She must content, or how will she be countenanced?

The very perilousness of her position renders her solicitous to attract

and to appease.

Society follows a natural selfishness in its condonation of her; she is

afraid of it, therefore she must bend all her efforts to be agreeable to

it! it can reject her at any given moment, so that her court of it must

be continual and expansive. No woman will take so much pains, give so

much entertainment, be so willing to conciliate, be so lavish in

hospitality, be so elastic in willingness, as the woman who adores

Society, and knows that any black Saturday it may turn her out with a

bundle of rods, and a peremptory dismissal.

Between her and Society there is a tacit bond.

"Amuse me, and I will receive you."

"Receive me, and I will amuse you."

* * *

Of all lay figures there is none on earth so useful as a wooden husband.

You should get a wooden husband, my dear, if you want to be left in

peace. It is like a comfortable slipper or your dressing-gown after a

ball. It is like springs to your carriage. It is like a clever maid who

never makes mistakes with your notes or comes without coughing

discreetly through your dressing-room. It is like tea, cigarettes,

postage-stamps, foot-warmers, eiderdown counterpanes--anything that

smooths life, in fact. Young women do not think enough of this. An

easy-going husband is the one indispensable comfort of life. He is like

a set of sables to you. You may never want to put them on; still, if the

north wind do blow--and one can never tell--how handy they are! You pop

into them in a second, and no cold wind can find you out, my dear.

Couldn't find you out, if your shift were in rags underneath! Without

your husband's countenance, you have scenes. With scenes, you have

scandal. With scandal, you come to a suit. With a suit, you most likely

lose your settlements. And without your settlements, where are you in

Society? With a husband you are safe. You need never think about him in

any way. His mere existence suffices. He will always be at the bottom of

your table, and the head of your visiting-cards. That is enough. He will

represent Respectability for you, without your being at the trouble to

represent Respectability for yourself. Respectability is a thing of

which the shadow is more agreeable than the substance. Happily for us,

Society only requires the shadow.

* * *

Very well; if you dislike dancing, don't dance; though if a woman don't,

you know, they always think she has got a short leg, or a cork leg, or

something or other that's dreadful. But why not show yourself at them?

At least show yourself. One goes to balls as one goes to church. It's a

social muster.

* * *

The art of pleasing is more based on the art of seeming pleased than

people think of, and she disarmed the prejudices of her enemies by the

unaffected delight she appeared to take in themselves. You may think

very ill of a woman, but after all you cannot speak very ill of her if

she has assured you a hundred times that you are amongst her dearest

friends.

* * *

Society always had its fixed demands. It used to exact birth. It used to

exact manners. In a remote and golden age there is a tradition that it

was once contented with mind. Nowadays it exacts money, or rather

amusement, because if you don't let other folks have the benefit of your

money, Society will take no account of it. But have money and spend it

well (that is, let Society live on it, gorge with it, walk ankle-deep in

it), and you may be anything and do anything; you may have been an

omnibus conductor in the Strand, and you may marry a duke's daughter;

you may have been an oyster-girl in New York, and you may entertain

royalties. It is impossible to exaggerate an age of anomaly and

hyperbole. There never was an age when people were so voracious of

amusement, and so tired of it, both in one. It is a perpetual carnival

and a permanent yawn. If you can do anything to amuse us you are

safe--till we get used to you--and then you amuse no longer, and must go

to the wall. Every age has its price: what Walpole said of men must be

true of mankind. Anybody can buy the present age that will bid very high

and pay with tact as well as bullion. There is nothing it will not

pardon if it see its way to getting a new sensation out of its leniency.

Perhaps no one ought to complain. A Society with an india-rubber

conscience, no memory, and an absolute indifference to eating its own

words and making itself ridiculous, is, after all, a convenient one to

live in--if you can pay for its suffrages.

* * *

If you are only well beforehand with your falsehood all will go upon

velvet; nobody ever listens to a rectification. "Is it possible?"

everybody cries with eager zest; but when they have only to say "Oh,

wasn't it so?" nobody feels any particular interest. It is the first

statement that has the swing and the success; as for explanation or

retractation--pooh! who cares to be bored?

