CHAPTER IV

Next morning, at precisely 4 a.m., there was an earthquake.

Foreigners unaccustomed to Nepenthean conditions rushed in their

pyjamas out of doors, to escape the falling wreckage. An American lady,

staying at Mr. Muhlen's high-class hotel, jumped from her bed-room on

the third floor into the courtyard below, and narrowly escaped bruising

her ankle.

It was a false alarm. The sudden clanging of every bell on the place,

the explosion of twelve hundred mortars and the simultaneous booming of

an enormous cannon--that far-famed gun whose wayward tricks had cost the

lives of hundreds of its loaders in the days of the Good Duke--might

have passed for an earthquake of the first magnitude, so far as noise

and concussion were concerned. The island rocked to its foundations. It

was the signal for the festival of the patron saint to begin.

Nobody could have slept through that din. Mr. Heard, dog-tired as he

was, woke up and opened his eyes.

"Things are happening here," he said--a remark which he found himself

repeating on several later occasions.

He looked round the room. It was not an hotel bed-room. Then he began

to remember things, drowsily. He remembered the pleasant surprise of

the previous evening--how the Duchess had called to mind a small villa,

vacated earlier than she had expected by a lady friend for whom she had

taken it. It was furnished, spotlessly clean, with a woman, a capable

cook, in attendance. She had insisted on his living there.

"So much nicer than a dreadful room in an hotel! You'll show the bishop

all over it, won't you, Denis?"

Walking together, he and Denis, they had been overtaken by another

recent visitor to Nepenthe. It was Mr. Edgar Marten. Mr. Marten was a

hirsute and impecunious young Hebrew of low tastes, with a passion for

mineralogy. He had profited by some University grant to make certain

studies at Nepenthe which was renowned for its variegated rocks. There

was something striking about him, thought Mr. Heard. He said little of

consequence, but Denis listened enthusiastically to his abstruse

remarks about fractures and so forth, and watched with eagerness as he

poked his stick into the rough walls to dislodge some stone that seemed

to be of interest.

"So you don't know the difference between augite and hornblende?" he

once enquired. "Really? Dash my eyes! How old did you say you were?"

"Nineteen."

"And what have you been doing, Phipps, these last nineteen years?"

"One can't know everything at my age."

"Granted. But I think you might have learnt that much. Come to me on

Thursday morning. I'll see what I can do for you."

Mr. Heard rather admired this youthful scientist. The fellow knew what

he was after; he was after stones. Perfect of his kind--a condition

which always appealed to the bishop. Pleasant youngsters, both of them.

And so different from each other!

As to Denis--he could not make up his mind about Denis. To begin with,

he exhaled that peculiar College aroma which the most heroic efforts of

a lifetime often fail to dissipate. Then, he had said something about

Florence, and Cinque-Cento, and Jacopo Bellini. The bishop, a practical

man, had not much use for Jacopo Bellini or for people who talked about

him. None the less, while making himself useful with unpacking and

arranging things, Denis dropped a remark which struck Mr. Heard.

"The canvas of Nepenthe," he observed, "is rather overcharged."

Rather overcharged....

It was true, thought the bishop, as he glanced out of his window that

evening, all alone, over the sea into which a young moon was just

sinking to rest. Overcharged! A ceaseless ebb and flow of humanity

surged before his weary eyes. That sense of irreality which had struck

him on his first view of the island was still persisting; the south

wind, no doubt, helped this illusion. He remembered the general

affluence and kindliness of the people; that, at least, had made a

definite mark upon his mind. He liked the place. Already he felt at

home here, and in better health. But when he tried to conjure up some

definite impression of town and people, the images became blurred; the

smiling priest, the Duchess, Mr. Keith--they were like figures in a

dream; they merged into memories of Africa, of his fellow-passengers

from Zanzibar; they mingled with projects relating to his own future in

England--projects relating to his cousin on Nepenthe. Mr. Heard felt

exhausted.

He was too tired to be greatly affected by that cannonade, which was

enough to rouse the dead. Something must be happening, he mused; then,

his meditations concluded, turned on his other side. He slept well into

the morning, and found his breakfast appetisingly laid out in the

adjoining room.

And now, he thought, for that procession.

