FOURTH MEMORY.

Every life has its years in which one progresses as on a tedious and

dusty street of poplars, without caring to know where he is. Of these

years nought remains in memory but the sad feeling that we have

advanced and only grown older. While the river of life glides along

smoothly, it remains the same river; only the landscape on either bank

seems to change. But then come the cataracts of life. They are firmly

fixed in memory, and even when we are past them and far away, and draw

nearer and nearer to the silent sea of eternity, even then it seems as

if we heard from afar their rush and roar. We feel that the life-force

which yet remains and impels us onward still has its source and supply

from those cataracts.

School time was ended, the first fleeting years of university life were

over, and many beautiful life-dreams were over also. But one of them

still remained: Faith in God and man. Otherwise life would have been

circumscribed within one's narrow brain. Instead of that, a nobler

consecration had preserved all, and even the painful and

incomprehensible events of life became a proof to me of the

omnipresence of the divine in the earthly. "The least important thing

does not happen except as God wills it." This was the brief

life-wisdom I had accumulated.

During the summer holidays I returned to my little native city. What

joy in these meetings again! No one has explained it, but in this

seeing and finding again, and in these self-memories, lie the real

secrets of all joy and pleasure. What we see, hear or taste for the

first time may be beautiful, grand and agreeable, but it is too new.

It overpowers, but gives no repose, and the fatigue of enjoying is

greater than the enjoyment itself. To hear again, years afterward, an

old melody, every note of which we supposed we had forgotten, and yet

to recognize it as an old acquaintance; or, after the lapse of many

years, to stand once more before the Sistine Madonna at Dresden, and

experience afresh all the emotions which the infinite look of the child

aroused in us for years; or to smell a flower or taste a dish again

which we have not thought of since childhood--all these produce such an

intense charm that we do not know which we enjoy most, the actual

pleasure or the old memory. So when we return again, after long

absence, to our birth-place, the soul floats unconsciously in a sea of

memories, and the dancing waves dreamily toss themselves upon the

shores of times long passed. The belfry clock strikes and we fear we

shall be late to school, and recovering from this fear feel relieved

that our anxiety is over. The same dog runs along the street on whose

account we used to go far out of our way. Here sits the old huckster

whose apples often led us into temptation, and even now, we fancy they

must taste better than all other apples in the world, notwithstanding

the dust on them. There one has torn down a house and built a new one.

Here the old music-teacher lived. He is dead--and yet how beautiful it

seemed as we stood and listened on summer evenings under the window

while the True Soul, when the hours of the day were over, indulged in

his own enjoyment and played fantasies, like the roaring and hissing

engine letting off the steam which has accumulated during the day.

Here in this little leafy lane, which seemed at that time so much

larger, as I was coming home late one evening, I met our neighbor's

beautiful daughter. At that time I had never ventured to look at or

address her, but we school-children often spoke of her and called her

"the Beautiful Maiden," and whenever I saw her passing along the street

at a distance I was so happy that I could only think of the time when I

should meet her nearer. Here in this leafy walk which leads to the

church-yard, I met her one evening and she took me by the arm, although

we had never spoken together before, and asked me to go home with her.

I believe neither of us spoke a word the whole way; but I was so happy

that even now, after all these years, I wish it were that evening, and

that I could go home again, silently and blissfully, with "the

Beautiful Maiden."

Thus one memory follows another until the waves dash together over our

heads, and a deep sigh swells the breast, which warns us that we have

forgotten to breathe in the midst of these pure thoughts. Then all at

once, the whole dream-world vanishes, like uprisen ghosts at the

crowing of the cock.

As I passed by the old castle and the lindens, and saw the sentinels

upon their horses, how many memories awakened in my soul, and how

everything had changed! Many years had flown since I was at the

castle. The Princess was dead. The Prince had given up his rule and

gone back to Italy, and the oldest prince, with whom I had grown up,

was regent. His companions were young noblemen and officers, whose

intercourse was congenial to him, and whose company in our early days

had often estranged us. Other circumstances combined to weaken our

young friendship. Like every young man who perceives for the first

time the lack of unity in the German folk-life, and the defects of

German rule, I had caught up some phrases of the Liberal party, which

sounded as strangely at court as unseemly expressions in an honest

minister's family. In short, it was many years since I had ascended

those stairs, and yet a being dwelt in that castle whose name I had

named almost daily, and who was almost constantly present in my memory.

I had long dwelt upon the thought that I should never see her again in

this life. She was transformed into an image which I felt neither did

nor could exist in reality. She had become my good angel--my other

self, to whom I talked instead of talking with myself. How she became

so I could not explain to myself, for I scarcely knew her. Just as the

eye sometimes pictures figures in the clouds, so I fancied my

imagination had conjured up this sweet image in the heaven of my

childhood, and a complete picture of phantasy developed itself out of

the scarcely perceptible outlines of reality. My entire thought had

involuntarily become a dialogue with her, and all that was good in me,

all for which I struggled, all in which I believed, my entire better

self, belonged to her. I gave it to her. I received it from her, from

her my good angel.

I had been at home but a few days, when I received a letter one

morning. It was written in English, and came from the Countess Marie:

_Dear Friend_: I hear you are with us for a short time. We have not

met for many years, and if it is agreeable to you, I should like to see

an old friend again. You will find me alone this afternoon in the

Swiss Cottage. Yours sincerely, MARIE.