* * *

Those people with fine brains and with generous souls will never learn

that life is after all only a game--a game which will go to the

shrewdest player and the coolest. They never see this; not they; they

are caught on the edge of great passions, and swept away by them. They

cling to their affections like commanders to sinking ships, and go down

with them. They put their whole heart into the hands of others, who only

laugh and wring out their lifeblood. They take all things too vitally in

earnest. Life is to them a wonderful, passionate, pathetic, terrible

thing that the gods of love and of death shape for them. They do not see

that coolness and craft, and the tact to seize accident, and the

wariness to obtain advantage, do in reality far more in hewing out a

successful future than all the gods of Greek or Gentile. They are very

unwise. It is of no use to break their hearts for the world; they will

not change it. _La culte de l'humanité_ is the one of all others which

will leave despair as its harvest. Laugh like Rabelais, smile like

Montaigne; that is the way to take the world. It only puts to death its

Sebastians, and makes its Shelleys not sorrowful to see the boat is

filling.

* * *

Society always adheres to its principles; just as a Moslem subscribes

none the less to the Koran because he may just have been blowing the

froth off his bumper of Mumm's before he goes to his mosque.

* * *

Pleasantness is the soft note of this generation, just as scientific

assassination is the harsh note of it. The age is compounded of the two.

Half of it is chloroform; the other half is dynamite.

* * *

You make us think, and Society dislikes thinking. You call things by

their right names, and Society hates that, though Queen Bess didn't mind

it. You trumpet our own littleness in our ear, and we know it so well

that we do not care to hear much about it. You shudder at sin, and we

have all agreed that there is no such thing as sin, only mere

differences of opinion, which, provided they don't offend us, we have no

business with: adultery is a _liaison_, lying is gossip, debt is a

momentary embarrassment, immorality is a little slip, and so forth: and

when we have arranged this pretty little dictionary of convenient

pseudonyms, it is not agreeable to have it sent flying by fierce,

dreadful, old words, that are only fit for some book that nobody ever

reads, like Milton or the Family Bible. We do not want to think. We do

not want to hear. We do not care about anything. Only give us a good

dinner and plenty of money, and let us outshine our neighbours. There is

the Nineteenth Century Gospel. My dear, if Ecclesiasticus himself came

he would preach in vain. You cannot convince people that don't want to

be convinced. We call ourselves Christians--Heaven save the mark!--but

we are only the very lowest kind of pagans. We do not believe in

anything--except that nothing matters. Well, perhaps nothing does

matter. Only one wonders why ever so many of us were all created, only

just to find _that_ out.

* * *

Love to the looker-on may be blind, unwise, unworthily bestowed, a

waste, a sacrifice, a crime; yet none the less is love, alone, the one

thing that, come weal or woe, is worth the loss of every other thing;

the one supreme and perfect gift of earth, in which all common things of

daily life become transfigured and divine. And perhaps of all the many

woes that priesthoods have wrought upon humanity, none have been greater

than this false teaching, that love can ever be a sin. To the sorrow

and the harm of the world, the world's religions have all striven to

make men and women shun and deny their one angel as a peril or a shame;

but religions cannot strive against nature, and when the lovers see each

other's heaven in each other's eyes, they know the supreme truth that

one short day together is worth a lifetime's glory.

* * *

Genius is like the nautilus, all sufficient for itself in its pretty

shell, quite at home in the big ocean, with no fear from any storm. But

if a wanton stone from a boat passing by break the shell, where is the

nautilus then? Drowned; just like any common creature!

* * *

There are times when, even on the bravest temper, the ironical mockery,

the cruel despotism of trifling circumstances, that have made themselves

the masters of our lives, the hewers of our fate, must weigh with a

sense of involuntary bondage, against which to strive is useless.

The weird sisters were forms of awe and magnitude proportionate to the

woes they dealt out, to the destiny they wove. But the very littleness

of the daily chances that actually shape fate is, in its discordance and

its mockery, more truly terrible and most hideously solemn--it is the

little child's laugh at a frisking kitten which brings down the

avalanche, and lays waste the mountain side, or it is the cackle of the

startled geese that saves the Capitol.

To be the prey of Atropos was something at the least; and the grim _Deus

vult perdere_, uttered in the delirium of pain, at the least made the

maddened soul feel of some slender account in the sight of the gods and

in the will of Heaven. But we, who are the children of mere accident and

the sport of idlest opportunity, have no such consolation.

