He looked sideways at Wilbraham as he spoke, with an engaging smile.

There was something attractive and appealing about him; he was rather

like a naughty child, caught in the act--indoors on a summer afternoon

with his shag tobacco and his whisky and his advanced dishabille.

Wilbraham was one of those who hated the reek of shag, but he forgave

him for it readily and took out his own cigarette case. He did not

reply to the offer of whisky.

"I'll go and get you a glass," said Bastian. "I'm afraid there's no

soda-water, but it's good whisky and better with water."

He went out of the room, and Wilbraham stood with his eyes fixed upon

the whisky bottle, and a queer look in them, half of eagerness, half of

repulsion.

Bastian was away longer than it would have taken him to get a glass, and

when he returned he had on a collar and a flowing brightly coloured tie.

He now looked like an artist, and not so much like a broken-down

gentleman-loafer.

"Say when!" he said, pouring out the whisky, and Wilbraham said when,

but not immediately.

"I get tired of painting," said Bastian. "It's very hot out there on

the moor, and I didn't bring a sketching umbrella with me. I thought

I'd have a lazy time with a book. 'David Copperfield.' One of the best

books, I consider." He held his head aside as he looked at Wilbraham.

Wilbraham had taken his first sip of whisky. It was only a sip, but his

face seemed to expand under it. His heart also expanded towards a

Dickens enthusiast, and for a time they talked about Dickens, and found

themselves always in encouraging agreement.

"It's a pleasure to have somebody to talk to," said Bastian. "I love

being in the country and I hate being in London. I came down here to be

as far away from London as possible, but there's no doubt one does want

human intercourse. I'm devoted to my little girl, who's here with me;

but one wants men to talk to."

"Oh, you've got a daughter with you," said Wilbraham. He had been

considering all the time, underneath the conversation, whether or not

Bastian could be introduced to Royd. He was a gentleman: that was

obvious. But it was equally obvious that he had shed some of the

customs usually followed by gentlemen. Would his innate breeding carry

him through, with women--with Lady Brent? With a man, or at least with

one who prided himself on being able to see beneath the surface, the

shocking old clothes and the shag tobacco would make no difference.

Then there was the whisky. Wilbraham had rather more than a suspicion

that Bastian's case was not so very different from his own: that whisky

meant a good deal to Bastian. There were signs of it on his smooth

child-like face--a lack of clearness in a skin that was meant to be

unusually clear, a slackness of muscle, a look in the eye and in the

droop of the mouth; and the second--or possibly the third--allowance

that Bastian had poured into his glass had exceeded by a good half inch

the not meagre allowance that Wilbraham had accepted in his own. Perhaps

it might lead to complications to invite him to Royd. If Wilbraham

should decide not to, the daughter might be made an excuse.

"She's a dear child," said Bastian. "Her mother's dead. She was one in

a thousand." He sighed. "Viola and I are everything to one another.

We're scarcely ever parted, except when we're at work. She has to earn

money, poor child, and neither of us manages to earn very much. Still,

we're happy together, and happiest of all when we leave the streets

behind us and get out into the country."

He was revealing himself as one of those people who like to pour

themselves out about their own affairs, not so much out of egotism as

from an impulse to show confidence towards their hearers, to establish

relations which shall rest upon no misunderstanding, in which nothing

shall be kept back.

Wilbraham was without that impulse, but he was also without any large

share of egotism. He was interested in other people, and usually

preferred that they should talk about themselves, since few people are

interesting upon any other subject. He had some curiosity about

Bastian's history, which seemed to have had contradictions in it, when

his refinement of speech and manner was compared with his confessed and

apparent indigence, which was rather below that to which men of birth

and breeding sink, even if they are without the earning capacity.

"How old is your daughter?" he asked, a little confused between the

mention of her as a child and that of her work.

"Sixteen or seventeen," said Bastian. "I can't quite remember which,

and I don't particularly want to. I don't suppose I shall keep her with

me for many years. She's a very beautiful girl. So was her mother. And

gentle and sweet and good too--both of them. Ah, whatever I've missed

in life--whatever mistakes I've made--I've had that. There's nothing in

this world like a good and beautiful woman,--'A lovely apparition, sent

to be a moment's ornament'--how does it go on? I can't keep these things

in my head."

