The _Counter-Punch_ of _A_ ought to be Forged Triangularly, especially

towards the Punching End, and Tryed by the _A Gage_, as you were

taught to use the Square, _Numb._ 3. _Vol._ I. Yet, for this and other

Triangular _Punches_, I commonly reserve my worn-out three square

Files, and make my _Counter-Punch_ of a piece of one of them that best

fits the Body I am to Cut.

Having by your _A-Gage_ fitted the Top-Angle and the Sides of this

_Counter-Punch_, you must adjust its Heighth by one of the three

_Face-Gages_ mentioned in §. 12. ¶. 5. _viz._ by the Ascending

_Face-Gage_; for _A_ is an Ascending Letter. By Adjusting, I do not

mean, you must make the _Counter-Punch_ so high, as the Depth of the

Ascending _Face-Gage_; because in this Letter here is to be considered

the Top and the Footing, which strictly, as by the large Draft of _A_,

make both together five sixth Parts of a thin Space: Therefore five

sixth Parts must be abated in the Heighth of your _Counter-Punch_, and

it must be but four thin Spaces, and one sixth part of a thin Space

high, because the Top above the _Counter-Punch_, and the Footing below,

makes five sixth Parts of a thin Space, as aforesaid.

Therefore, to measure off the Width of four thin Spaces and one sixth

Part of a thin Space, lay three thin Spaces, or, which is better, the

Letter e, which is three thin Spaces, as aforesaid; and . which is one

thin Space and one sixth part of a thin Space, upon one another; for

they make together, four thin Spaces, and one sixth part of a thin

Space; and the thickness of these two Measures shall be the Heighth of

the _Counter-Punch_, between the Footing and the Inner Angle of _A_.

And thus, by this Example, you may couple with proper Measures either

the whole forty-two, which is the whole Body, or any number of its

Parts, as I told you before.

This Measure of four thin Spaces and one sixth part of a thin Space

is not a Measure, perhaps, used more in the whole Set of Letters to

be Cut to the present Body, therefore you need not make a _Standing

Gage_ for it; yet a present _Gage_ you must have: Therefore use the

_Sliding-Gage_ (described in §. 12. ¶. 4. and _Plate_ 10. at B.) and

move the Socket _c c_ on the Beam _a a_, till the Edge of the Sholder

of the Square of the Socket at the under-side of the Beam stands just

the Width of four thin Spaces and one sixth part of a thin Space, from

the Point of the Tooth _b_; which you may do by applying the Measure

aforesaid just to the Square and Point of the Tooth; for then if you

Screw down the Screw in the upper-side of the Sliding Socket, it will

fasten the Square at that distance from the Point of the Tooth. And

by again applying the side of the Square to the Foot of the Face of

the _Counter-Punch_, you may with the Tooth describe a small race,

which will be the exact Heighth of the _Counter-Punch_ for _A_. But _A_

hath a Fine stroak within it, reaching from Side to Side, which by the

large Draft of _A_, you may find that the middle of this cross stroak

is two Thin Spaces above the bottom of this _Counter-Punch_; and with

your common _Sliding-Gage_ measure that distance as before, and set off

that distance also on the Face of your _Counter-Punch_. Then with the

edge of a Fine _Knife-File_, File straight down in that race, about the

depth of a Thin Space, or somewhat more; So shall the _Counter-Punch_

for _A_ be finisht. But you may if you will, take off the Edges or

Sholder round about the Face of the _Counter-Punch_, almost so deep

as you intend to strike it into the _Punch_: for then the Face of the

_Counter-Punch_ being Filed more to a Point, will easier enter the

_Punch_ than the broad Flat-Face.

But note, That if it be a very Small Bodied _A_ you would make, the

Edge of a Thin _Knife-File_ may make too wide a Groove: In this case

you must take a peece of a well-Temper’d broken Knife, and strike its

Edge into the Face of the _Counter-Punch_, as aforesaid.

¶. 3. _Of Sinking the_ Counter-Punches.

Having thus finisht his _Counter-Punch_, he Hardens and Tempers it, as

was taught _Numb._ 3. _fol._ 57, 58. _Vol._ I. And having also Filed

the Face of his Punch he intends to cut his _A_ upon, pretty Flat by

guess, he Screws the Punch upright, and hard into the Vice: And setting

the Face of his _Counter-Punch_ as exactly as he can, on the middle of

the Face of his Punch, he, with an Hammer suitable to the Size of his

_Counter-Punch_, strikes upon the end of the _Counter-Punch_ till he

have driven the Face of it about two Thin Spaces deep into the Face of

the Punch. So shall the _Counter-Punch_ have done its Office.

