CHAPTER IV

The evening was half over when Sheila, still up-borne on the tide of

her feminine exultation, glanced across the room to find that Peter

stood there quietly regarding her. Straightway she forsook the youth

who was administering awkward flattery to her new-born vanity, and

hastened to the side of her old friend.

"Oh, Peter, don't I look nice?" she demanded eagerly.

But Peter ignored the frank appeal for a compliment. "I think you'd

better call me Mr. Burnett," said he. And his tone was so serious that

she failed to catch the banter of his eyes.

"Why, I've always called you Peter, just like grandmother does--always!"

"Yes," admitted Peter, "and it's been very jolly and friendly. But,

Sheila, I must have _something_ to remind me that you're still a little

girl and my pupil. There's nothing in your appearance to suggest it,

but perhaps--if you will address me with a great deal of respect----"

At that, Sheila laughed and patted her frock: "Oh, I understand you

now! Do I really seem so grown-up?"

"So grown-up that I can't understand how Mrs. Caldwell came to let you

do it."

"Oh, Peter! _Oh, Peter_!"

"Why, what's the matter?" he asked, surprised at the poignant

exclamation. But she turned abruptly away from him, and presently he

saw her blue gown flutter through a distant doorway.

"Now I wonder," he pondered, "what in the world I've done. Offended

her by appearing to criticize Mrs. Caldwell, I suppose."

But Peter had done a much graver thing than that. Unconsciously, he

had summoned Sheila's conscience to its deserted duty; and already,

like any well-intentioned conscience that has taken a vacation, it was

making up for lost time.

With that comment of Peter's--"I can't understand how Mrs. Caldwell

came to let you do it"--Sheila's little house of pleasure suddenly

tumbled to the ground. She had not meant to be sorry about the

deception of the frock until _after_ the party, and until her encounter

with Peter she had been successful enough in holding penitence at bay.

That vision of herself in the mirror, seeming to answer some longing of

her very soul, had indeed kept her forgetful of everything but a sense

of fulfillment and triumph. But now, reminded of her grandmother, she

began to be sorry at once--impatiently, violently sorry.

"I must go home," she murmured to herself distressfully, as she slipped

unobserved through the crowded rooms. "I must go home. I can't wait

until morning! I must tell grandmother _now_!"

And so it happened that Mrs. Caldwell, looking out from her

sitting-room window into the early spring night, saw a slim figure

speed up her garden path as if urged by some importunate need; and the

next moment Sheila was kneeling before her, with her face hidden upon

her shoulder.

"Why, Sheila!--dear child!"

"Oh, grandmother, will you forgive me?"

"What should I forgive you? I'm sure you've done nothing wrong this

time!" And Mrs. Caldwell, who was accustomed to the rigors of Sheila's

conscience, smiled above the face on her breast with tender amusement.

But Sheila sprang to her feet and stepped back a pace or two. "Don't

you _see_?" she cried tragically.

And then Mrs. Caldwell discovered the transformation of her Cinderella.

No demure little maiden this, in the white muslin and blue ribbons of

an ingenuous spirit, but a fashionably clad "young lady," who appeared

to have grown suddenly tall and rather stately with the clothing of her

slim body in the long, soft gown.

"Sheila!" exclaimed Mrs. Caldwell involuntarily. And then, with her

hands outstretched to the impressive young culprit, "Tell me all about

it, dear."

And sitting on the floor at her grandmother's feet, regardless of

Charlotte's crushed flounces, Sheila poured out her impetuous

confession, from the first moment of temptation and yielding to the

final one of Peter's awakening words.

"And when he spoke of you, grandmother, I just couldn't _bear_ it! I

wondered how I could have been happy at all--I wondered how I could

have forgotten you for a minute! I hated the frock! I hated the

party! And I hated myself most of all! I had to come home and ask you

to forgive me right away!"

And down went her head into Mrs. Caldwell's lap. "Do you---think--you

can forgive me?" came the muffled plea.

For answer Mrs. Caldwell bent and kissed the prostrate head, and it

burrowed more comfortably against her knee. But Mrs. Caldwell did not

speak. She was waiting for something, and when Sheila continued to

burrow, in the contented silence of a penitence achieved, she inquired

quietly: "Well, dear?"

Sheila lifted her head at that, and looked straight into the wise,

sweet eyes above her: "I wanted something! I wanted something

dreadfully! And I didn't know what it was. And then, when I saw

myself in Charlotte's frock--and so changed--I thought I'd found what I

wanted. I thought--I thought I'd wanted to be beautiful!"

"Yes," said Mrs. Caldwell gently, "I used to think that, too."

"Oh, grandmother, did you? Then you understand how I felt! But--but,

you see, it didn't last. I wanted to be good _more_. That's what made

me come home. Grandmother, do you suppose _that's_ what I've wanted

all the time, without knowing it--to be good?"

