"Seven years ago, your Highness, on the very day you and Bee got into

the scrape from which neither of you came back, my late husband went

into the hills to sell a horse. It is quite true. He gave his beast a

good feed of oats with a dash of cider in it, so that it might have a

firm leg and a bright eye; he took it to the market near the hills. His

corn and his cider were not lost, for it made his horse sell better. It

is the same with beasts as with men; they are judged by appearances. My

late husband was pleased at the good business he had done; he offered to

drink with his friends, undertaking to drink fair to them. And I must

tell you, your Highness, that there was not a man in the whole Clarides

who could drink fairer with his friends than my husband. So much so

that, on this day, after a great deal of good feeling and harmony, he

came back alone in the twilight and took a wrong road, for want of

finding the right one. Finding himself near a cavern, he saw as clear

as it was possible in his condition and at that hour a band of little

men carrying a boy or a girl on a stretcher. He ran away for fear of a

mishap, for wine did not deprive him of discretion. But at some

distance from the cavern, having let his pipe fall, he bent to pick it

up and took hold of a little satin slipper instead. He made a remark

about it which he liked to repeat when he was in a good temper. 'This is

the first time,' he said to himself, 'that a pipe changes into a

slipper.' Now, as this slipper was the slipper of a little girl, he

thought that she who had lost it in the wood had been carried off by the

dwarfs, and that it was her capture he had seen. He was just on the

point of putting the slipper in his pocket when little men, covered with

hoods, threw themselves upon him and gave him so many smacks on the head

that he remained on the spot quite dazed."

"Glauce! Glauce!" cried George, "it is Bee's slipper! Give it me that

I may kiss it a thousand times. It shall lie on my heart for ever, in a

bag of scented silk, and when I die it shall be put in my coffin."

"As you please, your Highness; but where will you go to get it? The

dwarfs took it back from my poor husband, and he even thought that why

he had been so thoroughly beaten was because he tried to put it in his

pocket to show the magistrates. He was accustomed to say on the subject

when he was in a good temper..."

"Enough! Enough! Only tell me the name of the cave."

"My lord, it is called the cave of the dwarfs, and it is well called so.

My late husband..."

"Glauce! not a word more! But you, Freeheart, do you know where this

cave is?"

"My lord," answered Freeheart, finishing his mug of ale, "you would be

quite certain I do if you knew my songs better. I have composed at

least a dozen on this cave, and I have described it without forgetting

the smallest sprig of moss. I venture to say, my lord, that of these

twelve songs, six are really worth something. But the six others are

not to be disdained. I will just sing you one or two..."

"Freeheart," cried George, "we will seize the cave of the dwarfs, and we

will deliver Bee!"

"Nothing could be more certain," answered Freeheart.

*CHAPTER XX*

*IN WHICH A DANGEROUS ADVENTURE IS RELATED*

As soon as night came, and the whole castle was asleep, George and

Freeheart slipped into the low hall to get arms. There, under the smoky

joists, gleamed lances, swords, dirks, espadons, hunting knives,

daggers, all that is required to kill man and wolf. Under each rafter,

a complete suit of armour stood upright, holding itself so sternly and

proudly that it seemed as if it was still filled by the soul of the

brave man who had arrayed himself in it in bygone days to go on great

adventures. And the glove clasped the lance in ten iron fingers, while

the shield rested on the tassets of the thigh, as if to teach that

prudence is necessary to courage and that the good soldier is armed for

defence as well as for attack. George selected amid so ample a choice

the suit of armour which the father of Bee had carried as far as the

isles of Avalon and of Thule. He put it on with the help of Freeheart,

and he did not forget the shield on which was blazoned proper the golden

sun of the Clarides. Freeheart, on the other hand, arrayed himself in

the good old steel coat of his grandfather and crowned himself with an

obsolete headpiece, to which he added a kind of moth-eaten and ragged

plume, feather, or brush. He made this choice for fun and to look

comical; for he considered that gaiety, good at all hours, is especially

useful when there are great dangers to be incurred.

Having thus armed themselves, they went off, under the moon, over the

dark fields. Freeheart had tied the horses at the edge of a little

wood, near the fortress gate, where they found them gnawing the bark of

the bushes; these horses were very swift, and it took them less than an

hour to reach, amid dancing will o' wisps and confused visions, the

mountains of the dwarfs.

"Here is the cave," said Freeheart.