Wilbraham threw a look at Bastian's glass, of which the contents were

now reduced by half. His speech showed no sign of deterioration--he was

evidently one of those people who could "carry their liquor"--but

Wilbraham recognized his state as one in which the ordinary dictates of

reticence would be considerably relaxed.

His own glass was nearly as full as before. He could quite easily have

gone away and left it there. He felt that the small amount he had

already drunk had done him a vast amount of good, enlightened his brain

and stimulated his body. He had an impulse of pity towards Bastian, who

was under the influence of the desire from which he had emancipated

himself, and of self-congratulation at his own freedom. Thank God that

he could drink what was good for him, and stop there. He was inclined

to like Bastian exceedingly. It might be possible, if he got to know

him better, to help him out of the morass into which he had fallen. It

seemed probable that the state of poverty to which he had come was owing

to habits of intemperance. A man who had had the same inclinations and

might have been brought under by them, but had overcome them instead,

would be the right man to help another, if he could gain his confidence.

And Bastian seemed to be in the mood to give confidence.

"I'm afraid I don't know your name as an artist," said Wilbraham with a

glance at the picture on the mantelpiece. "But it's years since I went

to an exhibition. I'm interested in art, though, and have read a good

deal about the modern movements."

"Art!" echoed Bastian. "There's nothing like it, is there? The older I

get the more I love it. Poetry, music, painting--everything. To tell

you the truth, art has been my downfall."

Wilbraham felt some surprise. He had thought that if Bastian had been

through any experience that might be described as a downfall, it had

been from other causes. "Well, if you've followed it when you might

have been doing something else that would have brought you more money,"

he said, "I don't know that you're so much to be pitied. If I had the

gift for painting, which I haven't at all, I'd rather do what you're

doing now, than get rich."

Bastian laughed. "I'm afraid I haven't much gift either," he said.

"I'm a rotten artist, and I'm a rotten musician, and I'm a rotten poet.

I've tried to make my living out of all three; but perhaps you might say

that I haven't tried very hard. I love 'em all too much. It's rotten to

have to make your living out of what you love. You want to enjoy it,

not to practise it, unless you've got a turn that way. You don't have

to be a singer yourself to enjoy other people's singing; it doesn't

follow that you can paint good pictures because you know a bad one when

you see it. There ought to be scholarships at the Universities for

people with a genius for contemplation, and life fellowships to follow

them up."

"The holders of life fellowships have sometimes been known to practise

contemplation to an excessive extent," said Wilbraham.

Bastian laughed heartily. "That's rather good," he said. "But what a

pleasant life, eh? These jolly places--and plenty of good company, and

good wine! Why should that happy lot be reserved for people who happened

to interest themselves in one or two subjects, out of all that there are

to interest one, in their extreme youth? I suppose you were at Oxford

or Cambridge in those happy days of long ago?"

"Cambridge," said Wilbraham. "I was at Christ's."

"We must have been there about the same time. I was at Magdalene--a

nice snug little college, and becoming quite an intelligent one, from

what I've heard. But I haven't been there since I came down. They

wouldn't be very proud of me now, I'm afraid. One or two touts or

stablemen might recognize me perhaps. They had plenty of money out of

me when I had it. I don't belong to that life any more."

He had a sudden mournful droop, and drank what was left in his glass.

Wilbraham had lost the impression that he was much affected by what he

had drunk, but it returned now. That drop into self-pitying depression

immediately after smiling excitement told its tale. His own sobriety

was indicated by his glass, still two-thirds full. He had half a mind

to remark upon Bastian's helping himself to another stiff peg, which he

did with a perfectly steady hand. But he did not know him well enough

yet; the time for that sort of sympathy had not yet come.

But he was more than ever interested in him. His fall must have been

from a higher social plane than he had suspected. Undergraduates whose

money had been spent in connection with horse-flesh usually had more

than the average to begin with, and Magdalene had been a super-sporting

college in his day and Bastian's day.

