THE SAD CASE OF EL GRECO.

It was at the National Gallery, situated on the north side of

Trafalgar Square, that I first made the acquaintance of one DOMENICO

THEOTOCOPULI, a native of Crete, who--probably because his own people

wanted him to be a stockbroker or something--set up as a painter

in Spain, and was dubbed by the Dons "El Greco," as you might say

"Scottie."

For years I have been rather tickled by his manner of depicting Popes

and Saints as if they were reflected in elongating mirrors labelled,

"Before Dining at the Toreador Restaurant." But until quite lately

I hardly ever met anyone who had even noticed him, so I felt quite

bucked on the old chap's account when I heard that he was considered

one of the most distinguished of the Spanish painters, past and

present, who are on view just now at Burlington House.

And what surprises me is not that old THEOTOCOPULI should attract so

much attention in Piccadilly, but that such lots of people seem never

to have known that he has been exhibiting himself all this time in

Trafalgar Square.

I'm sure Mrs. Bletherwood didn't, for one, when she tackled me at the

Chattertons' the other afternoon.

"Of course you've been to Burlington House?" she began, and she was in

such a hurry to get first innings that she didn't give me time to say

that I hadn't yet, but that I meant to go on my first free day that

wasn't foggy.

"Don't you _love_ those quaint 'El Grecos'?" she went on. "He's quite

a discovery, don't you think? My daughter Muriel, who hopes to get

into the Slade School soon now, says she doesn't see how anybody _can_

see people differently from the way 'El Greco' saw people. And yet I

don't know that I _quite_ like the idea of Muriel seeing _me_ like

that, although she's _so_ clever...."

I could not help thinking that in Mrs. Bletherwood's case the "El

Greco" treatment would be an admirable corrective to a certain lateral

expansion.

"Besides," she continued in a confidential tone, "I've heard or read

somewhere that there's just a doubt whether he distorted people on

purpose or because there was something wrong with his eyes. If I

thought it was astigmatism I would insist on taking Muriel to an

oculist. I wonder what you think."

Punch, or the London Charivari, Volume 159, December 15, 1920 · 第 23 / 41 题