CHAPTER XXV.

II. _Mrs. Eva Hatch._

I was so disappointed at being hurried off to Boston before I had seen

any more of the New York media, that I took the earliest opportunity of

attending a _seance_ there. A few words I had heard dropped about Eva

Hatch made me resolve to visit her first. She was one of the Shaker

sect, and I heard her spoken of as a remarkably pure and honest woman,

and most reliable medium. Her first appearance quite gave me that

impression. She had a fair, placid countenance, full of sweetness and

serenity, and a plump matronly figure. I went incognita, as I had done

to Mrs. Williams, and mingled unnoticed with the crowd. Mrs. Hatch's

cabinet was quite different from Mrs. Williams'. It was built of planks

like a little cottage, and the roof was pierced with numerous round

holes for ventilation, like a pepper-box. There was a door in the

centre, with a window on either side, all three of which were shaded by

dark curtains. The windows, I was told, were for the accommodation of

those spirits who had not the power to materialize more than a face, or

head and bust. Mrs. Hatch's conductor was a woman, who sat near the

cabinet, as in the other case.

Mrs. Eva Hatch had not entered the cabinet five minutes before she came

out again, under trance, with a very old lady with silver hair clinging

to her arm, and walked round the circle. As they did so, the old lady

extended her withered hand, and blessed the sitters. She came quite

close to each one and was distinctly visible to all. I was told that

this was the spirit of Mrs. Hatch's mother, and that it was her regular

custom to come first and give her blessing to the _seance_. I had never

seen the spirit of an aged person before, and it was a beautiful sight.

She was the sweetest old lady too, very small and fragile looking, and

half reclining on her daughter's bosom, but smiling serenely upon every

one there. When they had made the tour of the room, Mrs. Hatch

re-entered the cabinet, and did not leave it again until the sitting was

concluded.

There were a great many sitters present, most of whom were old patrons

of Mrs. Hatch, and so, naturally, their friends came for them first. It

is surprising though, when once familiarized with materialization, how

little one grows to care to see the spirits who come for one's next door

neighbor. They are like a lot of prisoners let out, one by one, to see

their friends and relations. The few moments they have to spare are

entirely devoted to home matters of no possible interest to the

bystander. The first wonder and possible shock at seeing the supposed

dead return in their old likeness to greet those they left on earth

over, one listens with languid indifference, and perhaps a little

impatience for one's own turn to come, to the whispered utterances of

strangers. Mrs. Hatch's "cabinet spirits" or "controls," however, were

very interesting. One, who called herself the "Spirit of Prayer," came

and knelt down in the middle of the circle, and prayed with us. She had

asked for the gas to be extinguished first, and as she prayed she became

illuminated with flashes of light, in the shape of stars and crosses,

until she was visible from head to foot, and we could see her features

and dress as if she had been surrounded by electricity.

Two more cabinet spirits were a negro and negress, who appeared

together, chanting some of their native hymns and melodies. When I saw

these apparitions, I thought to myself: "Here is a good opportunity to

discover trickery, if trickery there is." The pair were undoubtedly of

the negro race. There was no mistaking their thick lips and noses and

yellow-white eyes, nor their polished brown skins, which no charcoal can

properly imitate. They were negroes without doubt; but how about the

negro bouquet? Everyone who has mixed with colored people in the East or

the West knows what that is, though it is very difficult to describe,

being something like warm rancid oil mingled with the fumes of charcoal,

with a little worse thrown in. "Now," I thought, "if these forms are

human, there will be some odor attached to them, and that I am

determined to find out." I caught, therefore, at the dress of the young

woman as she passed, and asked her if she would kiss me. She left her

companion directly, and put her arms (which were bare) round my neck,

and embraced me several times; and I can declare, on my oath, that she

was as completely free from anything like the smell of a colored woman

as it was possible for her to be. She felt as fresh and sweet and pure

as a little child.

Many other forms appeared and were recognized by the circle, notably a

very handsome one who called herself the Empress Josephine; but as they

could not add a grain's weight to my testimony I pass them over. I had

begun to think that "Florence" was not going to visit me that evening,

when the conductor of the _seance_ asked if there was anybody in the

room who answered to the name of "Bluebell." I must indulge in a little

retrospect here, and tell my readers that ten years previous to the time

I am writing of, I had lost my brother-in-law, Edward Church, under very

painful circumstances. He had been left an orphan and in control of his

fortune at a very early age, and had lived with my husband, Colonel

Ross-Church, and myself. But poor "Ted" had been his own worst enemy. He

had possessed a most generous heart and affectionate disposition, but

these had led him into extravagances that swallowed up his fortune, and

then he had taken to drinking and killed himself by it. I and my

children had loved him dearly, but all our prayers and entreaties had

had no avail, and in the end he had become so bad that the doctors had

insisted upon our separation. Poor "Ted" had consequently died in exile,

and this had been a further aggravation of our grief. For ten years I

had been trying to procure communication with him in vain, and I had

quite given up expecting to see him again. Only once had I heard

"Bluebell" (his pet name for me) gasped out by an entranced clairvoyant,

but nothing further had come of it. Now, as I heard it for the second

time, from a stranger's lips in a foreign country, it naturally roused

my expectations, but I thought it might be only a message for me from

"Ted."