"I was the son of a poor parson," he said. "I got my scholarship, and

if I had worked I should probably have got my fellowship too. I did

work at what interested me, but the devil of it was that it didn't

interest the dons. Those prizes are reserved for the people who have

the sense to stick at one thing till they've got them. Then they can do

what they like. They're not necessarily the people who are best at

their subjects. I've got a real love for the classics, and I probably

know a good deal more about them than a lot of the people who got Firsts

when I only got a Second. It's the concentration of those few years

that counts."

Bastian laughed again. "Firsts and Seconds!" he said. "I didn't take a

degree at all. The smash had come before then, and I was tied up for

life."

Wilbraham was rather taken aback. It looked as if confidences were

coming, and he had the gentleman's dislike to receiving them unless they

are given with full intention. "Don't tell me anything you'll be sorry

for afterwards," he said, with another look at Bastian's glass.

"Oh, my dear fellow, I'm not drunk," said Bastian. "I drink a lot, and

no doubt it has had a good deal to do with keeping me where I am; but I

don't get drunk. I don't often meet anybody like you, who belongs to the

world I used to inhabit. It's a relief sometimes to unburden oneself.

Besides, there's Viola. Viola doesn't often get the chance of talking

to a gentleman. I think you'll open your eyes when you see Viola. I

haven't been able to raise myself out of the muck, but it hasn't touched

her. She's the flower that has grown out of it."

Wilbraham still felt some discomfort. If it were true that Bastian

never got drunk, he was none the less under the influence of drink now,

or he wouldn't have talked about himself with quite that absence of

control. He must have been referring to his wife when he had said that

he had been tied up for life, and men don't talk to one another in that

way about their wives on a first acquaintance when they are in full

possession of themselves.

"I shouldn't let anything you told me go any further," Wilbraham said.

Bastian did not seem to have heard this. He was looking down with a

frown of concentrated purpose. To unburden himself was evidently

imperative on him for the moment, and he was collecting his faculties to

that end.

"I don't want to give you a false impression," he said. "My wife was a

woman in a thousand. Never did I have one moment's regret that I had

married her. I think, if she'd lived, she might have made a man of me

still. Perhaps it was a fluke--I don't want to make myself out better

than I was, and I was a rotten young fool in those days--perhaps it was

a fluke that she was what she was, because it was only her beauty that I

fell in love with, and I hadn't the sense then to see what there was

behind it. But what I do say is that my people ought to have seen.

I'll never forgive them for that, and I'll never let Viola have anything

to do with them. She doesn't even know their name, and----"

"I don't quite understand," said Wilbraham, as he seemed to be off on

another gallop. "Why did your people object to your marrying?"

"Oh, well of course it was a fool's trick. I wasn't even of age, and

she was a girl off the stage, but one of the sweetest, kindest girls

that ever stepped. I only had her for a few years, but I tell you I'm

in love with her memory still. She's been dead seventeen years and I

miss her as much as ever. Life's nothing to me, though I'm not old yet;

I buried it all in her grave."

It was curious, thought Wilbraham, that there should be a story here not

dissimilar from the one that he had lived with for about the same length

of time. But the girl whose father had made the same mistake as Harry's

had not been shielded from its consequences as he had. She was hardly

likely to have escaped the contamination of the rougher, harder world to

which her father had descended. Wilbraham attributed Bastian's praise

of his wife largely to the diffuse sentiment of the moment. He had not

otherwise created the impression of a man living upon a life-long

regret. His daughter, if she was the close companion of his poverty and

the witness of his habits, could hardly be the rare and delicate flower

that he painted her, though she was probably beautiful. At any rate it

would be just as well to preserve Harry from contact with her. It would

be an ironic stroke of fate if in this remote corner in which he had

been brought up the glamour of the stage should obtrude itself once

more.

"Is your daughter on the stage?" he asked outright, at this point in his

reflections.

