The said four categories are,--

1. Esempj, or those stories under which some religious or moral

lessons might be conveyed, answering to what we call Legends. Though

the word Leggenda exists in the dictionary, and is not altogether

unused, I have never once met it among the people.

2. Ghost stories and local and family traditions. The latter are much

more carefully preserved than among our own people, [8] and the Roman

poor will tell the tale (more or less accurately) of the virtues and

vices of their great families, with a gusto which shows that they look

upon them as something specially belonging to themselves; but the

former do not appear to have any recognised title, and the contempt

in which they are held makes it very difficult to get hold of them,

so that it is not very easy to avoid giving offence in approaching

the subject. Only by a prolonged and round-about conversation one may

sometimes elicit excellent specimens brought in as matters of curious

personal experience by the very persons who, on direct questioning,

had repudiated all knowledge of anything of the sort.

3. Favole. The word universally appropriated in Roman dialect for

'Fairy Tales,' a not unclassical application of the term, I think,

and continued in the 'Fabliaux' of the mediæval period. But when

asking for them I have never had any given me belonging to the class

which we call 'fables' in English.

4. Ciarpe, expounded by Bazzarelli as parole vane, ciance; ciance

being said, on the authority of Petrarch, to stand for parole vane,

lontane dal vero, chiacchiera; chiacchiera being the equivalent for

gossip. Versions of some stories in this category, notably No. 6,

'L'Uccelletto' (The Little Bird), and 21, 'The Value of Salt,' we

all heard in our English nurseries, while those under the heading of

'La Sposa Cece' (The Simple Wife) belong to the same class as ours of

the man who being told to give his wife her medicine in a convenient

vehicle, wheeled her about in a hand-barrow, while she swallowed it;

or that of the idiotic couple who wasted their three precious chances

in wishing three yards of black pudding on each other's noses,

and then wishing it off again; but I do not know that we have any

special technical designation for such. All the headings of which I

have given the Italian are those used by the narrators themselves.

It is impossible, in making acquaintance with these stories in

their own language, not to regret having to put them into another

tongue. Much of what is peculiar in them, and distinguishes them

from their counterparts in other lands, is, of course, wrapped up in

the form of expression in which they are clothed. Divested of this,

they run the risk of losing the national character they have acquired

during their residence on Italian soil. I had purposed, therefore,

originally, to print an Italian version, side by side with the English

rendering, but was obliged to renounce the arrangement, as it would

have proved too voluminous. I have only been able to preserve some

few of the vernacular idiosyncrasies in the notes, for the benefit of

those who take an interest in the people's characteristic utterances.

I think I may safely say that the whole of the stories are

traditional. There were only two of my contributors who could have

read them had they even existed in print. The best-instructed of them

was the one who gave me 'Prete Olivo' and 'Perchè litigano i cani ed

i gatti;' both of which I am clear, from 'asides' which accompanied

them concerning her father's manner of telling, she had heard from

his lips, even as she said.

With the exception of some of the Legends, Local Traditions, and

Ciarpe, there are few, either printed in this collection or among those

I still hold in MS., the leading episodes of which (if not the entire

story) are not to be found in the collections of other countries;

but certain categories common in other countries are wanting in the

Roman. One could not in making the collection but be struck with the

almost complete absence of stories of heroism and chivalry. There are

some, indeed, in which courageous deeds occur; but there is none of

the high-souled mettle which comes out so strong in Hungarian, Gaelic,

and Spanish tradition, in many of the Teutonic and Breton, and some

Norse and Russian tales. Several, we shall find, are identical stories,

with the grand and fierce element left out. I have never come across a

single story of knightly prowess in any shape. I have in MS. one or two

dragon stories, but no knights figure even in these. At the same time,

tales of horror seem equally to have failed to fascinate the popular

imagination, and we can trace again the toning down process in many

instances. I have in MS. several versions of the rather ghastly story

of the boy who went out to discover Fear, but the Roman mind does

not often indulge in such scenes as it presents. Similarly, horrid

monsters are rare. 'Orco' himself is not painted so terrible as in

other countries. Giants and dwarfs, again, being somewhat monstrous

creations, are not frequent. The stories about the Satiri were only

told me spontaneously by one narrator; one other owned to having

heard of such beings on being questioned, but there is no general

popular conception corresponding to the German ideas of wild men. I

have never met anyone who believed in the present existence of any

supernatural being of this class, [9] and rarely with any who imagined

such had ever existed. 'The stories always say, "there was a fairy

who did so and so:" but were there ever fairies? Perhaps there were,

perhaps there weren't,' soliloquised an old woman one day at the

end of a tale; that was the strongest expression of opinion in their

favour that came in my way. Another said once, 'If there ever were

such beings there would be now; but there certainly are not any now,

so I don't believe there ever were any.' [10]

Again, religious legends, with admixture of pagan superstitions,

seem rare. English readers may say that there is superstition in some

of the legends in the text; but they only exaggerate the literalness

with which they deal with Gospel promises; there is little at variance

with it. The false tale of the pilgrim husband, pp. 355-6, is the most

devious from Christian doctrine that I have come across in Rome. I

cannot fancy a Roman, however illiterate, gravely telling such stories

as some of those which Mr. Ralstone gives us from Russia. The story

of 'Pret' Olivo' is doubtless derivatively the same as Dr. Dasent's

'Master Smith'; but the Roman version presents vastly less of the

pagan element.