At the question, Mrs. Caldwell, wise gardener that she was, realized

that one of the flowers which she had divined, stirring in the depths

of Sheila's being, was pushing its way upward to the light, and that

the moment had come for her to help it. She slipped her arms around

the girl kneeling before her, as if seeking in love's touch inspiration

for love's words.

"I think you will always want to be good," she said, "and I think you

will always want to be beautiful. Women do, Sheila dear--even the

women who are least beautiful and least--good. It's part of being a

woman--just like loving things that are little and helpless.

"But, Sheila, being beautiful isn't enough! Even being good isn't

enough, though of course it ought to be. It's essential, but it isn't

enough. Every woman must have something else besides to make her

happy--something that is hers, _her own_! She must have that to be

beautiful _for_, and to be good for--she must have that to live for!

"And that is what you want, dear--the thing that is your own. You have

been born for that--you cannot be complete or content without it."

Mrs. Caldwell's voice rose, grave and rich with the harmonies of life,

through the peaceful room, and Sheila quivered responsively in the

circle of her arms. To the young girl, womanhood, that only yesterday

had been so far away, now seemed to be drawing thrillingly near with

all its attendant mysteries. And in her next question she took a step

to meet it:

"Grandmother, what is it?--the thing that will be mine?"

"Dear, how can I tell? It isn't the same for us all. For one woman it

is love; for another it is work; for some it is, blessedly, both work

and love. For me--now--it is _you_! How can I tell what it will be

for my little girl?"

"I want it!" whispered Sheila. "I want it!"

"You must wait for it, dear. You must wait for it to come to you. You

can't hurry life."

"But can't I do _anything_?"

"You can be good, and you can be beautiful, so that you'll be ready for

it when it comes. But"--and now Mrs. Caldwell smiled, and with her

smile the stress of the moment passed--"but not in Charlotte's frock!

It wouldn't be fair to make yourself beautiful with borrowed plumage,

would it, little bird of paradise? You'd only get a borrowed happiness

out of that--one that you hadn't a right to, and couldn't keep."

Sheila rose from her knees, smiling, too. "I'll go right upstairs and

take it off," she declared. "I want to play fair from the start--I

only _want_ what's really mine!"

And so, coming back, under Mrs. Caldwell's tactful guidance, from the

deep waters to the pleasant, shallow wavelets that lap the shores of

commonplace life, she began to busy herself with the small duties of

the night, closing the windows and putting out the lamps. Then, with

bed-time candles after the fashion of Mrs. Caldwell's own girlhood, the

two started up the stairs, Sheila leading and lighting the way--as

youth always will, despite the riper wisdom of age. Once she smiled

over her shoulder; and before they had gained the top of the flight,

she paused and reached back her hand to help her grandmother up the

last few steps. There was something gracious and strong in the

gesture--something that had not been in the nature of the Sheila who

had bent her head to Mrs. Caldwell's knee an hour before. It was as if

the womanhood of which Mrs. Caldwell had spoken had already awakened in

her and with it, not only the longing for something of her own, but

that kindred tenderness for things little and helpless--or helpless and

old.

"Take my hand," she said sweetly, and there was in her voice the lovely

gentleness that young mothers use toward their children.

The next day, when Charlotte came to inquire why her guest had flown,

without warning and apparently without cause, she found a Sheila who,

though garbed once more in her own short frock, seemed in some

mysterious way more grown-up than she had in the trailing splendor of

the night before.

"What's happened to you?" demanded Charlotte shrewdly, when the two

girls were shut into the privacy of Sheila's little white bedroom, a

room that resembled the despised white muslin and blue sash which had

been discarded for Charlotte's furbelows. "I know _something's_

happened to you. You're--different. Did somebody make love to you?"

"Goodness, no!" denied Sheila in a horrified tone, and the alarmed

young blood rose in a slow, rich tide over her neck and face and

temples.

"Oh, you needn't be so shocked. Somebody will some day!" And

Charlotte laughed lightly out of her own precocious experience.

Of the two girls, Sheila was the one to be loved, but Charlotte was the

one to be made love to--if the love-making were only the pastime of the

hour. Charlotte was clever and daring and cold, and could take care of

herself. She knew, even at sixteen, all the rules of the game: when to

advance, when to retreat, and, most important of all, when to laugh.

But Sheila would never be able to laugh at love or love's counterpart.

"Somebody _will_ make love to you some day!" repeated Charlotte

teasingly.

"Well, nobody has yet!" Sheila assured her crossly. "And what's more,

I hope nobody will! _That_ isn't what I want!"

