room for a little boy!” I

thought. Guns and hunting-knives hung on racks all about, and what I

had thought was wall-paper turned out to be a gigantic collection of

the pictures off the French match-boxes which had just begun to find

their way into our part of the world, and which were not admitted into

our house because they were so improper. The little boy had covered the

walls with them from top to bottom! Well, it was none of my business,

and I prepared to lie down and forget them, but when I went to lock the

door I found that it had no key and would hardly close at all. Fatigue,

however, got the better of nervousness—it was a respectable house,

after all.

I was almost ready to get into bed, when a heavy step came along the

passage accompanied by the cheerful whistling of an old opera air.

I sprang up, too late to prevent the door being thrown wide open—and

found myself staring at a tall young man in town clothes and a red tie,

who jumped back as if he had been shot. I screamed—he swore—and then we

both broke into peals of laughter. As soon as he could get his breath

he apologized abjectly for the intrusion—“Mammà” had not told him

about any guests—I was a thousand times welcome to his room—and would I

permit him to look for some necessary articles before he relieved me of

the inconvenience of his presence? I tried to bow with proper dignity,

sitting on the edge of the bed with a cloak around me, and he scuttled

about, dived into various drawers for garments, tobacco, matches, and

took his leave with careful courtesy, never having even glanced in my

direction after the first startling encounter. The country dandy was

quite as much of a “blue-rose” as the Austrian Prince who earned his

name among the girls in Rome—but that paladin belongs to another story.

As one travels southward the character of the people changes, and in

the later years of my life I have felt more at home with my fellow

beings of the South than with the inhabitants of Romagna. Their outlook

is simpler, more indulgent, and their religious faith far more fervent.

I think the southern custom of going on pilgrimages was a very valuable

one to the contadini of the “Regno.” It used to be rare to find

middle-aged people of the labouring class in the province who had not

travelled a little in that way and thus learnt that the world was not

confined to their own small town or hamlet. I suppose the good custom

will die out in time, like so many others, but it will not suffer much

diminution while such wonderful new centres of attraction spring up

as, for instance, the “Santuario” of New Pompeii, which I described in

a former book.[11] But many an unforgotten shrine in the more remote

hills has, like La Mentorana in the Sabines, its one day or night of

glory in the year, when the peasants come in great bands, even from far

away, and the chants and litanies go up all night long in and around

some dim old church. Such a festival takes place at San Salvatore in

the Abruzzi, in the late summer, and is the scene of a great gathering

of the people of the Penisola Sarrcutina.

A night expedition is always alluring; and besides, I had wanted to see

this particular festa for years, so I took one of the servants with me,

a broad-shouldered woman of the people, strong enough to carry me if

need be, and we set out, in a carrozzella, on a moonless night towards

nine o’clock. Very soon we had left Sorrento and its lights behind

and were climbing by steep, narrow roads into the wild mountains that

cluster round Monte Sant’ Angelo. The chain of the Abruzzi that runs

out into the sea as the backbone of the Penisola rises sharp and high

from the rounded cup of the Piano di Sorrento, and, elsewhere, gives

way but little on either side to the needs of men. From the “Piano” and

the narrowing strip of level land, the cliffs facing the north plunge

clear into the water, which has worn them into huge caves, each with

its tiny cove of sand, divided from one another by great out-standing

buttresses of rock. As soon as one turns inland one is lost in the

twisting defiles that scar the mountains through and through; and the

deep old roads, narrow and steep, crawl up away from the regions of

vines and olives till they reach wild, empty highlands where only the

hardiest shrubs and flowers will grow.

It is an impressive experience to travel through these forgotten roads

on a starlit night, farther and farther from the sound of the sea and

the haunts of men. The loneliness is enormous; earth recedes from

sight and one is conscious of very little except that unfathomable

sky overhead, dripping and sprayed with live silver to its farthest

faintest depths, while some gorgeous planet of our own system wheels

its way between crag and crag as one moves along. Broom and wild

rosemary reach out from the wall of rock to brush your face; a tang

of bitter sweetness, clear as an exclamation, fills your nostrils for

an instant, and you know that you are passing a clump of immortelles

hidden in a cleft you cannot see.

And then the wild power of it all goes to your head; you are not a

modern mortal with a thousand anchors fastening you to the scrap-heap

of the workaday world, but a newborn princess of romance, travelling

through the hills of fairyland to take possession of your unknown,

enormous castle; its thousand windows are glowing gold beyond that

last peak, all lighted up for your reception; in its deep courts and

airy bowers invisible subjects will minister to your wants. In a high

tower looking south all the great books in the world are waiting to be

read; there is a terrace a hundred feet from the ground, perfumed and

trellised, where you can watch the stars; and not a single creature in

the whole world will ever find the way to the castle!

