XII. THE LONELY FARMHOUSE

The winter evenings of the farmer-boy in New England used not to be so

gay as to tire him of the pleasures of life before he became of age. A

remote farmhouse, standing a little off the road, banked up with sawdust

and earth to keep the frost out of the cellar, blockaded with snow,

and flying a blue flag of smoke from its chimney, looks like a besieged

fort. On cold and stormy winter nights, to the traveler wearily dragging

along in his creaking sleigh, the light from its windows suggests a

house of refuge and the cheer of a blazing fire. But it is no less a

fort, into which the family retire when the New England winter on the

hills really sets in.

The boy is an important part of the garrison. He is not only one of the

best means of communicating with the outer world, but he furnishes half

the entertainment and takes two thirds of the scolding of the family

circle. A farm would come to grief without a boy on it, but it is

impossible to think of a farmhouse without a boy in it.

“That boy” brings life into the house; his tracks are to be seen

everywhere; he leaves all the doors open; he hasn't half filled

the wood-box; he makes noise enough to wake the dead; or he is in a

brown-study by the fire and cannot be stirred, or he has fastened a grip

into some Crusoe book which cannot easily be shaken off. I suppose that

the farmer-boy's evenings are not now what they used to be; that he has

more books, and less to do, and is not half so good a boy as formerly,

when he used to think the almanac was pretty lively reading, and the

comic almanac, if he could get hold of that, was a supreme delight.

Of course he had the evenings to himself, after he had done the “chores”

at the barn, brought in the wood and piled it high in the box, ready to

be heaped upon the great open fire. It was nearly dark when he came from

school (with its continuation of snowballing and sliding), and he

always had an agreeable time stumbling and fumbling around in barn and

wood-house, in the waning light.

John used to say that he supposed nobody would do his “chores” if he

did not get home till midnight; and he was never contradicted. Whatever

happened to him, and whatever length of days or sort of weather was

produced by the almanac, the cardinal rule was that he should be at home

before dark.

John used to imagine what people did in the dark ages, and wonder

sometimes whether he wasn't still in them.

Of course, John had nothing to do all the evening, after his

“chores,”--except little things. While he drew his chair up to the table

in order to get the full radiance of the tallow candle on his slate

or his book, the women of the house also sat by the table knitting and

sewing. The head of the house sat in his chair, tipped back against the

chimney; the hired man was in danger of burning his boots in the fire.

John might be deep in the excitement of a bear story, or be hard at

writing a “composition” on his greasy slate; but whatever he was doing,

he was the only one who could always be interrupted. It was he who must

snuff the candles, and put on a stick of wood, and toast the cheese,

and turn the apples, and crack the nuts. He knew where the fox-and-geese

board was, and he could find the twelve-men-Morris. Considering that

he was expected to go to bed at eight o'clock, one would say that the

opportunity for study was not great, and that his reading was rather

interrupted. There seemed to be always something for him to do, even

when all the rest of the family came as near being idle as is ever

possible in a New England household.

No wonder that John was not sleepy at eight o'clock; he had been flying

about while the others had been yawning before the fire. He would like

to sit up just to see how much more solemn and stupid it would become as

the night went on; he wanted to tinker his skates, to mend his sled, to

finish that chapter. Why should he go away from that bright blaze, and

the company that sat in its radiance, to the cold and solitude of his

chamber? Why didn't the people who were sleepy go to bed?

How lonesome the old house was; how cold it was, away from that great

central fire in the heart of it; how its timbers creaked as if in the

contracting pinch of the frost; what a rattling there was of windows,

what a concerted attack upon the clapboards; how the floors squeaked,

and what gusts from round corners came to snatch the feeble flame of

the candle from the boy's hand. How he shivered, as he paused at the

staircase window to look out upon the great fields of snow, upon the

stripped forest, through which he could hear the wind raving in a kind

of fury, and up at the black flying clouds, amid which the young moon

was dashing and driven on like a frail shallop at sea. And his teeth

chattered more than ever when he got into the icy sheets, and drew

himself up into a ball in his flannel nightgown, like a fox in his hole.

For a little time he could hear the noises downstairs, and an occasional

laugh; he could guess that now they were having cider, and now apples

were going round; and he could feel the wind tugging at the house, even

sometimes shaking the bed. But this did not last long. He soon went away

into a country he always delighted to be in: a calm place where the

wind never blew, and no one dictated the time of going to bed to any one

else. I like to think of him sleeping there, in such rude surroundings,

ingenious, innocent, mischievous, with no thought of the buffeting he is

to get from a world that has a good many worse places for a boy than

the hearth of an old farmhouse, and the sweet, though undemonstrative,

affection of its family life.

But there were other evenings in the boy's life, that were different

from these at home, and one of them he will never forget. It opened

a new world to John, and set him into a great flutter. It produced a

revolution in his mind in regard to neckties; it made him wonder if

greased boots were quite the thing compared with blacked boots; and he

wished he had a long looking-glass, so that he could see, as he walked

away from it, what was the effect of round patches on the portion of his

trousers he could not see, except in a mirror; and if patches were

quite stylish, even on everyday trousers. And he began to be very much

troubled about the parting of his hair, and how to find out on which

side was the natural part.

The evening to which I refer was that of John's first party. He knew the

girls at school, and he was interested in some of them with a different

interest from that he took in the boys. He never wanted to “take it

out” with one of them, for an insult, in a stand-up fight, and he

instinctively softened a boy's natural rudeness when he was with them.

He would help a timid little girl to stand erect and slide; he would

draw her on his sled, till his hands were stiff with cold, without a

murmur; he would generously give her red apples into which he longed to

set his own sharp teeth; and he would cut in two his lead-pencil for

a girl, when he would not for a boy. Had he not some of the beautiful

auburn tresses of Cynthia Rudd in his skate, spruce-gum, and wintergreen

box at home? And yet the grand sentiment of life was little awakened

in John. He liked best to be with boys, and their rough play suited

him better than the amusements of the shrinking, fluttering, timid, and

sensitive little girls. John had not learned then that a spider-web is

stronger than a cable; or that a pretty little girl could turn him round

her finger a great deal easier than a big bully of a boy could make him

cry “enough.”

John had indeed been at spelling-schools, and had accomplished the feat

of “going home with a girl” afterwards; and he had been growing into the

habit of looking around in meeting on Sunday, and noticing how Cynthia

was dressed, and not enjoying the service quite as much if Cynthia was

absent as when she was present. But there was very little sentiment in

all this, and nothing whatever to make John blush at hearing her name.

But now John was invited to a regular party. There was the invitation,

in a three-cornered billet, sealed with a transparent wafer: “Miss C.

Rudd requests the pleasure of the company of,” etc., all in blue ink,

and the finest kind of pin-scratching writing. What a precious document

it was to John! It even exhaled a faint sort of perfume, whether of

lavender or caraway-seed he could not tell. He read it over a hundred

times, and showed it confidentially to his favorite cousin, who had

beaux of her own and had even “sat up” with them in the parlor. And from

this sympathetic cousin John got advice as to what he should wear and

how he should conduct himself at the party.

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