From the 'History of Civilization in England'

At a very early period in the progress of a people, and long before they

are acquainted with the use of letters, they feel the want of some

resource which in peace may amuse their leisure, and in war may

stimulate their courage. This is supplied to them by the invention of

ballads; which form the groundwork of all historical knowledge, and

which, in one shape or another, are found among some of the rudest

tribes of the earth. They are for the most part sung by a class of men

whose particular business it is thus to preserve the stock of

traditions. Indeed, so natural is this curiosity as to past events that

there are few nations to whom these bards or minstrels are unknown.

Thus, to select a few instances, it is they who have preserved the

popular traditions, not only of Europe, but also of China, Tibet, and

Tartary; likewise of India, of Scinde, of Beloochistan, of Western Asia,

of the islands of the Black Sea, of Egypt, of Western Africa, of North

America, of South America, and of the islands in the Pacific.

In all these countries, letters were long unknown, and as a people in

that state have no means of perpetuating their history except by oral

tradition, they select the form best calculated to assist their memory;

and it will, I believe, be found that the first rudiments of knowledge

consist always of poetry, and often of rhyme. The jingle pleases the ear

of the barbarian, and affords a security that he will hand it down to

his children in the unimpaired state in which he received it. This

guarantee against error increases still further the value of these

ballads; and instead of being considered as a mere amusement, they rise

to the dignity of judicial authorities. The allusions contained in them

are satisfactory proofs to decide the merits of rival families, or even

to fix the limits of those rude estates which such a society can

possess. We therefore find that the professed reciters and composers of

these songs are the recognized judges in all disputed matters; and as

they are often priests, and believed to be inspired, it is probably in

this way that the notion of the divine origin of poetry first arose.

These ballads will of course vary according to the customs and

temperaments of the different nations, and according to the climate to

which they are accustomed. In the south they assume a passionate and

voluptuous form; in the north they are rather remarkable for their

tragic and warlike character. But notwithstanding these diversities, all

such productions have one feature in common: they are not only founded

on truth, but making allowance for the colorings of poetry, they are all

strictly true. Men who are constantly repeating songs which they

constantly hear, and who appeal to the authorized singers of them as

final umpires in disputed questions, are not likely to be mistaken on

matters in the accuracy of which they have so lively an interest.

This is the earliest and most simple of the various stages through which

history is obliged to pass. But in the course of time, unless

unfavorable circumstances intervene, society advances; and among other

changes, there is one in particular of the greatest importance. I mean

the introduction of the art of writing, which, before many generations

are passed, must effect a complete alteration in the character of the

national traditions. The manner in which, this occurs has, so far as I

am aware, never been pointed out; and it will therefore be interesting

to attempt to trace some of its details.

The first and perhaps the most obvious consideration is, that the

introduction of the art of writing gives permanence to the national

knowledge, and thus lessens the utility of that oral information in

which all the acquirements of an unlettered people must be contained.

Hence it is that as a country advances the influence of tradition

diminishes, and traditions themselves become less trustworthy. Besides

this, the preservers of these traditions lose in this stage of society

much of their former reputation. Among a perfectly unlettered people,

the singers of ballads are, as we have already seen, the sole

depositaries of those historical facts on which the fame, and often the

property, of their chieftains principally depend. But when this same

nation becomes acquainted with the art of writing, it grows unwilling to

intrust these matters to the memory of itinerant singers, and avails

itself of its new art to preserve them in a fixed and material form. As

soon as this is effected, the importance of those who repeat the

national traditions is sensibly diminished. They gradually sink into an

inferior class, which, having lost its old reputation, no longer

consists of those superior men to whose abilities it owed its former

fame. Thus we see that although without letters there can be no

knowledge of much importance, it is nevertheless true that their

introduction is injurious to historical traditions in two distinct ways:

first by weakening the traditions, and secondly by weakening the class

of men whose occupation it is to preserve them.

But this is not all. Not only does the art of writing lessen the number

of traditionary truths, but it directly encourages the propagation of

falsehoods. This is effected by what may be termed a principle of

accumulation, to which all systems of belief have been deeply indebted.

In ancient times, for example, the name of Hercules was given to several

of those great public robbers who scourged mankind, and who, if their

crimes were successful as well as enormous, were sure after their death

to be worshiped as heroes. How this appellation originated is

uncertain; but it was probably bestowed at first on a single man, and

afterwards on those who resembled him in the character of their

achievements. This mode of extending the use of a single name is natural

to a barbarous people, and would cause little or no confusion, as long

as the tradition of the country remained local and unconnected. But as

soon as these traditions became fixed by a written language, the

collectors of them, deceived by the similarity of name, assembled the

scattered facts, and ascribing to a single man these accumulated

exploits, degraded history to the level of a miraculous mythology. In

the same way, soon after the use of letters was known in the North of

Europe, there was drawn up by Saxo Grammaticus the life of the

celebrated Ragnar Lodbrok. Either from accident or design, this great

warrior of Scandinavia, who had taught England to tremble, had received

the same name as another Ragnar, who was prince of Jutland about a

hundred years earlier. This coincidence would have caused no confusion

as long as each district preserved a distinct and independent account of

its own Ragnar. But by possessing the resource of writing, men became

able to consolidate the separate trains of events, and as it were, fuse

two truths into one error. And this was what actually happened. The

credulous Saxo put together the different exploits of both Ragnars, and

ascribing the whole of them to his favorite hero, has involved in

obscurity one of the most interesting parts of the early history

of Europe.

