I obeyed him without doubt or hesitation.

"Now, come with me," he said, when at last I had buckled on a scimitar

and thrust my feet into slippers of crimson leather, and together we

went out into the open court.

A deep silence rested on the great palace, broken only by the cool

plashing of the fountains in their marble basins. The heavens, blue as

a sapphire, were profound and mysterious. Myriads of stars twinkled in

the clear depths of the skies, and all objects were defined with a

wonderful accuracy in the silver moonlight. The Fada was hushed in

sleep. On the marble steps of the Bab-Seadet, the gate of the Imperial

harem, the black guards stood on either side, mute, erect, motionless,

their naked swords gleaming in the moonbeams. How many scenes of

gorgeous festivity had been witnessed beyond that great door of iron!

how many terrible and bloody dramas had been enacted within those grim,

grey walls--dramas of love and hatred, of ambition, disappointment and

revenge, of all the fiercest passions of the human heart! By night and

day the bewitching pearls of the harem intrigued, schemed and plotted--

themselves, through their Imperial Master, ruling the world outside.

Too often, alas! in the history of the Empire of Sokoto it had occurred

that some dark eye, some bewitching face masking a beautiful slave's

ignorance and cunning, had mastered her irresponsible and irresistible

lord, and been the means of striking off the heads of not only her

rivals within the harem, but those of even the wisest councillors and

the bravest fighting-men outside.

As together we crossed the silent court our echoing footsteps broke the

quiet. In the gateway of the harem a single light glimmered yellow in

contrast with the white moonbeams; but turning our backs upon it we

passed through one court after another, receiving salutes from the

guards at each gateway. My disguise as eunuch was complete, and as we

strolled onward without apparent haste my confidence grew until, on

crossing the Court of the Armourers and entering the Court of the Pages,

we discerned a white-robed figure enveloped in a haick and wearing the

ugly baggy trousers which are the out-door garments of Moslem women.

"Behold!" I exclaimed, with bated breath. "The Lalla Azala awaiteth

us!"

"No," answered the strange, grotesque being. "It is her mute slave,

Ayesha. Place thyself in her hands. She will conduct thee unto her

mistress."

As we advanced, the woman, whose face I could not distinguish, raised

her hand with commanding gesture, and opening a small door beckoned me

to follow. This I did, Tiamo remaining behind. Across many courts and

through several doors, which the woman carefully bolted after us, we

sped until, skirting a pretty garden where pomegranates, almonds,

cypresses and myrtles alternated regularly, and roses in full bloom

embowered the long alley, we came to a door in a wall near the tower.

Having looked well around to see that nobody remarked us, she introduced

me into a passage so small that I was compelled to bend to enter it.

Taking up a lamp that had apparently been placed there in readiness, she

went on before, and I followed through some intricate wanderings; then,

instead of ascending, we began to go down a flight of broken stone

steps.

The air became hot and stifling, and foul odours rose from the place

into which we were descending. Suddenly a loud, piercing shriek of pain

sounded weirdly, followed by another and yet another. Then I recognised

the uneven steps as those leading to the foul dungeon with its maniac

prisoners.

The rough, exultant laugh of my enemy, Khazneh, reached my ears from

below, mingled with the imploring cry of some unfortunate wretch who was

undergoing torture. Next second a suspicion flashed across my mind that

I had been betrayed.

The Eye of Istar: A Romance of the Land of No Return · 第 26 / 104 题