Bells were ringing gaily into the sunshine. From a long way off, he

discerned the brazen tones of a band, the chanting of priests and

townspeople, shrill voices of women. The pageant came in sight--winding

its way through the multitudes under the beflagged arches of greenery,

while a rain of flowers descended from windows and balconies overhead.

Clusters of children went before, in many-tinted array, according to

their various schools or confraternities. Then came the municipal band

in uniform, playing the cheeriest of tunes, and escorted by the

Nepenthe militia whose old-fashioned costume of silver and scarlet was

most effective. The authorities of the island trod on their heels--grave

gentlemen in black clothes, some of them adorned with ribbons and

decorations. The Mephistophelean judge, the freethinker, was among

them; he limped along, expectorating every ten yards or so, presumably

to mark his displeasure at being obliged, as official, to attend a

religious function. The Commissioner, too, was in the ranks. He

appeared just the same as yesterday; very informal in his

knickerbockers, and decidedly pink about the gills.

There followed a long train of priests, clad in lace and silken

garments of every hue. They looked like a perambulating flower-garden.

Plump, jovial fellows--chanting blithely, and occasionally exchanging a

few words with one another. Don Francesco glittered in crimson

vestments; he recognized Mr. Heard, and gave him a broad smile combined

with something which might have been mistaken for a wink. The huge

silver statue of the saint came next. It was a grotesque monster, borne

aloft on a wooden platform that wobbled on the shoulders of eight lusty

perspiring carriers. As it passed, all the onlookers raised their hats;

all save the Russians, the Little White Cows who, standing aside with

wonderment written on their childlike faces, were relieved from this

necessity, since the wearing of hats had been forbidden by their

leader, their self-styled Messiah, the divinely inspired Bazhakuloff;

they were to go bareheaded summer and winter, "like the Christians of

old." Some ardent believers went so far as to kneel on the stony

ground. The Duchess, the Catholic-to-be, had assumed this reverend

posture; she was on the other side of the street, surrounded by a

number of ladies and gentlemen. Mr. Heard, reviewing the crowd,

abandoned the idea of piercing that procession and exchanging a few

words with her. He would see her in the afternoon.

Then the bishop--the dignitary whom Don Francesco had called "not

exactly a liberal." He tallied with that description. A wicked old

face! He was blear-eyed, brown as a mummy, and so fat that his legs had

long ago ceased to be any use save as a precarious support while

standing. He rode, in gorgeous apparel, on a milk-white donkey which

was led by two pretty choristers in blue. Attached to the end of a long

pole, a green umbrella of Gargantuan proportions, adorned with red

tassels, protected his wrinkled head from the rays of the sun. One hand

clutched some religious object upon which his eyes were glued in a

hypnotic trance, the other cruised aimlessly about the horizon, in the

act of benediction.

Mumbo-jumbo, thought Mr. Heard.

Yet he looked without wincing at the caricature of Christianity. It was

like an act in a pantomime. He had seen funnier things in Africa. Among

the Bitongos, for instance. They would have enjoyed this procession,

the Bitongos. They were Christians; had taken to the Gospel like ducks

to the water; wore top-hats at Easter. But liars--such dreadful liars!

Just the reverse of the M'tezo. Ah, those M'tezo! Incurable heathen. He

had given them up long ago. Anyhow, they despised lying. They filed

their teeth, ate their superfluous female relations, swopped wives

every new moon, and never wore a stitch of clothes. A man who appeared

among the M'tezo in a fig-leaf would find himself in the cooking-pot

within five minutes.

How they attached themselves to his heart, those black fellows. Such

healthy animals! This spectacle, he discovered, was rather like

Africa--the same steamy heat, the same blaring noises, dazzling light,

and glowing colours; the same spirit of unconquerable playfulness in

grave concerns.

And the Bumbulis, the Kubangos, the Mugwambas! And the Bulanga--that

tribe whom Mr. Keith seemed to know so well! Really, the Bulanga were

the worst of the lot. Not fit to be talked about. And yet, somehow or

other, one could not help liking them....

"Good morning, Bishop!" said a voice at his side. It was Mr. Keith. He

looked well washed and chubby in his spotless white clothes.

Accompanying him was a friend in grey flannels whom he presently

introduced as Mr. Eames. "Hope you slept well," he went on. "And how do

you like the procession? You are doing quite the right thing in

attending. Oh, quite. That is why I am here, though I don't much fancy

these ceremonies. One ought to conform to custom. Well, what are you

thinking?"