The lord and squire dismounted. Sword in hand, they entered the cave.

Great courage was required to engage in such an adventure. But George

was in love and Freeheart was faithful. And as the most delightful of

poets says:

"What cannot Friendship do guided by sweet Love?"

The lord and the squire walked in the darkness for nearly an hour; then

they saw a great blaze, at which they were astonished. It was one of

those meteors with which we know the dwarfs illuminate their kingdom.

By the light of this subterranean brightness they saw they were at the

base of an ancient castle.

"Here," said George, "is the castle which we must seize."

"Certainly," answered Freeheart, "but allow me to drink a few drops of

this wine which I brought with me as a weapon, for a good wine makes a

good man, and a good man makes a good spear, and a good spear makes a

bad foe."

George, not seeing a living soul, roughly struck with the hilt of his

sword the door of the castle. A small quavering voice made him lift his

head, and he saw at one of the windows a very small old man with a long

beard who asked him:

"Who are you?"

"George of the White Moor."

"And what do you want?"

"I want to take back Bee of the Clarides, whom you unjustly detain in

your mole-hill, ugly moles that you are!"

The dwarf disappeared, and again George found himself alone with

Freeheart, who said to him:

"My lord, I do not know if I am guilty of exaggeration when I state that

in your answer to the dwarf you did not perhaps exhaust all the

resources of the most persuasive eloquence."

Freeheart feared nothing, but he was old. His manners, like the top of

his head, had been smoothed by time, and he did not like to see people

annoyed. George, on the other hand, rushed about yelling:

"Vile earthmen, moles, badgers, dormice, ferrets, and water-rats, only

open the door and I will cut all your ears off."

But hardly had he finished speaking these words when the bronze door of

the castle opened of itself. No one could be seen pushing the huge

leaves.

George was frightened, and yet he stepped through the mysterious door

because his courage was greater than his fear. Once inside the court,

he saw at all the windows, in all the galleries, on all the roofs, on

all the gables, inside the lamp and even on the chimney-pots dwarfs

armed with bows and cross-bows.

He heard the bronze door shut behind him, and a shower of arrows began

to fall hard on his head and his shoulders. For the second time he was

very frightened, and for the second time he overcame his fear.

Shield on arm, and sword in hand, he went up the stairs, when suddenly

he saw, standing on the highest step, and calmly majestic, a stately

dwarf, bearing the golden sceptre, the royal crown, and the purple

mantle. And this dwarf he recognised to be the little man who had freed

him from his glass prison. Then he threw himself at his feet and said

to him in tears:

"My benefactor, is it you? Are you one of those who have taken from me

Bee whom I love?"

"I am King Loc," answered the dwarf. "I have kept Bee with me to teach

her the secrets of the dwarfs. Child, you have come upon my kingdom

like hail on a garden of flowers. But the dwarfs, less weak than men,

do not grow irritated as they do. I am too much above you in mind to

feel anger at your acts, whatever they may be. Of all the advantages I

have over you there is one that I will carefully keep; it is that of

being just. I will send for Bee, and I will ask her if she wishes to

follow you. I will do this not because you demand it, but because it is

my duty."

There was a deep silence, and Bee appeared in a white dress with her

fair hair loose. As soon as she saw George she ran to throw herself in

his arms, and clasped with all her might the iron breast of the knight.

Then King Loc said to her:

"Bee, is it true that this is the man whom you wish to marry?"

"It is true, very true, that this is the man, little King Loc," answered

Bee. "Look, little men, how I laugh and how I am happy."

And she began to cry. Her tears fell on George's cheek, and they were

tears of happiness; laughter mingled with the tears and a thousand

delightful words which had no sense, like those murmured by little

children. She did not reflect that the sight of her happiness could

sadden the heart of King Loc.

"Dearest," George said to her, "I find you again just as I wished you to

be: the most beautiful and the best of beings. You love me! Heaven be

thanked, you love me! But, Bee, do you not also love King Loc a little,

who drew me from the glass prison where the Sylphs kept me far from

you?"

Bee turned to King Loc:

"Little King Loc, you did this!" she cried: "you loved me and you freed

the one who loved me and whom I loved..."

She could say no more, and she fell on her knees, her head in her hands.

All the little men, witnesses of this scene, shed tears on their

crossbows. King Loc alone kept an unmoved face. Bee, discovering in

him so much magnanimity and so much kindness, felt for him the love of a

daughter for a father. She seized the hand of her lover and said:

"George, I love you: heaven only knows how much I love you. But how can

I leave little King Loc?"

