_The Dramatic Unity of Nature_
Now in these strong assertions it seems to me that the Calvinist is much
more nearly in accord with our modern knowledge than are Plato and Mill.
It is not wise to hazard statements as to what the future may bring
forth, but I do not see how the dualism implied in all these attempts to
refer good and evil to different creative sources can ever be seriously
maintained again. The advance of modern science carries us irresistibly
to what some German philosophers call monism, but I prefer to call it
monotheism. In getting rid of the Devil and regarding the universe as
the multiform manifestation of a single all-pervading Deity, we become
for the first time pure and uncompromising monotheists,--believers in
the ever-living, unchangeable, and all-wise Heavenly Father, in whom we
may declare our trust without the faintest trace of mental reservation.
If we can truly take such a position, and hold it rationally, it is the
modern science so apt to be decried by the bats and owls of orthodoxy
that justifies us in doing so. For what is the philosophic purport of
these beautiful and sublime discoveries with which the keen insight and
patient diligence of modern students of science are beginning to be
rewarded? What is the lesson that is taught alike by the correlation of
forces, by spectrum analysis, by the revelations of chemistry as to the
subtle behaviour of molecules inaccessible to the eye of sense, by the
astronomy that is beginning to sketch the physical history of countless
suns in the firmament, by the palŠontology which is slowly unravelling
the wonders of past life upon the earth through millions of ages? What
is the grand lesson that is taught by all this? It is the lesson of the
unity of nature. To learn it rightly is to learn that all the things
that we can see and know, in the course of our life in this world, are
so intimately woven together that nothing could be left out without
reducing the whole marvellous scheme to chaos. Whatever else may be
true, the conviction is brought home to us that in all this endless
multifariousness there is one single principle at work, that all is
tending toward an end that was involved from the very beginning, if one
can speak of beginnings and ends where the process is eternal. The whole
universe is animated by a single principle of life, and whatever we see
in it, whether to our half-trained understanding and narrow experience
it may seem to be good or bad, is an indispensable part of the
stupendous scheme. As Aristotle said, so long ago, in one of those
characteristic flashes of insight into the heart of things in which no
one has ever excelled him, in nature there is nothing that is out of
place or interpolated, as in an ill-constructed drama.
To-day we can begin to realize how much was implied in this prophetic
hint of Aristotle's, for we are forced to admit that whatever may be the
function of evil in this world, it is unquestionably an indispensable
function, and not something interpolated from without. Whatever exists
is part of the dramatic whole, and this can quickly be proved. The
goodness in the world--all that we love and praise and emulate--we are
ready enough to admit into our scheme of things, and to rest upon it our
belief in God. The misery, the pain, the wickedness, we would fain leave
out. But if there were no such thing as evil, how could there be such a
thing as goodness? Or to put it somewhat differently, if we had never
known anything but goodness, how could we ever distinguish it from evil?
How could we recognize it as good? How would its quality of goodness in
any wise interest or concern us? This question goes down to the bottom
of things, for it appeals to the fundamental conditions according to
which conscious intelligence exists at all. Its answer will therefore
be likely to help us. It will not enable us to solve the problem of
evil, enshrouded as it is in a mystery impenetrable by finite
intelligence, but it will help us to state the problem correctly; and
surely this is no small help. In the mere work of purifying our
intellectual vision there is that which heals and soothes us. To learn
to see things without distortion is to prepare one's self for taking the
world in the right mood, and in this we find strength and consolation.
[Illustration]
V
_What Conscious Life is made of_
To return to our question, how could we have good without evil, we must
pause for a moment and inquire into the constitution of the human mind.
What we call the soul, the mind, the conscious self, is something
strange and wonderful. In our ordinary efforts to conceive it, invisible
and impalpable as it is, we are apt to try so strenuously to divorce it
from the notion of substance that it seems ethereal, unreal, ghostlike.
Yet of all realities the soul is the most solid, sound, and undeniable.
Thoughts and feelings are the fundamental facts from which there is no
escaping. Our whole universe, from the sands on the seashore to the
flaming suns that throng the Milky Way, is built up of sights and
sounds, of tastes and odours, of pleasures and pains, of sensations of
motion and resistance either felt directly or inferred. This is no
ghostly universe, but all intensely real as it exists in that intensest
of realities, the human soul! Consciousness, the soul's fundamental
fact, is the most fundamental of facts. But a truly marvellous affair is
consciousness! The most general truth that we can assert with regard to
it is this, that it exists only by virtue of incessant change. A state
of consciousness that should continue through an appreciable interval of
time without undergoing change would not be a state of consciousness. It
would be unconsciousness.