"I was thinking of Africa, and the pain which the natives will endure

for what they call their pleasures. I wonder how much those men are

paid for carrying that statue? They perspire pretty freely."

"They are paid nothing. They pay, themselves, a heavy sum for the

privilege."

"You surprise me!"

"They have remission of sins; they can be as naughty as ever they like

for a twelvemonth afterwards. That is a consideration. I will tell you

something else about that idol. It is five hundred years old--"

"Oh, come!" interposed Mr. Eames, in a tone of gentle remonstrance.

"The saint was cast exactly eighty-two years ago; they used to have a

wooden one before that time. Anybody can see from the workmanship--"

"Have it your way, Eames. Eighty-two years old, I was going to say, and

not yet paid for. They want some rich foreigner to produce the money.

They are counting on van Koppen, just now; an American millionaire, you

know, who comes here every year and spends a good deal of money. But I

know old Koppen. He is no fool. By the way, Eames, what do you think of

this discovery of mine? Of course you have heard of the James-Lange

theory of the Emotions, namely, that bodily changes follow directly on

the perception of the existing fact and that our feeling of these same

changes as they occur is the Emotion. They developed the theory

independently, and got great credit for it. Well, I find--what nobody

seems to have noticed--that they were anticipated by Professor Maudsley.

I've got a note of it in my pocket. Here you are. PSYCHOLOGY OF MIND,

1876, pages 472-4 ET SEQ.; 372, 384, 386-7 ET PASSIM. What do you say?"

"Nothing. I am not interested in psychology. You know it perfectly

well.

"Why not? Wouldn't you get more fun out of life if you were?"

"I have Perrelli."

"Always your old Perrelli! That reminds me, Eames. I mean to talk to

van Koppen as soon as he arrives about getting that book of yours

published. He is good for any amount. Koppen is your man."

There was a mischievous twinkle in his eye, as he said this.

"Please don't," implored Mr. Eames. "You will annoy me very seriously."

"Don't be absurd, my poor fellow."

"You can't think how much you will annoy me! How often have I told

you--"

"Then you must lunch with me to-day, together with the bishop. Don't

trouble about driving to the Old Town to see your cousin," he added to

Mr. Heard. "She is sure to be at the reception of the Duchess this

afternoon."

Mr. Eames said:

"So sorry. I must get back home. I only came out to speak to a man

about a collar--for my dog, I mean. Another day, if you don't mind. And

no millionaires, whatever you do!"

He departed, rather awkwardly.

"He is shy," Keith explained. "But he can tell you all about the

island. And now come home with me, Bishop. I feel as if it were time

for luncheon. It must be about half-past twelve."

Mr. Heard took out his watch.

"Half-past twelve to the minute," he said.

"I thought so. A man's best clock is his stomach. We have only a few

hundred yards to go. Hot, isn't it? This infernal south wind...."

The Villa Khismet was one of the surprises of Nepenthe. It lay somewhat

out of the way, at the end of a narrow, gloomy and tortuous lane. Who

would have dreamt of finding a house of this kind in such a situation?

Who would have expected, on passing through that mouldy wooden gateway

in the wall, to find himself in a courtyard that recalled the exquisite

proportions and traceries of the Alhambra--to be able to wander thence

under fretted arches through a maze of marble-paved Moorish chambers,

great and small, opening upon each other at irregular angles with a

deliciously impromptu effect? The palace had been built regardless of

expense. It was originally laid out, Keith explained, by one of the old

rulers of Nepenthe who, to tease his faithful subjects, simulated a

frenzied devotion for the poetry and architecture of the Saracens,

their bitterest enemies.

Something Oriental still hung about these chambers, though the modern

furniture was not at all in keeping with the style. Mr. Keith did not

profess to be a man of taste. "I try to be comfortable," he used to

say. He succeeded in being luxurious.

They glanced into the garden--a spacious park-like enclosure terminating

in a declivity, so as to afford a view over the sea far below. It was a

mock wilderness of trees and bright blossoms, flooded in meridian

sunlight. Some gardeners moved about, binding up the riotous vegetation

that had sprouted overnight under the moist breath of the sirocco.

"It's too hot to think of lunching out here," said Keith. "You should

come and see this place in the evening."

"It must be wonderful at that hour."

