VII

"QUOTH LITTLE GARAINE"

I have given the whole story here as though it had been thought

out and written that Sunday afternoon which brought me good news of

Juste Duvarney. But it was not so. I did not choose to break the

run of the tale to tell of other things and of the passing of time.

The making took me many, many weeks, and in all that time I had

seen no face but Gabord's, and heard no voice but his, when he

came twice a day to bring me bread and water. He would answer no

questions concerning Juste Duvarney, or Voban, or Monsieur Doltaire,

nor tell me anything of what was forward in the town. He had had

his orders precise enough, he said. At the end of my hints and

turnings and approaches, stretching himself up, and turning the

corn about with his foot (but not crushing it, for he saw that I

prized the poor little comrades), he would say:

"Snug, snug, quiet and warm! The cosiest nest in the world--aho!"

There was no coaxing him, and at last I desisted. I had no

light. With resolution I set my mind to see in spite of the dark,

and at the end of a month I was able to note the outlines of my

dungeon; nay, more, I was able to see my field of corn; and at last

what joy I had when, hearing a little rustle near me, I looked

closely and beheld a mouse running across the floor! I straightway

began to scatter crumbs of bread, that it might, perhaps, come near

me--as at last it did.

I have not spoken at all of my wounds, though they gave me many

painful hours, and I had no attendance but my own and Gabord's. The

wound in my side was long healing, for it was more easily disturbed

as I turned in my sleep, while I could ease my arm at all times,

and it came on slowly. My sufferings drew on my flesh, my blood,

and my spirits, and to this was added that disease inaction, the

corrosion of solitude, and the fever of suspense and uncertainty as

to Alixe and Juste Duvarney. Every hour, every moment that I had

ever passed in Alixe's presence, with many little incidents and

scenes in which we shared, passed before me--vivid and cherished

pictures of the mind. One of those incidents I will set down here.

A year or so before, soon after Juste Duvarney came from Montreal,

he brought in one day from hunting a young live hawk, and put it

in a cage. When I came the next morning, Alixe met me, and asked

me to see what he had brought. There, beside the kitchen door,

overhung with morning-glories and flanked by hollyhocks, was a

large green cage, and in it the gray-brown hawk. "Poor thing,

poor prisoned thing!" she said. "Look how strange and hunted it

seems! See how its feathers stir! And those flashing, watchful

eyes, they seem to read through you, and to say, 'Who are you? What

do you want with me? Your world is not my world; your air is not my

air; your homes are holes, and mine hangs high up between you and

God. Who are you? Why do you pen me? You have shut me in that I may

not travel, not even die out in the open world. All the world is

mine; yours is only a stolen field. Who are you? What do you want

with me? There is a fire within my head, it eats to my eyes, and I

burn away. What do you want with me?'"

She did not speak these words all at once as I have written them

here, but little by little, as we stood there beside the cage. Yet,

as she talked with me, her mind was on the bird, her fingers running

up and down the cage bars soothingly, her voice now and again

interjecting soft reflections and exclamations.

"Shall I set it free?" I asked her.

She turned upon me and replied, "Ah, monsieur, I hoped you

would--without my asking. You are a prisoner too," she added; "one

captive should feel for another."

"And the freeman for both," I answered meaningly, as I softly

opened the cage.

She did not drop her eyes, but raised them shining honestly and

frankly to mine, and said, "I wished you to think that."

Opening the cage door wide, I called the little captive to

freedom. But while we stood close by it would not stir, and the

look in its eyes became wilder. I moved away, and Alixe followed

me. Standing beside an old well we waited and watched. Presently

the hawk dropped from the perch, hopped to the door, then with a

wild spring was gone, up, up, up, and was away over the maple woods

beyond, lost in the sun and the good air.

I know not quite why I dwell on this scene, save that it throws

some little light upon her nature, and shows how simple and yet

deep she was in soul, and what was the fashion of our friendship.

But I can perhaps give a deeper insight of her character if I here

set down the substance of a letter written about that time, which

came into my possession long afterwards. It was her custom to

write her letters first in a book, and afterwards to copy them

for posting. This she did that they might be an impulse to her

friendships and a record of her feelings.

The Seats of the Mighty, Volume 2 · 第 4 / 20 题