Bastian roused himself, and seemed to shake off completely his mood of

hopeless regret. "God forbid!" he said. "I wouldn't have risked that,

though if I had I believe she'd have come through it. You must see

Viola. I don't know where she is now. She's like a sweet young creature

of the woods--roams about in them all day. That'll tell you what she

is--a London girl, who can throw London off her altogether when she gets

away from it. She's less bound to it even than I am. Come up

to-morrow, will you? I'll tell her to be in to tea. She sometimes takes

it out with her. Can you come about half-past four?"

Wilbraham had been thinking rapidly. If this girl was in the habit of

roaming the woods all day she might come across Harry, who was also in

the habit of roaming the woods. All the ideas with which Wilbraham had

lived for years past gathered themselves into the instinct to watch and

guard. He must see this girl of Bastian's, and he must be prepared for

what should come, so that he could deal with it without surprise and

without hurry. Fortunately, he had not announced his intention of

calling upon the artist that afternoon. He would say nothing about his

visit at the Castle, but would announce one for the next day.

"Yes, I should like to come," he said, as he rose from his seat. "I

must be getting back now."

About a third of the whisky remained in his glass. He stood looking at

it, as Bastian expressed his pleasure in having seen him, and then

drained it off before he left the room.

*CHAPTER XV*

*WILBRAHAM*

Harry and Viola were in the log cabin. They had varied their

meeting-places. Best of them all they loved the secret pool, but that

was only for very hot still weather. Rain was falling intermittently

this afternoon, but every now and then the sun shone. The weather made

little difference to their happiness, and the cabin, Harry's handiwork,

provided them with a shelter when they needed it, which brought them

also a grateful sense of seclusion and joint possession. The Rectory

was empty; Sunday duty was performed by a visiting clergyman; nobody was

in the least likely to disturb them in their retreat. Viola had got rid

of her slight suspicion of Jane, which she had already confessed to

Harry, with happy laughter. "She may not know it," she had said, "but

of course she's in love with you, poor child! She couldn't help being,

if she was only nine instead of thirteen. I was a little jealous of her

being so much with you. But I love her for loving you, and of course

I'm not jealous of anybody now."

The log cabin was roughly furnished. Not much more would have been

required if it had really been the home of a pioneer. Harry and Viola

had played with the idea of living together in such a cabin, with a new

beautiful world to be tamed all around them, and this as the nest of

their love and companionship. So he had played with the children, but

Viola's presence had given their cabin a wonderful romantic charm which

it had never had and which it would never lose. Her presence would

illumine every place in which she might rest. Harry's old castle was

still in shadow because she had not yet visited it.

It was the morning of the day upon which Wilbraham was to take tea with

Bastian, and Viola was to be there to be exhibited to him. Harry had

been concerned at hearing that he had already been to the cottage.

"He has said nothing about it at home," he said. "This morning at

breakfast he did say that he had thought of going to see your father

this afternoon, but that it looked like raining all day. What does it

mean?"

"Nothing very dreadful," said Viola. "He and father seem to have got on

very well together yesterday, but perhaps he wasn't quite sure enough of

him to ask him to the Castle. Perhaps he wants to see what I'm like

first."

Harry threw her a quick loving look. They were sitting together on a

bench underneath the eaves of the hut. They might not have been taken

for lovers by anyone who had seen them; their caresses were rarer than

might have been expected, fathoms deep in love with one another as they

were; but looks and smiles flashed between them like summer lightning,

and scarcely the lightest word was spoken without emotion.

"When he sees you," Harry began; but she interrupted him. "Father

doesn't want to go if he does ask us," she said. "And I couldn't go,

Harry dear. I love you so much that I couldn't keep it back. I'm

afraid I shan't be able to keep it back this afternoon from Mr.

Wilbraham, if he says anything about you."

"I've asked myself sometimes," Harry said, thoughtfully, "whether it's

right to keep it back. You're so much above everybody else in the

world, Viola, that----"

Again she interrupted him. "Harry darling," she said, "I've thought

about it too. There are lots of things that I know about in the world

that you don't. I only want to forget them while I'm here with you; and

I can't if other people know how much I love you, and that you love me.

They wouldn't let us forget them."

