HIS MOTHER’S PORTRAIT

In one of the hundred houses of the fishing-village, where each is

exactly like the other in size and shape, where all have just as many

windows and as high chimneys, lived old Mattsson, the pilot.

In all the rooms of the fishing-village there is the same sort of

furniture, on all the window-sills stand the same kinds of flowers, in

all the corner-cupboards are the same collections of sea-shells and

coral, on all the walls hang the same pictures. And it is a fixed old

custom that all the inhabitants of the fishing-village live the same

life. Since Mattsson, the pilot, had grown old, he had conformed

carefully to the conditions and customs; his house, his rooms and his

mode of living were like everybody else’s.

On the wall over the bed old Mattsson had a picture of his mother. One

night he dreamed that the portrait stepped down from its frame, placed

itself in front of him and said with a loud voice: “You must marry,

Mattson.”

Old Mattsson then began to make clear to his mother that it was

impossible. He was seventy years old.—But his mother’s portrait merely

repeated with even greater emphasis: “You must marry, Mattsson.”

Old Mattsson had great respect for his mother’s portrait. It had been

his adviser on many debatable occasions, and he had always done well by

obeying it. But this time he did not quite understand its behavior. It

seemed to him as if the picture was acting in opposition to its already

acknowledged opinions. Although he was lying there and dreaming, he

remembered distinctly and clearly what had happened the first time he

wished to be married. Just as he was dressing as a bridegroom, the nail

gave way on which the picture hung and it fell to the floor. He

understood then that the portrait wished to warn him against the

marriage, but he did not obey it. He soon found that the portrait had

been right. His short married life was very unhappy.

The second time he dressed as a bridegroom the same thing happened. The

portrait fell to the ground as before, and he did not dare again to

disobey it. He ran away from bride and wedding and travelled round the

world several times before he dared come home again.—And now the

picture stepped down from the wall and commanded him to marry! However

good and obedient he was, he allowed himself to think that it was

making a fool of him.

But his mother’s portrait, which looked out with the grimmest face that

sharp winds and salt sea-foam could carve, stood solemnly as before.

And with a voice which had been exercised and strengthened for many

years by offering fish in the town marketplace, it repeated: “You must

marry, Mattsson.”

Old Mattsson then asked his mother’s portrait to consider what kind of

a community it was they lived in.

All the hundred houses of the fishing-village had pointed roofs and

whitewashed walls; all the boats of the fishing-village were of the

same build and rig. No one there ever did anything unusual. His mother

would have been the first to oppose such a marriage if she had been

alive. His mother had held by habits and customs. And it was not the

habit and custom of the fishing-village for old men of seventy years to

marry.

His mother’s picture stretched out her beringed hand and positively

commanded him to obey. There had always been something excessively

awe-inspiring in his mother when she came in her black silk dress with

many flounces. The big, shining gold brooch, the heavy, rattling gold

chain had always frightened him. If she had worn her market-clothes, in

a striped head-cloth and with an oil-cloth apron, covered with

fish-scales and fish eyes, he would not have been quite so overawed by

her. The end of it was that he promised to get married. And then his

mother’s portrait crept up into the frame again.

The next morning old Mattsson woke in great trouble. It never occurred

to him to disobey his mother’s portrait; it knew of course what was

best for him. But he shuddered nevertheless at the time that was now

coming.

The same day he made an offer of marriage to the plainest daughter of

the poorest fisherman, a little creature, whose head was drawn down

between her shoulders and who had a projecting under-jaw. The parents

said yes, and the day when he was to go to the town and publish the

bans was appointed.

The road from the fishing-village to the town passes over windy marshes

and swampy cow-pastures. It is two miles long, and there is a tradition

that the inhabitants of the fishing-village are so rich that they could

pave it with shining silver coins. It would give the road a strange

attraction. Glimmering like a fish’s belly, it would wind with its

white scales through clumps of sedge and pools filled with water-bugs

and melancholy bullfrogs. The daisies and almond-blossoms which adorn

that forsaken ground would be mirrored in the shining silver coins;

thistles would stretch out protecting thorns over them, and the wind

would find a ringing sounding-board when it played on the thatched roof

of the cow-barns and on telephone-wires.

Perhaps old Mattsson would have found some comfort if he could have set

his heavy sea boots on ringing silver, for it is certain that he for a

time had to go that way oftener than he liked.