This perpetual change, then, is what makes conscious life. It is only by
virtue of this endless procession of fleeting phases of consciousness
that the human soul exists at all. It is thus that we are made. Why we
should have been made thus is a question aiming so far beyond our ken
that it is idle to ask it. We might as well inquire whether Infinite
Power could have made twice two equal five. We must rest content with
knowing that it is thus we were created; it is thus that the human soul
exists. Just as dynamic astronomy rests upon the law of gravitation,
just as physics is based upon the properties of waves, so the modern
science of mind has been built upon the fundamental truth that
consciousness exists only by virtue of unceasing change. Our conscious
life is a stream of varying psychical states which quickly follow one
another in a perpetual shimmer, with never an instant of rest. The
elementary psychical states, indeed, lie below consciousness, or, as we
say, they are sub-conscious. We may call these primitive pulsations the
psychical molecules out of which are compounded the feelings and
thoughts that well up into the full stream of consciousness. Just as in
chemistry we explain the qualitative differences among things as due to
diversities of arrangement among compounded molecules and atoms, so in
psychology we have come to see that thoughts and feelings in all their
endless variety are diversely compounded of sub-conscious psychical
molecules.
Musical sounds furnish us with a simple and familiar illustration of
this. When the sounds of taps or blows impinge upon the ear slowly, at
the rate of not more than sixteen in a second, they are cognized as
separate and non-musical noises. When they pass beyond that rate of
speed, they are cognized as a continuous musical tone of very low pitch;
a state of consciousness which seems simple, but which we now see is
really compound. As the speed of the blows increases, further
qualitative differences arise; the musical tone rises in pitch until it
becomes too acute for the ear to cognize, and thus vanishes from
consciousness. But this is far from being the whole story; for the
series of blows or pulsations make not only a single vivid fundamental
tone, but also a multifarious companion group of fainter overtones, and
the diverse blending of these faint harmonics constitutes the whole
difference in tone quality between the piano and the flute, the violin
and the trumpet, or any other instruments. If you take up a violin and
sound the F one octave above the treble staff, there are produced, in
the course of a single second, several thousand psychical states which
together make up the sensation of pitch, fifty-five times as many
psychical states which together make up the sensation of tone quality,
and an immense number of other psychical states which together make up
the sensation of intensity. These psychical states are not, in any
strict sense of the term, states of consciousness; for if they were to
rise individually into consciousness, the result would be an immense
multitude of sensations, and not a single apparently homogeneous
sensation. There is no alternative but to conclude that in this case a
seemingly simple state of consciousness is in reality compounded of an
immense multitude of sub-conscious psychical changes.
Now, what is thus true in the case of musical sounds is equally true of
all states of consciousness whatever, both those that we call
intellectual and those that we call emotional. All are highly compounded
aggregates of innumerable minute sub-conscious psychical pulsations, if
we may so call them. In every stream of human consciousness that we call
a soul each second of time witnesses thousands of infinitely small
changes, in which one fleeting group of pulsations in the primordial
mind-stuff gives place to another and a different but equally fleeting
group. Each group is unlike its immediate predecessor. The absence of
difference would be continuance, and continuance means stagnation,
blankness, negation, death. That ceaseless flutter, in which the
quintescence of conscious life consists, is kept up by the perpetual
introduction of the relations of likeness and unlikeness. Each one of
the infinitesimal changes is a little act of discrimination, a
recognition of a unit of feeling as either like or unlike some other
unit of feeling. So in these depths of the soul's life the arrangements
and re-arrangements of units go on, while on the surface the results
appear from moment to moment in sensations keen or dull, in perceptions
clear or vague, in judgments wise or foolish, in memories gay or sad, in
sordid or lofty trains of thought, in gusts of anger or thrills of love.
The whole fabric of human thought and human emotion is built up out of
minute sub-conscious discriminations of likenesses and unlikenesses,
just as much as the material world in all its beauty is built up out of
undulations among invisible molecules.
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