"Still more wonderful in the early morning, or by moonlight. But then I

am generally alone. There are twenty-four fountains in this garden," he

added. "They might help to keep the place cool. But of course not one

of them is in use now. You have observed, have you not, that there is

no running water on this island? That old Duke built the fountains all

the same, and to every one of them he attached a cistern, to hold the

winter rains; then a pumping apparatus. Relays of slaves had to work

underground, day and night, pumping water for these twenty-four

fountains; it fell back into the cisterns, and was forced up again. The

Arabs had fountains. He meant to have them too. Particularly at night!

If anything went wrong with the machinery at that hour, there was the

devil to pay. He swore he could not sleep unless he heard the music of

the water. And his sleepless nights were bad for his subjects. They

generally hid in caves till the fountains were reported to be in

working order again. That is the way to run an island, Mr. Heard. One

must be a stylist."

"You might re-activate one of them, at least, with the help of those

servants."

"They have enough to do, I assure you, to re-activate me--keep me young

and in good condition. To say nothing of the flowers, which also need a

little friendly attention...."

Mr. Heard enjoyed that luncheon. "The food, the wine, the service--they

were faultless; something altogether out of the way," he declared with

frank conviction.

"Then you must come again," replied his host. "How long did you say you

were staying here?"

"Ten days or so. It depends upon Mrs. Meadows and her movements. I

understand she is all alone up there, in the clouds. Her husband's

leave has been postponed for the second time. He was going to pick her

up on his way to England. She had to leave India before him, on account

of the child."

"A pretty baby. Couldn't stand the climate, I suppose."

"Exactly. My mother asked me to look in and cheer her up a little, and

perhaps take her back with me. And really," he added, "it's rather

awkward! I have not seen my cousin since she was a little girl. What

does she look like?"

"Tailor-made. Looks as if she rode well and knew her own mind. Looks as

if she had been through a good deal of trouble."

"I daresay she has. She was always impetuous, even as a child. That

first marriage was not at all a success. Some foreign scoundrel who

deserted her and vanished. I was in China at the time, but my mother

wrote me about it."

"A first marriage? She never told me about that."

"This second one was a love match. They ran away together. They must

have had a hard time out there at first, living as they did. No doubt

she has learnt to know her own mind; one has to cope with emergencies

in a life like that. He has done well, I hear. A charming fellow, from

all accounts, though I question whether they are properly married even

now."

"Perhaps they can't be," replied Mr. Keith, "in view of the earlier

affair. But how will they educate that boy, in India? It can't be done.

India is no better than Bampopo, for such purposes. Did you do much

educational work in Africa? I hope you were gentle with my friends the

Bulaga?"

"We baptized two or three hundred of them one day. But they behaved

shockingly the very next week--quite disgracefully! They are hopeless,

those friends of yours, though one cannot help liking them somehow. I

got through good deal of other work of that kind," he added.

"I see you are a man of action. Sometimes I wish I were. A little money

has made me lazy, I'm afraid. But I do some thinking, and a fair lot of

reading. I travel, I observe, I compare. Among other things I observe

that our English system of education is all wrong. We ought to return

to that old Camp-and-Court ideal."

"All wrong?" queried the bishop.

"Take a case like that young fellow Denis. What is a child of his age

doing at a University? No. If I had a son--but I am boring you."

"I have not been bored since I was twenty."

"I wish I could say the same of myself. I grow more intolerant of fools

as the years roll on. If I had a son, I was saying, I would take him

from school at the age of fourteen, not a moment later, and put him for

two years in a commercial house. Wake him up; make an English citizen

of him. Teach him how to deal with men as men, to write a

straightforward business letter, manage his own money and gain some

respect for those industrial movements which control the world. Next,

two years in some wilder part of the world, where his own countrymen

and equals by birth are settled under primitive conditions, and have

formed their rough codes of society. The intercourse with such people

would be a capital invested for life. The next two years should be

spent in the great towns of Europe, in order to remove awkwardness of

manner, prejudices of race and feeling, and to get the outward forms of

a European citizen. All this would sharpen his wits, give him more

interest in life, more keys to knowledge. It would widen his horizon.

Then, and not a minute sooner, to the University, where he would go not

as a child but a man capable of enjoying its real advantages, attend

lectures with profit, acquire manners instead of mannerisms and a

University tone instead of a University taint. What do you think?"