"Is there anyone here who recognizes the name of 'Bluebell'?" repeated

the conductor. "I was once called so by a friend," I said. "Someone is

asking for that name. You had better come up to the cabinet," she

replied. I rose at once and did as she told me, but when I reached the

curtain I encountered "Florence." "My darling child," I said, as I

embraced her, "why did you ask for 'Bluebell'?" She did not answer me,

except by shaking her head, placing her finger on her lips, and

pointing downwards to the carpet. I did not know what to make of it. I

had never known her unable to articulate before. "What is the matter,

dear?" I said; "can't you speak to me to-night?" Still she shook her

head, and tapped my arm with her hand, to attract my attention to the

fact that she was pointing vigorously downwards. I looked down, too,

when, to my astonishment, I saw rise through the carpet what looked to

me like the bald head of a baby or an old man, and a little figure, _not

more than three feet in height_, with Edward Church's features, but no

hair on its head, came gradually into view, and looked up in my face

with a pitiful, deprecating expression, as if he were afraid I should

strike him. The face, however, was so unmistakably Ted's, though the

figure was so ludicrously insignificant, that I could not fail to

recognize him. "Why, Ted!" I exclaimed, "have you come back to see me at

last?" and held out my hand. The little figure seized it, tried to

convey it to his lips, burst into tears, and sank down through the

carpet much more rapidly than he had come up.

I began to cry too. It was so pitiful. With her uncle's disappearance

"Florence" found her tongue. "Don't cry, mother," she said; "poor Uncle

Ted is overcome at seeing you. That's why he couldn't materialize

better. He was in such a terrible hurry. He'll look more like himself

next time. I was trying so hard to help him, I didn't dare to use up any

of the power by speaking. He'll be so much better, now he's seen you.

You'll come here again, won't you?" I told her I certainly would, if I

could; and, indeed, I was all anxiety to see my poor brother-in-law

again. To prove how difficult it would have been to deceive me on this

subject, I should like to say a little about Edward Church's personal

appearance. He was a very remarkable looking man--indeed, I have never

seen anyone a bit like him before or after. He was very small; not short

only, but small altogether, with tiny hands and feet, and a little head.

His hair and eyes were of the deepest black--the former parted in the

middle, with a curl on either side, and was naturally waved. His

complexion was very dark, his features delicate, and he wore a small

pointed moustache. As a child he had suffered from an attack of

confluent small-pox, which had deeply pitted his face, and almost eaten

away the tip of his nose. Such a man was not to be easily imitated, even

if anyone in Boston had ever heard of his inconsequential existence. To

me, though, he had been a dear friend and brother, before the curse of

Drink had seemed to change his nature, and I had always been anxious to

hear how he fared in that strange country whither he had been forced to

journey, like all of us, _alone_. I was very pleased then to find that

business would not interfere with my second visit to Mrs. Eva Hatch,

which took place two nights afterward. On this occasion "Florence" was

one of the first to appear, and "Ted" came with her, rather weak and

trembling on his second introduction to this mundane sphere, but no

longer bald-headed nor under-sized. He was his full height now, about

five feet seven; his head was covered with his black crisp hair, parted

just as he used to wear it while on earth; in every particular he

resembled what he used to be, even down to his clothes. I could have

sworn I had seen that very suit of clothes; the little cut-away coat he

always wore, with the natty tie and collar, and a dark blue velvet

smoking cap upon his head, exactly like one I remembered being in his

possession. "Florence" still seemed to be acting as his interpreter and

guide. When I said to him, "Why! Ted, you look quite like your old self

to-day," she answered, "He can't talk to you, mamma, he is weak still,

and he is so thankful to meet you again. He wants me to tell you that he

has been trying to communicate with you often, but he never could manage

it in England. He will be so glad when he can talk freely to you."

Whilst she was speaking, "Ted" kept on looking from her to me like a

deaf and dumb animal trying to understand what was going on in a manner

that was truly pitiful. I stooped down and kissed his forehead. The

touch seemed to break the spell that hung over him. "_Forgive_," he

uttered in a choked voice. "There is nothing to forgive, dear," I

replied, "except as we all have need to forgive each other. You know how

we all loved you, Ted, and we loved you to the last and grieved for you

deeply. You remember the children, and how fond you were of them and

they of you. They often speak to this day of their poor Uncle Ted."

"Eva--Ethel," he gasped out, naming my two elder children. At this

juncture he seemed suddenly to fail, and became so weak that "Florence"

took him back into the cabinet again. No more spirits came for me that

evening, but towards the close of the _seance_ "Florence" and "Ted"

appeared again together and embraced me fondly. "Florence" said, "He's

so happy now, mother; he says he shall rest in peace now that he knows

that you have forgiven him. And he won't come without his hair again,"

she added, laughing. "I hope he won't," I answered, "for he frightened

me." And then they both kissed me "good-night," and retreated to the

cabinet, and I looked after them longingly and wished I could go there

too.

There is No Death · 第 25 / 30 章