The annals of the North afford another curious instance of this source

of error. A tribe of Finns called Quæns occupied a considerable part of

the eastern coast of the Gulf of Bothnia. Their country was known as

Quænland; and this name gave rise to a belief that to the north of the

Baltic there was a nation of Amazons. This would easily have been

corrected by local knowledge: but by the use of writing, the flying

rumor was at once fixed; and the existence of such a people is

positively affirmed in some of the earliest European histories. Thus too

Åbo, the ancient capital of Finland, was called Turku, which in the

Swedish language means a market-place. Adam of Bremen, having occasion

to treat of the countries adjoining the Baltic, was so misled by the

word Turku that this celebrated historian assures his readers that there

were Turks in Finland.

To these illustrations many others might be added, showing how mere

names deceived the early historians, and gave rise to relations which

were entirely false, and might have been rectified on the spot; but

which, owing to the art of writing, were carried into distant countries

and thus placed beyond the reach of contradiction. Of such cases, one

more may be mentioned, as it concerns the history of England. Richard

I., the most barbarous of our princes, was known to his contemporaries

as the Lion; an appellation conferred upon him on account of his

fearlessness and the ferocity of his temper. Hence it was said that he

had the heart of a lion; and the title Coeur de Lion not only became

indissolubly connected with his name, but actually gave rise to a story,

repeated by innumerable writers, according to which he slew a lion in a

single combat. The name gave rise to the story; the story confirmed the

name: and another fiction was added to that long series of falsehoods of

which history mainly consisted during the Middle Ages.

The corruptions of history, thus naturally brought about by the mere

introduction of letters, were in Europe aided by an additional cause.

With the art of writing, there was in most cases also communicated a

knowledge of Christianity; and the new religion not only destroyed many

of the Pagan traditions, but falsified the remainder by amalgamating

them with monastic legends. The extent to which this was carried would

form a curious subject for inquiry; but one or two instances of it will

perhaps be sufficient to satisfy the generality of readers.

Of the earliest state of the great Northern nations we have little

positive evidence; but several of the lays in which the Scandinavian

poets related the feats of their ancestors or of their contemporaries

are still preserved; and notwithstanding their subsequent corruption, it

is admitted by the most competent judges that they embody real and

historical events. But in the ninth and tenth centuries, Christian

missionaries found their way across the Baltic, and introduced a

knowledge of their religion among the inhabitants of Northern Europe.

Scarcely was this effected when the sources of history began to be

poisoned. At the end of the eleventh century Saemund Sigfusson, a

Christian priest, gathered the popular and hitherto unwritten histories

of the North into what is called the "Elder Edda"; and he was satisfied

with adding to his compilation the corrective of a Christian hymn. A

hundred years later there was made another collection of the native

histories; but the principle which I have mentioned, having had a longer

time to operate, now displayed its effects still more clearly. In this

second collection, which is known by the name of the 'Younger Edda,'

there is an agreeable mixture of Greek, Jewish, and Christian fables;

and for the first time in the Scandinavian annals, we meet with the

widely diffused fiction of a Trojan descent.

If by way of further illustration we turn to other parts of the world,

we shall find a series of facts confirming this view. We shall find that

in those countries where there has been no change of religion, history

is more trustworthy and connected than in those countries where such a

change has taken place. In India, Brahmanism, which is still supreme,

was established at so early a period that its origin is lost in the

remotest antiquity. The consequence is that the native annals have never

been corrupted by any new superstition, and the Hindus are possessed of

historic traditions more ancient than can be found among any other

Asiatic people. In the same way, the Chinese have for upwards of two

thousand years preserved the religion of Fo, which is a form of

Buddhism. In China, therefore, though the civilization has never been

equal to that of India, there is a history, not indeed as old as the

natives would wish us to believe, but still stretching back to several

centuries before the Christian era, from whence it has been brought down

to our own times in an uninterrupted succession. On the other hand, the

Persians, whose intellectual development was certainly superior to that

of the Chinese, are nevertheless without any authentic information

respecting the early transactions of their ancient monarchy. For this I

can see no possible reason except the fact that Persia, soon after the

promulgation of the Koran, was conquered by the Mohammedans, who

completely subverted the Parsee religion and thus interrupted the stream

of the national traditions. Hence it is that, putting aside the myths of

the Zendavesta, we have no native authorities for Persian history of any

value, until the appearance in the eleventh century of the Shah Nameh;

in which, however, Firdusi has mingled the miraculous relations of those

two religions by which his country had been successively subjected. The

result is, that if it were not for the various discoveries which have

been made, of monuments, inscriptions, and coins, we should be compelled

to rely on the scanty and inaccurate details in the Greek writers for

our knowledge of the history of one of the most important of the Asiatic

monarchies.

Library of the World's Best Literature, Ancient and Modern — Volume 06 · 第 249 / 262 题