He had not had “clean papers.” The bans could not be published. It came

from his having run away from his bride the last time. Some time passed

before the clergyman could write to the consistory about him and get

permission for him to contract a new marriage.

As long as this time of waiting lasted, old Mattsson came to the town

every week. He sat by the door of the pastor’s room and remained there

in silent expectation until all had spoken in turn. Then he rose and

asked if the clergyman had anything for him. No, he had nothing.

The pastor was amazed at the power that all-conquering love had

acquired over that old man. There he sat in a thick, knitted jersey,

high sea-boots and weather-beaten sou’wester with a sharp, clever face

and long, gray hair, and waited for permission to get married. The

clergyman thought it strange that the old fisherman should have been

seized by so eager a longing.

“You are in a hurry with this marriage, Mattsson,” said the clergyman.

“Oh yes, it is best to get it done soon.”

“Could you not just as well give up the whole thing? You are no longer

young, Mattsson.”

The clergyman must not be too surprised. He knew well enough that he

was too old, but he was obliged to be married. There was no help for

it.

So he came again week after week for a half year, until at last the

permission came.

During all that time old Mattsson was a persecuted man. Round the green

drying-place, where the brown fish-nets were hung out, along the

cemented walls by the harbor, at the fish-tables in the market, where

cod and crabs were sold, and far out in the sound among the shoals of

herring, raged a storm of wonder and laughter.

“So he is going to be married, he, Mattsson, who ran away from his own

wedding!”

Neither bride nor groom were spared.

But the worst thing for him was that no one could laugh more at the

whole thing than he himself. No one could find it more ridiculous. His

mother’s portrait was driving him mad.

It was the afternoon of the first time of asking. Old Mattsson, still

pursued by talk and wonderings, went out on the long breakwater as far

as the whitewashed lighthouse, in order to be alone. He found his

betrothed there. She sat and wept.

He asked her whether she would have liked some one else better. She sat

and pried little bits of mortar from the lighthouse wall and threw them

into the water, answering nothing at first.

“Was there nobody you liked?”

“Oh no, of course not.”

It is very beautiful out by the lighthouse. The clear water of the

sound laps about it. The low-lying shore, the little uniform houses of

the fishing-village, and the distant town are all shining in wonderful

beauty. Out of the soft mist that hovers on the western horizon a

fishing-boat comes gliding now and again. Tacking boldly, it steers

towards the harbor. The water roars gaily past its bow as it shoots in

through the narrow harbor entrance. The sail drops silently at the same

moment. The fishermen swing their hats in joyous greeting, and on the

bottom of the boat lies the glittering spoil.

A boat came into the harbor while old Mattsson stood out by the

lighthouse. A young man sitting at the tiller lifted his hat and nodded

to the girl. The old man saw that her eyes were shining.

“Well,” he thought, “have you fallen in love with the handsomest young

fellow in the fishing-village? Yes, you will never get him. You may

just as well marry me as wait for him.”

He saw that he could not escape his mother’s picture. If the girl had

cared for any one whom there was any possibility of getting, he would

have had a good motive to be rid of the whole business. But now it was

useless to set her free.

A fortnight later was the wedding, and a few days after came the big

November gale. One of the boats of the fishing-village was swept out

into the sound. It had neither rudder nor masts, so that it was quite

unmanageable. Old Mattsson and five others were on board, and they

drifted about without food for two days. When they were rescued, they

were in a state of exhaustion from hunger and cold. Everything in the

boat was covered with ice, and their wet clothes were stiff. Old

Mattsson was so chilled that he never was well again. He lay ill for

two years; then death came.

Many thought that it was strange that his idea of marrying came just

before the unlucky adventure, for the little woman he had got took good

care of him. What would he have done if he had been alone when lying so

helpless? The whole fishing-village acknowledged that he had never done

anything more sensible than marrying, and the little woman won great

consideration for the tenderness with which she took care of her

husband.

“She will have no trouble in marrying again,” people said.

Old Mattsson told his wife, every day while he lay ill, the story of

the portrait.

“You must take it when I am dead, just as you must take everything of

mine,” he said.

“Do not speak of such things.”

“And you must listen to my mother’s portrait when the young men propose

to you. Truly there is no one in the whole fishing-village who

understands getting married better than that picture.”

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