* * *

Of course they will stone you, as village bumpkins run out and stone an

odd stray bird that they have never seen before; and the more beautiful

the plumage looks, the harder rain the stones. If the bird were a

sparrow the bumpkins would let it be.

* * *

Love that remembers aught save the one beloved may be affection, but it

is not love.

* * *

Ariel could not combat a leopardess; Ithuriel's spear glances pointless

from a rhinoceros' hide. To match what is low and beat it, you must

stoop, and soil your hands to cut a cudgel rough and ready. She did not

see this; and seeing it, would not have lowered herself to do it.

* * *

Which is the truth, which is the madness?--when the artist, in the

sunlit ice of a cold dreamland, scorns love and adores but one art; or

when the artist, amidst the bruised roses of a garden of passion, finds

all heaven in one human heart?

* * *

There is a story in an old poet's forgotten writings of a woman who was

queen when the world was young, and reigned over many lands, and loved a

captive, and set him free, and thinking to hurt him less by seeming

lowly, came down from her throne and laid her sceptre in the dust, and

passed amongst the common maidens that drew water at the well, or begged

at the city gate, and seemed as one of them, giving him all and keeping

nought herself: "so will he love me more," she thought; but he, crowned

king, thought only of the sceptre and the throne, and having those,

looked not amongst the women at the gate, and knew her not, because what

he had loved had been a queen. Thus she, self-discrowned, lost both her

lover and her kingdom. A wise man amongst the throng said to her, "Nay,

you should have kept aloof upon your golden seat and made him feel your

power to deal life or death, and fretted him long, and long kept him in

durance and in doubt, you, meanwhile, far above. For men are light

creatures as the moths are."

* * *

They had lived in London and Paris all their lives, and had, before

this, heard patriotism used as a reason for a variety of things, from a

minister's keeping in office against the will of the country, to a

newspaper's writing a country into bloodshed and bankruptcy; they were

quite aware of the word's elasticity.

* * *

It was the true and perfect springtide of the year, when Love walks

amongst the flowers, and comes a step nearer what it seeks with every

dawn.

Without Love, spring is of all seasons cruel; more cruel than all frost

and frown of winter.

* * *

In the early days of an illicit passion concealment is charming; every

secret stairway of intrigue has a sweet surprise at its close; to be in

conspiracy with one alone against all the rest of humanity is the most

seductive of seductions. Love lives best in this soft twilight, where it

only hears its own heart and one other's beat in the solitude.

But when the reverse of the medal is turned; when every step on the

stairs has been traversed and tired of, when, instead of the heart's

beat, there is but an upbraiding voice, when it is no longer _with_ one

but _from_ one that concealment is needed, then the illicit passion is

its own Nemesis, then nothing were ever drearier, wearier, more anxious,

or more fatiguing than its devious paths become, and they seem to hold

the sated wanderer in a labyrinth of which he knows, and knowing hates,

every wind, and curve, and coil, yet out of which it seems to him he

will never make his way back again into the light of wholesome day.

* * *

My dear, the days of Fontenoy are gone out; everybody nowadays only

tries to get the first fire, by hook or by crook. Ours is an age of

cowardice and cuirassed cannon; chivalry is out of place in it.

* * *

With a woman, the vulgarity that lies in public adulation is apt to

nauseate; at least if she be so little of a woman that she is not vain,

and so much of one that she cares for privacy. For the fame of our age

is not glory but notoriety; and notoriety is to a woman like the bull to

Pasiphae--whilst it caresses it crushes.

* * *

Had she your talent the world would have heard of her. As it is, she

only enjoys herself. Perhaps the better part. Fame is a cone of smoke.

Enjoyment is a loaf of sugar.

* * *

There is no such coward as the woman who toadies Society because she has

outraged Society. The bully is never brave.

"Oignez vilain il vous poindra: poignez vilain il vous oindra," is as

true of the braggart's soul still, as it used to be in the old days of

Froissart, when the proverb was coined.

* * *

She was of opinion with Sganarelle, that "cinq ou six coups de bâton

entre gens qui s'aiment ne font que ragaillarder l'affection."

But, like Sganarelle also, she always premised that the right to give

the blows should be hers.