"It sounds a trifle revolutionary," commented the bishop, with a smile.

"But it appeals to me. Education is a matter than lies very near my

heart. In fact, I had some thoughts of retiring from the Church and

devoting myself to it. I feel, I don't know why, as if I could do more

in that direction."

Keith merely observed:

"That is interesting. Perhaps you have reached the end of the Church."

He liked this young Colonial bishop, and his straightforward, earnest

face. Being of a complicated nature himself, he was always drawn

towards men of single aims and purposes.

The other would have been pleased to know why Keith found it

"interesting" and what he meant by that other phrase, but forbore to

inquire. He was rather a silent man, though not deficient in mother

wit. He lit a cigarette, and waited.

"Let us discourse of education!" said his host with that elaborate

manner which the bishop afterwards discovered to be peculiar to him. "I

think we need not differentiate between the sexes. In proportion as

more careers are opened to women, their teaching will tend to converge

with that of men. That specifically female education in domestic arts

has been rendered superfluous by commercial products. I will tell you

what I think. A sound schooling should teach manner of thought rather

than matter. It should have a dual aim--to equip a man for hours of

work, and for hours of leisure. They interact; if the leisure is

misspent, the work will suffer. As regards the first, we cannot expect

a school to purvey more than a grip of general principles. Even that is

seldom given. The second should enable a man to extract as much

happiness as possible out of his spare time. The secret of happiness is

curiosity. Now curiosity is not only not roused; it is repressed. You

will say there is not time for everything. But how much time is wasted!

Mathematics.... A medieval halo clings round this subject which, as

a training for the mind, has no more value than whist-playing. I wonder

how many excellent public servants have been lost to England because,

however accomplished, they lacked the mathematical twist required to

pass the standard in this one subject? As a training in intelligence it

is harmful: it teaches a person to underestimate the value of evidence

based on their other modes of ratiocination. It is the poorest form of

mental exercise--sheer verification; conjecture and observation are

ruled out. A study of Chinese grammar would be far more valuable from

the point of view of general education. All mathematics above the

standard of the office boy should be a special subject, like dynamics

or hydrostatics. They are useless to the ordinary man. If you mention

the utility of a mathematician like Isaac Newton, don't forget that it

was his pre-eminently anti-mathematical gift for drawing conclusions

from analogy which made him what he was. And Euclid--that frowsy

anachronism! One might as well teach Latin by the system of Donatus.

Surely all knowledge is valueless save as a guide to conduct? A guide

ought to be up to date and convenient to handle. Euclid is a museum

specimen. Half the time wasted over these subjects should be devoted to

draughtmanship and object-lessons. I don't know why we disparage

object-lessons; they were recommended by people like Bacon, Amos

Commenius and Pestalozzi. They are far superior to mathematics as a

means of developing the reasoning powers; they can be made as complex

as you please; they discipline the eye and mind, teach a child to

discriminate between the accidental and the essential, and demand

lucidity of thought and expression. And the hours spent over history!

What on earth does it matter who Henry the Twelfth's wife was?

Chemistry! All this, relatively speaking, is unprofitable stuff. How

much better to teach the elements of sociology and jurisprudence. The

laws that regulate human intercourse; what could be more interesting?

And physiology--the disrespect for the human frame is another relic of

monasticism. In fact our whole education is tainted with the monkish

spirit. Divinity! Has any purpose ever been served--"

Mr. Keith sighed.

"I wish I had not eaten so many of those prawns," he added. "What are

you thinking?"

"I think modern education over-emphasizes the intellect. I suppose that

comes from the scientific trend of the times. You cannot obtain a

useful citizen if you only develop his intellect. We take children from

their parents because these cannot give them an intellectual training.