"What sort of things, Viola dear? I'm not a child, though perhaps they

have tried to keep me one for too long, at home. I'm going to take care

of you, for all our lives. I ought to know as much as you do."

"I hope you never will, darling," she said, a little sadly. "I know

that the things I have learnt haven't spoilt me, or else I shouldn't

feel so happy as I do in your loving me. But other people might not

believe that. We're very young, both of us. We love as deeply as

people who are older love, and we know we shall go on loving each other

all our lives. But others wouldn't believe that. They would try to

part us. They would part us, as long as I stayed here; and there's such

a little time left. Oh, let us be happy together while it lasts, and

keep our lovely secret."

"Why should they try to part us, Viola? Who is there? My grandmother

and my mother. If they only saw you!"

She smiled at him. "It wouldn't be enough," she said, "whatever I was.

And they wouldn't look at me with your eyes. Perhaps nobody else would.

What was it made you love me so much, Harry?"

He had told her a hundred times, and now told her again; and she told

him that she had loved him the very first moment she had set eyes on

him, riding up on his gallant horse with his dogs around him. "You were

like a splendid young knight," she said. "No girl could have helped

loving you. But I love you a thousand times more now than I did then,

and I suppose I shall go on loving you more and more all my life."

It was like the old stories of his childhood, which had to be told over

and over again, and were better every time they were told. But now it

was not as it had been then, when no variation must be admitted in the

telling. There was always something new--some little discovery that

deepened the sense of perfection and wonderment, some answering thought

that showed them to have been close to one another, even in the hours in

which they were parted and were pasturing on their sweet memories of one

another.

It was with a kind of solemnity of sweetness that Harry dwelt upon

Viola's trust in him and his manhood. By a thousand little signs it had

been made plain that she knew more of the world than he, but she put all

that knowledge aside and looked up to him and submitted to him as if

infinite wisdom and experience were his. And in truth he had grown

greatly in mental stature since her love had come into his life to

change it so completely. They must have remarked upon it at home if he

had not taken such advantage of the freedom that was granted him and

been so little at home at this time. His mother actually had told him

that he was altered, after he had expressed himself with more than usual

self-confidence when they had talked about the war over the

dinner-table. She was always on the look-out for signs of something

that might take him from her, and she feared the war and what might come

of it with an unreasoning fear, considering the information at her

command. Harry was thinking a great deal about the war now, which does

not mean that there were any times at which he was not thinking about

Viola. With the coming of love his sense of the deeper values of life

had become strengthened. If he had felt himself borne along on a strong

current that would carry him to whatever of action or duty or mere state

of being that was laid down for him, then whatever happened to him was

part of the whole, and nothing in his life would be dissociated from

anything else. It was this sense of unity that lifted his fresh boy's

adoration of a girl as young and as pure as himself into something

bigger and more rooted than that, beautiful as it is. His love gave the

divine note of joy to all his purpose, sweetened and solemnized it at

the same time. It was not like a great happiness in which he could

forget himself, and which he must also forget for a time if something

more serious had to be faced.

This morning, for the first time, influenced perhaps by the breath from

outside which had come through Wilbraham's advent upon the scene, which,

however, they put aside from them, they talked about the time when Viola

should have gone away.

Their extreme youth moved them to sadness, which was not wholly painful

because the time was not near yet, and present bliss was only heightened

by the thought of parting. They were so far unlike most young lovers

that no mention was made of writing, or even of meeting again. It was

as if the contact between them was so close and so sure that however far

apart they might be in space, and for whatever time, they would still be

together.

Harry was serious about the future. "I don't know exactly what is going

to happen," he said. "I'm supposed to be going to Sandhurst in January,

but that's a long time ahead. I seem to see the war swallowing up

everything. There's something to be done here about it, and perhaps it

will be for me to do it. But there's nothing to show yet. I think

there won't be till you go away, my darling. I think there's nothing

that will come in the way of my being with you, and thinking about

nothing but you."

"Do you think you will have to go and fight, Harry? Oh, surely you're

too young for that, darling!"

"I'm not too young to love you."

Sir Harry: A Love Story · 第 10 / 21 段