* * *

She was only like any other well-dressed woman after all, and humanity

considers that when genius comes forth in the flesh the touch of the

coal from the altar should have left some visible stigmata on the lips

it has burned, as, of course anybody knows, it invariably leaves some

smirch upon the character.

Humanity feels that genius ought to wear a livery, as Jews and loose

women wore yellow in the old golden days of distinction.

"They don't even paint!" said one lady, and felt herself aggrieved.

* * *

Calumny is the homage of our contemporaries, as some South Sea Islanders

spit on those they honour.

* * *

Popularity has been defined as the privilege of being cheered by the

kind of people you would never allow to bow to you.

Fame may be said to be the privilege of being slandered at once by the

people who do bow to you, as well as by the people who do not.

* * *

Nobody there knew at all. So everybody averred they knew for certain.

Nobody's story agreed with anybody else's, but that did not matter at

all. The world, like Joseph's father, gives the favourite coat of many

colours which the brethren rend.

* * *

"Be honey, and the flies will eat you," says the old saw, but, like most

other proverbs, it will not admit of universal application. There is a

way of being honey that is thoroughly successful and extremely popular,

and constitutes a kind of armour that is bomb-proof.

* * *

The longest absence is less perilous to love than the terrible trials of

incessant proximity.

* * *

She forgot that love likes to preserve its illusions, and that it will

bear better all the sharpest deprivations in the world than it will the

cruel tests of an unlovely and unveiled intercourse.

She had committed the greatest error of all: she had let him be

disenchanted by familiarity. Passion will pardon rage, will survive

absence, will forgive infidelity, will even thrive on outrage, and will

often condone a crime; but when it dies of familiarity it is dead for

ever and aye.

* * *

Society will believe anything rather than ever believe that Itself can

be duped.

If you have only assurance enough to rely implicitly on this, there is

hardly anything you cannot induce it to accept.

* * *

Here was the secret of her success. To her nothing was little.

This temper is always popular with Society. To enjoy yourself in the

world, is, to the world, the prettiest of indirect compliments.

The chief offence of the poet, as of the philosopher, is that the world

as it is fails to satisfy them.

Society, which is after all only a conglomerate of hosts, has the host's

weakness--all its guests must smile.

The poet sighs, the philosopher yawns. Society feels that they

depreciate it. Society feels more at ease without them.

To find every one acceptable to you is to make yourself acceptable to

every one.

Hived bees get sugar because they will give back honey. All existence is

a series of equivalents.

* * *

Even the discreetest friends will, like the closest-packed hold of a

ship, leak occasionally. Salt water and secrets are alike apt to ooze.

* * *

The simplicity of the artist is always the stumbling-block of the artist

with the world.

* * *

A woman need never dread the fiercest quarrel with her lover; the

tempest may bring sweeter weather than any it broke up, and after the

thunder the singing of birds will sound lovelier than before. Anger will

not extinguish love, nor will scorn trample it dead; jealousy will fan

its fires, and offences against it may but fasten closer the fetters

that it adores beyond all liberty. But when love dies of a worn-out

familiarity it perishes for ever and aye.

Jaded, disenchanted, wearied, indifferent, the tired passion expires of

sheer listlessness and contemptuous disillusion.

The death is slow and unperceived, but it is sure; and it is a death

that has no resurrection.

* * *

There is nothing that you may not get people to believe in if you will

only tell it them loud enough and often enough, till the welkin rings

with it.

* * *

What Raffaelle has left us must be to the glories he imagined as the

weaver's dye to the sunset's fire.

* * *

A woman's violence is a mighty power; before it reason recoils unnerved,

justice quails appalled, and peace perishes like a burnt-up scroll; it

is a sand-storm, before which courage can do but little: the bravest man

can but fall on his face and let it rage on above him.

* * *

A very trustful woman believes in her lover's fidelity with her heart; a

very vain woman believes in it with her head.

* * *

From the moment that another life has any empire on ours, peace is gone.

Art spreads around us a profound and noble repose, but passion enters

it, and then art grows restless and troubled as the deep sea at the call

of the whirlwind.