"Ha, ha! you are both prisoners of mine," cried King Loc in a terrible

voice.

He put on a terrible voice by way of amusement and to play a good joke.

But really he was not angry. Freeheart came to him and bent a knee to

the ground.

"Sir," he said, "will your Highness be pleased to let me share the

captivity of the master I serve?"

Bee, recognising him, said to him:

"It is you, my good Freeheart. I am pleased to see you again. You are

wearing a very ugly feather. Tell me, have you composed any new songs?"

And King Loc took them all three off to dinner.

*CHAPTER XXI*

*IN WHICH ALL ENDS WELL*

The next day George and Freeheart dressed themselves in sumptuous

clothes which the dwarfs had prepared for them, and betook themselves to

the Hall of State where King Loc, in the dress of an Emperor, soon came

to join them as he had promised. He was followed by his officers

wearing arms, and furs of a wild magnificence, and helmets on which

swan-wings waved. The dwarfs, thronging in crowds, came in by the

windows, the ventilators, and the chimneys, and even crept under the

seats.

King Loc got up on a stone table, at the end of which were drawn up rows

of flagons, candlesticks, bowls, and cups of fine gold and of marvellous

workmanship. He motioned to Bee and to George to come near, and said:

"Bee, a law of the Dwarf people requires that a stranger received within

our house should be free at the end of seven full years. You have spent

seven years in our midst, Bee, and I would be a bad citizen and a guilty

king if I detained you longer. But before I let you go away, I wish,

not having been able to marry you, to betroth you myself to the man you

have chosen. I do so with joy, because I love you more than myself, and

my pain, if any is left, is like a little shadow unnoticed in my

happiness. Bee of the Clarides, Princess of the Dwarfs, give me your

hand; and you, George of the White Moor, give me yours."

Having put the hand of George in that of Bee, King Loc turned to his

people and said in a loud voice:

"Little men, my children, you are witnesses that these two here

undertake mutually to marry each other on earth. Let them return there

together and together bring forth deeds of courage, modesty, and

faithfulness, as good gardeners tend and bring to flower roses,

carnations and peonies."

At these words the dwarfs shouted loudly, and, not knowing whether they

ought to lament or to rejoice, they were distracted by contrary

feelings. King Loc turned again to the two betrothed, and showing them

the bowls, the flagons, all the splendid plate:

"These," he said, "are the presents of the dwarfs. Take them, Bee, they

will recall your little friends; they are given by them and not by me.

You will know in a moment what I mean to give you."

There was a long silence. King Loc gazed with a lovely look of

tenderness at Bee, whose beautiful radiant head, crowned with roses,

rested on the shoulder of her betrothed.

Then he spoke again in these terms:

"Children, it is not enough to love much; you must love well. Great

love is good, undoubtedly; wise love is better. May yours be as mild as

it is strong; may it want nothing, not even indulgence, and may some

pity be mingled with it. You are young, beautiful and good; but you are

human, and, for that very reason, subject to many miseries. This is

why, if some pity does not form part of the feelings you have for each

other, these feelings will not be adapted to the circumstances of your

common life; they will be like holiday clothes which are no protection

against the wind and the rain. You only love those securely whom you

love even in their weaknesses and meannesses. Mercy, forgiveness,

consolation, that is love and all its science."

King Loc stopped, overcome by sweet and powerful emotions. He resumed

his speech:

"Children, be happy. Keep your happiness, keep it carefully."

While he spoke, Pic, Tad, Dic, Bob, Truc, and Paw, clinging to Bee's

white mantle, covered with kisses the girl's naked arms and hands. And

they begged her not to leave them. Then King Loc drew from his belt a

ring, the stone of which flung showers of light. It was the magic ring

with which he had opened the dungeon of the Sylphs. He slipped Bee's

finger through it, and said:

"Bee, receive at my hands this ring, which will allow you to enter at

all times, you and your husband, the kingdom of the dwarfs. You will be

received with delight and helped in every way. On the other hand, teach

the children you will have not to despise the innocent and industrious

little men who live under the earth."