So far, good. But we fail to give them that training in character which

parents alone can give. Home influence, as Grace Aguilar conceived

it--where has it gone? It strikes me that this is a grave danger for the

future. We are rearing up a brood of crafty egoists, a generation whose

earliest recollections are those of getting something for nothing from

the State. I am inclined to trace our present social unrest to this

over-valuation of the intellect. It hardens the heart and blights all

generous impulses. What is going to replace the home, Mr. Keith? And

there is another point which has often forced itself upon me. A certain

proportion of wealthy children tend to fall back into lower grades of

life--manual labour, and so forth. They are born below the level of

their parents. No difficulty about relapsing. But a fair percentage of

the lowest classes tend to rise; they stand, potentially, above their

surroundings. An apparatus has been contrived for catching these

children. But it is defective, because devoid of sympathy. I have known

hundreds of cases in the East End of London where families have been

unable to raise themselves by this means because, at the critical

moment, there was not twenty shillings in the house wherewith to buy

clothes in which the child could present himself to a good employer

with any prospect of success. Worthy of a better fate, he is pushed

back. The chance is missed; the family remains in poverty. All kinds of

profitable and honourable capacities are being wasted in this fashion

every day--peculiar aptitudes for mechanics, talents for art, or music,

or acting--"

"Acting!" interrupted Keith. "I am glad you reminded me. We are just in

time to see some theatricals at the municipality. They only come off

once a year. It would never do for you to miss them. No, never."

The bishop, rather regretfully, rose from his seat. He was feeling

comfortable just then, and inclined to listen to a few more of Keith's

educational heresies. But that gentleman seemed to have exhausted the

subject, or himself.

"It's only a few minutes' walk," he observed. "We'll take a couple of

sunshades."

They stepped into the broiling heat. The morning mists had rolled away

from the mountains.

Walking along, Mr. Heard began to realize what a rambling and craggy

sort of place this was. And how decorative! Almost operatic. The town

was full of surprises--of unexpected glimpses upon a group of slender

palms, some gleaming precipice, or the distant sea. Gardens appeared to

be toppling over the houses; green vines festooned the doorways and

gaily coloured porches; streets climbed up and down, noisy with

rattling carriages and cries of fruit-vendors who exposed their wares

of brightest hues on the pavement. Country women, in picturesque

cinnamon-coloured skirts, moved gravely among the citizens. The houses,

when not whitewashed, showed their building stone of red volcanic tufa;

windows were aflame with cacti and carnations; slumberous oranges

glowed in courtyards; the roadways underfoot were of lava--pitch-black.

It was a brilliant medley, overhung by a deep blue sky. The canvas was

indeed overcharged, as Denis had said.

"There are no half-tones in this landscape," the bishop remarked to Mr.

Keith. "No compromise!"

"And yet perfect harmony. They are all true colours. I hate compromise.

It is one of the curses of life. That is why I cannot endure England

for long. The country is full of half-tones, not only in nature.

Because a thing seems good, there must be some bad in it. It seems bad

to us--therefore it must be good for us. Bedlamites! I like clean

values. They make for clean thinking. This is the only day in the

year," he went on, "when you will see the population abroad at this

hour. The streets are generally quite empty. It is the only day when I

would forgo my afternoon nap on Nepenthe."

"Nearly three o'clock," said the bishop, consulting his watch. "What a

queer time for theatricals!"

"That Duke again. You can ask Eames about him, he must have been a man

worth knowing. He always slept in the afternoons. It annoyed him to

think that his people slept too. He might suddenly want them for

something, he said. He commanded that they should stay awake, and

decapitated several hundred who were found napping. When he saw that

the habit was ingrained in their natures and that nothing would avail

save a total extermination of the populace, he gave way, gracefully.

Then he instituted these popular theatricals in honour of the Patron

Saint, and fixed them irrevocably for the hour of three o'clock. He

meant to keep his faithful subjects awake on one afternoon of the year,

at all events. He took it for granted that they could never resist a

performance of this kind. He was right. He knew his people! That was

ages ago. We shall find the place crammed this afternoon."

There was barely standing room, in spite of the sirocco heat. Mr.

Keith, by means of some mysterious formula, soon procured two seats in

the front row, the occupants of which smilingly took their places among

the crowd at the back.

The bishop found himself sitting between his host and a

distinguished-looking elderly gentleman who turned out to be Count

Caloveglia. He was dressed in black. There was something alert and

military in that upright carriage, those keen eyes, bushy black brows

and snowy mustache. He uttered a few pleasant remarks on making Mr.

Heard's acquaintance, but soon relapsed into silence. Absorbed in the

spectacle, he sat motionless, his chin resting in the hollow of his

right hand.

"A fine type," Keith whispered into the bishop's ear. "You will like

him. I call him the Salt of the South. If you are interested in the old

Greek life of these regions--well, he gives you an idea of those people.