But if the Letter to be _Counter-Puncht_ be large, as _Great-Primmer_,

or upwards, I take a good high Blood-red Heat of it, and Screw it

quickly into the Vice; And having my _Counter-Punch_ Hard, not

Temper’d, because the Heat of the Punch softens it too fast: And also

having before-hand the _Counter-Punch_ Screwed into the _Hand-Vice_

with its Shank along the Chaps, I place the Face of the _Counter-Punch_

as before, on the middle of the Face of the Punch, and with an Hammer

drive it in, as before.

Taking the Punch out of the Vice, he goes about to Flat and Smoothen

the Face in earnest; for it had been to no purpose to Flat and Smoothen

it exactly before, because the Sinking of the _Counter-Punch_ into it,

would have put it out of Flat again.

But before he Flats and Smoothens the Face of the Punch, He Files by

guess the superfluous Steel away about the Face of the Letter, _viz._

so much, or near so much, as is not to be used when he comes to finish

up the Letter, as in this present Letter _A_, which standing upon a

Square Face on the Punch, meets in an Angle at the Top of the Letter.

Therefore the Sides of that Square must be Filed away to an Angle at

the Top of the Face of the Punch. But great care must be taken, that

he Files not more away than he should: For he considers that the left

hand Stroak of _A_ is a Fat Stroak, and that both the left-hand and

the right-hand Stroak too, have Footings, which he is careful to leave

Steel enough in their proper places for.

The reason why these are now Fil’d thus away, and not after the Letter

is finisht, is, Because in the Flatting the Face there is now a less

Body of Steel to File away, than if the whole Face of the Punch had

remain’d intire: For though the following ways are quick ways to

Flatten the Face, yet considering how tenderly you go to Work, and with

what Smooth Files this Work must be done, the riddance made will be far

less when a broad Face of _Steel_ is to be Flatned, than when only so

much, or very little more than the Face of the _Letter_ only is to be

Flatned.

To Flat and Smoothen the Face of the Punch, he uses the _Flat-Gage_,

(described §. 12. ¶. 3. and _Plate_ 10. at A.) thus, He fits one

convex corner of the Shank of the Punch, into the Concave corner of

the _Flat-Gage_, and so applies his _Flat-Gage-Punch_ and all to the

Face of the _Using-File_, and lets the _Counter-Puncht_ end, _viz._

the Face of the Punch Sink down to the Face of the _Using-File_: And

then keeping the convex Corner of the Shank of the Punch close and

steddy against the Concave corner of the _Flat-Gage_, and pressing

with one of his Fingers upon the then upper end of the Punch, _viz._

the Hammer-end, he also at the same time, presses the lower end of

the Punch, _viz._ The Face against the _Using-File_, and thrusts the

_Flat-Gage_ and _Punch_ in it so oft forwards, till the extuberant

Steel on the Face, be Rub’d or Fil’d away: which he knows partly by the

alteration of colour and Fine Furrows made by the _Using-File_ on the

Face of the Punch, and partly by the falling away of the parts of the

Face that are not yet toucht by the _Using-File_: So that it may be

said to be truly Flat: which he knows, when the whole Face of the Punch

touches upon the Flat of the _Using-File_, or at least, so much of the

Face as is required in the Letter: For all Counter-Puncht-Letters, as

aforesaid, must have a greater Face of Steel than what the bare Letter

requires: for the reason aforesaid.

Another way I use is thus. After I have Fil’d the Face as true as I can

by guess, with a _Rough-Cut-File_, I put the Punch into an Hand-Vice,

whose Chaps are exactly Flat, and straight on the upper Face, and sink

the Shank of the Punch so low down in the Chaps of the Hand-Vice, that

the low side of the Face of the Punch may lye in the same Plain with

the Chaps; which I try with the Liner. For the Liner will then shew if

any of the Sides stand higher than the Plain of the Chaps: Then I Screw

the Punch hard up, and File off the rising side of the Punch, which

brings the Face to an exact Level: For the Face of the Chaps being Hard

Steel, a File cannot touch them, but only take off the aforesaid Rising

parts of the Face of the Punch, till the _Smooth-File_ has wrought it

all over exactly into the same Plain with the Face of the Chaps of the

_Hand-Vice_.

Some _Letter-Cutters_ work them Flat by Hand, which is not only

difficult, but tedious, and at the best, but done by guess.

The inconvenience that this Tool is subject to, is, That with much

using its Face will work out of Flat. Therefore it becomes the Workman

to examine it often, and when he finds it faulty to mend it.