[Illustration: Dwarf]

*LOOKING BACKWARD*

[Sidenote: _Chapter I._]

Now that we know all about Princess Bee, we may find it pleasant to look

backward and think a little about the story, chapter by chapter, to find

out whether it has come to stay in our minds. Some stories do and others

don't. We are glad to forget some stories, but I do not think that the

story of Bee is one of that kind. Besides, it is told with such loving

carefulness that, for the sake of the writer, who wrote that he might

please and inspire us, we ought to read it again with a quiet mind,

undisturbed by any thought of what is going to happen next; for now we

know all about that.

It is a story of that wonder time so often spoken of as "long, long

ago," and its date does not matter; but you will see from the first

chapter that it belongs to the time of the knights, the best of whom

tried to remedy things that were wrong and make the world a finer place

in which to live.

Do you like the Countess of the White Moor? And why? How much older was

George than Bee?

[Sidenote: _Chapter II._]

Read over several times the description of the estates of the Duchess of

Clarides (there are three bites to _this_ cherry). It is such a good

"pen-picture" and there are many more in this story for which you ought

to watch with care. The old monk in the tower with his birds and his

books is worth thinking about and so are his rules; so also are the

rules of the Duchess. There is a good "pen-picture" with two trees and

two children in it. I wonder if you could sketch it?

[Sidenote: _Chapter III._]

Do they teach falconry in your school? If not, you might at least try

to find out something about it, for it was a fascinating sport--except,

of course, for the little birds--much better fun than learning several

styles of handwriting or getting "grammatical instruction with barbarous

terminology." What a lovely jumble of big words! What about that

sentence, "affectionate lessons are the only good lessons"? And

whatever is "inebriety "? It must be something very dreadful. I fancy

it is something catching and can most easily be caught at "Tin-jugs,"

and "Red Lions," and "Indian Queens," and "Bull and Bushes," and

suchlike places where they know absolutely nothing about synecdoche or

aposiopesis either.

[Sidenote: _Chapter IV._]

There are some lovely colours in the first bit of this chapter. Perhaps

you could get someone to make a colour-sketch? And pearls _have_ a

"mild splendour," haven't they, quite different from diamonds or rubies?

If you are a girl wouldn't you like to have a hair-ribbon like Bee's?

George and Bee were taught a beautiful lesson that morning, and learnt

it, too. I wish we could all describe beautiful scenery as beautifully

as the Duchess could--and, by-the-way, look carefully at the iris flower

when you meet with one again. Sylphs? Have you another name for them?

What a sounding title the old beggar-woman gave herself, and what a well

furnished kitchen she had! Have you a pipkin and a caldron at home?

What are the duties of Dwarfs?

[Sidenote: _Chapter V._]

Have you ever noticed that hills and woods are really "blue in the

distance"? A great many writers have done so. What a charming

definition (horrid word) Princess Bee gave of the horizon, and how

differently she thought of the bigness of the world from George. Do you

think they would find lobsters by fishing under the old stone bridge?

(Perhaps, however, this is too severe a question for a tale about "long,

long ago.") Those forbidden Sylphs were still in the children's minds,

but Bee had less fear than George--or was she daring George to go?

Which of the two children was the best quarreller?

[Sidenote: _Chapter VI._]

And _now_, who is the brave adventurer? There is a pretty picture of

which the "Headless Woman" is the centre. Read the description again

and again and look at the picture with closed eyes. There is another

with Bee in the centre, holding out her skirt for the cherries. Bee's

teachers had not taught her economics, had they? It would be hard to

find a more charming description of a walk than is contained in this

chapter. Bee is soon plunged in despair, but George is a little

Greatheart and soon has his reward. Read slowly and more than once the

description of the lake. The sudden appearance of the goose-girl gives

us another pretty picture. What is a demijohn? How does Bee tell us

that the day is waning? Consider the words "Reeds, like pliant swords,"

and the pretty coloured flower-picture at the end of the chapter.

[Sidenote: _Chapter VII._]

George still plays the part of Greatheart manfully and is ready for any

event, having used his observing powers on the fruits and berries like a

Boy Scout. Think of that sharp picture against the pale sky of

evening--"a little dwarf riding on a crow." Then of the changing

picture--like a lovely scene in a play--as night falls upon the lake.

See how the Sylphs come while the boy stands entranced. Did he remember

the words of Bee's mother as he was carried "through the waters, in

halls of crystal and porphyry"? And what a lovely word the last one is!