In winding up his general remarks on the migrations of myths, Prof. de

Gubernatis gives as his opinion that 'the elementary myth was the

spontaneous production of imagination and not of reflection;' ... that

'morals have often been made an appendix to fables, but never entered

into the primitive fable;' that 'art and religion have made use of

the already existing myths (themselves devoid of moral conscience)

as allegories for their own æsthetic and moral ends.' And it appears

to me that the Romans, in adapting such elementary myths to legendary

use, have christianised them more than some other peoples.

Pacts with the Devil, in which the Germans revel, are rare; the story

of 'Pietro Bailliardo' is one of the very few. It would seem that

witchcraft never at any time obtained any great hold upon the people

of Rome, nor were witches ever treated with the same severity which

befell them in other parts of Europe. It is true that some stories

about witch-stepmothers wind up with 'e la brucciorno in mezzo alla

Piazza,' [11] but I am inclined to think it is rather a 'tag' received

from other countries, than an actual local tradition; and certainly

by cross-questioning I failed to awaken in the memory of the 'oldest

inhabitants' with whom I have had the opportunity of conversing any

tradition of anything of the sort having actually taken place.

'What do you know about burning witches in mezzo alla Piazza? I thought

such things were never done in Rome?' I observed one day to one who

ended a story thus. 'Who said the story took place in Rome?' was the

ready reply. I received the same reply to the same observation from

another, with the addition of 'There was something about a king and

a queen in the story and in other stories I have told you, and we

never had a king or a queen of Rome--the one may belong to the same

country as the other. Who knows what sort of a country such stories

come from!' A third answered, 'No; I don't believe witches were ever

burnt by law in Rome; I have always heard say that our laws were less

fierce than those of some other countries; but I can quite fancy that

if the people found a witch doing such things as I have told you,

they would burn her all by themselves, law or no law.'

Of course I have no pretension that my researches have been exhaustive,

nor have I been, properly speaking, searching for superstitions, but

in a good deal of intercourse with the uneducated, I have certainly

come across less of superstitious beliefs in Rome than collectors of

Folklore seem to have met in other countries. The saying exists,

Giorno di Venere,

Giorno di Marte,

Non si sposa,

E non si parte. [12]

But I have seldom heard the lines quoted without the addition of,

'But I don't believe in such things;' and a reference to the column

of marriage announcements in the 'Times' will show that the prejudice

against marrying in the month of May is, to say the least, quite as

strong among our own most highly-educated classes.

It is not altogether uncommon at the Parochial Mass, to hear along with

banns of marriage and other announcements, a warning pronounced against

such and such a person whom private counsel has failed to deter from

'dabbling in black arts;' but from the observations which I have

had the opportunity of making such persons find their dupes chiefly

among the dissolute and non-believing. I know a very consistently

religious woman, and also singularly intelligent, who appeared to

have a salutary contempt for certain practices in which her husband,

a worthless fellow, who had long ago abandoned her and his religion

together, indulged. 'He actually believes,' she told me one day,

'that if you go out and stand on a cross road--not merely where

two roads happen to cross each other, but where they actually make

a perfect cross--and if at the stroke of mezzogiorno in punto, you

call the Devil he is bound to come to you.'

'He always kept a bag of particular herbs,' I heard from her another

time, 'hung up over the door, all shred into the finest bits. As he

was very angry if I touched them, I one day said, "Why do you want

that bundle of herbs kept just there?" and then he told me that it

was because no witch could pass under them without first having to

count all the minute bits, and that though it was true she might do

so by her arts without taking them down and handling them, it was

yet so difficult when they were shred into such an infinite number

that it was the best preservative possible against evil influences.'

Another class of infrequent occurrence in the Roman stories is that

in which animals are prominent actors, other than those in which they

are transformed men. The tátos, the enchanted horse which excites so

great enthusiasm in the Hungarian, and whose counterpart does great

wonders also in the Gaelic tales, seems to be absolutely unknown, [13]

as I think is also the class not uncommon in the Gaelic (e.g. 'Tales

of the West Highlands,' i. 275 et seq.), also in the Russian Folklore,

p. 338, of birds made to pronounce articulate words analogous in sound

to their own cries. [14] Such traditions would naturally find a hold

rather among countrypeople than townspeople.

Fairies and witches are frequent enough, but the limits between

the respective domains assigned to them are not so marked as with

us. Roman fairies, it will be seen, are by no means necessarily

'fairy-like.' At the same time fairies, such as those described by

Mr. Campbell, 'West Highland Tales,' p. ci., are altogether unknown.

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