CHAPTER VIII

THE BODY OF THE LANTERN

We now come to the mechanical construction of the optical lantern, and a

great variety of design presents itself, according to price, type (_i.e._

short range or long range), and the individual ideas of the various makers.

Lantern bodies as a rule are now made of metal, although up till quite

recently the better class instruments were more usually made of polished

mahogany lined internally with iron; but there has of late been a consensus

of opinion in favour of metal only.

In the cheaper lanterns this metal body is usually made either of Russian

iron or of sheet-iron tinned and japanned, {71} there being little to

choose either in price or quality between the two varieties, and in all but

the very cheapest instruments the front is usually of brass.

In better lanterns the body is more often made of enamelled steel, the

front as before being of brass; but brass, copper, or aluminium are also

used occasionally for the body of the lantern.

[Illustration: FIG. 42.--Hughes' Short-Range Lantern.]

In deciding upon the type of body to be purchased the main considerations

to be borne in mind are: (1) The type or types of illuminant to be used, a

powerful arc lamp for example requiring a larger body than is necessary for

a weaker radiant; (2) the size and position of the lens to be carried, a

Petzval objective of say 3 inches diameter which has to be supported at the

end of a long brass mount for long-range work obviously demanding a body of

greater strength and rigidity than is required with a 6-inch focus lens of

2 inches diameter; (3) price.

Fig. 42 shows an extremely good lantern body for short-range work made by

Messrs. Hughes, the illustration depicting the instrument complete with a

'Luna' methylated spirit lamp, though, of course, any other illuminant

suitable for a small lantern could be used instead. {72}

This lantern illustrates well one point that has already been emphasised as

important, viz. the ventilation of the condenser. It will be noticed that

this is placed _outside_ the body of the instrument instead of inside as is

usual with larger bodies, and that wide slots are cut in the condenser

mount to allow free escape of steam.

Other points of this excellent design are the screw adjustment to the slide

stage (facilitating the use of special slides, such, for example, as those

illustrating the movements of the planetary bodies which sometimes involve

the use of extra thick frames) and a simple but efficient tilting

arrangement to the base.

[Illustration: FIG. 43.--Long-Range Lantern.]

Such a lantern is hardly suitable for a powerful arc lamp or limelight jet,

or for heavy long-range lenses, but is a very good typical instrument for

use in moderate-sized halls, and a lantern of this general type is usually

found in lantern catalogues, though, of course, the exact designs vary

according to the ideas of the manufacturer. Of lanterns for long-range work

a good example is perhaps Messrs. Newton & Co.'s 'Intermediate' pattern

(Fig. 43).

This again is only typical of many others by the various makers, but the

principal points are common to all. These are: (1) The large and

well-ventilated body; (2) the long {73} baseboard; (3) the strong and

massive brass front necessary to carry the large long-range lenses; (4) the

velvet curtain at the back to close in any stray light from a powerful arc

lamp.

[Illustration: FIG. 44.--Connections for a Bi-unial Lantern.]

The two foregoing designs are perhaps sufficiently typical of lantern

bodies in general to make further detailed description of individual

designs unnecessary; but reference should be made to features which special

requirements may render advisable.

Under this heading mention must be made of _Bi-unials_ or Double Lanterns,

as used for the once famous 'Dissolving Views.'

A bi-unial lantern consists essentially of two different instruments, each

complete with its limelight jet or other illuminant--front, condensers,

objective, &c., usually mounted on one body--and with some arrangement for

'dissolving' or turning the light in each lantern gradually on and off.

Fig. 44 shows the back view of such a lantern with two limelight jets and

dissolving tap, this piece of mechanism (shown below in the illustration)

being so arranged that when the lever is horizontal _both_ lanterns are on

full, but moving the lever either way cuts off the gas supply to one

lantern. In the case of limelight the tap should always operate by cutting

off the oxygen supply in advance of the coal gas (in order to avoid a

'snap'), and the latter should never be cut off entirely, but a small bead

of flame left to keep the jet alight, until the lantern is required for the

next slide. {74}

This is usually arranged for by means of a bye-pass, and a bye-pass is

sometimes provided on the oxygen side as well, but is usually discarded in

practice.