[Sidenote: _Chapter VIII._]

It would be good fun to try to draw a dwarf from the description given

at the beginning of this chapter, helped by a glance at some of the

little pictures in this book. Can't you feel how quick the dwarfs were

as you say the words "incredible nimbleness," rolling them round your

tongue? I wonder what it means to "look like an old poet." Pic's last

sentence, at all events, is very like poetry. Rug is very good at

argument and at sticking to his own opinion. Tad is a dwarf of

character--"Justice should prevail, and not custom." As for Pan, he

might have been a very sensible father, mightn't he? There is a pretty

picture when Bee raises herself upon her elbow and another one of a

different kind when Pic stands upon his dignity (to make himself taller)

and speaks the sounding sentence which begins, "She is only a child."

And what a depth of real truth there is in Tad's words, "You will

consider us less ugly when you like us better." No one who is loved can

be ugly to the one who loves.

And what a sad reproach there is in Tad's words to Rug: "You are more

like a man than a dwarf." This chapter ends with another charming

picture.

[Sidenote: _Chapter IX._]

How many colours or tints are mentioned in the first paragraph of this

chapter? In the next paragraph poetry and gentle fun have kissed each

other. A dwarf of "great majesty"? Oh, yes. Majesty is not a matter of

inches. The _dwarf_ monarch understood little girls in a wonderful way

and Bee was soon at her ease as every guest is who asks for a pair of

slippers, right off. The next thing such a guest would do would be to

poke the fire! The illustrious Belisarius? He was a famous general who

won many victories in Italy and the East, and was brave, generous, just

and faithful and afraid of nothing but his wife. Bee was just a little

ungracious about those slippers, don't you think? But there was some

excuse for her--she _did_ want to be at home again. It would be a

lovely arrangement if those who love each other _could_ exchange dreams

when they are parted for a time. Some people say they do, and possibly

the dwarf poet believed it to be possible.

[Sidenote: _Chapter X._]

It was a strange but beautiful underground world in which the dwarfs had

their home. Why _lava_ pavement? Bee's lessons must have been

fascinating. If only we could all learn without books! Then perhaps we

also should "move with grace and express ourselves according to the rule

of poetry." What a delightful picture of a puppet show is given in this

chapter! There are clever men and women to-day who can make dolls act

in this way. Read the description again, for it is well worth while.

Wouldn't you like to play the theorbo? It has a lovely name. Did the

dwarfs change as the days and months passed and the years made their

round?

[Sidenote: _Chapters XI. and XII._]

The deep, deep darkness between the rocky walls makes the light shine

all the brighter, and Bee's exclamation might be that of a blind girl

whose sight is suddenly restored. Have you ever seen a chalice, a pyx,

or a patin, and would you know them if you saw them again? Or a

thurible? And wouldn't you like that set of moonstone chessmen? What a

wonderful description of a coffer full of jewels! Yet, with all this

wealth before her Bee chooses to go back to earth and into the sunshine

back to her mother and George of the White Moor, more precious than

pearls. Read again and again, nay, learn by heart what King Loc said to

Bee after he had tested her--for he was only testing her all the time.

Was there ever such a proposal of marriage? But little King Loc has his

own dignity--also his hopes.

[Sidenote: _Chapter XIII._]

Who would be a princess and wear a crown which interfered with flowing

locks and merry gambols? The story-teller strikes a sad note. Bee and

the little king are both unhappy and there is a pathetic and very

beautiful picture of the princess gazing on the sunbeam; another of her

arrival on earth again. The king's instructions are difficult and there

is danger in them. The journey home is fascinating, reminding us of

Peter and Wendy on the way to the Land of Lost Boys; so also is the

arrival home, which is fully described. But the sad ending is told in a

few curt words. It is much too pitiful for a long description.

[Sidenote: _Chapter XIV._]

Is this story beginning to remind you of an old, old tale told long ago

among the Ancient Greeks, a tale of a lost princess carried off to the

Underworld by Pluto and mourned on earth by Ceres, the goddess of the

corn? If you happen to know that old, old story you will be able to

make interesting comparisons. But to return to King Loc. The secret

comes out. Did Bee know that she loved George of the White Moor when

King Loc had asked her, long before, whether she loved anyone else?

Have _you_ known Bee's secret all along? The effect of her declaration

is rather piteous--with a smile behind the sadness. King Loc's exit is

very dignified and dramatic and, by the way, what an excellent play

could be made from this story, or a series of tableaux.

[Sidenote: _Chapter XV._]

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