When they _File_ it Flat by Hand, they Screw the Shank of the Punch

perpendicularly upright into the Chaps of the Vice, and with a

_Flat-Bastard-Cut-File_, of about Four Inches long, or if the Punch

be large, the File larger, according to discretion, and File upon the

Face, as was shewn _Numb._ I. _fol._ 15, 16. Then they take it out

of the Vice again, and holding up the Face Horizontally between the

Sight and the Light, examine by nice observing whether none of its

Angles or Sides are too high or too low. And then Screwing it in the

Vice again, as before, with a _Smooth-Cut-File_, he at once both Files

down the Higher Sides or Angles, and Smoothens the Face of the Punch.

But yet is not this Face so perfectly Flatned, but that perhaps the

middle of it rises more or less, above the Sides: And then he Screws

it in his _Hand-Vice_, and leans the Shank of the Punch against the

Tach, pretty near upright, and so as he may best command it, and with

a _Watch-Makers Half-Round-Sharp-Cut-File_, Files upon it with the

Flat-Side of his File; But so that he scarce makes his forward and

backward Stroaks longer than the breadth of the Face of his Punch, lest

in a long Stroak, the hither or farther end of his File should Mount or

Dip, and therefore keeps his File, with the Ball of his Finger upon

it, close to the Face of the Punch. Then with the Liner he examines how

Flat the Face of the Punch is, and if it be not yet Flat, as perhaps

it will not be in several Trials, he again reiterates the last process

with the _Small-Half-Round-File_, till it be Flat. But he often Files

cross the Furrows of the File, as well because it makes more riddance,

as because he may better discern how the File bears on the Face of the

Punch.

When it is Flat, he takes a Small well-worn Half-Round-File, and

working (as before) with the _Sharp-Cut-File_, he Smoothens the Face of

the Punch.

Having thus Flatted the Face of the Punch, and brought the Letter to

some appearance of Form, He Screws the Punch in the Hand-Vice, but

not with the Shank perpendicular to the Chaps, but so as the Side

he intends to File upon may stand upwards and aslope too, and make

an Angle with the Chaps of the Hand-Vice. And holding the Hand-Vice

steddy in his left hand, he rests the Shank of the Punch pretty near

its Face upon the Tach: and then with a small _Flat-File_, called a

_Pillar-File_, in his right hand, holding the Smooth Thin Side of it

towards the Footing of the Stem, he Files that Stem pretty near its due

Fatness, and so by several reiterated proffers, lest he should File too

much of the Stem away, he brings that Stem at last to its true Fatness.

Then he measures with the Ascending _Face-Gage_, the Heighth of the

Letter: For though the _Counter-Punch_ was imagin’d (as aforesaid)

to be made to an exact Heighth for the inside of the Letter; yet with

deeper or shallower Sinking it into the _Punch_, the inside oft proves

higher or lower: Because, as aforesaid, the Superficies of the Face

of the _Counter-Punch_ is less than the true measure. But as it runs

Sholdering into the Shank of the _Counter-Punch_ the Figure or Form of

the inside becomes bigger than the inside of the Letter ought to be.

Therefore the deeper this Sholdering Shank is sunk into the Face of

the _Punch_, the higher and broader will the Form of the inside of the

Letter be, and the shallower it is Sunk in, the Shorter and Narrower by

the Rule of Contraries.

He measures, as I said, with the Assending Face-Gage, and by it finds

in what good Size the Letter is. If it be too high, as most commonly

it is, because the Footing and Top are yet left Fat, then with several

proffers he Files away the Footing and Top, bringing the Heighth nearer

and nearer still, considering in his Judgment whether it be properest

to File away on the Top or Footing, till at last he fits the Heighth of

the Letter by the Assending _Face-Gage_.

But though he have fitted the Heighth of the Letter, yet if the

_Counter-Punch_ were made a little too little, or Sunk a little too

shallow, not only the Footing will prove too Fat, but the Triangle

above the Cross-stroke of _A_ will be too small; or if too big, the

Footing and part of the Top will be Filed away, when it is brought to

a due Heighth, and then the Letter is Spoil’d, unless it be so deep

Sunk, that by working away the Face, as aforesaid, he can regain the

Footing and Top through the Slope-sholdering of the _Counter-Punch_,

and also keep the inside of the Letter deep enough.

But if the Footing be too _Fat_ or the Triangle of the Top too little

in the Inside, he uses the Knife-backt Sculpter, and with one of the

edges or both, that proceeds from the Belly towards the Point of the

Sculpter (which edges we will for distinction sake call _Angular

edges_) he by degrees and with several proffers Cuts away the Inside

of the Footing, or opens the Triangle at the Top or both, till he hath

made the Footing lean enough, and the Triangle big enough.