"What do you want?" asked Charlotte curiously, detecting the underlying

earnestness of the words. But she received no response, and so, bent

upon an interesting topic, she harked back to Sheila's flight from the

party: "If nobody made love to you, why did you run away? Did your

conscience hurt you, Sheila?"

"Yes," admitted Sheila, "that was what made me come home. But I stayed

home because of something else."

"What?"

Sheila groped for the language of Mrs. Caldwell's lesson: "Because I--I

didn't want to be pretty in somebody else's clothes. I was happy for a

little while, but it didn't last. You see, I'd borrowed that--the

happiness--along with the frock. And of course I couldn't keep it. I

just want what belongs to me after this, Charlotte. It isn't fair to

take anything else--and it isn't any use either."

Charlotte stared at her with puzzled eyes. "You _are_ queer," she

remarked reflectively. "You _are_ queer, Sheila. Theodore Kent always

said so, and he was right. I wonder what he'll think of you when he

gets back from college."

But Sheila, who had blushed painfully at the suggestion of a lover who

did not exist, heard Ted's name without a flush or a tremor; and in

despair of any conversation about dress or beaux, the guest presently

took her departure.

A few days later Charlotte went back to her city school for further

"finishing," though she had already been sharpened and polished to a

bewildering edge and brilliancy. And left to herself, Sheila resumed

her unsophisticated, girlish life.

"We aren't going to have any young ladies at our house after all,

Peter," Mrs. Caldwell announced triumphantly over her teacup one

afternoon.

And Peter, lounging on the leafy veranda and appreciatively sipping

Mrs. Caldwell's fragrant amber brew, lifted a languidly interested

face: "How are you going to stop time for Sheila? Of course you've

done it for yourself, but not even you, fairy godmother, can do that

for other people."

"I don't intend to try. I don't want to try. Because--when my little

girl goes--it's time that will bring me some one better."

"The young lady, dear Mrs. Caldwell. The young lady--inevitably."

"No, Peter--the woman!" And Mrs. Caldwell's voice rang with pride and

confidence. "There's the making of one in Sheila, Peter--of a real

woman!"

"What's become of the poet you used to see in her?" he inquired.

"Oh, you've shut that safely into a cage of books. I'm not afraid of

it any more."

"It can still sing behind the bars, you know," he warned her.

"No," she said, growing serious again, "it wouldn't--in Sheila's case.

At least it wouldn't unless it got into just the right cage, hung in

the sunshine and the south wind. That's what I'm afraid of,

Peter--that Sheila herself will be snared into the wrong cage!"

But even while Mrs. Caldwell spoke, Sheila was standing at the open

door of the right cage, gazing in with illumined eyes.

The spring was at its height, as warm and ripely blooming as early

summer, and Sheila had slipped away to her favorite haunt of the back

garden. She had taken a book with her, one of Peter's recommendation,

and as she lay on the soft, fresh grass, she idly turned the pages, not

from any desire to read, but for the pleasure of touching the leaves

and knowing that, if she liked, she had only to look within for words

that would create a fairyland as easily as the fingers of the spring

had done.

But presently, sated with mere earth-sweetness, she lifted herself on

her elbow and opened the book widely where her hand had finally rested.

It was the choice of chance, that page; but, as happens every now and

then, chance and the Shaping Power were at that moment one. For

shining on the white leaf, as if written in silver, were the lines that

have stirred every potential poet to rapture and self-knowledge:

--magic casements opening on the foam

Of perilous seas, in faery lands forlorn.

Sheila read them with no fore-warning of their moving music. They

flashed, winged, into her tranquil world--and shook it to its

foundations. For the first time the full sense of beauty rushed upon

her, and she caught her breath with the keen, aching ecstasy of it:

--magic casements opening on the foam

Of perilous seas, in faery lands forlorn.

She read the lines again, and now aloud, softly, with a beauty-broken

breath. She had wanted something, and all the while this--_this_--had

been waiting for her. Compared to the joy of it, what was the joy of

looking into a mirror and finding oneself fair? What was any other

beauty beside this beauty of words, of subtle harmony and exquisite

imagery?

And then there came to her the thought that some one--some one just

human like herself--yes, human and young--had written these lines, had

drawn them from the treasure house of himself.

"Oh," she whispered, "how happy he must have been! How happy! To have

written this! If I had done it----"

She paused and sat up straight and still, the book falling unheeded

from her hand. Slowly her eyes widened, filled first with light and

then with tears.

"If I had written this! If I could write _anything_!"

And suddenly, for that moment and for life, she knew!

"_That_ is what I want--to _write_!--to _make_ something beautiful!"

And then her guardian angel should have pushed her into the cage and

fastened its door. For the sun was shining and the south wind was

blowing--and it was the right cage!

The Torch Bearer · 第 4 / 18 章