_WANDA._

A man cast forth from his home is like a ship cut loose from its anchor

and rudderless. Whatever may have been his weakness, his offences, they

cannot absolve you from your duty to watch over your husband's soul, to

be his first and most faithful friend, to stand between him and his

temptations and perils. That is the nobler side of marriage. When the

light of love is faded, and its joys are over, its duties and its

mercies remain. Because one of the twain has failed in these the other

is not acquitted of obligation.

* * *

"Choose some career; make yourself some aim in life; do not fold your

talents in a napkin; in a napkin that lies on the supper-table at

Bignon's. That idle, aimless life is very attractive, I daresay, in its

way, but it must grow wearisome and unsatisfactory as years roll on. The

men of my house have never been content with it; they have always been

soldiers, statesmen, something or other beside mere nobles."

"But they have had a great position."

"Men make their own position; they cannot make a name (at least, not to

my thinking). You have that good fortune; you have a great name; you

only need, pardon me, to make your manner of life worthy of it."

"Cannot make a name? Surely in these days the beggar rides on horseback

in all the ministries and half the nobilities;"

"You mean that Hans, Pierre, or Richard becomes a count, an excellency,

or an earl? What does that change? It alters the handle; it does not

alter the saucepan. No one can be ennobled. Blood is blood; nobility can

only be inherited; it cannot be conferred by all the heralds in the

world. The very meaning and essence of nobility are descent, inherited

traditions, instincts, habits, and memories--all that is meant by

_noblesse oblige_."

* * *

"Men are always like Horace," said the princess. "They admire rural

life, but they remain for all that with Augustus."

* * *

I read the other day of some actresses dining off a truffled pheasant

and a sack of bonbons. That is the sort of dinner we make all the year

round, morally--metaphorically--how do you say it? It makes us thirsty,

and perhaps--I am not sure--perhaps it leaves us half starved, though we

nibble the sweetmeats, and don't know it.

"Your dinner must lack two things--bread and water."

"Yes; we never see either. It is all truffles and caramels and _vins

frappés_."

"There is your bread."

She glanced at the little children, two pretty, graceful little maids of

six and seven years old.

"_Ouf!_" said the Countess Branka. "They are only little bits of puff

paste, a couple of _petits fours_ baked on the boulevards. If they be

_chic_, and marry well, I for one shall ask no more of them. If ever you

have children, I suppose you will rear them on science and the

Antonines?"

"Perhaps on the open air and Homer."

* * *

Cannot you make them understand that we are not public artists to need

_réclames_, nor yet sovereigns to be compelled to submit to the

microscope? Is this the meaning of civilisation--to make privacy

impossible, to oblige every one to live under a lens?

* * *

The world was much happier when distinctions and divisions were

impassable. There are no sumptuary laws now. What is the consequence?

That your _bourgeoise_ ruins her husband in wearing gowns fit only for a

duchess, and your prince imagines it makes him popular to look precisely

like a cabman or a bailiff.

* * *

A great love must be as exhaustless as the ocean in its mercy, and as

profound in its comprehension.

* * *

What was love if not one long forgiveness? What raised it higher than

the senses if not its infinite patience and endurance of all wrong? What

was its hope of eternal life if it had not gathered strength in it

enough to rise above human arrogance and human vengeance?

* * *

There is an infinite sense of peace in those cool, vast, unworn mountain

solitudes, with the rain-mists sweeping like spectral armies over the

level lands below, and the sun-rays slanting heavenward, like the spears

of an angelic host. There is such abundance of rushing water, of deep

grass, of endless shade, of forest trees, of heather and pine, of

torrent and tarn; and beyond these are the great peaks that loom through

breaking clouds, and the clear cold air, in which the vulture wheels and

the heron sails; and the shadows are so deep, and the stillness is so

sweet, and the earth seems so green, and fresh, and silent, and strong.

Nowhere else can one rest so well; nowhere else is there so fit a refuge

for all the faiths and fancies that can find a home no longer in the

harsh and hurrying world; there is room for them all in the Austrian

forests, from the Erl-King to Ariel and Oberon.

* * *

"You think any sin may be forgiven?" he said irrelevantly, with his face

averted.

"That is a very wide question. I do not think St. Augustine himself

could answer it in a word or in a moment. Forgiveness, I think, would

surely depend on repentance."

"Repentance in secret--would that avail?"

Wisdom, Wit, and Pathos of Ouida Selected from the Works of Ouida · 第 29 / 31 段