But if he works on the Triangle of the Top, he is careful not to Cut

into the Straight of the Inside lines of the Stems, but to keep the

Insides of that Triangle in a perfect straight line with the other part

of the Inside of the Stem.

The small arch of a Circle on the Top of _A_ is Fil’d away with a

Sizable Round-File. And so for all other Letters that have Hollows

on their Outsides; he fits himself with a small File of that shape

and Size that will fit the Hollow that he is to work upon: For thus

the Tails of Swash-Letters in Italick Capitals are Fil’d with half

Round Files Sizable to the Hollows of them. But I instead of Round

or Half-Round Files, in this Case, bespeak Pillar Files of several

Thicknesses, and cause the _File-maker_ to Round and Hatch the Edges:

which renders the File strong and able to endure hard leaning on,

without Breaking, which Round or Half-Round Files will not Bear.

I need give no more Examples of Letters that are to be Counter-punched:

And for Letters that need neither Counter-punching or Graving, they are

made as the Out-sides of _A_, with Files proper to the shapes of their

Stroaks.

¶. 4. _Of Graving and Sculping the Insides of_ Steel Letters.

The _Letter-Cutter_ elects a _Steel Punch_ or _Rod_, a small matter

bigger than the Size of the Letter he is to Cut; because the Topping or

Footing Stroaks will be stronger when they are a little Bevell’d from

the Face. The Face of these Letters not being to be Counter-punched are

first Flatned and Smoothed, as was shewed, ¶. 3. Then with the proper

_Gage_, _viz._ the Long, the Ascending, or else the Short _Face-Gage_,

according as the Letter is that he intends to Cut, He measures off the

exact Heighth of the Letter, Thus; He first Files one of the Sides of

the Face of the _Punch_ (_viz._ that Side he intends to make the Foot

of his Letter) exactly straight; which to do, he screws his _Punch_

pretty near the bottom end, with its intended Foot-side uppermost,

aslope into one end of the Chaps of his _Hand-Vice_. So that the Shank

of the _Punch_ lies over the Chaps of the _Hand-Vice_, and makes an

Angle of about 45 Degrees with the Superficies of the Chaps of it:

Then he lays the under-side of the Shank of his _Punch_ aslope upon

his _Tache_, in one of the Notches of it, that will best fit the size

of his _Punch_, to keep it steady; and so Files the Foot-Line of the

_Punch_.

But he Files not athwart the sides of his _Punch_; for that might make

the Foot-Line Roundish, by a Mounting and Dipping the Hand is prone

to; as I shewed, _Vol._ I. _Fol._ 15, 16. But he holds his File so as

the Length of it may hang over the Length of the Shank of the _Punch_,

and dip upon it at the Face of the _Punch_, with a Bevel, or Angle,

of about 100 Degrees with the Face of the _Punch_. This Angle you may

measure with the _Beard-Gage_, described in _Plate_ 10. _Fig._ C. at

_k_. Then Filing with the File in this Position, the Foot-Line will be

made a true straight Line. But yet he examines it too by applying the

_Liner_ to it; and holding the _Punch_ and _Liner_ thus to the Light;

If the _Liner_ touches all the way on the Foot-Line, he concludes it

true; if not, he mends it till it do.

Then he uses his proper _Steel-Gage_, and places the Sholder of it

against the Shank of the _Punch_ at the Foot-Line; and pressing the

Sholder of the _Steel-Gage_ close against the Foot-Line, he, with the

Tooth of the _Gage_ makes a Mark or Race on the side of the Face,

opposite to the Foot-line: And that Mark or Race shall be from the

Foot-Line, the Bounds of the Heighth of that Letter.

Then on the Face he draws or marks the exact shape of the Letter, with

a Pen and Ink if the Letter be large, or with a smooth blunted Point

of a Needle if it be small: Then with sizable and proper shaped and

Pointed Sculptors and Gravers, digs or Sculps out the Steel between the

Stroaks or Marks he made on the Face of the _Punch_, and leaves the

Marks standing on the Face.

If the Letter be great he is thus to Sculp out, he then, with a Graver,

Cuts along the Insides of the drawn or marked Stroaks, round about all

the Hollow he is Cutting-in. And having Cut about all the sides of

that Hollow, he Cuts other straight Lines within that Hollow, close

to one another (either parallel or aslope, it matters not) till he

have filled the Hollow with straight Lines; and then again, Cuts in

the same Hollow, athwart those straight Lines, till he fill the Hollow

with Thwart Lines also. Which straight Lines, and the Cuttings athwart

them, is only to break the Body of Steel that lies on the Face of the

_Punch_ where the Hollow must be; that so the Round-Back’d Sculptor may

the easier Cut through the Body of the Steel, in the Hollow, on the

Face of the _Punch_; even as I told you, _Numb._ 4. _Vol._ I. §. 2. the

Fore-Plain makes way for the Fine Plains.