“Quì si và a piedi, ’cellenza!” said Maria, climbing down from her

seat. The little carriage could go no farther, and I returned suddenly

to earth and meekly followed her example. The sound of voices and

footsteps began to fill the air, and we came on shadowy groups resting

by the wayside, pilgrims who had come from far on foot. Then at a

sudden turn we were in the piazza, and all outer things, sky and stars

and peaks, were swallowed up in blackness, for the piazza was one blaze

of orange light from hundreds of torches, burning luridly and outlining

the dark façade of the church with red-gold gleams that rose and sank

like dancing waters; turning a face here, a costume there, to unearthly

brightness and then leaping away in tall tongues of fire, to be lost in

the mist of smoke overhead.

The crowd was so thick that we could scarcely reach the church, from

the open doors of which a flood of broad yellow radiance streamed

out over the heads of the pilgrims who knelt in serried ranks on the

portico, all faces turned to the interior, whence streamed that soft

illumination. When we stood on the threshold I saw that it came from

the High Altar, which seemed to be floating in a vast _mandorla_ of

light. Hundreds and hundreds of wax candles, each a tongue of steady

golden flame, surrounded the Tabernacle and reached, in an oval of

fire, almost to the roof. The walls of the church were covered with

white draperies to which were fastened wreaths and garlands and single

sprays of flowers, a delicate ornamentation as old as ancient Rome and

always used in the Penisola; and every pilaster was panelled from top

to bottom with crimson damask trimmed with gold—those precious strips

of drapery which the well-to-do families hoard from generation to

generation and lend to the different churches as required.

From door to altar rails the church was packed with kneeling

worshippers, and a great hush prevailed, for midnight had struck and

Mass was about to begin.

My companion, threading her way with coaxing apologies, pulled me

along till she found a place where we could both kneel by a pillar

at the top of the church, and just as we had settled ourselves a

sweet-voiced old organ, high up in an invisible gallery, sent out the

first notes of the chant, filling the little ancient building with a

flood of music—not the usual gay tunes that Italians love to hear in

church, but solemn, thrilling airs from some old Mass that I had never

heard before. The singers had been brought from far, and the voices

were of the best—which is saying a great deal in South Italy, where

everybody is born with “a harp in his throat.” Somehow it was one of

the most beautiful services I ever attended. The absorbed devotion of

the people, the reverent manner of the Celebrant and his assistants,

the full-throated responses that were taken up by the kneeling crowd

outside, where every sound was hushed the moment Mass began—it was the

very essence of whole-hearted, loving worship.

A number of persons went to Communion; there was a rousing sermon, and

then came much jollification in the piazza, crammed with little booths

that looked like altars of flame themselves, the wildly flaring torches

lighting up strange wares—long rosaries of yellow nuts that swung in

the wind, artificial roses set in a whirl of spun glass, each with its

pin to stick into hat or braids of hair, holy pictures in the crude

reds and blues that the people love, sweetmeats and honey-cakes and

fruit. Outside and everywhere beyond, the blackness of night, and on

that tiny plateau of the rocks a little whirlpool of life and fire.

We crept away, I and my Maria, and after some trouble found our

carrozzella and its driver, and started for home just as the darkness

thinned before the dawn. It was cold enough in the mountain roads then,

and I was glad to reach the lower levels and the hospitable gate of the

villa by the sea.

I think it was in that same year that my brother’s two boys,

enthusiastically aided by all the sailors, invented a kind of

switchback railway which really carried passengers! They got four

or five little trucks built—without saying a word to any of us—and,

coupling them together, started at the outer gate of the villa and

raced down the long paved incline which led, between walls covered

with stephanotis and jasmine, to the round garden in front of the

house. Here the encircling walk was also paved, and the impetus of the

downward rush carried the train once or twice round the whole space,

after which Luigi and Antonio submissively dragged it all the way to

the front gate again.

There was quite an excitement in whirling round the corners, and for

some days every member of the family had to get into the cars and be

carried along, an occasional upset only adding to the delight of the

experience, as far as Harold and Bertie were concerned. Then they built

a _ristorante_ at one point, and installed their sisters to dispense

lemonade and bonbons to the weary travellers, who were supposed to have

come from an immense distance. Of course the travellers had to pay—such

an undertaking costs money! Then, as the autumn days drew in, there

were night excursions, when the train, with headlights on, came roaring

down the garden to a great accompaniment of hoots and whistles, quite

an alarming thing to meet if one were taking a stroll in the twilight.

