III. THE SAME TO THE SAME December.

My Darling,--Here I am ready to make my bow to the world. By way of

preparation I have been trying to commit all the follies I could think

of before sobering down for my entry. This morning, I have seen myself,

after many rehearsals, well and duly equipped--stays, shoes, curls,

dress, ornaments,--all in order. Following the example of duelists

before a meeting, I tried my arms in the privacy of my chamber. I wanted

to see how I would look, and had no difficulty in discovering a certain

air of victory and triumph, bound to carry all before it. I mustered all

my forces, in accordance with that splendid maxim of antiquity,

"Know thyself!" and boundless was my delight in thus making my own

acquaintance. Griffith was the sole spectator of this doll's play,

in which I was at once doll and child. You think you know me? You are

hugely mistaken.

Here is a portrait, then, Renee, of your sister, formerly disguised as a

Carmelite, now brought to life again as a frivolous society girl. She is

one of the greatest beauties in France--Provence, of course, excepted.

I don't see that I can give a more accurate summary of this interesting

topic.

True, I have my weak points; but were I a man, I should adore them. They

arise from what is most promising in me. When you have spent a fortnight

admiring the exquisite curves of your mother's arms, and that mother the

Duchesse de Chaulieu, it is impossible, my dear, not to deplore your own

angular elbows. Yet there is consolation in observing the fineness of

the wrist, and a certain grace of line in those hollows, which will yet

fill out and show plump, round, and well modeled, under the satiny skin.

The somewhat crude outline of the arms is seen again in the shoulders.

Strictly speaking, indeed, I have no shoulders, but only two bony

blades, standing out in harsh relief. My figure also lacks pliancy;

there is a stiffness about the side lines.

Poof! There's the worst out. But then the contours are bold and

delicate, the bright, pure flame of health bites into the vigorous

lines, a flood of life and of blue blood pulses under the transparent

skin, and the fairest daughter of Eve would seem a Negress beside me! I

have the foot of a gazelle! My joints are finely turned, my features

of a Greek correctness. It is true, madame, that the flesh tints do not

melt into each other; but, at least, they stand out clear and bright. In

short, I am a very pretty green fruit, with all the charm of unripeness.

I see a great likeness to the face in my aunt's old missal, which rises

out of a violet lily.

There is no silly weakness in the blue of my insolent eyes; the white

is pure mother-of-pearl, prettily marked with tiny veins, and the thick,

long lashes fall like a silken fringe. My forehead sparkles, and the

hair grows deliciously; it ripples into waves of pale gold, growing

browner towards the centre, whence escape little rebel locks, which

alone would tell that my fairness is not of the insipid and hysterical

type. I am a tropical blonde, with plenty of blood in my veins, a

blonde more apt to strike than to turn the cheek. What do you think the

hairdresser proposed? He wanted, if you please, to smooth my hair into

two bands, and place over my forehead a pearl, kept in place by a gold

chain! He said it would recall the Middle Ages.

I told him I was not aged enough to have reached the middle, or to need

an ornament to freshen me up!

The nose is slender, and the well-cut nostrils are separated by a

sweet little pink partition--an imperious, mocking nose, with a tip

too sensitive ever to grow fat or red. Sweetheart, if this won't find

a husband for a dowerless maiden, I'm a donkey. The ears are daintily

curled, a pearl hanging from either lobe would show yellow. The neck

is long, and has an undulating motion full of dignity. In the shade the

white ripens to a golden tinge. Perhaps the mouth is a little large. But

how expressive! what a color on the lips! how prettily the teeth laugh!

Then, dear, there is a harmony running through all. What a gait! what

a voice! We have not forgotten how our grandmother's skirts fell into

place without a touch. In a word, I am lovely and charming. When the

mood comes, I can laugh one of our good old laughs, and no one will

think the less of me; the dimples, impressed by Comedy's light fingers

on my fair cheeks, will command respect. Or I can let my eyes fall

and my heart freeze under my snowy brows. I can pose as a Madonna with

melancholy, swan-like neck, and the painters' virgins will be nowhere;

my place in heaven would be far above them. A man would be forced to

chant when he spoke to me.

So, you see, my panoply is complete, and I can run the whole gamut of

coquetry from deepest bass to shrillest treble. It is a huge advantage

not to be all of one piece. Now, my mother is neither playful nor

virginal. Her only attitude is an imposing one; when she ceases to be

majestic, she is ferocious. It is difficult for her to heal the wounds

she makes, whereas I can wound and heal together. We are absolutely

unlike, and therefore there could not possibly be rivalry between us,

unless indeed we quarreled over the greater or less perfection of our

extremities, which are similar. I take after my father, who is shrewd

and subtle. I have the manner of my grandmother and her charming voice,

which becomes falsetto when forced, but is a sweet-toned chest voice at

the ordinary pitch of a quiet talk.

I feel as if I had left the convent to-day for the first time. For

society I do not yet exist; I am unknown to it. What a ravishing moment!

I still belong only to myself, like a flower just blown, unseen yet of

mortal eye.

In spite of this, my sweet, as I paced the drawing-room during my

self-inspection, and saw the poor cast-off school-clothes, a queer

feeling came over me. Regret for the past, anxiety about the future,

fear of society, a long farewell to the pale daisies which we used to

pick and strip of their petals in light-hearted innocence, there was

something of all that; but strange, fantastic visions also rose, which I

crushed back into the inner depths, whence they had sprung, and whither

I dared not follow them.

My Renee, I have a regular trousseau! It is all beautifully laid away

and perfumed in the cedar-wood drawers with lacquered front of my

charming dressing-table. There are ribbons, shoes, gloves, all in lavish

abundance. My father has kindly presented me with the pretty gewgaws a

girl loves--a dressing-case, toilet service, scent-box, fan, sunshade,

prayer-book, gold chain, cashmere shawl. He has also promised to give

me riding lessons. And I can dance! To-morrow, yes, to-morrow evening, I

come out!

My dress is white muslin, and on my head I wear a garland of white

roses in Greek style. I shall put on my Madonna face; I mean to play the

simpleton, and have all the women on my side. My mother is miles away

from any idea of what I write to you. She believes me quite destitute of

mind, and would be dumfounded if she read my letter. My brother honors

me with a profound contempt, and is uniformly and politely indifferent.

He is a handsome young fellow, but melancholy, and given to moods. I

have divined his secret, though neither the Duke nor Duchess has an

inkling of it. In spite of his youth and his title, he is jealous of his

father. He has no position in the State, no post at Court, he never has

to say, "I am going to the Chamber." I alone in the house have sixteen

hours for meditation. My father is absorbed in public business and his

own amusements; my mother, too, is never at leisure; no member of the

household practises self-examination, they are constantly in company,

and have hardly time to live.

I should immensely like to know what is the potent charm wielded by

society to keep people prisoner from nine every evening till two or

three in the morning, and force them to be so lavish alike of strength

and money. When I longed for it, I had no idea of the separations it

brought about, or its overmastering spell. But, then, I forget, it is

Paris which does it all.

It is possible, it seems, for members of one family to live side by side

and know absolutely nothing of each other. A half-fledged nun arrives,

and in a couple of weeks has grasped domestic details, of which the

master diplomatist at the head of the house is quite ignorant. Or

perhaps he _does_ see, and shuts his eyes deliberately, as part of the

father's _role_. There is a mystery here which I must plumb.

Letters of Two Brides · 第 11 / 77 题