The _Letter-Cutter_ does not expect to perform this Digging or Sculping

at one single Operation; but, having brought the Inside of his Letter

as near as he can at the first Operation, he, with the flat side of a

Well-worn, Small, Fine-Cut, Half-round File, Files off the Bur that his

Sculptors or Gravers made on the Face of the Letter, that he may the

better and nicelier discern how well he has begun. Then he again falls

to work with his Sculptors and Gravers, mending, as well as he can, the

faults he finds; and again Files off the Bur as before, and mends so

oft, till the Inside of his Letter pleases him pretty well. But before

every Mending he Files off the Bur, which else, as aforesaid, would

obscure and hide the true shape of his Stroaks.

Having well shaped the Inside Stroaks of his Letter, he deepens the

Hollows that he made, as well as he can, with his Sculptors and

Gravers: And the deeper he makes these Hollows, the better the Letter

will prove. For if the Letters be not deep enough, in proportion to

their Width, they will, when the Letter comes to be Printed on, Print

Black, and so that Letter is spoiled.

How deep these Hollows are to be, cannot be well asserted, because

their Widths are so different, both in the same Letter, and in several

Letters: Therefore he deepens them according to his Judgment and

Reason. For Example, O must be deeper than A need be, because the

Hollow of O is wider than the Hollow of A; A having a Cross Stroak in

it; and the wider the Hollow is, the more apt will the wet Paper be to

press deeper towards the bottom in Printing. Yet this in General for

the Depth of Hollows; You may make them, if you can, so deep as the

_Counter-Punch_ is directed to be struck into the Face of the Punch.

See ¶. 3. of this §.

Having with his Gravers and Sculptors deepned them so much as he thinks

convenient, he, with a _Steel Punch_, pretty near fit to the shape

and size of the Hollow, and Flatted on its Face, Flattens down the

Irregularities that the Gravers or Sculptors made, by striking with a

proper Hammer, upon the Hammer-end of the _Punch_, with pretty light

blows. But he takes great care, that this _Flat-Punch_ be not at all

too big for the Hollow it is to be struck into, lest it force the sides

of the Stroaks of the Letter out of their shape: And therefore also

it is, that he strikes but easily, though often, upon the end of the

_Flat-Punch_.

Having finished the Inside, he works the Outsides with proper Files; as

I shewed before, in Letter A; and smoothens and Pollishes the Outside

Stroaks and Face with proper worn-out small _Watch-makers Files_.

The Inside and Outside of the Face thus finished, he considers what

Sholdering the Shank of the _Punch_ makes now with the Face, round

about the Letter. For, as the Shank of the Letter stands farther off

the Face of any of the Stroaks, the Sholdering will be the greater

when the Letter is first made; because the Outsides of the Letter,

being only shaped at first with Fine Small Files, which take but little

Steel off, they are Cut Obtusely from the Shank to the Face, and the

Steel of the Shank may with Rougher Files afterwards, be Cut down more

Tapering to the Shank. For the Sholder of the Shank, as was said before

in this ¶, must not make an Angle with the Face, of above 100 Degrees;

because else they would be, first, more difficult to Sink into Copper;

And Secondly, The broad Sholders would more or less (when the Letter

is Cast in such Matrices) and comes to the Press, be subject, and very

likely to be-smear the Stroaks of the Letter; especially, with an Hard

Pull, and too wet Paper; which squeezes the Face of the Letter deep

into the Paper, and so some part of the Broad Sholdering of the Letter,

receiving the Ink, and pressing deep into the Paper, slurs the Printed

Paper, and so makes the whole Work shew very nasty and un-beautiful.

For these Reasons it is, that the Shank of the _Punch_, about the Face,

must be Filed away (at least, so much as is to be Sunk into Copper)

pretty close to the Face of the Letter; yet not so as to make a Right

Angle with the Face of the Letter, but an Obtuse Angle of about 100

Degrees: For, should the Shank be Filed away to a Right Angle, _viz._ a

Square with the Face, if any Footing or Topping be on the Letter, these

fine Stroaks will be more subject to break when the _Punch_ is Sunk

into Copper, than when the Angle of the Face and Shank is augmented;

because then those fine Stroaks stand upon a stronger Foundation.

Therefore he uses the _Beard-Gage_, and with that examines round about

the Letter, and makes the Face and Shank comply with that.

Moxon's mechanick exercises, volume 1 (of 2) · 第 7 / 12 段