He is the epitome of the Ionian spirit. I'll take you up to see him one

of these days."

The performance consisted of a series of twelve scenes without words,

representing the twelve chief episodes in the life of the Patron Saint,

as portrayed in a certain marble frieze in the church. The actors were

a handful of the more attractive and intelligent children of the place.

They had been trained under the watchful eye of a priest who confessed

to some notions of stage-craft and delighted in juvenile theatricals.

It was a thrillingly realistic performance; the costumes--designed, long

ago, by the Good Duke himself--varied with every tableau. Vociferous

expressions of approval accompanied the performance. The Saint's

encounter in the grove of Alephane with the golden-haired lady was a

masterpiece of histrionic art; so was his solemn preaching among the

black natives. Tears flowed freely at his violent death--a scene which

was only marred by the erratic movements of his venerable beard; that

mill-stone, too, of PAPIER MACHE, played lovely pranks upon a pea-green

ocean. Best of all was the cannibalistic feast of the Crotalophoboi

ending with a tempestuous, demoniacal war-dance. Their blackened limbs

emerging from the scantiest of vesture, the actors surpassed

themselves. Such an uproar of applause accompanied the orgy that it had

to be repeated.

Every year it had to be repeated, this particular tableau. It was by

far the most popular, to the intense regret of the PARROCO, the parish

priest, a rigid disciplinarian, an alien to Nepenthe, a frost-bitten

soul from the Central Provinces of the mainland. He used to complain

that times were changed; that what was good in the days of the Duke

might not be good for the present generation; that a scene such as this

was no incentive to true religion; that the Holy Mother of God could

hardly be edified by the performance, seeing that the players were

almost nude, and that certain of the gestures verged on indelicacy and

even immodesty. Every year he complained in like fashion: Ah, what

would the Madonna say, if she saw it?

And every year the entire body of the local clergy, with Don Francesco

as their eloquent spokesman, opposed his views.

The play was tradition, they avowed. Tradition must be upheld. And what

more? It savoured of heresy to suggest that the Mother of God was blind

to anything that happened on earth. Doubtless She saw this particular

scene; doubtless She approved; doubtless She smiled, like everyone

else. She loved her people in true motherly fashion. She was not born

in the Central Provinces. She was fond of children, whether they wore

clothes or not. The players enjoyed themselves. So did the audience.

The Mother of God liked them to make a cheerful show in honour of that

good old man, the Patron Saint. And Saint Dodekanus himself--what would

he think, if this ancient act of homage were withheld? He would be very

angry. He would send an earthquake, or a visitation of the cholera, or

a shower of ashes from the volcano across the water. Piety and prudence

alike counselled them to keep in his good graces. And what more? The

performance had been established by the Good Duke; and that endless

line of godly bishops, succeeding each other since his day, would never

have given their sanction to the costumes and the acting had they not

known that the Madonna approved of them. Why should She now think

differently? The Mother of God was not a fickle earthly creature, to

change Her mind from one day to the next.

With arguments such as these they endeavoured to controvert the PARROCO

who, being a fighter to the death, a resourceful ascetic of unbending

will, never admitted defeat. He bethought him of other shifts. On one

celebrated occasion he actually induced the bishop--tired as the old

prelate was, after his morning's ride on the white donkey--to attend the

performance, hoping to obtain from him some confirmation of his own

view, that the objectionable scene should be entirely remodelled or,

better still, cut out altogether. The reverend dignitary was supposed

to be extremely short-sighted and wandering, moreover, in his mind,

from sheer decrepitude. Perhaps he was wily beyond the common measure

of man. Be that as it may, he witnessed the spectacle but allowed

nothing to escape his lips safe a succession of soft purring sound

resembling:

Gu-gu-gu-gu-gu-gu-gu-gu-gu-,

An ambiguous utterance, which was construed by both parties as a

verdict in their favour.

Mr. Heard, while conceding that the acting was good--first rate, in

fact--could not make up his mind whether to be shocked or pleased. He

wondered whether such a play had any features in common with religion.

His host, who stood for paganism and nudity and laughter, convinced him

that it had.

"You would have seen the same thing in pre-Puritan England," he

concluded, at the end of a long exposition. "And now, if you like, we

will have a look at that Club. It may amuse you. There is still time

for the Duchess."

South Wind · 第 4 / 29 章