A bi-unial lantern can be worked in the same way with acetylene gas, but

with the electric arc it is impossible to turn the light on and off

gradually, and in practice dissolving must be done by keeping both lanterns

fully alight, and using a dissolving shutter, that is a movable shutter

that covers each objective alternately. The same arrangement must be used

with other illuminants, such as oil, only in this case the lanterns must be

mounted side by side, on account of the tall chimneys. With oil lamps the

arrangement answers fairly well, the dissolving fan, as it is termed, being

made with serrated edges which give the _gradual_ obliteration required;

but with the electric arc the extremely sharp definition becomes a serious

difficulty, and a good dissolver for this illuminant has never yet been

found, though, in view of the fact that dissolving views are more or less a

thing of the past, the matter cannot be regarded as important.

The advantages claimed for a double lantern are two: first, a 'Dissolving'

effect by which one picture fades gradually into the next, and which is

supposed to be more pleasing than the movement of a carrier; and second,

'Dissolving Effects' can be shown, such as exhibiting a landscape by day

and changing it into a moonlight scene, or bringing on the appearance of a

snowstorm, which can easily be done by means of a roller slide, with minute

perforations shown in motion by the second lantern while the landscape

remains on the screen from the first. In the days when dissolving views

were all the vogue, a third or even a fourth lantern has been added for

more complicated effects, and at the famous Polytechnic demonstrations of

years ago, I believe that as many as six were sometimes employed.

In these days of the cinematograph it is doubtful how far interest in such

effects could be revived, and a lantern has {75} gradually come to be

looked on more as an instrument for showing illustrations as required by

the lecturer rather than as a pleasing exhibition in itself, and as

dissolving views have lost their attraction, the double or triple lantern

has been relegated to the limbo of antiquity.

[Illustration: FIG. 45.--Beard's Circulating Water Tank.]

Among other 'special' lanterns should be mentioned models made with

water-cooled stages, for use with very delicate slides. This elaboration is

not necessary with ordinary slides and illuminants of moderate power, but

where very delicate slides, such as specimens of natural colour

photography, have to be shown, it is an advisable precaution to pass the

beam of light first through a tank of water in order to absorb the heat.

Lanterns intended for this work are usually constructed with a kind of

double stage, a glass trough of water fitting into the rear aperture and

the slide-carrier into the front one. Such an arrangement answers quite

well for most purposes, but for extreme cases lanterns are equipped with a

trough connected to a large outside tank and complete circulatory system,

after the manner of the cooling tank of a gas engine.

Such a lantern, constructed by Messrs. Beard, is illustrated in Fig. 45,

and it will be seen that in this instrument the water trough is placed

between the lenses of the condenser. {76} This is a very good position, as

the beam of light at this point is, or should be, parallel, whereas between

the condenser and the slide it is convergent, and therefore a condenser of

a larger diameter than the slide must be employed in the latter case if the

trough is of considerable width.

While dealing with 'Special' lantern bodies, we should perhaps just mention

here the numerous pattern lanterns made for the demonstration both of

lantern slides and of Scientific Phenomena, such as the projection of

insect life or other microscopic objects, polarised light experiments,

electrical apparatus, opaque objects, &c. A detailed description of these

lanterns and how to use them belongs to the second part of this work, as

also does the popular cinematograph; but educational institutes, and even

boys' clubs, when considering the purchase of a lantern, might well reflect

whether it would be advisable to spend a little more money in the

acquisition of an instrument which can be utilised for a variety of

purposes.

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Optical Projection. Part 1: The Projection of Lantern Slides · 第 8 / 11 章