I immediately replied, also in English, that I would call in the

afternoon.

The Swiss Cottage constituted a wing of the castle, which overlooked

the garden, and could be reached without going through the castle yard.

It was five o'clock when I passed through the garden and approached the

cottage. I repressed all emotion and prepared myself for a formal

meeting. I sought to quiet my good angel, and to assure her that this

lady had nothing to do with her. And yet I felt very uneasy, and my

good angel would not listen to counsel. Finally I took courage,

murmuring something to myself about the masquerade of life, and rapped

on the door, which stood ajar.

There was no one in the room except a lad whom I did not know, and who

likewise spoke English, and said the Countess would be present in a

moment. She then left, and I was alone, and had time to look about.

The walls of the room were of rose-chestnut, and over an openwork

trellis, a luxuriant broadleaved ivy twined around the whole room. All

the tables and chairs were of carved rose-chestnut. The floor was of

variegated woodwork. It gave me a curious sensation to see so much

that was familiar in the room. Many articles from our old play-room in

the castle were old friends, but the others were new, especially the

pictures, and yet they were the same as those in my University

room--the same portraits of Beethoven, Handel and Mendelssohn, as I had

selected--hung over the grand piano. In one corner I saw the Venus di

Milo, which I always regarded as the masterpiece of antiquity. On the

table were volumes of Dante, Shakspeare, Tauler's Sermons, the "German

Theology," Ruckert's Poems, Tennyson and Burns, and Carlyle's "Past and

Present,"--the very same books--all of which I had had but recently in

my hands. I was growing thoughtful, but I repressed my thoughts and

was just standing before the portrait of the deceased Princess, when

the door opened, and the same two servants, whom I had so often seen in

childhood, brought the Countess into the room upon her couch.

What a vision! She spoke not a word, and her countenance was as placid

as the sea, until the servants left the room. Then her eyes sought

me--the old, deep, unfathomable eyes. Her expression grew more

animated each instant. At last her whole face lit up, and she said:

"We are old friends--I believe; we have not changed. I cannot say

'You,' and if I may not say 'Thou,' then we must speak in English. Do

you understand me?"

I had not anticipated such a reception, for I saw here was no

masquerade--here was a soul which longed for another soul--here was a

greeting like that between two friends who recognize each other by the

glance of the eye, notwithstanding their disguises and dark masks. I

seized the hand she held out to me, and replied: "When we address an

angel, we cannot say 'You.'"

And yet how singular, is the influence of the forms and habits of life!

How difficult it is to speak the language of nature even to the most

congenial souls! Our conversation halted, and both of us felt the

embarrassment of the moment. I broke the silence and spoke out my

thoughts: "Men become accustomed to live from youth up as it were in a

cage, and when they are once in the open air they dare not venture to

use their wings, fearing, if they fly, that they may stumble against

everything."

"Yes," replied she, "and that is very proper and cannot well be

otherwise. One often wishes that he could live like the birds which

fly in the woods, and meet upon the branches and sing together without

being presented to each other. But, my friend, even among the birds

there are owls and sparrows, and in life it is well that one can pass

them without knowing them. It is sometimes with life as with poetry.

As the real poet can express the Truest and most Beautiful, although

fettered by metrical form, so man should know how to preserve freedom

of thought and feeling notwithstanding the restraints of society."

I could not help recalling the words of Platen: "That which proves

itself everlasting under all circumstances, told in the fetters of

words, is the unfettered spirit."

"Yes," said she, with a cordial but sweetly playful smile; "but I have

a privilege which is at the same time my burden and loneliness. I

often pity the young men and maidens, for they cannot have a friendship

or an intimacy without their relatives or themselves pronouncing it

love, or what they call love. They lose much on this account. The

maiden knows not what slumbers in her soul, and what might be awakened

by earnest conversation with a noble friend; and the young man in turn

would acquire so much knightly virtue if women were suffered to be the

distant witnesses of the inner struggles of the spirit. It will not

do, however, for immediately love comes in play, or what they call

love--the quick beating of the heart--the stormy billows of hope--the

delight over a beautiful face--the sweet sentimentality--sometimes also

prudent calculation--in short, all that troubles the calm sea, which is

the true picture of pure human love------"

She checked herself suddenly, and an expression of pain passed over her

countenance. "I dare not talk more to-day," said she; "my physician

will not allow it. I would like to hear one of Mendelssohn's

songs--that duet, which my young friend used to play years ago. Is it

not so?"

I could not answer, for as she ceased speaking and gently folded her

hands, I saw upon her hand a ring. She wore it on her little

finger--the ring which she had given me and I had given her. Thoughts

came too fast for utterance, and I seated myself at the piano and

played. When I had done, I turned around and said: "Would one could

only speak thus in tones without words!"

"That is possible," said she; "I understood it all. But I must not do

anything more to-day, for every day I grow weaker. We must be better

acquainted, and a poor sick recluse may certainly claim forbearance.

We meet to-morrow evening, at the same hour; shall we not?"

I seized her hand and was about to kiss it, but she held my hand

firmly, pressed it and said: "It is better thus. Good bye."

Memories: A Story of German Love · 第 12 / 18 题