The _ferro-via_ was a great success, but the owners of the line panted

for more public recognition. We elders did not care to risk ourselves

in the trucks after dark, and for two or three evenings, as we sat

over our tea in the drawing-room, we wondered rather at the steady

persistence with which the train rushed backwards and forwards outside.

The boys were unusually silent about their exploits now, but from their

bright eyes and their sisters’ obstinate refusal to answer questions,

we could not help fancying that some kind of mischief was afoot. Then

one evening, just before dinner, Bonifazio came into the drawing-room,

looking very scared.

“Signora mia,” he exclaimed to my sister-in-law, “do you know what

the Signorini are doing? The entire town is gathered in the piazzale

outside the gate, and the young gentlemen are taking all the passengers

the cars will hold, twice round the garden—for two sous the trip!

And the young ladies are actually _selling refreshments to these

contadini_! For the love of Heaven, let the Signora stop this scandal!

The people are fighting to get into the cars!”

It would be interesting to know what is really going on in children’s

minds—those fairy plans which they weave steadily through lessons and

play and would rather die than confide to their elders! I remember

a surprise that my small brother and sister sprung upon the family

before I was married—a scheme all worked and irrevocably launched

before accident revealed it to any of the grown-ups in the house. Daisy

was about nine years old, and Arthur, her submissive slave, just over

seven. It was the height of the winter season, and there was the usual

rush of engagements for weeks ahead, when at some afternoon reception

a friend of my mother’s said to her: “We are so glad next Thursday is

free! We shall be so much interested to see your children’s play!”

“My children’s play? There must be some mistake,” my mother replied. “I

have not issued any invitations for theatricals!”

“Your little people have,” the lady retorted; “look at this!”

And she produced a card on which was written in a nice round hand,

“Miss Terry and Master Arthur Terry request the pleasure of Mrs. ——’s

company on Thursday next at 9 o’clock. (_Theatrakulls._)”

My mother’s feelings were not to be described! Within ten minutes three

or four other people smilingly informed her that they, too, had been

invited and certainly meant to come. There was nothing for it but to

go straight home and find out what the little monkeys had committed us

to. On being sternly questioned, Daisy, with the imperturbable calmness

that distinguished her even then, produced a list of some two hundred

names, culled from mamma’s visiting-book, and said: “These are the

people we have asked. We chose the ones we liked, of course. _I_ have

composed the play and it will be most interesting. Arthur is in love

with me, Sofia is my rival—I have one or two other children in it,

but they are rather stupid, so I shall have to do most of the acting

myself. Don’t worry me, please—you have nothing to do but order the

supper and send for the chairs!”

Of course we submitted. Everything had been done in order; Daisy

(Arthur could not write well enough as yet) must have devoted her

playtime, for days, to writing out the invitations, which the servants

had carried to their addresses, never doubting but that the Signora’s

authorization had been obtained. We were not allowed to see the last

rehearsals even—the drop-curtain of the little theatre in the ballroom

being jealously closed while they went on. I tried to get taken on as

manager—no use! “I know exactly what I am about,” said my small sister,

“I haven’t watched you grown-ups all these years for nothing! It’s

going to be a _great success_!”

Which it certainly was! Daisy’s speeches were a little long, because

some of the others forgot their parts and she had to bridge their

silences by expressing their sentiments for them. “I know what you

would say, dear friend—your heart is true, but you fear the vengeance

of the Marquis! Oh, I understand!” And so on. Then, at the critical

moment of the love scene, Arthur got stage-fright, and the Marquise,

who was naturally taller than her adorer, stooped towards him and

energetically whispered, “Go down on your knees and kiss my hand _this

minute, stupid_!” at which a roar of merriment swept through the room,

to end in a storm of applause, as the small boy, dropping on one knee,

gave the hand a smacking kiss and exclaimed ardently, “_My angel!_”

Oh yes, it was a great success. The little Marquise was a born actress,

and carried it all off so well that the guests declared they had never

enjoyed an evening so much. But we “grown-ups” had passed some anxious

moments; and when it was all over and the triumphant performers had had

all the applause, as well as all the cake and goodies, they wanted, we

extracted a sleepy promise that we should be at least warned the next

time they asked the town to a play!

More Italian Yesterdays · 第 9 / 18 章